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sweetarethediscords · 3 days

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The Maiden of The Barren Rime

Winter Wind blows through the valley, pushes us into our homes.

Pleading she knocks at our windows, scorned she continues to roam.

Chapter 1: The Brambled Beauty

Mina quieted at the sound of unfamiliar voices on the wind.

“Are you sure this is the right cabin?” It was a feminine voice, on the younger side, with a slight Tinian accent, most likely from the North Coast judging from the way they dragged the “er” in “sure.”

“Of course this is the right cabin! It’s the only cabin in this damned forest!” A masculine voice spat back. Staunchly Lanholdian, Mina could almost feel the thick tension in their tongue behind her own teeth. The gravel of age and annoyance ground up from the back of their throat.

Mina picked up her pace, leaping up into the treetops, crossing miles in minutes towards the voices with no more sound than the rustle of wind through pine needles.

She stilled. The branch beneath her feet barely creaked.

They were outside her cabin. A young woman with thick glasses and even thicker curly hair checked the compass in her hand as the short, sturdy man beside her impatiently tapped his foot and picked at the split ends of his long, braided beard.

Mina placed a hand on the hilt of her sword as she watched them through the canopy. The man’s leather armor bore a crest depicting a mountain top and three diamonds, with glinting, well-polished stripes on his pauldron pronouncing his rank. Seven; a general of lauded stature. Why he traveled with the young woman was unclear.

She was clearly not a noble. The slight roll forward of her shoulders, the patterned bandanna holding her hair out of her eyes too weathered or wrinkled for even a disguised royal to wear, and a decent soldier would never keep their guard down as much as hers was in an unfamiliar place. Perhaps she had hired the knight as security on her journey.

A journey Mina would take no part in.

She shifted to sit easily and silently, making sure not to catch the beaver skins hanging from her pack beneath her. A few more minutes and they would leave, then she could prep the skins and start to smoke the meat in her satchel as planned.

“Well,” the woman stuffed her compass into her jacket pocket. “At least it’s a nice day out to wait. Sun’s still warm enough to cut the edge off the autumn chill.”

Annoyingly, she made her way to the porch of Mina’s cabin and took a seat on its rough wooden steps. Mina ground her teeth slightly. Maybe a splinter or two would poke her through her patchwork skirt and urge her away.

The man huffed and kicked at a tuft of crabgrass. “You think this chill has an edge? Just wait until you’re on the Peaks.” The tuft came loose, sending dirt and now homeless pill bugs scattering. “If we ever get to the fucking Peaks.”

Dammit, Mina thought. They were here for an expedition.

“Ya know, we could always go with another alpinist,” the woman offered. “Beto Lamar’s homestead is about a day’s ride west from here.”

“A day’s ride but three weeks past our deadline,” the man said. “This girl can bring us back to Lanholde in under a month.” He stomped over and stood on the steps, too proud to sit, but not proud enough to not lean on the railing for support. “She will get us there in a month.”

“Even if she’s already off on an expedition?”

“She’s not,” the man gestured over his shoulder. “The windows are open. And this cabin is too well maintained for its owner to just head off for two months with the windows left open.”

Mina thudded her head against the tree trunk. Of course. An observant and stubborn knight.

She inhaled deeply, held it, then exhaled, taking her frustration down a little, unclenching her jaw just a touch. She'd piss them off enough that they’d rather stand Lamar’s extra three weeks in the cold than put up with her, and if that didn’t work, ask for a ridiculous amount of gold to scare them off.

Three more weeks in the cold. Three more weeks to die. The unwilling thought made her teeth ache.

She climbed down from the pine she had perched in and moved soundlessly towards the drying rack staked beside her cabin. She removed one of the rungs filled with beaver skins from her pack. A loud and forceful snap echoed through the woods as she dropped it into place.

The trespassing pair jumped. The knight drew his sword as the woman bladed her feet into a wide stance, arms lifted, ready to perform some sort of cast.

So they were a magic wielder and a knight.

“Get off the porch,” Mina stated bluntly as she hung another rack.

Out of the corner of her eye, she watched the knight’s jaw fall agape while the woman’s disposition relaxed. She straightened up out of her fighting stance, and Mina caught the faint sound of a cork squeaking back into a bottle on the wind.

“My apologies, miss. We’re looking for the alpinist that lives here,” she said. “Would that be you?”

“No,” Mina lied. “I’m a hunter. The alpinist lives to the west.”

The woman arched an eyebrow and looked to the knight. He flared his nostrils, puffed out his chest, and stomped over towards her.

“I am Sir Murmir Gargic, general-rank knight of the Lanholde Royal Army, proud servant to King Fritz Reinhardt.”

“Never heard of him,” she lied again.

The knight sputtered, whatever bullshit speech he had prepared dying on his tongue. “You never—”

“Sir Gargic,” the woman whispered behind him, calling his attention and allowing him a moment to regain his composure.

Annoying.

“Well, he’s heard of you, and has specifically recommended that we seek you out to lead us up the Fallow Peaks. We’re in a bit of a time crunch, so if you don’t mind talking terms so we can start the expedition today—”

“If that’s the case, then I guess your king expects you both to die,” Mina droned, mono-toned and matter-of-factly. “I’m a hunter, not an alpinist.”

The knight’s breathing shallowed as her jab at his ruler crawled under his skin. He inhaled deeply, a tirade building, when the woman placed a hand on his shoulder.

“How much would it cost for you to be an alpinist?” she asked.

Mina drifted her dull gaze over towards the woman, finding her with a smirk on her lips and a knowing glint in her eye.

“Seven thousand gilt one way,” she answered. “The real alpinist to the west charges half that.”

“I’m sure.” The woman shrugged. “But the alpinist we’re looking for fits your description exactly. Female alpinist. Rough around the edges. Lives alone in a cabin deep in the Sandere Woods, five hundred paces off of the last bend in Woodgullet Road, heading northeast.” She rattled off the details as if she were reading them off a sheet of paper.

Mina blinked slowly, then repeated. “Seven thousand gilt one way.”

“Deal.”

Gods fucking dammit. An unfortunately familiar tug pulled at her spine.

Sir Gargic fished out a scroll from one of the pouches on his belt, while the woman brandished a quill and a bottle of ink. He scrawled something down on it, then turned the parchment in her direction: a contract of duty.

His thick, stubby finger pointed at the 7,000g written next to the terms of payment. “Seven-thousand gilt to be delivered direct from the Capitol’s treasury upon our safe arrival.” His finger traveled down the page to a long signature line. “All you need to do is sign here.”

She did, reluctantly. Her arm dragged by that damned tug.

“Mina,” the woman read her name aloud, standing on the tips of her toes to watch as she wrote it. “I’m Wera Alrust.”

Mina snapped the quill once she finished, dropped it to the ground, and headed into her cabin.

“Where are you going?” Sir Gargic barked behind her. “You’re under contract to—”

“Packing,” Mina answered. “Can’t climb a ten-thousand-foot cliff face with just a bow, a sword, and a can-do attitude.” She paused in the doorway. “Just two going up?”

“Five,” Wera answered. “Six if you count yourself.”

“I don’t.”

Last-minute trips up the Fallow Peaks were nothing new to Mina, as much as she loathed them. They were always inconvenient and pressing, which meant the travelers were stressed and distracted — which meant the death count was usually higher than the average one or two losses. Expeditions such as this were few and far between, at least. Most travelers knew to prepare well in advance for the perilous journey, contracting her months ahead of time instead of minutes.

She closed all the windows and locked the shutters, made sure her books and sheet music were lifted off the ground in case the fall rains caused the lake to flood, and tucked the more expensive of her instruments away as she filled the pack she kept by the door.

“Flint, whytewing leathers, tarp, rations, climbing axes…” she muttered to herself as she rifled through it — taking stock to make sure she had everything she needed — then picked up a fiddle and bow leaning against a hard wooden chair. She loosened up the strings a bit and unstrung the bow to keep the horse hairs from snapping, then shoved it in with the rest of her gear.

“Where are the other three?” she asked as she stepped back outside and locked the door.

“Back on the road, waiting with the wagon,” Wera replied.

“You can’t take a wagon up a mountain.”

“We don’t plan to.” She was, frustratingly, smiling at Mina when she turned around. “Ready to go?”

“Lead the way.”

Sir Gargic headed off, impatience and frustration bringing out the ill-manner child in him. With such thin skin, it wouldn’t be long before he broke their contract, or he died. Rabbet’s Pass most likely, which would be convenient. She could leave his corpse in the caves there, and they wouldn’t have too far of a walk back to Sandere afterwards.

After only a few wrong turns through the thick wood, the seldom-used road emerged. A simple covered wagon pulled off to the side let the four horses that drove it graze lazily, while two more members of their party hung around it: an old woman with her hair up in a tight bun, sitting on the ground making daisy chains out of dandelions, and a young man with a sharp haircut and a well-coiffed mustache scrawling in a notebook as he sat in the driver’s seat.

Sir Gargic’s spine straightened and chest puffed out as he put on a bit of bravado. “We’ve returned!” he cried, waving grandly.

The old woman and mustached man looked up from their work. The woman abandoned her dandelions and stood to meet them, while the young man looked them over and flipped to another page in his book; quill taking off in a fury.

“Ah! Are you the young lady who will be guiding us?” The old woman smiled sweetly. “My name’s Tanir and the boy on the cart is Enoch.” She turned over her shoulder and hollered, “Wave hello, Enoch!”

Enoch raised his hand partially, too engrossed in whatever he was writing to look away.

“Mina.” Mina met Tanir’s gaze, and the old woman’s brow furrowed. She was looking for the appropriate response, a sign of expression to source Mina’s first impression of her. Mina watched her bottom lip shift subtly, a minuscule pucker as her teeth bit behind it uneased to find nothing.

Annoy the knight. Unnerve the old woman. Now she just had to find the others’ weaknesses.

“You’ll have to leave the wagon and loose the horses an hour or so up the road. They’ll slow us down and will be hunted by the beasts of the Harrow.”

“Oh, uh—” Tanir swallowed. “That sounds like something you should discuss with Master Windenhofer. I’ll go get him for you.” She flashed another smile, this one fueled by nerves, and hurried off into the back of the wagon.

Enoch snapped his notebook shut and leaned over the side of the driver’s seat. He rested his chin on his hand dramatically, abandoning the fierce focus he held when writing to gaze at Mina with puppy dog eyes. “Did you know you are extremely beautiful for an alpinist?”

Sir Gargic sputtered with embarrassment. Wera shot Enoch a disgusted look.

Mina stared at him blankly.

“I know,” she said after a moment.

Enoch choked on his spit at her response. Wera burst out into a fit of laughter, drawing Mina’s attention.

Laughter wasn’t a response she was used to receiving.

“Don’t forget to write that one down,” Wera wheezed through her giggles. “‘My attempts at flirtation failed tremendously as usual.’ A good archivist doesn’t leave out any details!”

“Enough of that, Enoch!” Sir Gargic snipped, hitting him on the arm. “She comes highly recommended by The Crown of Lanholde, and you will address her with the respect that such a recommendation warrants!”

“S-sorry, M-mina,” Enoch stammered, still caught off guard by her curtness as he leaned back away from her, rubbing his injured arm.

“I hear we have a new face joining our motley crew!” a warm, deep voice cheered from inside the wagon. The cart bounced as a tall, lean man, with a wide smile and a thick shag haircut, stepped out of it, Tanir following behind.

“Hello, I am Sebastian Windenhofer. It is wonderful to meet you!” the man extended his hand out in greeting.

A soft breeze blew between them as Mina considered his outstretched hand. His fingers were long, as to be expected of someone of his height, and his palms were oddly covered with an even layer of callous.

She did not shake it.

“Mina,” she said to the hand, in the same bland manner that she had introduced herself to everyone else.

Sebastian seemed unbothered by his spurned handshake, and instead clasped his hands together and nodded his head softly, “Mina.” There was a slight hum to the ‘M’ as he said it. “Tanir mentioned that you wished to speak to me about something regarding the horses?”

Mina’s distant stare met his attentive gaze. Sebastian didn’t flinch. “You’ll have to leave the wagon and loose the horses an hour or so up the road.”

“Why’s that?” he asked.

“The woods are too thick for a wagon to fit through, and the mountains are too steep,” she answered. “The Harrowed Woods that border Sandere and the Peaks are filled with hungry monsters who will be lured by the thought of a four-course horse meal, too.”

“I see.” Sebastian brought his hand up and tapped his fingertips lightly against his lips as he thought. “Would it be better for the horses if we left the wagon and let them loose now as opposed to when we get closer?”

Mina paused, and tilted her head to the side, caught off guard by his question.

“Have I spoken out of turn?” his voice wavered.

“No, it’s just that I’ve never had someone ask to let the horses out early,” she replied, much more candidly than she intended. She straightened her head, collecting herself. “There’d be less chance of them being attacked. Not many monsters here in these woods.”

“That settles it, then.” Sebastian addressed his crew, “Gather your belongings, we will be continuing on foot from here. Wera and Sir Gargic, unhitch the horses and send them back down the road, please.”

“Ugh, my penmanship gets so poor when we’re walking,” Enoch groaned as he slid down from the driver’s seat.

“Guess you’ll have to save your sonnets for when we’re in Lanholde,” Wera remarked as she started unbuckling one of the horse’s bridles. “We’ve got nothing but walking ahead of us now.”

Sebastian returned his attention to Mina. “It should only take us a few minutes to get packed up. Would you like a cup of tea while you wait?” He reached inside his overcoat and pulled out a tea kettle and mug. Twirling the mug around his finger by its handle, he juggled the kettle with one hand and caught it by its base. Steam rose from its spout.

Not just a magic user. He was a wizard, capable enough to demonstrate his talents so casually.

Or cocky enough to make a big show over the few skills he did have.

“No,” Mina replied, tapping the canteen attached to her belt. “I have a canteen.”

She could have just left it at ‘no’.

“Of course.” He threw the tea set into the air as if he were throwing away a piece of paper over his shoulder and with a snap of his fingers they vanished.

Definitely a show-off.

“I have a few things to pack myself if you’ll excuse me,” he continued, smiling again, still wide as it shifted to a slightly different shape, then headed back into the covered wagon.

Mina watched him walk away.

If he wasn’t just a show-off, then maybe they’d make it a mile past Rabbet’s Pass.

🜁

“So, Mina, would you care to tell us a little about yourself?” Sebastian asked as they walked up the rest of the road. Considering how chatty they were while getting their shit together, Mina didn’t have any hope of a quiet walk to the Harrow’s beginning. “I’m sure there’s much more to you than living in these woods and leading expeditions through the Fallow Peaks.”

“That’s all there is to know,” she replied.

Sebastian chuckled, a rumble out from his chest that buzzed in Mina’s ears. “I’m sure that’s not true. What about ‘how you got started leading expeditions’? Doesn’t seem like a job someone just falls into.”

“It’s not.”

“Then how’d it happen for you?”

“Someone had to do it. So I did it.”

“And what did that entail?”

“Doing it.”

“Sebastian,” Tanir interjected, “perhaps it’d be best if we shared a little bit about ourselves first.” She smiled at Mina. Mina kept her gaze forward, praying that the treeline would take mercy on her and move closer on its own. “I’m the company medic, been working with Sebastian since he had a particularly rough encounter collecting basilisk venom a few summers back. Poor thing hobbled to my home half turned to stone, and insisted I travel with him on his adventures ever since.”

“You faced off against a basilisk?” Enoch piped up from the back of the pack. “When we rest for the evening, you’ll have to sit down with me and give me the full story. You too, Tanir. It should definitely be added to my records.”

“Are you volunteering to go next then, Enoch?” Sebastian asked.

“I— uh—” Enoch jogged up in front of them and turned to walk backwards as he spoke, “Well I met—”

“Don’t walk like that,” Mina interrupted. “If you fall and break something, we’ll have to leave you behind, or I’ll have to kill you.”

His steps slowed as his eyes widened. “Wh-what?”

“It’s quicker than the duskwolves tearing into your flesh and snapping your neck.” It was brutal imagery, but not entirely false.

“She’s kidding, Enoch,” Sebastian said.

Enoch’s voice hollowed. “H-how can you tell?”

“Because if you did break something, Tanir would gladly patch you up,” he reasoned.

“Though I’d give you a scolding while I did it for not listening to the expert,” Tanir added, drawing out the title expert to appease Mina’s non-existent good side. “So turn around and continue your story.”

“Right.” Enoch turned around quickly at her instruction, gathered his composure with a shudder of his shoulders, and turned his head slightly to the side to speak, “I met Sebastian on a truly fate-defining day. Wandering the Coast of Carvons, I was lost, looking for inspiration to strike.”

Wera groaned.

“And it did! As I sat on the beach, begging the great and powerful ocean to lend me some of its majesty, a geyser of sand erupted from underneath of me, sending me skyrocketing through the air. Whilst I fell from the heavens, I looked down at the ground below me. What once was a beach was now a golden temple! And upon the roof of this temple stood the great Sebastian Windenhofer, my new muse! Since that day, I have traveled alongside him, cataloging his adventures to tell the world of his greatness.”

“You know that the rest of us were on top of that temple too, right?” Wera chided before addressing Mina. “Please take his tales with a grain of salt. For an archivist, he seems to have a selective memory. I’m the cartographer. Sebastian was the first person to hire me out of school, and I’ve been traveling with him ever since.”

She looked back at Enoch and snickered, “See? Short, sweet, and to the point. Your turn, Sir Gargic.”

“Indeed.” Somehow, the knight puffed his swollen chest even bigger. “Unlike the rest of my compatriots, I am not under the employ of Master Windenhofer, but rather a liaison of The Crown of Lanholde. They’ve tasked the two of us with uncovering and collecting a few precious artifacts that The Crown has a vested interest in. We are on the last leg of this journey now.”

Everyone’s attention landed on Mina, heavy with expectation, a burdensome weight. They had offered their stories without her agreement. There was no need for her to respond. Responding would only embolden them to keep prying.

Sebastian broke the thick silence and turned to Tanir, “Did you really have to tell the basilisk story, Tani?”

“It’s one of my first and favorite memories of you,” she replied.

“You should’ve waited for winter,” Mina commented, against her better judgment. “Basilisks get sluggish and less alert in the cold. You can sneak up behind them and slice off their heads in one strike if your blade is sharp enough. Just make sure to cut about a foot below their jaw so that you don’t pierce the venom gland.”

Her unexpected advice, matter-of-fact and brutal, garnered shocked and confused expressions from everyone but the wizard. Maybe it was the right call, then. The more alien she seemed, the better off they all would be.

“Aha! You’re a hunter too!” Sebastian — frustratingly — cheered. “I knew there was more to you!”

If Mina could meaningfully scowl, she would have. The sight of his smile stabbed at the corner of her eye as she kept her gaze forward. Wizards were known to be fascinated by curiously temperamental creatures, of course it would be harder to break him.

“Now, do you have any other comments, questions, concerns for our happy little troop? Perhaps some tips on how to deal with those duskwolves you—”

“You’re all loud,” she stated. “It’ll draw things to us, and cause trouble on the Peaks.”

“Why’s that?” Tanir asked.

“Avalanches.”

“Wait,” Enoch said. “There’s going to be snow on these mountains?”

“What did you think we bought all those cold weather clothes for?” Wera scoffed.

“Lanholde has a cooler climate. I just thought winter wear was the fashion there.”

Wera sent a pleading look Sebastian’s way. “Did you really have to hire him, ‘Bastian? We could have just left him stranded on that beach.”

“True,” Sebastian shrugged, “but we need entertainment on this journey, and watching the two of you bicker could rival some of the best traveling shows.”

As those around Mina talked, and laughed, and teased each other, the surrounding trees grew in number. Their trunks twisted, more gnarled and oddly shaped, their canopy so thick it shifted the shade of the lower leaves lighter from the lack of sunlight. The group came to a halt as the road ended at a wall of forest: the start of the Harrowed Wood.

“Right. Which of you can fight?” Mina asked as she headed to the front of the pack.

All of them raised their hands.

Wera and Sir Gargic she understood but the others… “This isn’t the time for jokes.”

“We wouldn’t have gotten this far if we couldn’t hold our own, lass,” Sir Gargic said. “Trust me, I was wary myself when I first met them, but even Enoch is worthwhile in a scrap.”

“Hey!” Enoch whined.

“Cartographer, you’re with me at the front,” she instructed before they wasted more time chatting. “Medic and Archivist in the center. Wizard and Knight in the back. Listen more than you talk. Keep an eye out for anything moving that shouldn’t be. If you see something, say something. And if something does attack us, no matter what happens, stay behind me.”

Mina didn’t wait for them to finish pairing off before weaving her way through the trees. She didn’t even acknowledge Wera as she hustled to fall in place beside her.

“So,” Wera drawled after a few minutes of silence between them, “why’d you pick me for the front?”

“You’re a mapmaker,” Mina replied. She didn’t look at Wera as she spoke, her stare focused on surveying the forest in front of them. “If you make a map of the Harrow and the Peaks and take down the trail I use, I may never have to lead people through here again.”

If she had to suffer through another expedition, at least she could make this one of use.

“You seem a little young to retire,” Wera remarked. “And you need income to upkeep that cabin of yours, right? Though with seven thousand gilt an expedition, I’m surprised you haven’t gotten yourself something a little sturdier to live in.”

She could feel the pressure of Wera studying her face, looking for something she’d never find.

“There are other ways to make money that don’t involve being bothered.” She changed the subject, “People think that there are just wolves, bears, various small-time magical beasts here. The Harrow is untouched. Nature and magic are uncontrolled and unforgiving.”

“Probably because of the runoff from the Peaks or some past geological event. I’ll make a note to have Enoch look into it.” Wera took out a small notepad and jotted something down. “If that’s the case then I’d bet there are many ways to cross over into parts of Elphyne here too, probably a bunch of fae circles, areas where the veil is thin. Would you be able to point them out when we pass them?”

“Just write down the trail taken and there’s no need to worry about any of that.”

She heard Wera’s pen skip on the page and a heavy exhale out of her nose.

There it was. She hated being talked down to.

Wera abandoned the topic and turned to basic questions about the flora and landmarks, easy enough that Mina could answer with little thought as she tuned one ear to the forest as best she could through the whispers of those walking a little too far behind her.

“Would you look at that,” Sir Gargic remarked, voice slightly muffled and strained. He talked out of the corner of his mouth in a bad attempt to be quiet. “She’s actually talking to Wera.”

“People do often talk to each other,” Sebastian said coolly, not feeding the knight’s judgment.

“Yes, but she’s so—”

“Are we talking about the Brambled Beauty?” Enoch whispered.

“The what?” Sebastian deadpanned.

“You don’t like it, sir? I’m trying to figure out the perfect way to describe such a terrifying and alluring creature.”

“Alluring?” Sir Gargic guffawed, “She’s so cold!”

“Yes! She’s cold!” Tanir added, voice peaking with a burst of realization.

Mina ground her teeth to keep from chewing them out. It was better that they didn’t know how well she could hear, and she had bore much harsher digs than their rude observations anyways.

“Just because she’s different than us doesn’t make her less of a person,” Sebastian chided. “And Tanir it’s unlike you to make assumptions about someone you’ve just met.”

“Oh no, I wasn’t trying to be cruel. I was just—”

A low gurgle deep within the ground, quiet and out of place in the harmony of forest sounds, environmental interrogation, and gossiping whispers, stilled Mina’s stride. She barred her arm across Wera’s chest, stopping the preoccupied cartographer, and held her other hand up to halt those behind them.

Their footfalls and chitchat ceased abruptly. Mina turned her head to the side, putting a finger to her lips to signal them to stay silent and wait.

She drew forth the sword that rested on her hip and crept forward, listening, eyes fixated on the forest floor. The gurgle reached her ears once more, louder and more guttural; hungry. Mina stopped, bladed her feet, and whistled a line of bird song.

“A meadowlark?” Sebastian whispered.

For a fleeting moment, she noted how keen his ear was, then a massive maw erupted out of the earth, lunging at her. Wind at her heels, Mina leaped at it, rocketing towards the toothy mouth at incredible speed, and drove her blade down through its top lip. The beast let out a terrible, gargling roar, shaking off the actual dirt and plants from its mimicking hide to reveal an ornery terramawg.

With the momentum of her jump and the leverage of her impaled sword, Mina vaulted over the bulbous amphibian’s earthen hide. She snapped her hips around, pivoting midair to face the beast’s back, and drew forth her bow in the same fluid motion.

The air stilled as Mina ran her fingers from the grip of her bow to its string. The water in the air collected, crystallized under the brush of her fingertips, forming an arrow of pure ice. She aimed for the creature’s third, slitted eye, a weak point that rested on the nape of its neck, and fired. A roaring gust of wind shook the trees, following in her arrow’s wake as it soared through the air, embedding itself deep into the terramawg’s brain.

Mina kept her focus on the beast as she descended, landing on a nearby tree bough without a glance back. The terramawg seized, the frost from her arrow glaciating its mind, and collapsed into a blubbery heap, returning to the mass of earth and withering foliage it disguised itself as.

Mina secured her bow on her back and slid down the tree’s trunk.

“Keep moving,” she said to the group as she retrieved her sword from the terramawg’s corpse.

It was as if they too had been immobilized by her ice. Sir Gargic’s hand rested on the hilt of his broadsword. Tanir had pulled out a handaxe from somewhere. Three thin daggers were laced between Enoch’s fingers like claws. A swirl of inky liquid hovered over Wera’s palm, while her other hand rested on her chest. Sebastian’s hands were coated in flame.

All of their mouths hung agape.

A dull pang pushed against Mina’s chest at the sight.

“Great Gods. Save some for the rest of us next time, will ya?” Sir Gargic shuddered.

“It was quicker if I handled it,” she stated. “Now come on. There’s more ground to cover before nightfall.” Mina turned on her heels and walked away, stepping across the terramawg’s body and taking care to drive her heels in a little harder as she did so.

“Hey, wait up!” Wera ran after her, manipulating the ink back in its vial and pulling out her notebook once again.“How were you able to tell where it was?”

Tanir pulled a stupefied Enoch along, “Come on. You should be jumping with joy. Action like that is sure to make your book even more exciting.”

“Well,” Sir Gargic remarked to Sebastian with a heavy exhale, “I guess we know why she’s so cold now.”

Sebastian hummed in acknowledgment, nothing more. Nothing until moments later, when under his breath a murmured thought slipped out.

“The wind even changed direction.”

The reverence in his tone, unheard by everyone else, bristled against the back of Mina’s neck.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: I hope you enjoyed the first chapter of The Maiden of the Barren Rime! Thank you so much for taking time out of your day to read it.

If you're interested in reading more, MBR releases on May 1st and is available for pre-order now! You can order it from Barnes and Noble, Books-a-Million, Amazon, and most independent bookstores!

#bookblr #writing #the maiden of the barren rime #fantasy novel #fantasy romance #fantasy books #romance novels #romance #slow burn #romantasy #words #writblr

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licorice-lips · 3 days

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Hi, everyone! So, I know there's a lot of controversy about Rhys's behavior Under the Mountain (at least in Brazil fandom it's a hot topic), a discussion that is valid and definitely needs to be had, so I did a lot of research on the subject and compiled the three texts that influenced me the most into a compilation that I'll share here — along with my thoughts and additions.

These texts that serve as my supports were made here on Tumblr and can be found under the following titles, although the third one is the most comprehensive of them all:

*Rhysand's Defense Post (The author had only read A Court of Thorns and Roses when she wrote this).

*The Difference Between Tamlin and Rhysand: The Man on the Throne and the Man in the Arena — Acotar and Acomaf's Excerpt Analysis (The author was following the small teaser quotes for A Court of Mist and Fury and analyzed them).

*Understanding Tamlin and Rhysand — A Post-Acomaf Reconciliation of Rhys's Actions Under The Mountain in a Culture of Defeat.

In addition to discussing Rhys's behavior, however, I'm also going to discuss Tamlin's behavior and compare the two. It's going to be quite fun… Just a heads up that I don't want any hate messages. Do you want to share your thoughts agreeing or disagreeing? That's fine, but with respect. Any offensive comments will be deleted.

Now here's my defense post for Rhys:

Leadership is a heavy burden. When you're a leader, especially when it's not your choice but comes to you because of the family you were born into, for example, responsibility can be a burden. But when you're a leader, there's something very important to consider when making a decision: those who follow you.

All of Rhys's actions as High Lord of the Night Court must be thought of to put the well-being of those he is responsible for first. And when he, Tamlin, and the other High Lords are Under the Mountain, he decides that he will be Amarantha's whore to ensure that his Court is in the best possible condition within the situation — he lets himself be raped to ensure that his people and his family remain safe when he could have done nothing.

But from the moment Feyre strikes the deal with Amarantha, he is the only one who is truly in a position to make a difference: the other High Lords do not have enough of Amarantha's trust for her not to suspect anything if one of them tried to bargain with Feyre as Rhys did, for example. If any other High Lord — Kallias, Thesan, Helion, etc. — tried the same thing as Rhys, Amarantha would have been suspicious.

So in this case, he is the only one who can truly act.

But he doesn't have to. The point is that his Court is reasonably safe because of his role in the court Amarantha built, so Rhys doesn't really need to help Feyre win. But he does it, not because he wants his power back, but because he's the kind of leader who will do everything achievable to change — for what he believes is the best — the lives of his people.

And I'll talk about how admirable that is later on when we're talking about the culture of war and defeat, and about Tamlin's behavior. So, he decides to act, and he tells Feyre in A Court of Mist and Fury:

"I decided at that moment that I would fight. And fight dirty, and kill and torture and manipulate, but fight. If there was any chance of freeing us from Amarantha, it was you." (A Court of Mist and Fury, page 550, Brazilian edition)

He knows, then, that the fight he would have to wage was not the beautiful, heroic, noble thing we're so used to seeing: Rhys knew that his actions to ensure victory — for Feyre and Prythian as a whole — would be horrible and would probably haunt him for the rest of his life. He knows that. And he doesn't excuse himself for a moment. He doesn't invent, he doesn't embellish, he doesn't paint himself as a hero. He knows he's not and he really isn't a hero.

A hero is someone who sacrifices themselves in a grand gesture to save the entire population, a true hero doesn't really sacrifice one person to save others. And while Rhys does have his own share of sacrifices, that doesn't excuse him from the horrible actions he took Under the Mountain:

So, the first part of his questionable behavior in Under the Mountain comes to light: the moment he twists Feyre's injured arm to convince her, to scare her enough to accept his bargain. This is a minor moment and my description alone makes it understandable: he does what he does to keep her alive and charges an insignificant price (which he planned to release her from later, as he himself says) to keep up appearances.

And Rhys needs to keep up appearances because his whole game to defeat Amarantha depends on how he appears to her and to other people: no one can notice while he moves the pieces on the board to bring the advantage to them. No one, not even Feyre, who is the "lamb to the slaughter," so to speak. And she can't know for several reasons:

Feyre is not in a mental condition to act and pretend to hate him as much as he needs her to pretend. So if she knew what he was doing, she would probably let something slip, or wouldn't be convincing enough, because honestly? Who could?

Rhys spent the last 50 years fighting alone and being surrounded by people who constantly despised him for being Amarantha's whore or for those who tried to ingratiate themselves with her through him, so he doesn't trust others easily, even though he was falling in love with Feyre, as he says in ACOMAF.

He couldn't trust that Feyre wouldn't trust others — Lucien and, therefore, Tamlin — with this knowledge. With their mutual hatred, they would surely end up messing things up.

Feyre was there to protect the High Lord who killed his mother and sister — and Rhys didn't know that Feyre didn't know the history behind his and Tamlin's relationship — so, in theory, it made sense that he wouldn't want to show his "true face" to her.

That's exactly what the book is about: like a retelling of Beauty and the Beast, the book is about how appearances deceive. If Feyre found out that Rhys is a decent person right away, it would be the same as throwing the whole intention of the story out the window.

So we have the second — and most controversial of all — point: the dance and the wine. I'm not going to mince words about this: It was sexual harassment. Period. But with this, Rhys manages to:

Get Feyre out of her cell, which is driving her crazy, as she says in this part: "I was alone, locked in silence — although the screams in the dungeon continued day and night. When they became unbearable and I couldn't ignore them, I looked at the eye in my palm." (A Court of Thorns and Roses, page 356, Brazilian Edition). And let's face it, anyone would go crazy in an environment like that.

Keep an eye on Feyre so that no one else could harm her — something he disguises with a comment about not liking others to touch what's his — and that's a curious thing because Feyre never expresses concerns about being abused by others after Rhys starts taking her to these parties (it's also interesting to note that despite the various traumas of what happened Under the Mountain, Feyre never showed any signs of trauma from sexual abuse, as far as I know — and again, not that this excuses Rhys, it's just a factor to point out that maybe she understood his game better than we did).

To leave Tamlin full of anger — which he claims is the main reason for all that theater during A Court of Thorns and Roses — so that he wouldn't hesitate if he had the slightest chance to kill Amarantha in the end or between challenges, no matter as long as he didn't hesitate. Because from Rhys's perspective, Tamlin is the noble golden prince who might spare Amarantha's life to demand some kind of trial or something. Which I consider he might have been dumb enough to do too.

Divert Amarantha's attention, as, thinking that Feyre was already humiliated and abused enough during those nights, she wouldn't give Feyre those ridiculous tasks anymore (like cleaning that filthy hall or collecting lentils from Rhys's fireplace). And if you reread ACOTAR, she really never gives those small tasks to Feyre again after that.

Send a message to those who could read, as Rhys himself says: he crowns Feyre every night, and for the cruel ones, this would be a subtle kind of mockery, but for those who could see beyond the evil, Rhys was declaring Feyre the champion of them all. He declared that he believed in her and in her potential to free them all.

Convince Amarantha that he's still playing on her side — a belief that was shaken by Rhys betting on Feyre in the first task and closing that bargain to heal her arm. This might be the most fundamental of all points: the one that allows the game to continue toward victory. He needs to prove to Amarantha that he's doing it for fun, out of cruelty, considering Feyre as the whore of the whore, someone lower than the lowest of courtesans. Thus, Rhys clears the way to act when the time is right.

By taking Feyre with him to those parties, he moved not one, but six pieces of the game to be in his favor. He killed six birds with one stone. Strategically, it's an incredible tactic, by the way. But morally, this act leaves something to be desired.

So why the wine and the dance? Because Rhysand plays with appearances. Everything in his game depends on it.

Feyre wouldn't play the whore of the whore while conscious, no one with a shred of self-respect would accept that without knowing the reason behind it, and Rhysand, for the reasons I mentioned, wouldn't tell her anything. So he makes her drink the wine to keep the whole purpose of that show and keeps her close to prevent her from being touched by anyone other than him.

But besides that, the wine is a form of escape, a way to forget about the horrors, as Feyre herself says at the end of the chapter where all this happens:

"[…] and I began to long for the moment when Rhysand would hand me the goblet of faerie wine and I could let loose for a few hours." (A Court of Thorns and Roses, page 381).

In fact, Rhys sees it this way: when he is forced to kill the High Lord of the Summer Court (not Tarquin, but his cousin from whom he "inherited" the title, Nostrus), he himself drinks the wine with Feyre — it's an escape from the character he so carefully plays because not even Rhys can bear everything without letting the facade fall, even if only a little.

Note: not that I'm saying this would be a healthy way to deal with all that trauma and accumulated stress, but considering the place they were in and the situation, perhaps it was the most… effective way.

I have to say, however, that all of this doesn't justify what he did: it was still sexual abuse and it's still very bad and very serious. However, I need to point out to you: what we do to survive often does not reflect what we would be in a normal situation (normal being their everyday life without Amarantha, in this case).

When we are confronted with a situation like this, where to survive we end up needing to do something horrible, many say they would never do and would take the noble path of dying before giving up their values and principles, which is great, it proves that you have a very good character. The problem is that Rhys doesn't have the choice to think only of himself and how much this abuse will cost his dignity and principles because every decision he makes affects his people.

So here's my question for you: could you love someone who chose to preserve you instead of saving thousands of innocent — children, women, and men — who are under their responsibility?

Because I couldn't love someone who did that. And that's how I make peace with what Rhys did to Feyre Under the Mountain: I couldn't love someone who condemned the world to save me from abuse that I know I can endure — even if it causes me terrible harm.

Of course, it's entirely valid if you decide not to forgive him for what he did, because, after all, it's a morally gray action when you consider the whole situation they were in and what Rhys did. So, no one is really wrong for not forgiving Rhys for what he did, but those who forgive him aren't wrong either. It's very important that we understand that.

Now, an argument that is often used and that annoys me every time I hear it is that Sarah "changed Rhys and Tamlin's personalities because of shipping", so she ignored everything Rhys did Under the Mountain to make him the hero just because fans liked him. There are so many things wrong with that that I don't even know where to begin, but let's analyze all of Tamlin's, Feyre's, and Rhys's behavior throughout the ACOTAR and ACOMAF stories and show why I know Sarah did absolutely everything with careful consideration:

There is a trait that is very striking in Tamlin from the beginning of the ACOMAF story and is especially explicit when Alis tells the whole story about Amarantha, Tamlin, and the curse, which is the fact that Tamlin can't deal with the consequences of his actions:

The first time he does this is at the beginning of the curse when he gives up sending his soldiers to die for him, thus Tamlin simply gives up not only freeing himself but all of Prythian, all the people who live there, and still condemns the human lands in the process. He only started sending the soldiers out of desperation after 46 years, look at Alis's speech:

"For two years, he sent them, day after day, needing to choose who crossed the wall. When there were only a dozen left, Tamlin was so devastated that he stopped. He canceled everything." (A Court of Thorns and Roses, page 294, Brazilian Edition).

The second time I can point out is Feyre herself (this because I'm ignoring the events during her stay in the Spring Court, as I don't remember what happened): he takes Feyre to Prythian with the intention of making her fall in love with him, but at the first glimpse of direct danger from Amarantha — in this case, the scene where Rhys makes him kneel — he sends her away.

He gives up saving Prythian because he can't stick to the decision to put Feyre in danger so that she could break the curse, so much so that he condemns himself for it, because Feyre only doesn't say that she loves him — and breaks the curse — precisely because she's leaving:

"— I love you. — He said, and stepped back. I should say — should say those words, but they got stuck in my throat because… Because of what he needed to face, because maybe he wouldn't find me again, despite the promise…" (A Court of Thorns and Roses, page 261, Brazilian Edition)

These are the main events, and perhaps I could list more for you if I reread A Court of Thorns and Roses. But what does this show us? That every time Tamlin makes a decision, he freezes and backs down at the first sign of an obstacle. He retreats and avoids anything that shakes him.

So it makes sense that Tamlin's reaction Under the Mountain is paralysis — a common behavior among leaders in times of war and defeat, by the way, which aligns not only with Tamlin's personality but also with the reaction of a true leader in such a situation.

Alright, let's stop there and go back in time to analyze Feyre's behavior:

Right from the start, we learn that, even being the youngest of three sisters, Feyre was the one who, when they were starving, took action and sought a solution, which shows us right away the kind of person Feyre is: she's the kind of person who acts when forced to face danger, whether it's something intangible, like death by starvation, or tangible, like Amarantha.

This is proven repeatedly throughout the books: when she seeks answers with the Suriel, when she tries to fight off the bastards who tried to rape her at Calanmai (because paralysis can also be a reaction to abuse of that kind), when she goes to Under the Mountain to fight for Tamlin without even hesitating, when she heals from the traumas of Under the Mountain as soon as she has something to focus on, something to dedicate herself to.

And this is one of the fundamental differences between Tamlin and Feyre: while he paralyzes, she acts, and whether we like it or not, differences create friction. Especially with what happened Under the Mountain because she and Tamlin were separated, and neither of them experienced trauma together. Paralysis generates a different trauma from the trauma of someone who is acting, so the end of their relationship begins when she goes to save him Under the Mountain — and Tamlin freezes.

Then we have Rhysand, who is exactly like Feyre: he acts when confronted with danger or defeat and has thousands of actions of his that exemplify this:

As soon as he becomes High Lord, he bans the wing clipping of Illyrian females regardless of the reaction of the Illyrian lords or what they thought about it. It's not that he doesn't care: Rhys, unlike Tamlin, is willing to pay the price that comes when a decision is made.

He becomes Amarantha's whore to protect his people from her getting too close to them. He doesn't care about the cost to himself simply because Rhys knows he's doing some good for his own people by letting himself be raped.

When he sees in Feyre the chance to do something to free all of Prythian, he goes all in knowing that that game would be total defeat or victory. He acts.

When Hybern starts threatening Prythian, he is willing to do whatever it takes — lose a potential friend, hand over the city he loved with all his heart to horrible women, give up his own life — so that they wouldn't fall into slavery again.

When the war comes anyway, he faces it head-on and uses every card he has to stop the King of Hybern: monsters of all kinds, all his power, his own life, and the truth about himself, about who he is.

And these are just a few examples. The fundamental difference between Tamlin and Rhys, just like between Tamlin and Feyre, is how they respond to situations and traumas.

Quoting Teddy Roosevelt (btw, this is a direct translation of the Portuguese version of the quote, so it can be different from the original):

"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."

Feyre and Rhysand are the ones in the arena, they are the ones who fight to be able to act in the face of evil — Amarantha. And it's interesting to note that those who condemn Rhys for the dubious actions he took Under the Mountain never say anything about Feyre committing murder there as well, which is a crime as heinous (or at least should be when it comes to innocent people) as Rhys's.

I'll tell you why: when we're faced with a gray and complex character like Rhys — and we don't know his heart, instead we're "infected" with the main character's partial view — we tend to connect him directly with evil, instead of understanding that this character is neither wholly good nor bad. We forgive soldiers for killing people in a war — that's also a combat in Under the Mountain, so why can't we forgive both Rhys and Feyre?

We forgive Feyre because we know how sorry she is, we know her heart, and we love her. But Rhys? He's the High Lord of the Night Court — which alone triggers some unconscious alerts within us — and he's playing dirty, hiding, and being a horrible person, so why should he be forgiven?

That's what our brain unconsciously thinks sometimes, and it makes us judge some characters more severely. Understanding the duality and complexity of a character is not an easy task; it requires a lot of empathy and an open mind.

But why am I saying this? Because it's important to understand: Rhys and Feyre are extremely similar, and they understand each other at a fundamental level because of that. Tamlin, on the other hand, has a completely different personality. He's the one who freezes, who paralyzes.

Rhys and Feyre experience the trauma Under the Mountain together, so Feyre and Tamlin are separated, which, combined with the glaring difference between the two, makes it difficult — perhaps impossible — for them to heal together because, out of loyalty to the character's nature, Sarah can't make Tamlin talk about what's happening like Feyre needs.

Even after Under the Mountain, Tamlin's instinctive action is to freeze. So he doesn't talk about Feyre's nightmares, he pretends not to see her despair, he turns away from her need to talk about the subject — because looking at her trauma would be the same as acknowledging his own.

And he can't do that because it's part of his nature to freeze. But this isn't healthy, hence the explosions of anger, and hence he locks Feyre up the moment she tries to assert herself: these are the consequences of forcing someone who deals with PTSD by freezing to actually deal with their traumas (that and the fact that he's horrible).

I can understand that (not in his relationship with Feyre, I'm talking more generally here, about him as High Lord, he can rot otherwise) but I can't forgive it like I did with Rhys because, unlike the actions Rhys took, paralysis only allows evil to continue to grow and end up imprisoning us (this is, in fact, one of the reasons why Tamlin didn't try to fight like Rhys while Amarantha was killing Feyre: his lack of previous action left him unable to take action when it was time to "put up or shut up").

While Tamlin's paralysis pushes us down while doing us harm, Rhys's actions, as horrible as they may be, are done in the hope of something good, they're done to move us forward. I can forgive him because I'd rather be someone who does horrible things in the hope of creating something better than be someone who allows evil to continue to grow until it imprisons me.

It's that simple.

And Feyre is exactly that kind of person. She needs to act, she needs to talk about it to heal. She needs to have a purpose, not be coddled like Tamlin — and his trauma — wants her to be.

The relationship between her and Tamlin becomes abusive the moment he tries to stifle her feelings to maintain a state of paralysis. And that's something you'd expect from a character like Tamlin, that's how he was built. But this happens long before Under the Mountain: I remember that on the first day Feyre yields to the dresses Tamlin gave her in ACOTAR, I think it was the morning after Calanmai, she warns herself to be gentle, to be kind, when dealing with Tamlin and Lucien.

But after Under the Mountain, Feyre can no longer accept that her feelings be stifled simply because her traumas are consuming her from the inside out. So she fights back. And that's what completely ends their relationship.

But the point is: both Tamlin, Feyre, and Rhysand follow exactly the line of their personalities throughout the story. They are those kinds of people from start to finish. There's an evolution, of course, but it's an evolution of beliefs, opinions, and perceptions — their essences remain the same.

That's why Sarah is brilliant in these books: by being completely faithful to her characters' personalities, she created a story that discusses abusive relationships, the varied responses of certain types of people to trauma, and the various reactions of leaders in times of war and defeat.

But the point is: none of them were changed to fit a ship, simply because they weren't changed. All three of these characters act exactly the way they should within the limits of their own personalities.

Rhys is the High Lord who plays dirty to create a better world, and Tamlin is a leader who can't make a tough decision. And there's another fundamental difference between them:

While Rhys knows that, from time to time, he'll be forced to make decisions that will end up harming part of his people (and will choose the lesser of two evils), Tamlin still struggles with the enchanted vision of a superhero who saves everyone without exception. And when that doesn't happen — because it's never possible to save everyone no matter what you do — he prefers not to act.

I think the two things that illustrate very well the kind of person Rhys and Tamlin are is the Illyrian tradition of cutting the wings of their females and the Tribute:

Rhys risks a revolt to improve the lives of his people and sticks to that decision, willing to pay the price for it if the result is a better life for the Illyrian females, while Tamlin fails to abolish an extremely unnecessary tax because his inability to act makes him cling to archaic traditions like the Tribute.

So, yes, I forgive Rhys for what he did Under the Mountain, because I couldn't love someone who freezes and leaves me to die. I prefer to love someone who cares so deeply about something — a dream — that they're willing to fight and play dirty for it. And then go to battle to defend it.

Hope you enjoyed it! Feel free to point out points that I didn't comment on; I'll try to respond to everyone's comments!"