#i'm trying to improve the quality and have no idea if it's working.. | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Tumblr Inc. has $15.1M in annual revenue.

#i'm trying to improve the quality and have no idea if it's working..

writers-hq · 2 years

Text

WHY IS WRITING IS SO FUCKING HARD?

Ten types of fuckery that stop you from writing the thing:

1. Imposter syndrome

You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.

Read this: 4 tips to kick imposter syndrome in the face and also genitals

And also this: How to silence the inner critic

2. Fear of rejection and/or failure

Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.

Read this: The different types of rejection (and how to deal with 'em)

Then read this: How to cope with rejection

And also this: Writing lessons from Groundhog Day

3. Not enough planning / too much planning

Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...

Read this: Planning vs pantsing

Then read this: Five plotting techniques

And also this: The perils of overplanning

4. Your WIP just isn't working

Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:

Read this: What to do when your WIP isn't working

And also this: Give it space - how to grow a story in your head

Or how about this? Editing 101

5. You keep deprioritising it

Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.

Read this: Prioritise your writing

Read this: How to write in 30 second bursts

6. Shiny Thing Syndrome

You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:

Read this: Shiny thing syndrome - a writer's malady

Aaaand read this: Get excited about your writing again

And also this: Write like a kid

7. Perfectionism/self-sabotage

Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.

Read this: Why writing is scary (and why that's a good thing)

Read this: Beginning a story - what stops us starting?

And also this: Get out of your own way

8. The dreaded blank page

Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...

Read this: Don't fear the blank page

And also this: The moaning method

9. Not enough time/energy/motivation/gnuuuughh

Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.

Read this: Maximise your writing time

And also this: Get in the writing zone

And also unto this: The Writers' HQ Guide to Productivity

10. You're just fucken stuck

Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...

Read this: Troubleshoot your writing - why are you stuck?

And also this: Break through the writing blockage

And also also this: Write yourself into a pit (and then dig your way out again)

~~~~~~~~~~~~~~~

Alright, that's it for today. Now go write, you flithy animals.

(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)

8K notes · View notes

vanteguccir · 3 months

Text

It's noted | Chris Sturniolo

Chris Sturniolo x reader

Summary: Where Y/N is part of the Sturniolo Triplets fandom and makes videos about them on TikTok. After years of creating content, one of her videos seems to catch the attention of none other than Chris.

Warning: None.

Requested?: Yes, from anon.

Author's note: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

PS.: I used this tiktoker as an inspiration for the content that the reader creates on this.

PS. 2: I'm thinking of making a tag list for my Sturniolo Triplets x reader, so if you want to be included in it and be tagged on every Sturniolo x reader that I post, comment here please! 🩷

༻✦༺ 　༻✧༺　༻✦༺

It was true that the Sturniolo Triplets fandom grew so much in such a short time thanks to the fans themselves, who play a big role in bringing the channel to other people through social media - mainly TikTok. It was also true that, at least 90% of this part of the fandom works with edits of different types of the boys; compilation of parts from a certain video or podcast, edits and even memes.

But there was a small portion that made videos talking about the boys, showing their faces and voices while explaining their content, work and even giving tips on how the triplets themselves could increase their audience or improve their brands.

And Y/N was part of this small portion, having been in the fandom since mid-2021 and not missing any videos of the triplets, she could talk about them for hours on end.

Her biggest hobby was making videos giving ideas for their channel and brands: some brands they could collab with, theme ideas for car videos, topics for podcasts, prints for hoodie sets and t-shirts - both for the triplets' brand and for Fresh Love -, different flavors and themes for Space Camp, and so on.

The girl applied all her love and knowledge to all her videos, editing the backgrounds and explaining her ideas with the smallest details, making them understandable. She had perfect lighting, audio, and set equipment for her work, which made the quality equally good as her content.

Her trademark was her strawberry frappuccino, which she was always drinking every time she turned on her phone camera. Fans joked that her obsession with the drink was like Chris's obsession with Pepsi.

And all that was exactly why fans loved her so much. Y/N had more than 400 thousand followers on her TikTok account and all her videos reached an average of 150 thousand likes, in addition to the many comments saying how smart she was for having those ideas, her kindness in sharing them with the public and even complementing her beauty.

The girl spent hours of her day reading each one of them and interacting with fans as if they were best friends, always being very kind. She laughed her ass off at the comments from people who madly tagged the boys, especially Chris, as it was a well-known fact that he was her favorite - she loved to make that very clear.

Some fans even went so far as to say that if Chris was ever ready to get romantically involved with someone again, they wanted it to be with Y/N. The girl read that type of comment with a huge smile on her face and red cheeks, feeling honored. Although she imagined that the boys would never even notice her, she allowed herself to travel through the world of delusion from time to time.

So it was an understandment to say that she was super surprised when, after waking up on a typical Saturday and picking up her phone for the first time in the day before even getting out of bed - a bad habit of hers -, she saw the notifications in triple the volume of its normal.

She felt dizzy with so much information, trying to find in the midst of so many comments and messages what was really happening.

Finally, after traveling between her TikTok, Instagram, and Twitter for long minutes, she finally found it.

Chris Sturniolo had commented on her last video.

༻﹡﹡﹡﹡﹡﹡﹡༺

It was Friday, and the triplets had just returned home after finishing recording their new car video that would be posted in a few hours.

Chris was currently lying in his bed, the lights in his room dimmed, and the low noise coming from his phone filling the four walls.

The brunette was just getting ready to take a shower minutes ago, having opened his TikTok and scrolling through his For You for a few minutes, about to take off his clothes used in the filming, when a video of an unknown girl talking about himself caught his attention.

It was very normal to have videos of and about himself on his For You, after all, the hours over the last few years that he spent liking one video or another showed the algorithm that he liked this type of content. Edits and memes of him alone or with his brothers filled his app, and he spent enough time watching, laughing, liking, and, sometimes, reposting some of them.

But it wasn't normal for him to have a completely unknown person talking directly about him, with her face and voice exposed for the world while doing it. And what surprised him most was what she was talking about, that specific video being about different prints and colors that he could use in the next Fresh Love collection.

His blue eyes lingered too long on the girl's face, admiring her features, her sweet voice serving as a melody for his ears.

When Chris dragged his thumb from the right to the left of his screen, entering the girl's profile, he finally noticed her name.

"Y/N." His voice came out in a whisper, enjoying more than necessary how the name slipped off his tongue so easily.

His fingers wandered across the screen, going from one video to another, listening to the ideas carefully - even writing some down on his Notes app -, saving some in a separate folder and browsing the comments, only then realizing that practically all of them were from fans tagging him.

Laughter escaped his lips at some of the jokes the girl made every now and then, while fascination filled his eyes with the effort she put into each idea.

The sound of knocking against his bedroom door startled him, his body jumping as he turned sharply towards the source of it, Matt's head appearing between his door and the frame, his eyebrows furrowed as his eyes traveled around the room briefly.

"You've been listening to this girl for so many hours that I thought she was here with you." Matt commented, opening the door wider and approaching Chris.

The youngest of the triplets rolled his eyes, suppressing the urge to lock his phone screen and keep Y/N all to himself, but she was well known in the fandom and her videos were about him and his brothers, the possibility of her content getting to them as quickly as it got to him was huge.

"It's a girl who appeared on my For You today. She makes videos of ideas for our channel and brands, can you believe it?" Chris looked at Matt as he showed his phone screen with Y/N's profile open. His eyes were wide with fascination, and his lips stretched into an enthusiastic smile.

Matt observed him for a few seconds, noticing his body language and the way he spoke about the girl, it was different from all the other times the boy commented about tiktokers or videos others made about them.

"Send me a video of her, I'll take a look later. Now go upstairs, I bought us something to eat."

༻﹡﹡﹡﹡﹡﹡﹡༺

Another Monday had arrived, and Y/N was looking for strength in her body to get out of bed and face another start of the week.

The thought that in a few hours, she would have a brand new Sturniolo Triplets podcast was what made her tackle her tasks.

Her eyes traveled to the time on her phone and to her notification bar every 10 minutes, as if she was expecting Nick to release the podcast earlier than usual - it was obvious that that wasn't going to happen.

After last Saturday, where she had woken up to a comment from none other than Christopher Sturniolo, her weekend was complete madness.

She spent hours staring at the little comment as her mind tried to process whether she was actually awake or still asleep and in a very good dream.

"loved the idea! it's noted ;)"

"it's noted"? What did that even mean? Did he actually write down her idea for future use? Should she be prepared to wake up some other day and see that he has launched a new collection with something she suggested in one of her videos?

And what made her go crazy the most was that Chris Sturniolo had seen her face, and not only that, he found her attractive enough and her idea creative enough to watch it until the end.

She spent almost the entire previous two days waiting for him to comment again, or even like one of her videos, but that didn't happen. Instead, Y/N received thousands of comments from fans going crazy with her about what happened. At least she had a good laugh with them.

Now, she was in her bedroom, the light from the movie playing on the TV was the only source of illumination. Y/N was lying in her bed, already in her pajamas and with her pre-bed cup of cappuccino on her lap, keeping her legs warm, her eyes on the television, but her mind somewhere else.

The sound of the YouTube notification came from her phone and Y/N had never moved so quickly, her hand taking the device out of her bedside table and unlocking the screen while muting the television, clicking on it with her thumb without even looking at the other notifications.

Her fingers worked on increasing the volume and screen brightness, setting it to the best resolution and getting comfortable on her bed, preparing to stay in that position for the next hour.

The podcast was already at minute 35, and Y/N felt her cheeks hurting from how much she was laughing at the topics brought up by the boys. Nick was especially funny that day, making Chris and Matt laugh at every moment.

In addition to the senseless fights that would arise between the three of them out of nowhere, which made Y/N roll her eyes playfully, already accustomed to their way with each other.

Until her big smile was replaced by an expression of a mixture of fright and surprise.

"Can we take a moment to talk about the intense crush Chris developed this weekend?" Nick interrupted Matt's laughter, taking a sip of his Doctor Pepper.

Chris turned abruptly to his brother, his eyes wide at the comment as he shook his head, almost begging through telepathy for him not to talk about that.

"It's true, Chris spent the weekend obsessing over a fan of ours who makes videos on TikTok with different ideas for our channel." Matt agreed, looking briefly at Nick while his hands moved the microphone support, pressing his lips together as he tried to suppress his laughter at Chris's reaction.

"Yeah, she is super pretty, and her ideas are very interesting. I think I only saw her profile once, but I listened to all her videos through Chris's phone." Nick continued, raising his right hand and directing his palm towards Chris, pretending to cover his figure with it and ignoring his desperate expression. "He literally spent the entire weekend watching her."

"Her name is Y/N. Search for her guys. We might even use one of her ideas on our next podcast." Matt added, his voice coming out low despite his mouth being almost glued to the microphone.

"You guys are horrible, I hate you." Despite the distance, the camera lens that focused on Chris's image captured his red cheeks as he tried to suppress a smile at the thought of the girl who took over his thoughts, rolling his eyes to his brothers.

"Now he will be silent for the next 10 minutes." Nick continued, amusement in his voice as he picked up his Space Camp watermelon lip balm, playing with the object in his hands.

"He's in love Nick, give him some credit." Matt mocked alongside the oldest triplet, a small smile on his face as his eyes watched his brother's reaction.

"Okay, next topic." Chris interrupted loudly, his voice cracking with embarrassment. He raised his arms and moved them from side to side exasperatedly, earning laughter from the other two, before Nick briefly passed his eyes on the document open on his laptop, starting the next topic.

"Oh my God." Y/N whispered, clicking once on the screen and dragging the small ball in the bottom bar to the left, going back a few minutes of the podcast and rewatching that specific part.

The girl repeated that action at least three more times, her brain still processing that Chris Sturniolo had been watching her TikToks all weekend - as if she were some kind of famous artist - and that, apparently, he was developing a mini crush on her as well.

Her heart was beating too fast to be normal as her cheeks burned, a red tinge taking over her skin. Goosebumps ran through her body as her fingers trembled slightly. Her jaw was already hurting from the time she held her mouth open, but no sound escaped from it.

A notification suddenly appearing at the top of the screen caught her eye, her right hand instantly flying to her mouth while her left hand lowered her phone, resting the device on her mattress.

Her eyes were now fixed on the wall in front of her bed, as her mind screamed at herself.

christopherturniolo sent you a direct message.

"hey!"

༻✦༺ 　༻✧༺　༻✦༺

My asks are always open. Feel free to send requests or anything at all 🩷💋

Also, again, I'm thinking of making a tag list for my Sturniolo Triplets x reader, so if you want to be included in it and be tagged on every Sturniolo x reader that I post, comment here please! 🩷

Asked tags: @lustfulslxt @soimightlikeoldmen69 @p1xieswrld @lovrejoana

260 notes · View notes

mindfulstudyquest · 9 days

Text

❥﹒♡﹒☕﹒ 𝘁𝗶𝗺𝗲-𝗺𝗮𝗻𝗮𝗴𝗲𝗺𝗲𝗻𝘁 𝘀𝘁𝗿𝗮𝘁𝗲𝗴𝗶𝗲𝘀 𝘆𝗼𝘂 𝗺𝗮𝘆 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗸𝗻𝗼𝘄

𝟭. set SMART goals ( 📒 )

make sure your goals are specific, measurable, actionable, realistic and time-bound. this will help you maintain focus and track your progress over time. how many times has it been you and your unrealistic to-do list against the world? well, it seems that a mile-long to-do list is not a good ally at all. remember that you are a person and not a machine, and that just dedicating four hours to deep work and concentration is A LOT. be kind to yourself and don't overload yourself with more work than you can humanly do.

𝟮. daily planning ( 🧸 )

mea culpa because i'm the first one who doesn't plan their day. to-do lists generally stress me out and make me feel overwhelmed as if i don't manage to complete all the tasks an asteroid will end up hitting the earth. but i recognize that it is a good starting point. sometimes i have too many things to do and i end up doing nothing in total confusion, but having at least a general list to follow gives me more motivation. moreover do we want to talk about the dopamine released when you tick an empty box? marvelous. maybe don't write down tasks that are too onerous and demanding, break them into several smaller tasks, also try to write simple activities such as "drink a glass of water" every now and then. having these low-commitment activities will help you stay motivated while completing more important tasks.

𝟯. reverse-engineering method ( 🪴 )

start with the end goal and work backwards to plan the actions needed to achieve it. this helps you maintain clarity on the steps to take and focus on the most relevant actions. the best thing to do is plan based on the time available and do your best to stick to your daily goal.

𝟰. timer roulette ( ⏳ )

choose a task from your to-do list and set a random timer between 15 and 45 minutes. work on that task with all your concentration until the timer goes off. this helps you fight procastination and keep your mind fresh.

𝟱. mind mapping time ( 📍 )

before starting a study session, take a few minutes to create a mental map of the subject you need to cover. this helps you see connections between concepts and organize information more effectively.

𝟲. task batching ( 🫒 )

group similar tasks together and tackle them in batches. for example, reply to all emails in one session rather than doing so at scattered times throughout the day. this helps you reduce transition time between tasks and maintain focus. contrary to popular belief, human beings are not truly multitasking (only a few possess this great ability) and when we do multiple things together we do nothing but shift our attention from one task to another, greatly reducing the quality of our performance. if possible, try to avoid these switches that are harmful to your focus and concentration.

𝟳. the pomodoro method ( 🍅 )

okay, y'all probably already know this one because it became so popular in the last year but if you don't, the pomodoro method is a time management technique developed by francesco cirillo in the late 80s. it is based on the idea of working for short periods of time, usually 25 minutes, followed by a short 5 minute break. after four rounds of work, a longer break is taken, usually 15-30 minutes. this technique helps improve concentration and productivity, as it breaks down work into manageable tasks and offers regular breaks to rest and regenerate energy. i personally prefer the 50/10 ratio while i'm studying but you decide which time ratio is better for you, i find it really useful and it helps me a lot while i'm studying for my exams.

240 notes · View notes

cereovo · 8 months

Text

A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!

I also recommend checking out:

Drawing East Asian Faces by Chuwenjie

How to Think When you Draw (lots of good tutorials in this series)

Pose reference sites such as Adorkastock

Transcript and some elaboration under the cut:

Img 1 - Drawing a face

The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.

Img 2 - Stuff that helped me

Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!

Img 3 - Things I keep in mind while drawing side profiles

- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]

#2023 #may 2023 #i realized this is pretty nonsensical while transcribing it LOL #feel free to send asks if anything is unclear #but again im not any sort of professional

565 notes · View notes

ao3commentoftheday · 6 months

Note

Hi! I'm asking for advice, please. I'm in a small ship fandom, it's so small that most of us know each other here. Having a small, unpopular ship is not an issue in itself and most of us are okay with that, but the ship gets a lot of hate from the bigger ship fandom. I won't say much about the fandom situation, but I'd love to get more people to write for our ship. It's hard because our authors get a lot of hate reviews and our AO3 tag is a mess because the big ship shippers put their hate stories there all the time. I know there are tools to filter this unwanted content, like OTP:true, but people who don't know AO3 very well have a hard time finding the stories written by the few active authors that we still have. Our stories are not lacking in quality, but they're so scarce that readers get discouraged after a while. A similar thing happens to writers because of this situation with the hate comments and lack of interaction. I know that I can't do much about the hate the ship gets, but I would like some advice to motivate people in our fandom to write and support our writers more. I read, comment, and create as much as I can, but it'd be nice to get fresh ideas about improving this situation, maybe planning fan events and similar stuff. I will gladly welcome any helpful tips if you have them, please! I am aware that creating more content would expose our writers to more hate. I know that, but I also think that it's unfair that people have to refrain from enjoying the things they love just because other people hate it. That's why I'm trying to change things for the better, but I need help.

I'm so sorry your fandom is so awful to your group, anon ❤️ No ship is worth being mean to others over, and especially not worth making an entire group feel unwelcome in a communal space.

I strongly recommend that the authors of your ship restrict comments to logged-in registered users only (you can find this setting in Post a New Work form) and block any commenters who post hate. If anyone circumvents the block, report them to PAC for block evasion. To do so, visit the comment itself (by clicking on the thread button or following the link from the email) and choose Policy Questions & Abuse Reports from the AO3 footer. Don't delete the comment until after PAC have had a chance to read it and investigate.

Now, as for how to encourage more people to create!

It's always worthwhile to celebrate the folks who are already doing the thing. Create recommendation lists and share them around. Write a ship manifesto to encourage people to take a look at the ship if they haven't already. Reach out to fanartists who take requests or commissions and see if they'll make ship art. Get a group of writers together for an exchange.

Bring in new writers by messaging an author who is open to other ships and seeing if they'd be willing to write a oneshot. Post a list of ship-centric prompts and encourage folks to reblog it and fill the prompts. You could even create a prompt meme on AO3.

That's all I can think of off the top of my head, but I'm sure the blog will be able to suggest even more. We're here to support you, anon!

#asks and answers

289 notes · View notes

ladyluscinia · 6 months

Text

What Exactly Did David Jenkins Say?

Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.

But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...

Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.

Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.

(Listed in chronological order from oldest to newest - post contains spoilers below the cut)

Pre-S1

Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link

Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"

Post 1x01 - 1x03

Polygon - March 5, 2022 - with Tasha Robinson - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."

About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."

Mashable - Mar 5, 2022 - with Belen Edwards - Link

About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."

On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."

About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"

Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""

Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""

Post 1x09 - 1x10

Decider - Mar 24, 2022 - with Kayla Cobb - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."

About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."

About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."

Collider - Mar 24, 2022 - with Carly Lane - Link

On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."

Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."

Discusses history and kissing scene

Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."

Is Lucius dead? - "You got to wait."

EW.com - Mar 25, 2022 - with Devan Coggan - Link

David Jenkins, Taika Waititi, and Rhys Darby interview

Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"

Polygon - Mar 25, 2022 - with Tasha Robinson - Link

Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."

Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."

Discusses kiss scene filming and the national moment around gay rights

What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."

TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link

Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."

Discusses historical inspiration

Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.

The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link

Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"

Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"

Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."

Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."

On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."

Discusses masculinity and piracy as an escape from that

Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."

Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link

Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."

Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."

EW.com - Dec 13, 2022 - with Devan Coggan - Link

Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."

Pre-S2

Collider - Oct 2, 2023 - with Carly Lane - Link

Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."

Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."

Discusses adding more female characters

Discusses S2 needle drops including "This Woman's Work"

Discusses 3-season arc

Post 2x01 - 2x03

Mashable - Oct 5, 2023 - with Belen Edwards - Link

Discusses fandom response to S1

About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."

Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link

Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."

Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases

Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."

Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."

Discusses importance of the mermaid scene

Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link

Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."

Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."

Discusses historical divergence

Discusses matelotage and pirates as weird outsiders

TV Guide - Oct 5, 2023 - with Allison Piccuro - Link

About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."

Discusses playlists he makes

Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."

Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."

Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"

On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."

About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."

Discusses the A Star is Born aspect of seeking fame / retiring

Mashable - Oct 7, 2023 - with Belen Edwards - Link

About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."

About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."

Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link

Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"

Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link

Short tease on leaning into the love triangle

About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."

Post 2x04 - 2x05

IndieWire - Oct 12, 2023 - with Sarah Shachat - Link

Discusses directing and show creation

"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""

"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"

PopSugar - Oct 12, 2023 - with Victoria Edel - Link

About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."

Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"

Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."

Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."

Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""

Variety - Oct 13, 2023 - with Hunter Ingram - Link

Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."

Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."

Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."

Discusses adding historical pirates

Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."

Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."

Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."

Polygon - Oct 14, 2023 - with Tasha Robinson - Link

Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."

Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"

"The second season is more overtly about romance, and more a relationship story."

Energizing aspect of fan reaction

S3 is about "love is work"

Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link

About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."

Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."

Discusses the A Star is Born aspect of seeking fame / retiring

Discusses Zheng Yi Sao

Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."

Post 2x06 - 2x07

Mashable - Oct 19, 2023 - with Belen Edwards - Link

Discussing drag performance in 2x06

"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."

Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link

Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""

Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""

Discusses Jim x Archie

Discusses 3-season arc

Polygon - Oct 21, 2023 - with Tasha Robinson - Link

Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect

Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."

About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."

Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"

Post 2x08

AV Club - Oct 26, 2023 - with Saloni Gajjar - Link

Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."

Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."

Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point

Discusses parallels, Republic of Pirates, and Zheng Yi Sao

Short bit about fan response

Collider - Oct 26, 2023 - with Carly Lane - Link

Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."

Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."

Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."

Discusses Republic of Pirates / music parallels from premier to finale

Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."

Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""

"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up

EW.com - Oct 26, 2023 - with Devan Coggan - Link

Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."

Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."

Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."

Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."

Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."

Variety - Oct 26, 2023 - with Hunter Ingram - Link

S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."

Discusses the draw of a "Golden Age" and it's ending

Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."

Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link

Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."

"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."

Discussing Con O'Neill & Rhys Darby acting

Jenkins confirms the season was always 8 episodes due to budget cuts

About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."

Teases S3 revenge against Ricky and going to the Americas

Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link

About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."

Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."

Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."

Discusses adding Zheng Yi Sao

Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."

Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"

Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed

Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."

Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link

Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."

Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."

Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."

Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."

On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."

Vulture - Oct 28, 2023 - with Sophie Brookover - Link

Discussing Izzy as a "father figure" and his S2 send-off being a priority

Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."

Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"

Third season about the work of a relationship between still damaged main characters

Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences

About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."

Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."

Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link

Discusses historical premise of S1 and easing into the romance

Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."

Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."

Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."

Discusses diversity staffing

Discusses performative masculinity

Discusses Izzy's death, happy endings, and openness to S3

#trust me i appreciate the irony of making an extensive word of god reference when i want people to stop blindly promoting word of god #(and also when i'm currently very irritated with the creators)#and fyi showrunners talk A LOT but i was already committed so this was more work than i was expecting #i'll even use a small bit of my extra hour of destiel day to post this (most of it was assembled while watching supernatural)#our flag means death #ofmd #ofmd meta #david jenkins #word of god #ladyluscinia

275 notes · View notes

sirfrogsworth · 3 months

Text

Thoughts on Live Action Avatar: TLA

I'm sure people are going to hate this. Some for valid reasons. Some because of endless nitpicking that really has no bearing on how good or bad it actually was. Some because they have already chosen to hate it and it's just a self-fulfilling prophecy.

But I always root for things to be good. I want them to succeed. And I always go into everything I watch with the hope and expectation it will be good. I turn off my critical brain and try to just experience the show for what it is. As I said, I saw no trailers. I read no reviews. I knew almost nothing about the production of this going in.

Initially, things were rough... buddy.

And I think that is a longstanding problem with live action TV shows in general. I am always reminded of Star Trek TNG and how it took two seasons (48 episodes) before they figured out what the hell they were doing. Back then shows were able to find their footing and grow and learn. Actors were given time to find their characters and understand them and finally become them.

But now, every show has to be amazing from the start or they get cancelled. And I think people have become very unforgiving of first seasons as well. I feel like not enough people consider the potential of something getting better. And I think that is a shame.

So, yes, Avatar started out rough. They tried to cram all of the exposition into the first 20 minutes. And that was unpleasant. The effects were jarring at first. It is incredibly difficult to translate animation into live action. And please don't say the CGI was "bad." It wasn't. There was just so much that needed to be packed into every frame of this show to make it work, and finding a way to make it all seamlessly blend is a monumental task. I think the artists did an amazing job with the constraints of essentially making an 8 hour movie in the time usually given a 2 hour one.

But as the show continued, the actors seemed more comfortable in their roles. The showrunners seemed to figure out what worked and what didn't. The quality across the board started to improve. Especially when they started to deviate a little bit from following the cartoon. I also noticed that the effects that were jarring in the beginning eventually stopped bothering me and breaking immersion. I got used to them and was able to just focus on the story. And I think they got a little better as well. The bending was much more convincing as the show progressed. And it was a bajillion times better than the slow-motion bending of that movie that shall not be named.

And by the final episode, I was all in. The Avatar monster was really cool. And I was crying my eyes out and having all kinds of emotions. And there were some changes they made to the story which I actually thought made more sense. And I was glad this show was doing a few things to differentiate rather than being an exact carbon copy.

It won me over.

And I know it won't do that for everyone. And perhaps I am forgiving a lot of sins just because I wanted it to be good. The original was my absolute favorite show of all time. I just liked spending time with these characters again.

But I liked it more than I didn't and I'm hoping that is the general consensus, but I fear that is not the case.

Things I really liked...

I thought the actor playing Sokka was really great. They didn't give him enough humorous material. But I think this kid absolutely nailed the role. And if this gets another season, I do hope he can show Sokka's lighter side a bit more.

Ken Leung also did amazing as Zhao. I think he surpassed his cartoon counterpart in villainy. I loved hating him.

The final battle was beautiful. I think they probably dedicated a lot of resources to that. Maybe at the expense of other things. But I think it was worth it to end strong.

In the first season of the cartoon, the trauma was often skipped over or kept very brief. I'm sure the idea of dealing with genocide and war time trauma was not an easy sell to Nickelodeon initially. But they did actually take the time to show some of that trauma, especially with Katara and Sokka. And I cried a bunch.

They seemed to go to considerable effort to have a diverse cast. I am glad they learned that lesson from the movie.

That said, they probably could have brought back Dee Bradley Baker to make the animal noises. This might have been an overcorrection...

I guess this will give the anti-wokesters something to complain about since the original was already super woke and it is probably a challenge to complain about the new thing being woke as well. Though I'm sure they are up to the challenge.

Things I didn't care for...

The compressed timeline caused a few stories to be combined and accelerated. I understand why that was necessary. But there were some important moments of character growth that got lost.

Sokka's missing sexism. I think it is much more useful to see someone grow and change and let go of their problematic traits than to pretend that never existed. Sokka's sexism was a symbol of the conservative views within water tribe culture in general. It was also foreshadowing for the conflict with Pakku (which was also minimized). I just think young viewers seeing a character overcome ingrained ideals has a greater influence than just erasing that aspect from the character.

Things I hated...

Princess Yue's hair. You get the amazing Amber Midthunder to play Yue, and she does an amazing job with extremely abbreviated screen time, but I couldn't stop staring at whatever that was they put on her noggin. I know I criticized people for nitpicking, but that was very distracting. I don't know exactly how it could have been done better, but I worry a great performance is going to get overshadowed by... hair.

In conclusion...

I think the people making this show loved the source material. I can see that love. I think they tried very hard to make the best show possible. And I also know they are probably going to get a lot of hate. I still haven't looked at the reviews because I didn't want to be influenced when writing this. But I can feel the review bombing as we speak.

But this was not a Witcher situation where the writers didn't respect the source material. This was displaying how incredibly difficult it is to convert one of the most beautifully animated shows in existence into live action. Maybe that is an argument for not making live action versions. Though I usually love them when they work and am happy both versions exist.

I really hope people can remember the original still exists and they can completely disregard this and watch the cartoon any time they wish. This doesn't have to "ruin their childhood." These two things can exist and everyone is perfectly capable of ignoring all of the live action material.

But I do hope this gets another season. I think that final episode showed the potential. I think the cast was getting comfortable in their roles and they deserve another chance to show what they can do.

I love Paul Sun-Hyung Lee and I think he was a great choice for Iroh. But Mako's shoes are probably the biggest shoes in the existence of shoes to try and fill. I do not envy the task he was given. But every once in a while I saw that Mako spirit come out in his performance and I think he could use another season to really find that and show us what he is capable of.

This felt a lot like The Phantom Menace to me. There was actually a ton of amazing stuff to love in that movie. But it didn't quite work the way the original movies did. But I think this was good enough to hope for the future.

55 notes · View notes

slavghoul · 1 year

Text

Big news for Ghost this week, with the release of their brand new EP of covers, Phantomime, this Friday May 19th, and two days later, the launch of an eight-date French tour. Frontman Tobias Forge tells us more about the creation of this record, as well as his future projects and the few unforeseen events that have come his way...

I guess you must be very busy with the promotion of Ghost these last few days here in Paris, but have you planned any time for yourself, like a vinyl shopping session for example?

Yes, I have, but it's really just a hobby for me: whenever I go somewhere I go to record shops, it's kind of my own relaxation. As far as promotion goes, these few days are indeed quite productive with a busy schedule, but it's actually quite nice to sit here, watching what's going on around me, at least it's more pleasant than doing a day of interviews locked up in four walls. I'm more of a stimulus kind of person, so when I have a phone call with someone I play Playstation at the same time, so I can concentrate on something while I'm talking. My whole life has always been a bit like that, listening to a record at home with the TV on.

You're releasing an EP of five covers on which you cover Television, The Stranglers, Genesis, Iron Maiden and even Tina Turner. How do you choose the songs for the covers on your EPs? Are they songs that meant a lot to you, that you listened to a lot when you were young, or are you looking for lyrics or a theme corresponding to the Ghost universe with references to religion for example?

It's a little bit of all of that at the same time! But the main criterion, what counts the most for me, is really the lyrics. From the rhymes used to the existential, philosophical or biblical themes. Of course, we could have fun covering "Disco Inferno" and try to put our own spin on it, but I think we need to be able to add a little something to it. I actually like to take songs that are written in a different way to my own, so I'm always trying to find songs that I couldn't have written myself. If I opened a restaurant tomorrow, I would have to find different dishes to enrich and diversify my menu. It's also a way for me to learn, to experiment. Besides, the exercise of reworking is always interesting, and sometimes it works, other times it doesn't.

Does this mean that you have considered other covers than these five titles?

Yes, I did. And the covers that didn't work just don't appear on this record! My original idea was to do a whole album of covers. And I had to take half of the songs off, because five of them didn't really fit with what we wanted to do with them, or they didn't sound like they were finished.

For example, I recorded a Rush track, but I felt I wasn't adding anything to the song. Not to say that other bands are flawed, but I just think that Rush's music is too perfect. There is nothing to improve, nothing to emphasize or accentuate, no nuance to add this or that contrast to. I felt like I was playing Rush just like a lot of teenage boys do, and nothing more. I'm not implying that girls don't like Rush, of course, but you know, there's that old joke that Rush is a teenage boys band. In any case, I felt that my version was going to be a bit too redundant to the original song.

Then there were other songs that made it to the quarter finals, if I may say so [laughs], that we dropped because there was too much to improve on, or the overall quality was not good. I can have a really good idea on paper, and then listen to the piece and think it doesn't work very well, or it's not entertaining enough.

How did the recording of the EP go?

The demos of all these covers were made at the same time as the recording of Impera. The producer of the album told us that he didn't want to deal with covers. That's fine, and it's true that it doesn't pay to do covers. We had just come out of the Impera recording session and we were exhausted. It was very hard, after all it's often said that the fifth album is particularly difficult. We had quite a lot of ambitions for this record, it took a lot of time and energy, and when it was finished, my engineer Martin and I went back to the studio, with the idea of recording another album.

But once we'd recorded those demos, I realised that there were some things that weren't quite right and that we had to take out. We kept those five songs. Five rock songs, full stop. Keeping things simple, easy, and even for the recording: it was good to remember that not everything is as difficult as the album we just finished. This EP is ultimately something spontaneous, simple, and having the demos already made it easier for us. Anyway, I had a lot of fun making it, from the recording to the mix, the atmosphere was quite happy.

You can feel this on the EP, this lightness and a feeling of fluidity. Without it being too basic, because there is a serious work on the arrangements and the atmospheres, which sound very Ghost by the way.

I'm glad to hear that, because that's exactly what I was looking for: to convey that lightness without the final product sounding half-baked, if I can say that! What I mean is that when you go into the studio for an album, you're 110%, whereas for an EP, with only covers, it's normal to be 100%. But I didn't want the difference to be felt between the two, like between the first Star Wars and the 1978 Star Wars Christmas Special! [Laughs]

It's been a year to the day since the Impera album was released. How do you look back on this fifth album, which marked a turning point in Ghost's rise?

In a way I feel relief, because this album has fulfilled its mission, the one it was supposed to fulfill. I don't want to fool the fans into thinking that it's all about magic and believing in it and so on. You have to be pragmatic and think about the results you got with the album. Of course, with every new album you are convinced that it is the best, but after the release you have to see what it does on stage. It's only by seeing how well that performance worked that you can tell if that album is good or not, in the end. Today, one year after the release, I can say that Impera holds up well. What has distorted our perception a little bit is what happened on the side.

You mean what happened with "Mary On A Cross", a track released on a 2-track EP in 2019 but which went viral last year on TikTok?

Yeah, when it came out, it kind of messed up our album cycle. It wasn't a problem per se, but it's just that we didn't plan for it at all, it kind of got in the way. And the label panicked and said "What are we going to do?!" I told them we weren't going to do anything. It was already out of our control, already naturally present on TikTok, what could we do? As we didn't want to damage the Impera promo, but we didn't want to lose the song "Mary On A Cross" either, we did the bare minimum, but our priority was really to get back to what we wanted to do as soon as possible at that point, which was to focus on our Impera. And then, from a pragmatic and slightly cynical point of view, we didn't want our historical fans to think that we were going to stop everything to please these newcomers who discovered the band via TikTok.

As far as Impera is concerned, I only realised today that it was an anniversary. Looking back, I can see that the cycle that started with this album, from its release to the tours, has been one of the most important in the history of Ghost, and that's really great. Now we're preparing for the next tour, which will start at your place [the Re-Imperatour kicks off this Sunday, May 21st in Rouen], and there are future projects that we're trying to work on. It's been a year since the record came out, but really it's been two years since the recording, and now it's time to move on to the next thing... things will start moving in the autumn, I hope.

Are you talking about the sixth Ghost album?

Yes, that famous sixth album, as difficult to make as the fifth! I've already started working on it, and after the tours this year it will be time to go into the studio for that.

So for me, the goal is to manage all these things at the same time without losing sight of these goals and next steps. So of course I'm happy that there are lots of new fans coming through TikTok. And I also welcome those who don't like the TikTok track but discover the rest of our discography and join us. But the most important thing is really to stay on our trajectory, and not to stray from the path we've set for ourselves. We have to make sure that we don't forget our mission, just because someone says they like fucking gnocchi better when we serve sushi. [Laughs]

What you're saying here is a bit like what you were telling us earlier, when you were talking about your care in planning things and having a vision for the band.

Exactly, it's very important for me. Being an artist is not just about aesthetics, it's about many other things. I've always been interested in the holistic approach, in this more global vision of things. To use the image of the restaurant business that I used earlier: I like to cook, but I also like books, people, interior design. In fact it's a collection of many things, and they're all important, almost in equal measure. Some rock or pop artists, or even actors, have been able to break through almost by accident, but that's not usually how it works. You have to work a lot, but above all you have to make a lot of decisions yourself, otherwise others will make them for you, and it will be done in an unthinking way, without a long term vision. It's impossible for me, as a control freak, to consider that! [Laughs]

#the band ghost #tobias forge #interview

214 notes · View notes

a-d-nox · 1 year

Text

pac: advice from the universe regarding the next month

i'm trying something new, a pick a card. take what resonates leave what doesn't - nothing is 100% for you because these aren't personalized so please no angry comments or dms about what i am saying not being a good fit for you or that you "don't claim" just keep scrolling if that is the case. be kind, self reflect, and have fun.

want a personal reading? click here to check out my reading options and prices!

pile one

you may be feeling like you are lacking or at a loss (you could fear loss as well). there may be something going on monetarily - perhaps you have work stress and fear job loss or something you have invested in is not panning out. try not to focus on what you lack or may lose, instead appreciate what you have in the moment - abundance comes from within. plus you may be overlooking those around you who want to help - do not internalize fears, allow others to help you if they are offering.

"thunder only happens when it's raining" is what i am hearing ("dreams" by fleetwood mac). after storms there is sunshine and sometimes a rainbow - hard times are temporary. adapt your perspective to have a more optimistic outlook - have hope and faith that things will get better. things that have happened in the past are not bound to repeat themselves - if you are healing and being optimistic you are bound to manifest better outcomes.

take swift actions to remain in control. you may get a lot of ideas and thoughts regarding your situation - confront and converse with others to tackle any issue(s) head on. trust all gut instincts to guide you through each step. don't worry about details, simply make a move. be bold and initiate action. you are likely to experience improved communication and clarity in your connections with others when doing so.

pile two

you should be aware of the person with a strong nuturing and dependable attitude - perhaps this person is you. evaluate the quality of the support you give and receive in your life. perhaps your are giving more than you are receiving, or receiving more than you are giving. make sure that you are being generous and appreciative in order to receive from the universe. nurture yourself as well as you nurture others as well. you attract what you put out into the universe oftentimes - so ensure that you are caring for yourself and your space. it's a great time to nurture yourself and the world around you.

you may not know it, but you are stronger than you think. you have everything you could possibly need at your fingertips - with intention and passion you can do anything. you're in your prime ("liquid smooth" by mitski) to manifest anything this month. take action - remember to create balance. never go to extremes.

celebrate yourself; you likely look around and and see people who are more fulfilled or successful than you. BUT reminder: we are all at different stages and on different tracks. you deserve to celebrate yourself and your wins. enjoy small moments with friend and/or family. be grateful for what you do have. feel secure in your overall wellbeing - you are on your way to more success (love, career, and/or personally).

pile three

know that you are your highest self - you know who you are at heart and can/should express yourself accordingly. you are a very emotionally aware of those around you as well as your own feelings - you could be initiating a new romance. be open to new and unexpected messages from those around you (something is coming your way). be sure that you remain playful and creative at this time - follow your intuition and create as you feel inspired. take in the small moments - there you may find inspiration for new things.

try to envision yourself above the situation you are in now. imagine being in control of your situation ("imagine" by john lennon - i feel like you are going through it compared to the other piles/cards) - you are guiding your situation in a hopeful way that is best for you. utilize your gift of manifestation to the fullest to guide you through change. heal and be hopeful of your wonderful future.

you should embrace your alone time - explore your inner realm and figure out who you are and what you want/need. this is a great time to do shadow work. spend alone time to heal and recharge - you will know when it is time to go out and be social again. you are seeking your inner truth and that takes time and space - it is okay to want alone time. mediate, go for a walk, connect with the world around you.

#pick a card #pick a picture #pick a pile #tarot #tarotcommunity #tarot reading #free tarot #intuition #intuitive

272 notes · View notes

ros3ybabe · 9 months

Text

Daily Check-in - August 12th, 2023 🎀

My updates have been a little spread out, but I am happy to announce that I will be (hopefully) posting updates more regularly with my university classes starting for the fall semester and now that I'm also back at my original job! It definitely gave me a reason to stick to my routine so I have a good feeling about all of this!

With the new semester starting comes new goals, which I will be making a separate post about! It's going to somewhat detail my personal, academic, and social goals for the fall semester. So stay tuned for that!

I also began intermittent fasting recently as I have read that it helps with PCOS (which I do have, along with hypothyroidism). My goal is to become healthier physically and mentally, and I believe that doing this will only improve my quality of life! I currently am doing 16:8, and I love it because it works with my schedule and eating habits I usually already have!

🩷 What I Ate Today:

Brunch - One piece of brioche style white bread with two slices of cheddar cheese and a spoonful of scrambled eggs and a side of diced potatoes with ketchup.

Dinner - Taco Bell <3 A nacho bell grande and a crunchwrap Supreme with lots of Diablo sauce

Snacks - 2 cups of coffee with one sweet n low each and French vanilla creamer, and one mocha cold brew shake from the coffee shop on my university campus.

I decided to treat myself to Taco Bell tonight since I was craving it and had the money to do so. I actually ordered more than I ended up eating, so I gave the rest to my roommate.

🩷 Workout - Upper Body Pilates-ish

I loved this so much the first time I did it that I wanted to include it again! ait gives such a nice burn and feel after completing it and I honestly wish it was longer, it's that good!

I wanted to try this one because I think fixing posture is helpful, and honestly, those 90 shoulders are really aesthetic. I don't think this is going to give me *drastic* results until I lose some weight and lean out a bit, but I think helping to fix my posture is such a good idea to help with back pain and avoiding text neck! I liked this one, but there were a couple of stretches that were a bit hard to complete, given my current weight. But I'll keep doing this til I get it!

🩷 Habits I Accomplished Today -

Made my bed

Morning and Night Skincare

Morning Guided Journal

Daily Journal

Reas 1 Chapter of a book

Morning Workout

Stretching

Today was definitely a good day, especially since I completed most of those before going to work at 715am! I'm super proud of myself, and I hope to keep my progress going and continue bettering myself!

🩷 Song of the Day: Anti-Hero by Taylor Swift

This song is soo good. I've never been a Swiftie but I've started getting into a couple of her songs, I like how soft they sound.

🩷 Current Read - Attached by Amir Levine and Rachel S. F. Heller

This book has been in my shelf for a few months and since I've recently gone long distance with my boyfriend, I figured it would be a good idea to educate myself on attachment styles and ways to healthily navigate relationships. I'm two chapters in and I already love it!

That's all for the day! I'll update you guys again tomorrow! Thank you for all the love <3

Til tomorrow, my lovelies 🩷

94 notes · View notes

marciaillust · 8 months

Note

Hey! I just wanted to say I’ve been following you forEVER now, and that your art has been inspiring me since i was a teenager. I was wondering if you could share a little about your rendering process? How did you improve it over the years, what did you learn you wish u knew sooner, stuff like that?

(Thanks anyway, and definitely getting myself ur new comic)

Hi! oh wow thank you so much for the kind words!

My rendering process hmmmm.... I will try to sum up the thoughts that come to my mind as I'm writing this, though I might be missing some proper vocabulary

The first thing that surfaced in my brain is exposition within a picture. This is what the picture focuses on - things in the light, or things in the shadow, and how much details each of these two receive rendering wise.

It's basically like taking a photo with a phone - if you click on a bright thing (say, a window), the phone will automatically adjust the exposition and all the other bright things will be visible(lotta detail), but the shadows will become turbo dark (no details). Alternatively, if you click on a dark shadow, all the dark things will become visible (details) but the hypothetical window will become blown out and turbo white (no details). You can basically have one or the other but never both. (or I guess you can who am I to tell anyone how to make art yanno no rules up in this house)

anyway, so for example, this pic^ focuses on the things in the dark, meaning everything in direct light receives no details.

and this pic^ focuses on the light and so all the cast shadows are pitch black.

One other thing that I learned a longass time ago was that edges(and shapes) are arguably the most important part of an object within a picture. Clean edges immediately call for focus, while softer or vague edges allow things to fade in the background and communicate the idea of a thing rather than showing you the thing itself. On a related note note, clean edges also make work in progress appear about 25% more finished.

I guess this all has to do with contrast and contrast can be created in many ways - edges (soft/sharp), colours (eg. red fish in a blue sea), spacing (objects being grouped vs. a single object), the amount of detail per object etc etc etc. and all of these can be controlled to solve specific issues within a picture.

In short, if a thing is important aka the focal point, make it stand out - sharp edges, details, specific colours and a lighting situation that make it pop. And if a thing isn't too important leave it vague, communicate the idea of it rather than focusing on drawing it.

On the note of things being sharp, a thing that I always swore by is, if there are eyes in the picture those eyes better be d-o-n-e. Pristine. People will look at the eyes, eyes communicate 90% of emotion, the eyes are the it girl of the picture forever and always, nobody will look at the wonky foot, they will look at the eyes and judge the quality of the picture. If the eyes are shit the picture is shit. (I'm exaggerating but fr. eyes are a big deal.). They don't have to be turbo rendered or physically mad sharp but they need to be done. Whatever that means, take what you will from my word soup.

One thing that I've become a big fan of over the years is the concept of wear and tear. This has to do with texturing things in pictures and I looooooooooooooooove thinking about ways items are used in order to create bumps and scratches that can be featured.

It always makes things look like they belong to someone?? It makes them real? Like the tip of that bone. that bone has been places. That belt has seen use. That bag carried things. Like yanno?? I looove things that chip and have nicks. Give me wood and I'll put a dent in it I swear.

And I thing the latest thing that I'm trying to incorporate within my art, though I haven't had much time or opportunity to do it in personal art because of work, is colour variation within each element.

Like his face. His skin is obviously "beige" but you will see red, and blue and yellow and green in there too. Stuff like that yanno? I'm quite interested in taking this further in my future paintings. I'm still learning how to push what, where and how but ayyy issa journey I'll happily embark on.

And of course apart from all that it's the usual jazz, working on anatomy composition perspective doing it a lot over and over again babababababa and so on and so forth.

I haven't had much opportunity to paint since I started working on the comic last year but it had it own set of challenges for me. Linework is a completely different kind of rodeo and I've improved in different departments a lot and I'd be happy to bring those things into my paintings when I have the chance. I feel like I'm at a point where I know a lot more than what I've had the opportunity to put on paper, it feels exciting!

I hope at least some of my ramblings were of interest to you!! Again, that you for the nice message and have a nice day :)

117 notes · View notes

letters-of-libertas · 4 months

Text

I'm bi and yeah your note on women not having solidarity seems sadly true. Apart from not dating men would there be anything you would suggest to improve ones life apart from stating away from those women if possible?

I love this question because this is how to start thinking: being practical.

What it takes to "improve ones life" is subjective so with that said firstly define what a better life(style) for yourself away from moids would look like. Temporarily mentally remove xy terrorist existence. What would your habits/routine be? What would you work towards & pour your energy into? What would you want to be? What would you center your life around? Take your time with these questions or anymore that come up. Have a general idea then be more specific and start breaking your life down into sectors/sections/areas, then look at where you want to be in those areas and work towards it.

For example; I divide my life into 6-7 aspects:

Physical Strength - Not just about muscle but knowing how to fight, where to hit and when to fight. Being stronger makes it easier to defend yourself in altercations (especially with other women). Some mfs will try you & you cant always rely on others coming to your rescue. Also work on building stamina to help endurance, and keeping as healthy as possible.

Emotional Strength - If you cant control your emotions they will control you. In a world of chaos being emotionally strong will let you cut through the noise and focus on what truly matters. Building emotional strength is not easy but it's worth it. Being able to rise above immediate reactions and pace yourself will allow you to assess situations more rationally & make more beneficial choices.

Finances - Get your bag up. Having money to gain resources is imperative to quality of life. I dont care what anyone says having a certain amount of money in life WILL make you happier as you're able to meet your needs better. Having more money/resources also makes it easier to support other women should you choose to do so, it also allows you to be more influential and have more control over your life. However, dont become a slave to getting money tho because that's how you get scammed.

Network - The type of people you hang around can make or break who you are as a person. Aim to connect with likeminded women who will encourage & inspire you as you go on this journey. Hang around people that value & will be honest with you while giving you grace. Not all women you engage with have to be single & childfree but beware the moid crazy ones because they will bring danger to you in their quest for maIe validation. Life isn't perfect but you cant go wrong having the right people around you, valuable relationships are hard to find but it goes a long way even if it's just online. However, no company > bad company.

Spirituality/Guide - Having something bigger than yourself to guide you through the chaos in this world can offer guidance/purpose that keeps you grounded & focused. For many people generally this is religion/god. Not everyone needs or ascribes to religion/spirituality though, but at least consider sets of morals/beliefs to follow. However even that isn't for everyone. So if you feel better off without spirituality or a 'higher' guide at least be clear on it & your reasons why (for yourself).

Hobbies & Interests - As turbulent as the world is, find things to enjoy amidst the chaos. Constant work, doom, and gloom will not change anything you will only hurt yourself. Take time to indulge in things that make you happy to recharge & relax. Engage in hobbies that serve you, share your passion with other women & hear theirs out too. It goes a long way in terms of mental health.

Security - It takes privilege to decide to not get married or have children as a woman & live it out. Everyone's situation is different so what I'll generally suggest is to constantly look into how you can protect yourself, have backup methods, and stay in the loop of xy predation. Dont drown in it but moids are predators & being completely blind to them is being blind to danger. Elaborated on point 10 here.

Sounds like a lot? Great, it'll keep you busy because this isn't a vacation or destination but a lifestyle. And to be honest, some of y'all can do with the busyness as it'll let you focus on what actually matters. This not to say to overwhelm yourself in things for the sake of it but to prioritise your energy on effective things for your life. As you focus on building you'll find that you have less energy to care about insignificant stuff or stuff out of your control anyways. For example, Instead of getting wound up about user somerandomadjectivefem stirring discourse calling you an extremist or whining about how impossible it is for her & other women to live without romantic love n' whatnot (or even women irl pulling this crap), you either ignore or quickly shut down the conversation & swiftly move on.

Everything I've mentioned are just examples, you may feel differently do whatever you feel best applies. Also remember to enjoy the process along the way as you are living through it afterall :3

Long story short: Work on building resources & other aspects of your life up for yourself.

#Many tend to shy away from the single childfree lifestyle bc the traditional map/railguards aren't there but thats the fun part of it #for me is figuring it out; figuring myself & the world out; trial-and-error to carve an environment & lifestyle best for me #Few side notes bc I dont want the blog to be too long:#Regarding physical strength: I know that no amount of training will make you as strong as the average moid but it isnt in vain #as other women can also act up & there's a higher chance of taking them on successfully without weapons vs xys.#Regarding section on being busy: Personally I dont care for discourse surrounding this topic because my mind is on other things like making #sure my reps for the day are in; making sure I'm staying up-to-date with knowledge I need to do my job; building sources of income #outside of my job;engrossing myself in my interests; for example. You become productively busy enough & what other women do doesnt bother #you. That's not to say completely ignore or not criticise moid-aligned actions; but dont spend too much time wallowing in doing so.#female separatist #female separatism #blackpill feminism #blackpill feminist #wineauntmovement #wine aunt #decentering men

35 notes · View notes

writingquestionsanswered · 10 months

Note

I'm honestly rather new to writing.

English isn't my first language but I've been pretty much teaching the language to myself through interacting with other English speakers and so on.

I feel like I'm missing a lot of words in my vocabulary that could lift a story up to a better level of reading.

And, probably my biggest problem, I don't know how and where to start writing. How to come up with a plot or how to find inspiration. I'm incredibly motivated but I feel like I don't know where to start.

Since I want to write horror, as it's probably the thing I read and watch the most, I bought a few English horror books to study the ways of writing, words and plot build up. I also started watching analog horror Videos on YouTube to improve my plots yet I often feel like my head is empty despite all those attempts at improving.

I know this is a lot and I'm really sorry for it, but is there any way I could genuinely try and get more into writing as well as to improve the things I mentioned above?

Want to Write But Head Feels Empty

I want to start by saying I never would have guessed English wasn't your first language if you hadn't told me. You have a better grasp on it than a lot of native speakers, so I don't think you have to worry a whole lot about your vocabulary. You're not further behind in that sense than most other new writers. You can check out my posts Improving Vocab and 10 Tips for Improving Your Grammar Vocab for help with that, though.

Since where you're really struggling is with coming up with ideas and plots, what I would recommend is starting with writing prompts. You can find writing prompts all over--on tumblr, various web sites and forums, and even in books. If you Google "horror writing prompts" a ton of options come up.

Writing prompts are a great way to ease yourself into writing when you're struggling to come up with ideas and prompts. Much like fan-fiction (which is another option I'll get to in a minute), writing prompts are almost like training wheels for writers. They let you do the actual writing without having to worry about the initial ideas. And prompts are super flexible... you can interpret them figuratively or literally, you can combine multiple prompts together, or use what you like from a few different prompts. Whatever works for you. The key is to just open your mind and let it carry you wherever it wants to. Don't stress about it being good or making sense. You're not worried about quality or form, just taking those ideas and forming them into *something*. (And, side note: there are also plot generators that will give you more than just a writing prompt, so that's worth trying, too.)

I do also want to address fan-fiction as being another great way to practice writing when plots and ideas escape you. Since you want to write horror, think of a favorite horror movie, TV show, book, or video game and write a story set in that world. Flesh out a scene or moment that you liked that didn't go far enough in canon. Give a character a different moment or ending. You can even create an original character and drop them into the story to see what happens. Once again, this allows you to focus on the actual writing without having to start from scratch with ideas.

I hope something here works for you! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

Learn more about WQA

See my ask policies

Visit my Master List of Top Posts

Go to ko-fi.com/wqa to buy me coffee or see my commissions

#writing tips #writing help #writing advice #wqaadvice

83 notes · View notes

tgrailwar-zero · 3 months

Note

Shit, shit shit- Invader, can you do whatever weird techy stuff you do to insulate Thrud from whatever hacking signal is happening to her?

(failing that, do we have anything we can use to help protect Thrud?)

While I'm asking- can you to keep her safe while we take Rider and Avenger and track down that Attack Program?

KUKULKAN: "I'd rather not? I could try, but it'd be risky since this is clearly a virus… Especially if we don't have an idea of the cure, or quality of the hacking… if it can damage someone attached to Lord Sigurd, then it must be bad. We need intel."

She glanced away for a moment, before rephrasing her logic in a simpler sense and a slightly awkward smile.

KUKULKAN: "…Baaasically, would you kiss someone with an unknown infectious disease? I'm curious about things, but not that curious, you see?"

With a roll of his eyes, both amused and slightly stressed, your Rider lightly took your (collective) hands.

CONSTANTINE: "That means you're not hacking her either. It's a nice sentiment, but let's try to gather more information first. This isn't like Lucius- this has an active chance of damaging your body."

KUKULKAN: "We can work on improving your hacking later, okay?"

The Valkyrie, in clear discomfort at both the conversational nature of this moment and because of, well, everything else, sighed.

THRUD: "…Do you nnnot under--understand wha-aat 'Go' mmm--means? We haaa... we have a mi--mission."

GREY MESSENGER: "…Let's get going. Lady Thrud can take care of herself. After all, according to Invader, she's one of the great warriors of the Flaming Bout."

With that- you began your stealth attempt.

You snuck past the pale Valkyrie with relative ease. There was a moment where you thought they would catch you, but you heard the sound of scraping earth as THRUD drew her spear, stepping out of her hiding place. Her body, firm from a distance, seemed to still shudder and stagger as she pointed her spear forward.

THRUD: "...cCcc...Commencing... ba-- battle."

As they slowly closed in on THRUD's position, you made your way past, only able to hear the sounds of combat slowly fading into the background.

Passing the main road and approaching a dark, fog covered lake in your slow pursuit of the White Attack Program, you saw a few things.

First off, you saw a familiar face that you hadn't seen in quite some time- HISTORIA of the Red Faction. One of SABER- CHARLEMAGNE's- paladins. He didn't exactly seem happy to be here, but he kept his posture upright and his face stolid.

Secondly, there was a small squadron of pale Valkyrie, circling the center of the lake, surrounding an ethereal figure.

Like a white ghost, it sat in the middle of the lake, a signal erupting from its body. At this distance, you could feel the pulse emanating from it, the pale Valkyrie in the immediate vicinity shuddering every time it went out before returning back to their routine tasks. The signal that you were all searching for.

And finally, you saw the form of BRYNHILDR, slumped against a tree. Her limbs pinned to the ground with spells. You saw something pulsing by her heart-- a Trigger Key, embedded within her Spirit Core.

It seemed that SIGURD had chosen not to keep his key tied to his own Spirit Core, but instead manifesting his beloved to hold it instead. However, that didn't seem to be what they were after- at least not the only thing.

The flashing white Attack Program approached the elder Valkyrie, gripping her skull with the entirety of its hand before pulsing with intense, multicolored light as the woman began to thrash violently.

You couldn't tell what it was doing. Consuming data? Corrupting data?

HISTORIA: "Hey, do you have to do that? That looks pretty painful."

The White Attack program turned its head slowly towards 'HISTORIA', raising its blade to the weakened Valkyrie's neck as if proposing that instead. The knight took a few steps back, raising their hands in concession.

HISTORIA: "Hey, hey... understood. You have a process, I suppose."

The Attack Program removed its hand from BRYNHILDR's head, shoulders tensing in a general expression of frustration.

Generally not an ideal situation. But you were out of sight, ducked behind some fallen trees and foliage, and surrounded by an incredibly dense fog. Which gave you time to plan.

But, right now was game time. Analyze your position, gather more information, and think of the best way to continue forth.

Another small detail to note. AVENGER was absolutely bristling with murderous intent, considering 'HISTORIA' was present. Not exactly an issue, depending on what you desired to do.

#thgw story #thgw: chapter 5 #main post

27 notes · View notes

reflections-in-a-critical-eye · 6 months

Note

Jimin's documentary is what I've been wanting from bts for YEARS. I'm so glad they released such raw material. Jimin's musicality is insane, and it seems like the producers were 100% aware of that because of how much they relied on jimin and his creativity. I think it was during the commentary that he mentioned what he felt the first time pdogg approved one of his ideas, and then he called himself an idea bank!! He's usually so hard on himself, it's refreshing to hear that even though there's always a place for improvement, he knows how good he is. Another thing I enjoyed was listening to the previous versions of the songs that made it into the album and the one that was supposed to be the title track and finally got scrapped. I think I liked the alone and set me free pt.2 demos a bit more than the final product. I feel like that intrinsic grittiness and unpolished quality of an unfinished product was really fitting, and in the case of smf2 I kinda feel like it ended up overproduced... I guess, if that makes sense. Anyways, I really, really appreciate the route Jimin decided to take for his solo career, I truly hope we get to see more of that before he leaves, and when he comes back I'd love for him to get the chance to continue showing his artistry as a soloist. And regarding army shading jimin and trying to undermine him lol... what else is new? I remember namjoon once said that army would not like to see what it looks like behind the scenes when they were recording and stuff and I guess he was right. I know they hated to see how reality goes against the narratives the company has been feeding them for a decade. The supposed geniuses in the band have yet to release something as good as like crazy and they know it.

I was trying to catch some of the things Jimin said during his live watching and I was so pleasantly surprised to see how confident he was. Like, yes. He is an idea bank. That's the best way to put it because during the production, he kept coming up with stuff on the spot. I think PDogg and the rest of the marching band were so open to this because they knew how Jimin worked. That's why I keep saying that having a small team with people that know each other so well worked perfectly for Jimin and his first album.

There's no way of knowing exactly what RM said about what happens behind the scenes during pre-recordings and if it's close to what we've seen now in the documentary, but what I took from that is that in real life, people having to work on something is not all sunshines and rainbows or fun like when they recorded the ITS song. The audience gets to see the nicer, aesthetized version a lot of the times.

I'll refrain from commenting on the rapline releases now, but I'll do say about Like Crazy is that out of all the so-called "Chapter 2" songs, it is in my view the only one which is artistically compelling, intricate, well produced, tells a story, it's part of a bigger conceptual album, but also has the potential to be commercially succesful as well, which is the mark of a good pop song.

#m thoughts #jimin #jimin's production diary

48 notes · View notes

dipplinduo · 2 months

Note

So, I'm really looking to write a Dipplinshipping series myself and I really love the depth that you go into for S&D Dipplins (and its related spinoffs, I am very up to date).

Do you have any tips for keeping up with/writing longer works? I think my idea may take at least 10 chapters, but I've never been able to finish anything but oneshots before... I admire your consistency with the quality of your work (there has not been a single miss, not a one) and I hope to be able write like you one day.

No pressure to come up with anything if you don't know what to say. Regardless of anything, I hope this message reaches you well and that you have a fantastic day!

Omg I love writing talk asks and I'm so touched that you thought to ask me this question!

I'm gonna share stuff I found helpful to keep in mind:

- Take your time with storytelling. The advantage of having more chapters is that you can reallllyyyy enjoy your pacing. One way I do this is through gradual hints and breadcrumbs that build to the major plot points. It's a fun way to develop your story over time while keeping readers interested and theorizing. And when you're not focusing on the main plot, you can focus on other aspects of the story.

- Outlines and general note pages for your fic as a whole are your best friends. They will do the work of keeping track of different story elements for you.

- Listen to your readers. Their feedback is invaluable. If you get a lot of comments about something people seem to be enjoying, this may suggest that it's part of the voice of your fic. It can help you figure out what you'd want to emphasize more down the line - whether it be through side stories or through the main plot.

- Switch up some dynamics overtime. If you find yourself feeling stuck because you feel like you're trying to write similar kinds of moments, thoughts, or dialogues, this is a sign that it's time for you to move on and shake things up. I've done this with Kieran & Juliana in S&S D after I felt I have described Kieran seeing Juliana as a witch (who he has a hard time resisting lmao) so many times.

- Flush out the roles of supporting characters. They don't need their own character arcs, and they don't need to be focal points of the story. But they can influence some events, and it can help with the movement of your fic. (E.g. I often use Drayton to instigate moments one way or another, and this suits his character given that hes relatively chaotic neutral).

- Focus on the quality of telling your story first and foremost; you do not need the permission of certain chapter "markers" to progress. You don't need to wait for Chapter 10 or 15 or whatever to have a big moment happen. If everything is set up and ready to go, just do it. This is why a big moment of S&S D happens in Chapter 9 rather than Chapter 10; there was enough in place and I felt dragging it out would've diminished the moment. No one's really gonna care that much about how things line up to a chapter number. They're gonna be happy they got a big moment, and if anything, your ability to break this norm can keep readers on their toes.

- On the opposing ends of things, know when you have enough in a chapter to stop even if you know where you're going next. If you flushed out descriptions of someone's feelings or some scenery or whatever, and you feel you have enough? It's okay to stop writing and publish. Giving yourself more time to soak on ideas can improve the way you're going to pick up where you left off. I personally don't have a hard rule around this, but I tend to cut things off at the 15-20 page mark for a chapter of S&S D.

- If you feel like you're writing a filler chapter, think of ways it can build to your overarching story. You really don't need filler chapters if you think about it - even if you want to delay going somewhere specific. So if your work could be summed up when completed, what would you want someone to say? Think of ways you can slip in gradual storytelling from multiple angles - whether it be through plot or through some of the lighter moments (that may build to the heart of the fic like found family or dorm life or whatever). This can help breathe life into any chapter update.

- Remember that by taking your time, you're actually developing the voice of your writing and of the story. My original conception of S&S D and where it's at now are wildly different, and that's because there's no rushed time table. That goes for the storyline, the characters, the plot points - everything. LMAOOO, even the beach episode content is going to be very different because I gave myself permission to delay it until I figured out the exact roles I want Paldean Squad to play! It was a better decision that will lead to better characterization (even though I'm nonetheless very grateful for people's patience).

- Write on your timetable, not anyone else's. I occasionally put due dates on myself to get me going (e.g. by teasing a chapter update), but I never promise that I'll have chapters out on a weekly basis or whatnot for anything I write - S&S D related or not. This is deliberate. Life happens and the last thing you need is to write for the sake of writing and nothing else. I feel it's the easiest way to kill your passion if it becomes stressful for you.

- Lean into what inspires you. I find a LOT of motivation through comments, reactions, asks, fanart, etc., so I make it a point to respond to every comment on AO3 and engage continuously with the community on here and whatnot. I've also been loosely inspired by art pieces that have nothing to do with my work. This is just what works for me, though. Sometimes you might be inspired by other media, or maybe by things that you've seen or experienced in your own life. Whatever it is, draw from it.

Hmmm that's what comes to mind for now. Happy to give more later if they come up, & hope this helps! Best of luck with writing YOU GOT THISSSSS 🤗💛

#asks #writing tips #dipplinshipping #kieran x juliana pokemon #kieran pokemon #juliana x kieran pokemon #juliana pokemon #kieran x juliana #juliana x kieran

22 notes · View notes

Last Seen Blogs

kaymaygay

bitches with lore

burntoutangel569

(SIC)

arminaaaa

Promise

reachfullout

Future Now

enden-agolor

Enden's funny art blog