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#the fact that i still have so much more panels i wanted to add is ridiculous
vbecker10 · 2 days
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Loads of Fun
Laundry Day (Loki x female reader Y/N)
How Could This Not Fit?! (Loki x fem reader Y/N)
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Pairing: Bucky x female reader (Y/N)
Summary: Bucky doesn't want to admit that he hasn't quite gotten used to all the new technology since he was freed from the Winter Soldier and his latest issue is with the dryer. Y/N catches him mid-struggle with the machine and comes to his rescue.
Warnings: some light swearing, feeling a tad useless and old, Bucky struggling hard with the laundry, Y/N being super awkward
A/N: So in Laundry Day (linked above) I wrote an off hand little comment about how much laundry Bucky needed to do and @alexakeyloveloki comment inspired me to write a short fic about it so... enjoy 💚
This is not the same Y/N from Laundry Day & How Could This Not Fit?!, this is a different one. Apparently a bunch of women in the Tower have the same name as you (haha sorry that's dumb but I wanted them both to be Y/N fics so here we are)
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"Oh.... I messed up," you close your book and get up from the couch quickly as you suddenly realize it's almost midnight. You had meant to only read one more chapter but you had gotten lost in your book as always.
You grab your detergent from the closet, drag your overflowing laundry hamper to the door and slide on a pair of flip flops. "Every freaking time," you mumble to yourself as you open the door. Once again, you put off doing laundry until you completely ran out of clothes.
The elevator doors open and you step out into the basement. "At least no one should be down here," you think out loud thankfully.
You had tried to do your laundry this morning but you gave up on that idea as soon as you opened the door. Loki's girlfriend was sitting on top of one of the dryers with her legs around his waist. You put your hand on the door and shake the images of the two of them away, you don't need that to be stuck in your brain.
"Damnit," you whisper as you freeze completely, the door halfway open. Bucky has his back to you as he stares at the dryer, unaware of your presence. You had developed a crush on the super soldier and decided the best way to handle it was to avoid him at all cost like any other mature adult. You were terrified that you might say or do something embarrassing so you thought your best option was to never be alone with him.
You sigh, knowing you're out of underwear and options so you open the door the rest of the way. Before you can say anything to him, the dryer Bucky is focused on begins to beep loudly.
"I don't know what you want from me," he says to it, his voice full of frustration.
He opens the door and the sound stops, you are both completely still but as soon as he closes the door it begins again. He pushes the button on the panel to start the dryer but the beeping continues.
"Why are you so complicated?" he asks the machine, clearly unaware that he is no longer alone. He pushes another button that does nothing to quiet the sound then he groans loudly, nearly ripping the door off the hinges with his metal arm.
"Do you need help?" you ask quietly from behind him.
He closes the door quickly as he turns around to face you. You can see the frustration in his expression turn to embarrassment when he realizes you were watching him. As he opens his mouth to answer you, the dryer starts to beep again.
He pulls the door open and turns towards you again. With a look of utter defeat he says, "I think it hates me."
You cover your mouth to keep from giggling at the fact that a super soldier is losing a battle with an appliance. There is no need for you to add insult to injury, you think, but he does look like he is in desperate need of a hug.
You walk over to him and drag your hamper in front of an empty machine. "I'm sure it doesn't hate you," you reassure him with a smile and he shrugs, clearly not believing you.
"Can I take a look?" you ask pointing at the dryer and he nods, moving away from it as if it might explode at any second.
"You can try but I'm telling you, this one is evil," he laughs nervously.
"I think I can handle it," you try to sound sure of yourself. "Oh, I'm Y/N, by the way," you suddenly decide to introduce yourself as you close the door.
"I know," he answers and you turn your head to look at him over your shoulder, the beeping continuing. "You work for the IT department," he says and you feel yourself blushing. "I've seen you around the Tower a few times."
"Yep, that's me," you respond, trying not to sound as if your internally screaming. He remembers my name? When did we even talk? I definitely would remember if we talked. Focus, focus, you yell at yourself, you've been staring at him for too long.
"Well, they don't train us to handle haunted appliances but I think I can handle this one," you say then immediately cringe. Why do I talk? You think, this is why I avoid him.
Your thoughts are interrupted by Bucky laughing. You turn towards your new favorite sound and he smiles at you as he leans on a nearby washer.
Ok, you think to yourself, time to show off and fix this stupid thing. You check to see what settings he's used but they all look right. Well, there's that, you think a bit annoyed but you're determined to figure it out. Suddenly you get an idea.
"Sometimes these things get weird when they are unbalanced or too full," you explain as you open the door and bend down. You reach in to level things out. A second too late you realize your holding a pair of his damp boxers and throw them back inside.
"Yep, these look fine," you close the door quickly and stand up, hoping he didn't notice but you can tell he saw you pick them up. "No. I mean... not that the boxers look fine, just like the load is fine. I- I'm just gonna..." you say, as you turn to face the dryer again. "I'm gonna die," you whisper as you rub your face with your hands. Good job dummy, you managed to make this even more awkward.
"Damn dryer is going to beat both of us," he says after a moment of continuous beeping and you can't help but agree with him.
"I think you might be right-" you pause, your eyebrows scrunching as a blinking red light catches your attention. "Has this been blinking the whole time?"
"I think so," he guesses. "Is that important?"
You sigh and nod, "It means I'm an idiot."
He tilts his head, his arms folded across his chest as he watches you open the dryer door again. You pull open the small door at the bottom and groan. He walks closer to see what you are doing but you don't notice until he leans over your shoulder.
"What is that?" he asks and you jump at how close his voice is to your ear. "Sorry," he laughs. "Thought you knew I was in here."
"Yea I just thought you were over there," you wave you hand towards where he had been and almost hit him in the face with the back of your hand. He dodges it easily and laughs lightly as you cover your mouth. "I'm so sorry," you mumble from under your hand.
"Its fine, you missed," he says with a grin. "So what's wrong with it?"
You pull out the lint trap and show him, "This thing is full so it won't run until we empty it." His expression tells you he has no idea what it is so you explain how a lint trap works and that if you don't clean them out you could potentially start a fire.
"Oh," he responds. "Wouldn't it be helpful if the stupid thing said that's what was wrong with it instead of just beeping?"
"It did," you groan then point to the light that is no longer blinking. "That's what the little light was for."
You wait for him to be stunned by your stupidity. You work for the IT department at Stark Industries, the most technologically advanced company in the world and you barely fixed a not broken dryer. You turn it on for him then turn your attention to finally loading your clothes into the washer.
Instead of responding the way you think he will, he sighs and takes a seat. "I don't understand any of this new technology," he admits.
You turn over your shoulder to look at him and see that he seems defeated again. "Don't worry," you try to make him feel better. "Stark likes new toys. He gets all the fanciest tech, no one knows how to use this stuff."
"I don't know how to do anything," he rests his elbows on his knees and leans forward. You turn on the washers and walk towards him. "Nothing is simple anymore."
"What do you mean?" you ask as you sit in the empty chair next to him.
"Everything is a computer now and the whole building talks. The fridge has more technology in it than the last car I drove, the toaster is voice activated, hell even the sinks are motion sensors," he says, his eyes focused on his hands as he talks.
You cover your mouth quickly to hide your laugh but it slips out. He looks at you and you lower you hand to ask, "I'm sorry but... who told you the toaster was voice activated?"
"Sam," he says then his eyes widen, "It's not is it?"
"No," you shake your head and can't hold back your laughter.
He groans, lowering his head again, "I'm gonna kill him."
"You didn't really believe him did you?" you ask in disbelief.
"I spent five minutes yelling 'toast' at it this morning before he said it was probably updating," he admits, covering his face with his metal hand.
You smile and imagine him getting more and more annoyed at the poor little appliance.
He sits up, resting the back on his head on the wall behind you. "I just don't know why everything is so complicated," he says and you suddenly feel guilty for laughing.
"I'm sorry," you tell him, looking down at your feet. "Have you tried talking to Steve about getting you up to speed on some things?"
"I don't want to keep bothering him every time I can't turn on a light or get ice out of the fridge," he says. "Steve adjusted fine so I just have to keep trying to figure all of this out."
"Who told you Steve adjusted well?" you ask before you can stop yourself.
He looks at you but doesn't answer so you continue talking. "I was part of the team that helped wake him up. Trust me, he freaked out plenty of times and he was confused by pretty much everything in the beginning."
He shakes his head, "I didn't know that, it's one of the only things we've never really talked about."
"I'm sorry we didn't have a team prepped for you when you joined. I guess we just sort of figured you had been awake a lot more than Steve," you say. "As the uh... other guy," you add awkwardly, trying to avoid calling him the Winter Soldier.
"Technically I was but..." his voice trails off and his flesh hand covers his metal hand as he looks down.
"The other guy didn't do much cooking or laundry, did he?" you ask, finishing his thought.
"No," he answers.
After a short silence you say, "If you want, I can help get you up to speed. A lot of the tech around here is actually pretty easy to use, if you know what your doing."
"You don't have to waste your time," he shrugs. "I'll figure it all out."
"Helping you wouldn't be a waste of time," you tell him with a smile. "Besides, I have a lot of free time. I pretty much do nothing but read when I'm not working so I'm always around if you need me," you add and groan internally. Try to make it sound like you don't have a life at all, good job, you think.
He smiles and makes eye contact with you, "That would be really helpful, thanks."
You get lost in how his smile lights up his face but the long beep of the dryer finishing thankfully means you don't stare at him until it gets awkward. He gets up to empty the machine and you grab your book from the top of the washer before sitting back down. As you open the book he sits next to you again.
"Oh," you close the book and look up. "Sorry, I thought- you don't have to stay down here. I've got a while left until it'll be done."
He looks at the time left on the washer and says, "I just thought we could talk for a bit but... if you would rather read, I can leave you to it."
"I can read this later," you smile. You mean to gently toss the book on the table used to fold laundry but you over shoot and it hits the floor, sliding away from you. You cover your face with your hands and get up.
"I've got it," he laughs. He places the book on the table and sits next to you.
"I'm not usually a disaster," you tell him and he chuckles. "Actually, I kind of am. That's why I'm way better off with books and the tech stuff then with people," you admit. "I always do something stupid or say something weird," you feel yourself shrink back in your chair.
"I think it makes you interesting," he replies with a smile. "I'm never quite sure what you're going to say or do."
You laugh nervously, "Me neither." A second later your brain turns on, wait did he say I was interesting?
"There is actually one thing you could help me with now, if that's ok?" he asks, keeping you from focusing too much on what he had just said. He takes out his phone, "I think there's something wrong with it."
He hands it to you and you almost drop it when your fingers touch, "Ha, I've got it. Sorry." You open the settings and start looking for usual problems but things seem fine. You look up at him, "What's wrong with it?"
He smirks and says, "It doesn't have your number."
"Wow," you can't help but laugh. "That was really smooth."
He laughs and says, "I'm a bit out of practice but I thought that was good."
"It was," you blush and add your number before handing him back his phone.
He looks at it then back at you and says, "Okay, but seriously, how do I text you cause I'm not sure how exactly to do that."
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I hope you liked this!! Please like, share and comment if you did 💚💚
(I don't have a Bucky tag list yet so sorry my Loki list didn't get a choice lol)
@soubi001 @michelleleewise @harlequin-hangout @ace-of-gay @xorpsbane @mochie85 @sheris532 @lokiswife-dark-fox-queen @lokiandbuckysdoll @winterfrostlovetriangle @cabingrlandrandomcrap @stupidthoughtsinwriting @mjsthrillernp @lulubelle814 @goblingirlsarah @janineb86 @alexakeyloveloki @siconetribal @jiyascepter
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monomonommonn · 1 year
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S3 Ch134 Khun AA appreciation because I loved every fucking panel and I missed him
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usersanon · 3 months
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Please be aware of the user @/saintsugu also known as Ezra.
Past pseudonyms include (but are not limited to: @/aces_high
I never thought that I would have to create a post like this. In my near 12 years on the internet, I never thought I would have to write down the words I am about to type, especially about a fellow fanfic creator, one I used to enjoy before I found out about the type of person he really is. I apologise for the long post, however I want to make sure I am as thorough as possible so I can bring this person to justice.
Before opening the read more/ continuing with this post, please read the trigger warnings. This will deal with heavy topics, ones that make me sick to my stomach. I apologise for all of the censoring in this post as well.
TW: P*DOPHILIA, UNDER*GE, SEXUALIZATION OF EDS AND SH
I would just like to start off by saying how difficult this post is for me to write. I have had to take multiple breaks while typing this out. I have felt disgusted since I first saw the posts on his twitter. Like I need to take a shower and scrub myself clean, however, at the same time I feel like I cannot sit idly by while Ezra still has a platform.
The posts I have seen on his twitter, what he actively endorses is just disgusting and predatory in nature. I have done my best to censor them so as to not continue the spread of such material. As of the time of this post, his twitter is still public.
HIS TWITTER (X) IS CURRENTLY UNDER THE NAME @/ezr_ace
First, I’ll give evidence I have to prove that the twitter account stated above is in fact his. I was wary at first as well, however, I believe this evidence in fact proves that beyond reasonable doubt that the account is his.
The obvious reasoning is as follows: Ezra goes by the pseudonym Ezra currently, and has gone by the pseudonym Ace in the past. Both the twitter account and his tumblr state that he is 21. Both twitter and tumblr themes are the same in nature, featuring manga panels of Suguru edited in the same way.
If you’re familiar with Ezra at all, you would know that they are very close with another user, Flora, also known as @/fyogasm. Previously known as @/pussydrunkfyodor on tumblr. When going through the followers of this twitter account, I noticed someone by the name of Flora following him (one of about 34 followers), with the user @/floratumblr. This account had their tumblr linked in the bio of the profile, and it led straight to Flora’s tumblr. Screen recording is posted below:
UPDATE: since Ezra has been called out, Flora has unfollowed Ezra’s Twitter as well as deleted her account. I can only assume it is to try and dodge the backlash of being associated with him. Here are screenshots proving they are moots/ interacting with each other.
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Note: I do not know what this means for the content of Flora’s character. All I can say for certain is that she is close friends with him (to the point they have each others numbers), and that she follows his Twitter. I did not dive deep into her Twitter before she deleted it. But I can say that I do believe she knew the content he was posting about, otherwise she wouldn’t have deleted her Twitter the second he was called out while remaining mutuals with him on tumblr.
UPDATE 1/19/24 1:50 pm: Since creating this post, Flora has reached out and stated that they have broken all contact with Ezra. They state that they are not frequently on twitter, and was completely unaware of the type of content he was posting on the account. They state that the content found on the account has made them feel sick and that they are no longer friends anymore.
Back to the main point, this only adds to the similarities listed above. A close mutual that he has been seen actively talking to on his tumblr also follows him on twitter, endorsing his behavior. This alone was too much for me to ignore. However, one final factor came into play that solidifies that user ezr_ace and user saintsugu are the same Ezra.
He not only posted to his tumblr about hateful anon messages, but also his twitter at the same time. Right after the messages were sent, he tweeted the following, as well as posted the following messages on his tumblr. Screenshots with time stamps posted below:
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This for me, confirms that the two accounts are the same. There are simply too many coincidences for me to ignore. I feel that there is no argument about the validity of the accounts, as there are just too many similarities to ignore. Now, I can delve into what the post is really about. The content of the Twitter account.
P*DOPHILLIC ACTIONS AND UNDRE*GE CONTENT.
To put it simply, I was horrified when I first opened the profile to be greeted with Shotacon artwork. Full on artwork of an adult Toji a*saulting a child Gojo. In this artwork, Gojo looks as if he can be no older than 10. Most of the image is censored for obvious reasons, however, part of the screenshot appears in the video above as well. Proving that it cannot have been doctored in any way.
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As you can see, the post is tagged with tw sh*ta. For anyone unaware, the definition of Sh*ta is as follows: “Sh*ta is a term used in manga and anime fandoms to indicate sex involving an under*ge boy.” (Fanlore.org) Aka, CP.
It is disgusting to see someone who I once enjoyed, once trusted, interact with literal cp. Drawing or not, the effect of it is still massive. Viewing children (ANYONE UNDER*GE) in a sexual nature is harmful to everyone. It breaches past dark content into something horrible. Something dangerous.
I felt sick seeing someone be as brazen as to repost a picture of a child being a*saulted. To get off on it. It is p*dophilic. That is the only way it can be put.
Further on this, he has written smut of, in his words, “not necessarily under*ge” Suguru in highschool. There is a whole thread on it on his profile, however, I will not be showing it here. The screenshot below describes the nature of the whole post from his own words.
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When I first read “not necessarily under*ge”, my first and only question was literally, what the fuck does that mean? Either he is under*ge or not. There is not some fuzzy grey area coating the world between adults and children.
But sure, give him the benefit of the doubt. That does not excuse him liking multiple posts tagged with under*ge content. The most recent being less than an hour ago. Posts censored to the best of my ability below.
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These posts all point to the same thing. The disgusting, undeniable truth that this man is attracted to under*ge content. Content depicting minors in sexual scenarios. Content that no member of society should ever consume. He is a p*dophile. For viewing this content of his own accord. For liking it, for reblogging it. For creating it on his own. He is a disgusting person.
FOLLOWING MINORS.
Him interacting with content like that above, consuming it in any capacity at all makes him unsafe to be around. For anyone. Especially minors.
Even though his blog is 18+, even though he preaches that minors should stay away from his blog. He still found himself following a 16 year old. Becoming mutuals with them. The fact this person is 16 is clearly displayed on their blog as well (in their pinned post).
Screenshots shown below. The individual’s user is censored out as, once again, they are a minor and I don’t feel they should have to be wrapped up in this mess.
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Once again, Ezra is someone who preaches about minors staying out of adult spaces. Multiple times he has complained on his blog about minors following him and having to block them. You would think he does the same and would be more careful about curating his online spaces, however it he fails to do that.
I don’t believe this can be boiled down to a simple case of missing the age in their bio— this user has their age in their pinned post, as well as their about me. Along with the sexualisation of minors prevalent on his Twitter, it makes me extremely uncomfortable to know that he is following a minor in any capacity. I’m sure it would make anyone.
SEXUALIZING EDS AND SH.
To end the laundry list of posts on his twitter, we have him writing smut glorifying eds, as well as liking posts depicting sh in a sexual light. As always, screenshots are shown below, censored to the best of my ability.
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In the post listed above, Suguru is described in a way that is hard to stomach. While it is not nearly as bad as everything else stated above, I feel it is still necessary to include, especially because in this pairing he has often described and implied Suguru to be a minor. There is a line and he has crossed it several times, this is just another example of such. Serving as the cherry on top to further demonstrate his mindset.
Dark content and discussion of these subjects in fiction are not the problem. The disturbing part of this is that Ezra often uses these tropes within his min*r/adult sexual fantasies, and when paired with the sh*ta and under*ge content, leaves a very poor taste in the mouth. It comes across as not only a gross f*tishization, but a gross f*tishization of taking advantage of a minor that way.
A DISCUSSION ON THE LIMITS OF DARK CONTENT.
In this section, I feel that it is important to touch on how dark content plays into all of this. I’d like to expressly state that this is NOT a condemnation of dark content or its consumption.
Dark fiction and dark content are a fine line. It’s a fantastic tool for exploring taboos and emotions or experiences that aren’t often talked about openly. DC creates what is essentially a safe space for exploring things that are not typically done or seen in the real world, with the knowledge that writing or engaging with it does not necessarily mean condoning it. That being said, this callout post is NOT about being anti-dc. Dark content is a literary or artistic tool. Keeping all of this in mind, to actively engage with sh*ta content in which a character is depicted sexually not only as a minor, but as a child, and to be sexually aroused by that image is the definition of p*dophilia. Writing or drawing children and engaging with that content in a sexual capacity is p*dophilia and at the very least, has p*dophilic tendencies. This is not dark content, this is p*dophilia.
It is one thing to write or create dark fiction between adults for the purpose of gratification or exploration of social dynamics and it is entirely another to engage with art of a child engaging in sexual acts with an adult for (seemingly) the intent purpose of sexual gratification. Everyone draws their own line, but it is also important to acknowledge that there are some depictions of taboo subjects that border (if not fully step-into) harmful, p*dophilic content that perpetuates behavior and mental tendencies that truly are dangerous.
To engage with a drawing of a child and a full grown adult in sexual acts for the purpose of sexual gratification is incredibly fucked up. And the fact that minor and adult p*rnography are not just common, but dominating Ezra's twitter page, should be an absolute red flag. It’s okay to acknowledge that dark content is a medium for fiction while also acknowledging that there are some ways of engaging with it that are harmful, especially when it is so glaringly obvious that the content is between a child and an adult (the art I am talking about specifically really is a child. I don’t urge anyone to look at it, but it is gojo depicted as a child of maybe 8 - 10 years old. I’m not using the term child as an umbrella term for minors here).
The problem, stated very plainly, is that the post/s he is engaging with are sexual depictions of a child with the purpose of sexual gratification. That’s the point here. It’s not the dark content, but rather that he is retweeting posts depicting a child of about 8-10 engaged in sexual acts and created for the purpose of sexual gratification.
Once again, this is not a condemnation of dark content. Dark content can be used in so many valuable ways— facing trauma, dealing with taboo subjects, exploring the literary world in a safe and healthy way. As someone who actively consumes dark content, I will be the first to tell you this. However there should always be limits to the types of content produced. Gaining any kind of gratification from looking at a child being a*saulted is disgusting. It is p*dophillic. Especially when he actively engages with minors on his platform.
This is not a conversation of morals— which side is right and wrong. But rather a conversation about the safety of children. This is not a conversation about ageing up as that is not what he is doing. The characters being depicted here are not being aged up, rather are being depicted as minors, or literal children being used for the sexual gratification of adults.
The issue here is a p*dophile. Not dark content. Not anything else.
CONCLUSION.
I’ll be honest, post was extremely hard for me to create. Discovering that someone I once thought was close to me is this kind of person feels disgusting and abhorrent. I honestly wish I never had the displeasure of meeting them in the first place.
Hopefully, by the end of this post you are able to see the kind of person Ezra really is. I could not be silent about this. I knew that the moment all I found all of this out. This post has been very difficult for me to write, but I hope by the end of it some good will come. Some people will be able to avoid interacting with this man.
I believe Ezra needs professional help, and truly hope that he is able to get it some day soon.
Please be careful with who you interact with on the Internet. Adults and minors alike, there are predators everywhere. Please try your best to stay safe in your own online spaces. All of the love in my heart goes out to anyone who has survived child expl*itation. I hope for nothing but the best for you in the future.
Thank you all for taking the time to read this post. I know it is long and triggering for most people. I hope you all have wonderful days and try your best to take care of yourself.
Listed below are some important numbers I would like to bring awareness to before this post is over.
National Child Ab*se Hotline (USA): 1-800-422-4453
National Center for Missing and Exploited Children (USA): 1-800-843-5678
The National Sexual A*sault Hotline (USA): 1-800-656-4673
Childline (UK): 0800-1111
International Child Helpline: 116-111
TLDR: Ezra has a Twitter account where he retweeted artwork of a child gojo being a*saulted by an adult toji. He liked as well as created posts depicting under*ge characters (literally tagged with ‘under*ge’). All while being mutuals with a 16 year old on tumblr.
Tags used to try and spread awareness. I tried to mostly include fandoms that he is in.
UPDATE: lmfao, he has since deleted the retweet of sh*ta gojo after he was called out. Literally proving that it was him.
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cbartonscoffee · 1 month
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I think I've never been more aware of just how many people only get their info of the batfam through fanfic. I finally started reading Red Robin (2009) and I can not believe how many things are blown out of proportion. Particularly about Dick and Damian.
First of all, Dick does try to put limits and he does get fed up with Damian's ways sometimes. Out of the three first interactions of them in the comic, at least in two he tells him to shut up. And one of those is when Damian starts to brag about being Robin and Tim being useless, he tells him to shut up twice.
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Another thing about that moment, is that they treat it like Dick completely dismisses Tim and treats him as unimportant. He doesn't. He takes him seriously, he tells him he needs him, he tells him he views his as an equal, as someone capable. And he also tells him he's concerned about him and that he needs to start processing Bruce's death. Could that have been a little harsh? Yes, but he needed to do it without making Tim think there was room for him to be convinced about his theory because let's be honest, Tim would've taken anything less than complete refusal and tried to change his mind. And had he been wrong neither of them could have taken it.
Secondly, Dick is always left to shoulder the blame of kicking Tim out and of never reaching out. That's bull. And I need to make that clear. Tim was in a delicate point, he tells us this himself multiple times, but the decision to leave was completely made out of his own free will. Another thing he did was put space between him and the people on Gotham. We see only one time in which Dick tries to call him. Tim picks up and tells him he doesn't want to talk. This tells us that Dick respecting Tim's wish of space included almost no (or even no) contact, and Dick calling was not something Tim appreciated or encouraged.
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Now. Going into the second year of the run, when he's back in Gotham, there's a few things to talk about and I'm still in the aftermath of Damian and Tim's fight.
I feel it's important to say that even if they are all family, more often than not they're doing their own thing. Like, Babs and Steph are in the Batcave while Dick and Damian are in Wayne Tower, Cass is said to potentially be in Hong Kong and we haven't even heard Jason be name-dropped except for the fact that he went on a rampage at some point.
So, Dick is immediately called away in League business. So he isn't there. Damian is behaving fairly civil besides being a brat, so no one wastes too much effort in correcting what he says. We need to think about the fact that this is a kid whose world was turned upside down multiple times in a short period of time, who has a need to be accepted, and who hasn't yet found his place. All this is to say, that if it's difficult to get him to eat breakfast there's no way they're controlling his every move and that's understandable.
So Dick is away, Damian is still trying to adapt, Alfred has his hands full and everyone else is doing something else.
The whole thing starts because Tim is being kind of cryptic about what he's doing with his hit list and Damian feels left out and goes looking for more. He finds his name in a hidden double side of the hit list marking him as a threat. He understandably feels hurt and angry, because he's a kid, and he's trying, and his predecessor who at this point doesn't even try with him anymore views him as something bad.
So in classic Damian fashion, he falls back on his upbringing and doesn't deal with the situation as one should, talking about it. Instead he cuts team line, hurting before being hurt. It could've been worse, we see in the panel that Tim doesn't have that much of a hard time getting safely to the ground. The problem is that he snaps and starts a full-blown fight he knows Damian won't back out off. (I'm pleased to add that after cutting his line Damian doesn't start anything else)
So they are fighting, Tim has the clear advantage and he knows this, we know this. And that's how Dick finds them. Having just returned from a JL mission, in the place where the Waynes were murdered, with Tim having overpowered Damian.
They go back to the cave and Damian shares his findings, and Dick understands. And Tim tells him he (Dick) knows why he (Tim) did it. Dick agrees, and tells him he should have tried to make it harder to find. Tim says he hadn't thought Damian would try or even care. Dick tells him Damian wants to be accepted.
All in all, so far the only thing this comic has proven to me is that there's a reason comics are the bomb and that fanon has gotten out of hand. I get making things out to be worse for the sake of a story, but everything surrounding these events is basically used as the foundation for Damian and Tim's relationship as well as Dick and Tim's and I don't think I've once read a fanfic where these events are portrayed correctly or even following the real motivations of the characters. This is a disservice to all of them and only serves to amplify the hate towards a character that doesn't deserve it. There's a lot of Damian hate going around. And it sucks. Mostly because people use his actions against Tim to justify it and honestly? I don't think you should be allowed to use that if you haven't read RR and understood what was going on.
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foolsocracy · 10 months
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With all the age discourse around Spider-Man Noir right now, I thought I’d compile parts of the comic that imply his age. I want to state that this pulling from his 2009-2010 comic run before the time skip, specifically the first volume. The spiderverse movie has taken a lot of liberties with the characters, so it is very possible that what Peters age is in 1933 in the comics is NOT what his age is in 1933 in the movies.
Peter’s age is not directly stated in his 1st comic run (I can’t speak for the 2020 ones because it has been a while since I read them, plus there’s like a 10 year jump). It IS however heavily implied that he is young. So much so that you can’t seem to go more than a page without someone referencing it.
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Like, these all happen in the same scene. The writers beat you over the head with it.
In this issue alone Peter is called both “son” and “sonny” once, “boy” twice, and “kid” 8 times. Outside nouns, he is also referred to as young, and when Urich brings him to The Black Cat, Felicia calls it “babysitting.” Urich also asks Peter if he is “allowed out after midnight” but after some research I can’t seem to find any evidence of NYC having juvenile curfews at this point in time, though they did exist in lots of towns in the late 1800s and early 1900s because of child labor laws. I think this instance is just Pete just being young and an adult being concerned about his well-being.
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It is also mentioned in this volume, and again in Eyes Without a Face (vol 2), that Peter wants to go to college in the future and is currently studying & saving up money to do so. This alone doesn’t necessarily mean he’s under 18 as there isn’t a max age to apply for college, plus Peter comes from a poor family during the Great Depression. It wouldn’t surprise me if he started college later than usual because of that (lack of funds & catching up due to not being in school/working).
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There is other evidence that does imply he is under 18 though— he’s too young to drink alcohol!
Spider-Man Noir Vol 1 issue 1 starts in January 1933 before jumping back three weeks to December 1932 where Ben Urich meets Peter Parker
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It is during December 1932 that he meets Felicia Hardy who owns the speakeasy The Black Cat. Prohibition is still in place and won’t be overwritten until a year later in December 1933. It is important to note that before Prohibition was instated, the drinking age in New York was 18 years old. That law is what the characters reference when they discuss drinking age. And most importantly, Peter doesn’t deny the fact that he’s too young to drink. He just snarks back in true Parker fashion
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This is the most concrete evidence there is towards Peter being under 18 in the noirverse. It can even be argued that Peter is under 17 with how easily Felicia picks up on the fact that he’s underage (and that she does so from a distance might I add, as seen in the ‘babysitting’ panel).
There is also a panel where JJJ refers to Peter as an “orphan.” By definition, an orphan is a kid under 18. This is JJJ, so this can be taken with a grain of salt as he loves good ol hard-hitting words. When people speak they don’t always use words by their exact definitions; sometimes if you’re young and your parents are dead, JJJ is going to label you an orphan even if ur a legal adult lol. But if you take this at face value it’s definitely another indicator that Peter is under 18.
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TLDR; Spider-Man Noir from his 2009-2010 comic run is most likely under 18, and can be argued to be 15-16+. If not that, then is definitely college aged or younger.
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relaxxattack · 9 months
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ok yeah lots of memes about how the shitty new UI is literally a direct carbon copy of twitter and we hate it because of that, yea yea
here’s some actual/extra reasons why the UI itself is shitty beyond the fact that it’s stolen from twitter (in just my personal opinion)
it’s claustrophobic as hell. the old UI felt breathable, felt like you could scroll and actually look at your posts, and now there’s enough shit going on on one page that it actually gives me a headache. (i’ve heard other people say this as well, so maybe it’s not just me that’s overstimulated by all the fucking noise on the dash?)
the ‘dash sorting’ (for you / your tags / what you missed) is way too high up the page now and appears crowded against the top where things like the bookmarks bar are on most browsers. not that anything in this new UI isn’t crowded.
i’ve seen it mentioned plenty already, but there’s quite a lot of unnecessary duplication-- as in, the same buttons that exist in the new left navigation panel show up on the right in blog view, which is just completely annoying and unneeded clutter.
the fact that post interaction options are all on the right side of the posts, but dashboard navigation is now all pushed to the far left of display, is extremely annoying. i’m right-handed, so it’s extra annoying for me to have to constantly go all the way over there. maybe that’s easier for left-handed people, but if the case was supporting diversity, why not just put an option in dashboard preferences to switch the side of ALL the controls? because the post interactions are still on the right.
while we’re on the subject-- tumblr’s original design was actually MUCH more intuitive and easy to navigate. the reason for this is that everything you needed to click was in one small area. you scroll up and down the dash, move slightly up to navigate (home/asks/notifications) and slightly down to the side to interact with a post (reblog/reply). extremely simple, easy to use, even ‘lazy + addicting’, which is what all social media studio exes are supposed to want right now. changing the ui to actually be more work and more frustrating to navigate seems completely opposed to what their obvious business strategy should be.
tumblr’s original design was also much more breathable, with the small icons in the corner looking organized and not taking up much space, and lots of room for the posts themselves to be the main attraction.
there’s the fact that copying someone else’s brand entirely actually just puts you in a bigger, wider pool with much more competition, and makes you much more likely to immediately fall short of that and go bankrupt.
tumblr's original purpose was to be geared toward blogs, and these updates, along with the writing on the wall about blog themes being completely phased out soon, is completely against the original purpose. although sometimes website purposes change for the better, so take that as you will.
and finally the obvious point that you can tell from all the memes: this change is almost universally hated by the core tumblr userbase-- aka the site’s loyal consumers for years and years. driving out their main demographic seems like a very obvious, very quick way to lose a lot of fucking money. they also did this “carbon copy of twitter” update literally just a week after sitewide protest about the idea of this site being anything like twitter, so it feels like a massive Fuck You to literally all of the users. tumblr is rapidly approaching their trust thermocline, and show no sign of slowing down.
these are just my opinions about the ui, and i’m only one person. so feel free to add on other design flaws you think people should be aware of or able to mention! i will probably also be submitting this post as feedback to staff, and will be taking their surveys when i can as well.
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riririnnnn · 2 months
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Aftermath of NEL/BM Vs PxG:
Isagi is the protagonist, so I'll be focusing on him.
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From the start, the main main rival in NEL for Isagi has been Kaiser, and there have been instances where the latter had accepted that Isagi got him good. In fact, in the chapter 239, he was genuinely tweaking:
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You see my boy in the top left? Yeah, even Ness was taken aback.
Also, while we are at it, can we give a glance to this panel:
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Ness, indeed, calls everything disgusting, but the last line, "The Magic of Yoichi's football...!?"
Hello???????????????
How did we ignore that, huh?
I understand that it doesn't seem like much but if we were to take in account of his backstory, then we can say that, that IS a big statement coming out of Ness' mouth.
So, is this like a slow/indirect build-up to a moment in the BM Vs PxG where Ness assists Isagi instead of Kaiser?
BUT
That's where things becomes low-key difficult for me to digest.
You see, if Isagi were to INDEED surpass/defeat Kaiser, then what?
No, I'm not trying to pick up a fight, I'm genuinely asking what will happen after that? Will Kaiser become a disposable rival or something like Kira Ryosuke?
But you know, the above thing seems a bit farfetched. I understand that Kira disappearing like that seemed farfetched too, but Kaiser as a character has too much depth to just be thrown away.
That's why, I think that Isagi MIGHT surpass Kaiser but only superficially.
That's that, and now we have this grumpy fella:
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Rin has been Isagi's rival ever since the beginning of second selection and the thing low-key became officially mutual when Sae praised Isagi after the U-20 match.
However, Isagi's Blue Lock rank is canonically 2 now and Rin's rank is 1. So if Isagi were to truly defeat Rin, then he will became number 1 and that's like the endgame for Blue Lock you know— protagonist reached the highest point. I understand that the main goal is to win the World Cup, but still.. you getting me, right?
BUT
Amidst everything, why are we forgetting this miracle boy:
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What if he pulls up some Prodigy shit during the Barcha match and gets into Top 3?
Further, with Kunigami Vs Shidou, what makes you think that these two wouldn't get into Top 5 too?
I think that Isagi wouldn't be number 1 yet. He'll probably share the rank or maybe that his auction value will increase for sure but he'll get his rank lowered/shared. It makes sense because there have been many moments where Isagi was humbled and didn't get the victory he wanted at once.
But.
(screeches)
BUT
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We can't forget the above panel.
Something fiery is being cooked up.
Every type of theory that has been made about World Cup arc/Post-NEL arc takes in the facts from whatever we know about REAL life U-20 World Cup.
So if something entirely else is going to happen in the BLLK universe, then I don't know what more can happen.
To sum it up, I think this MIGHT happen:
Rin gets an offer from Royale Madrid/Re Al and will maintain his ranking of 1.
Isagi gets an offer with higher salary than his current but it'll not affect his ranking.
Nagi pulls up his shit and becomes L(egend).
Top 5/Top 10 will have more than one shared ranking.
Shidou and Kunigami gets banger offers too.
And about the match:
Kaiser will score a goal.
Kunigami too and Shidou will give him some kind of acknowledgement.
IGA-DA-GOAT-GURI will clutch and gives BM a free kick by making someone from PxG do a foul.
Kiyora will either assist or will score himself.
Isagi might score a goal too.
Yukimiya might assist.
Raichi defends against Loki.
Goatmaru slays.
Charles Vs Hiori.
Feel free to add yours!
.
.
.
Charles might throw a tantrum if PxG loses. Idk why he gives off a BIG bratty prankster vibes.
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plz-help-meeee · 2 months
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The shadows are my friends!!
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Tw: Mention of suicide, cringe???, logic is none in, death,
A/n: this is my first fic, this is inspired by "get off my screen" by @matrixbearer2024 go check them out their really cool. I really did want to add more to this fic but I couldn't think of anything else so if you have question or have headcannons about this that you want to share you can send them to me.
Synopsis: just a normal teenage dirtbag who can also parts of hell without being dead.
**•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚***•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚***•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚
It started small with seeing little shadow out of the corner of your eye, Thinking you saw a critter go under your chair but you thought this was all just normal stuff that people always see.
That was until you started to see the sky be a red color only for you to rub your eyes or look away and it to go back to normal. Strange tall figure walking by you and you turning back to see no one there.
One day when you were walking back home you saw what looked to be weird red demons and a wolf girl in an alleyway, you spied on them as they walked through a portal talking about having just finished a job.
You lean against the wall after they were gone, you should have been scared, you should have been panicking but a smile creeped its way up your face. Any other person would have been confused and terrified but to a suicidal teenage dirtbag like you this was the most exciting thing to happen in your dull life.
You started to stare up at the red sky longer wondering how long it would take for it to change back to normal, you drew the figures you would see trying to get as many details as you could get right.
You started to change, you started to say 'good morning' and 'I love you' in a more happy tone, you became for active in school.
You even made little horns made of cardboard and fabric in the style you saw the red demons had, you saw a figure who had spikes on their tail once and you decided to make a tail to go with the horns that looked like the figures, you know it was cringey but it made you happy.
You started to recognize the streets you'd frequently see specific figures at, you'd always see this tall owl thing walk down the street you walk down to get home, the demon you walk by who had spikes on his tail would walk down the park you go to to relax
One time you close enough to touch the spiked tail demon's hat, you got so excited, you started to try and touch every figure you walked by.
There was this one figure that stood still no walking by you, or scooting just out of sight, they were just standing there. The figure was tall, much taller then you, they color palette consisted of mostly blue, they had what looked to be fire as it's head, in fact it had three heads one in the middle and two on either side of it.
You were afraid to look away thinking it would disappear as soon as you did, you tried to reach out to touch one of the heads but you stopped when you heard a voice "Ozzie!!". You turned around to see who said that but you found nobody, the figure started to move and you were able to touch their arm just slightly.
You never really saw that figure again, but that was okay you had plenty of others you could see. You patted the tall owl things shoulder whenever you would walk by him on your way to school, you tipped the spiked tail demon's hat over his eyes for fun when you could.
You kept a journal were you wrote down which figures you passed by on what street and also drawings of the figures with little information panels besides the drawing, you named the owl thing towel (cause tall and owl, get it, I'm not funny I know) the spiked tail demon was named cowboy, the figure that had three fire heads was named Ozzie (Asmodeus???, no that would be absurd, right?)
Everything was going great and you started to improve, you got better at speaking to people, had gotten a better relationship with your mom, heck you even texted your brother the one person you said you would never want to see again.
**•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚***•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚***•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚
Today you were walking to school like always, you got your backpack, ate your breakfast and got your lunch box. You said by to your mom and was about to leave but you got this gut feeling, something telling you to do something. You walk up to your mom who was on the phone and hugged her, "I love you mom" you said in a genuine voice.
Your mother looked surprised at your hug but decided to hug back, "I love you too baby" your mom said back with smile on her face. This was the first time you two had said you love each other without malice or irritation in your voices.
You walk outed of your house and to your school, on the way you patted towel's shoulder like usual and hummed a song. You were near the part were you had to cross the road.
You saw a little kid run into the street to chase after a duck toy they had, you noticed quicker then anyone that car was heading straight towards the kid. You reacted fast as you ran towards the child to get them out of the way.
You grabbed the kid's arm and pulled them close to you as you kneeled down to shield them. Thankfully the car the avoided you and the child by mere inches, you scoffed when you saw that the driver was on their phone through their car window.
The child looked upset "my-" "toy?" you cut the child off, "right here" you said as you showed them their duck toy that you managed to save in time. "You should really be more careful kid, your life cost more then some toy." you lectured the kid about safety, you felt like a hypocrite saying all this considering only a few months away you were ready to die at any time.
Your lecture stopped when you felt a cold metal press against your head, "you just can't seem to die can you?" a familiar voice said. You turned your head around slowly, "bro-" you were cut off as everything went black.
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mychlapci · 3 months
Note
… I like to think Sentinel would manage to condition himself completely by accident. Most of it could have been avoided by just not trying to optimize his studying time by taking his supplements at the same time. He probably started off like you said, trying to hold still as his /medical device/ expanded in his valve to connect with his gestation tank. Maybe even felt a little uncomfortable with how wet he got, feeling it pump the nutrients into him until his belly was swollen with more than just his bitlet. And of course he wouldn’t just overload himself afterwards to get rid of the charge, it’s not like he’s INTO this! That would be ridiculous. Him, a Prime and an Elite Guard, getting charged up over carrying of all things… Sentinel growing increasingly horny until just prepping the applicator has his sensitive pussy drooling, day by day subconsciously anticipating his lessons more and more as the mental link between being horny and being a good mommy strengthens. But then throw housekeeping into the mix—Sentinel Prime would never stoop so low as to be dirty, but he IS a bachelor, after all.
Maybe he sits up one day and feels a little broody, a little like nesting. Well, he’s already taking his supplements while he does his parenting classes. He might as well look up some tips on keeping things clean. Getting up from his desk afterwards, tingling with charge that he keeps denying exists as he sets about tidying up the kitchen. He needs to sanitize it after cleaning the applicator after all. Subconsciously setting his hand on his belly as he straightens up from scrubbing the floor and deciding he’s earned a reward with all this hard work. Rushes back to his berth to wring out a weak, dry overload from his limp spike, just enough to sate the urge but not to clear the charge—belly swollen with a bitlet, his valve and node are his frame’s higher priority. And maybe he adds his little rewards to the schedule, right after completing his lessons and preparing his hab for a bitlet! A hardworking Prime like Sentinel deserves a little tlc after all.
But after a few weeks, he finds himself rocking on the applicator. Grinding in his chair as his calipers cycle down and clutch at what is basically a false spike anyway… a little moan sneaking free as his last video ends with a “you’re doing a great job, carrier!” or perhaps a “you’ll be such a good mommy!” Well, it’s just more efficient to get his overload NOW rather than wait, right? A good Prime shouldn’t waste time when he could be working on other things. So he moves his daily overload to lesson time, feeling guilty and a little embarrassed… at least until his next vid brings up how an increase in libido and sensitivity are perfectly normal for carriers. Of course there’s nothing wrong with Sentinel, nothing odd here. He’s just a perfect, textbook case of a carrying mech. In fact, the neediness might even be a sign that he needs MORE supplements a day than he’s been getting. Might be time to talk to a medic.
And of course, months down the line when he’s so swollen that he can’t even SEE his array let alone play with it, he might even realize what he’s done. Well, the apron made sense when he scratched his handsome paint one too many times while cleaning the hab, but did it need to be so pretty? Did his valve need to clench when his vids praised him? Did his panels need to heat up when he cooked or cleaned or set the pump up for his poor, leaky titties? But it’s too late to turn back, too hard to untrain his reactions (especially when he can’t bring himself to want to, too used to multiple overloads daily). Too much effort when no one needs to know.
And then the bitlet finally arrives, and all Sentinel can think is that his last vid kept saying how beneficial it is for a youngling to grow up with a sibling or two… and what a perfect little mommy he is, for only doing what’s best for his little one. Well, the office hasn’t burned to the ground without him yet, now has it? Maybe he could do some paperwork from home. At least until the bitlets wean. That’s awfully young, though… maybe when they start at school.
of course it’s Sentinel’s own fault. He’s so stupid. If he hadn’t tried to optimize his study hours and transfluid implants, then he wouldn’t have ended up discovering getting this damned pregnancy fetish.
i love to imagine Sentinel realizing, despite himself, that he’s conditioned himself into associating his pregnancy with overloading and having to face the fact that he doesn’t have it in him to change it… if he even tries to clean, or watch a video or read a book about carrying he gets so unbearably horny and it’s too hard to resist. He can always reason that his frame is simply… demanding the nutrients for the bitlets, nothing more, just a basic reaction. He’s doing fine. Getting incredibly wet just while cleaning is… a side-effect he’s willing to push through. No one needs to know.
oOoh Sentinel getting himself knocked up again… that’s just exquisite. I mean, back then, it was just an accident, but this time… no, of course it was an accident. He just accidentally wrapped his legs around the designated mech and made him overload inside, he wouldn’t have done that if he’d known he was gonna end up knocked up again, surely. But it’s alright, a youngling should have a sibling. 
i am so glad that my fantasy, regarding any mech at all times, is now applicable to Sentinel. I need him visibly pregnant, swollen with his second baby, with his first one latched onto his chest as he feeds it<33
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weemssapphic · 1 year
Note
adjsfh so i never really send any requests but i really like your writing style so if your requests are still open could you maybe write a smutty piece featuring submissive larissa and dominant fem!reader. the idea i had is maybe fem!reader is some sort of a supervisor that came to the school to write a report on larissa?? and larissa decided to cover up some shady stuff she did by trying to seduce her and it ends up working lol but what she hadn't thought about is that reader is more dominant than her but she ends up actually really liking that??? idk if that's like too specific feel free to add to it or like do a slightly different thing if you don't feel this would work i just want sub!larissa ahahh *slithers back into the void*
hello ahkdhsj thank you so much! i absolutely hope this does your request justice, it's also my first time writing sub!larissa so i'm just gonna post this and slither back into my very own void <3 ao3 link in title as always!
warnings/content: nsfw / pwp, sub!larissa, cunnilingus, fingering, praise kink, feel the need to mention everything is consensual (I hope that comes across)
words: ~4.2k
Dominate Me
You pulled down the long, winding drive leading towards Nevermore Academy, past striking wrought-iron gates, putting your car in park as you reached the visitor’s spots by the entrance. Glancing at the time, you realized you had a few more minutes before your scheduled appointment, so you grabbed the thick manila folder from your passenger seat and leafed through it. You’d already memorized the contents but you thought it best to take another look, to have your facts straight.
You’d been sent by the school board to investigate the principal of Nevermore, Larissa Weems. After the attacks by a “bear” (or whatever that thing out there in the forest was) had left a student in a coma, the school had come under close scrutiny. Some discrepancies had come to light regarding the earlier disappearance of another student and, well, it didn’t bode well for Nevermore - nor for Principal Weems, who appeared to be at the center of the cover-up.
Confident you were ready to face the formidable woman, whom you’d already heard so much about and whom you had to admit you were more than a little intrigued by, you stuffed the folder into your purse and stepped out of your car.
A cool breeze whipped at your face as you ascended the steps to Nevermore’s imposing entrance, pushing open the doors and searching the entry hall for a hint on which way to go.
Quickly spotting a young girl with blonde hair sporting a school uniform, you waved out a hand and stopped her in her tracks. She eyed you curiously.
“Hi, I was wondering if you could point me to Principal Weems' office?” You smiled at the girl, hoping she wouldn’t be too intimidated. She smiled back rather timidly and nodded, saying “yeah, sure” as she guided you down several hallways towards a pair of wood-paneled double doors, adorned with a shiny gold plaque that read “Principal Weems” in an elegant font.
You thanked the girl and checked your watch. Right on time. Taking one last steadying breath, you raised your fist and knocked.
– –
Larissa paced the length of her office, furious that her already busy afternoon was soon to be interrupted by the likes of some school board supervisor who was surely going to try to discredit all the hard work she’d put into Nevermore. She’d spent so many years putting her entire heart and soul into the school - she wasn’t going to let just anybody come in and tear it down. No, she wasn’t going to go down without a fight. She had a reputation to uphold.
A knock on her door had Larissa nearly jumping out of her skin. She smoothed her skirt and checked her lipstick in the reflection of her cell phone, before click-clacking her way to the door to let in the visitor.
She was prepared for anything. She knew her story well - she’d rehearsed it at least a dozen times by now. And if all else failed? The art of seduction would always be on her side. Smoothing a hand over her hair and plastering on her best fake smile, she opened the door to her office.
– – 
The doors to Principal Weems’ office opened and you were almost taken aback at the woman standing before you. You’d heard much about her reputation - strong, unyielding, a woman to be revered and even feared. But what had failed to reach your ears was that she was also stunning, impossibly so. She was attractively tall, with silvery curls pulled back into an elaborate updo, accentuating a long neck and smooth, high cheekbones, lips painted a rich shade of crimson…
Your admiration, however, was cut short as she peered down at you with sapphire eyes, clearly waiting for you to speak, lips pursing ever so slightly.
“Uh, hello, Principal Weems. I’m Y/N Y/L/N, from the school board. I believe we have an appointment.” You reached out your hand for the woman to shake. Her hand was warm to the touch, soft, and you had to suppress a shiver at the contact.
“Yes, of course, please come in.” Larissa gestured for you to enter and shut the door behind you. You thought you heard the faint click of a lock, though you couldn’t be sure, so you brushed it off as a trick of the imagination and waited for Larissa to guide you to one of the leather armchairs opposite her desk.
“So what brings you here today?” The blonde smiled warmly as she sat in her own chair, placing her elbows on her desk and resting her chin on her palm.
You raised an eyebrow at her before rifling through the contents of your bag and pulling out your folder. “I believe the school board informed you why I’ve been called to come by? It should have been mentioned in the letter you received on March 1st.” 
Larissa pinched the bridge of her nose in frustration. “Yes, I received your letter.”
“Good. Then let’s cut right to the chase and start at the beginning, shall we? There was a student attending Nevermore, Rowan Laslow. His disappearance was reported to you by a Miss Wednesday Addams after the Harvest Festival in Jericho, is that correct?” You eyed the principal carefully for any tells - any signs of anxiety or deceit.
What you saw, though, was mostly agitation marring the principal’s gorgeous features. “Yes, that is correct.”
“Though you claim he hadn’t disappeared at all?”
“Funnily enough, he turned up again the next day,” Larissa batted her eyelashes and cocked her head to the side, her lips turning up into a smile - it wasn’t exactly a warm smile, though, there was something decidedly bitter about it.
“Well, funnily enough, Principal Weems, his parents claim he never did return home.” You gave the principal a smile of your own, curious what the woman would say now.
Larissa stood from where she was sitting and rounded the desk, perching on the edge of it just in front of your chair. You couldn’t help the wandering of your eyes up her form, trailing over her exposed calves, the area around her stomach where her skirt bunched up just a little bit, the pale, tender flesh between her exposed collarbones.
She smirked at you, your ogling not lost on her.
“Unfortunately, what that boy does when he leaves campus is none of my concern - he was expelled, after all. And do call me Larissa, darling.” Larissa’s voice had dropped several octaves since she’d last spoken, causing a wave of desire to wash over your core.
You rose from your chair, gaining yourself some leverage in the situation. “Do you care so little for your former students?” You stepped closer to her, until there were mere inches between your bodies.
Larissa’s pupils widened imperceptibly. “I’m not sure I like what you’re insinuating. But Rowan was a danger to this school and all of its pupils, and keeping him here was far too dangerous. If he chose to run away from his parents, well… that’s on him, I’m afraid…”
Larissa’s lips ghosted yours, her breath warm on your face. 
“You think you can seduce me into writing you a glowing report, Larissa?” Your lips brushed hers, hands coming gently to her waist, allowing your fingertips to rub against the fabric there.
Larissa’s teeth sunk into her bottom lip. The tables were suddenly flipping on her - moments before she’d been in control, well on her way to, well, seducing you into giving her a glowing report for the school board. And now here you were, trying to take that control away from her. She wasn’t used to being dominated - usually she was the one with the power, the one calling the shots.
She could only shake her head feebly and feel the smile that spread across your lips as they connected with hers. Her lips were soft, warm, inviting. You spread her legs apart so that you could push one of your thighs between them, reveling in the moan that tore from her throat at the action. It reverbated against your own lips and had you swiping your tongue at her bottom lip, a silent plea for entry. Larissa parted her lips and allowed you to explore the contours of her mouth, as your hands moved to her clothed thighs.
Larissa whimpered into your mouth as your right hand slipped under her skirt and trailed along the inside of her thigh. Her center radiated heat and you couldn’t help the guttural moan that bubbled forth from your chest as you felt how damp her panties were.
You pulled back, regarding the woman in front of you with awe. Larissa’s cheeks were pink, her lipstick smudged, her chest heaving.
Her brows furrowed, little creases appearing on her forehead as she narrowed her eyes. “Just what do you think you’re doing?” She tried to sound indignant but failed, only managing to sound extremely turned on as your thigh pressed further into her center.
“You’re an attractive woman, Larissa,” you met her gaze, quirking an eyebrow and watching as her cheeks darkened considerably. You took her chin between your fingers. “I’m going to worship you the way you deserve it. Are you going to be a good girl for me?”
You smirked as Larissa’s mouth fell open, her blush now extending from her chest to the tips of her ears. An interesting reaction to your praise. You’d have to file that away for later. “Tell me you don’t want it and I’ll stop. Tell me to leave and I’ll go without another word, it won’t affect the report.” You needed Larissa to know she had a choice in the matter.
Larissa’s eyes searched yours for a moment, finding nothing but honesty and a mad desire to bring her mind-numbing, all-consuming pleasure. “I want it,” she confirmed.
“The door is locked?”
“Y-yes,” Larissa looked to the ground, rather sheepishly.
“There’s no need to be embarrassed,” you cooed. “It’s just us. Now where was I?” You grazed the backs of your knuckles over the fabric covering Larissa’s core, a sinful moan dripping from her lips as her head lolled back. 
“P-please,” Larissa’s voice was low and shaky.
“Please what?” You knew what she wanted, of course you did, but you sure as hell weren’t going to make this easy for the woman.
“Please… fuck me.” Larissa’s gaze, pleading and famished, met yours, and you were happy to oblige her request.
You hooked your fingers around her underwear and slid them down her legs, planting kisses along the tender flesh of her thighs and the smooth, solid muscles of her calves as you followed them down. Discarding the underwear, you knelt before Larissa so that your head was level with her sex, suppressing a moan as you saw how wet she was for you, her cunt glistening.
Flattening your tongue, you licked a path through her folds, starting at her entrance and working your way to her clit. Larissa’s hips bucked forward and you felt a hand settle in your hair, pressing your face roughly into her cunt.
You pulled back, arching an eyebrow at the high-pitched whine you received in return. “Did I say you could touch?” Larissa’s hand dropped rather pathetically from your head and she flushed, a mixture of irritation, shame, and lust swirling in her pupils.
“Come here, gorgeous,” you cooed, reaching out a hand to Larissa for her to take as your other hand worked at the buttons of your shirt, unbuttoning them one by one at a tantalizing pace.
Larissa’s eyes were glued to your cleavage as you led her to the loveseat in front of her fireplace. You shed yourself of the button-up and guided Larissa onto her back, dragging her skirt down her legs and leaving little scratches with your nails on the flesh of her thighs as you did so.
Larissa’s hands found purchase on your own waist, pulling you in for a searing kiss. It didn’t last long, however, as you pushed yourself up and grabbed hold of her wrists, pinning them above Larissa’s head in a swift motion - you didn’t have anything to tie her up with so this would have to do. Your grip was loose but firm, wanting to provide Larissa an out while showing her who was in charge. Her pupils dilated, chest heaving as she squirmed beneath you.
“Are you gonna be a good girl for me now?” Larissa seemed to fight beneath you for a moment, each of her sapphire eyes flicking between yours, breathing coming out in shallow puffs as she twisted in your grip. Slowly, her movements stilled and she nodded, cheeks dusted pink.
“Talk to me, love. Is this okay?” One of your hands held her wrists in place as the other came to cup her cheek, thumb brushing against her bottom lip. Larissa mewled, leaning into the touch.
“Y-yes, it’s okay,” she murmured, squeezing her eyes shut.
“I’m going to let go of your hands, okay? And you’re going to leave them up there - no touching unless I tell you to.” You waited for Larissa’s nod beneath you before dipping your hands under the hem of Larissa’s top and finding her bra.
You slipped your hands behind Larissa’s back, expertly unhooking the offending garment and pushing it aside before working to remove her top and latching your mouth onto her nipple, sucking at the already hardened bud as your hand began to palm the pillowy flesh of her other breast.
You switched sides, ensuring no side would feel neglected as you nipped and sucked at her chest, feeling how Larissa began to squirm beneath you as your tongue soothed over the little marks you left on her skin. 
“Patience,” you chuckled, throwing Larissa a mischievous grin as you unbuttoned and removed your own slacks. Dark eyes roved over your body as you settled between her thighs, now clad only in your underwear.
You paused for a moment, drinking in the woman before you. The smooth, milky expanse of her thighs, coated in her glistening arousal, legs bent at the knee and dropped open for you. The pink flush of her heaving chest, moving in time with her ragged breaths. The soft flesh of her stomach and breasts, covered in goosebumps, nipples erect. Her long arms extended over her head, just as you had asked of her.
And that face - my god, that face. Eyes you could get lost in, staring down at you wantonly through mascara-coated lashes, batting against her high cheekbones, flushed with desire. Painted lips which had long since been smeared, parted slightly in question as you regarded her. An angel in human form.
“You are so gorgeous.” Your admission brought a fresh blush to Larissa’s cheeks. “You’re going to look so beautiful for me when I make you come.”
Larissa’s subsequent moan spurred you on as you ran a teasing finger through her folds, gathering up her arousal. You brought the finger to Larissa’s lips and she sucked it into her mouth, swirling her tongue around it and groaning. She released the digit with a pop that caused a fresh wave of desire to pool at your core.
“So wet for me already, hmm?”
Larissa practically purred beneath you. “God, please, please touch me.”
The low timbre of her voice spurred on your own arousal and as you brought your fingers back to Larissa’s cunt, you straddled her thigh to provide your clit with some much-needed friction.
You circled her clit with the pads of your fingers once, twice, before plunging two digits into her dripping center, moaning at the way her walls immediately began to draw you in. You began a steady pace inside of the blonde, curling your fingers into her sweet spot, creating pressure around her clit with the heel of your palm.
Larissa bucked her hips upwards with every thrust of your fingers, creating a delicious friction against your own cunt with her thigh. Your soaked panties rubbed against her skin and you rolled your hips in time with your thrusts, hissing as the seam of your panties rubbed against your throbbing clit.
She spread her legs wider, inviting your fingers deeper into her cunt. You added another finger, feeling her walls clench slightly. You could feel how close she was as her thighs began to tremble and she seemed to have trouble keeping her arms above her head as she writhed and squirmed.
– – 
Meanwhile, Larissa was coming undone beneath you. She had no idea what had compelled her to follow your orders, and it should have been easy to simply take back the control and force you into submission. But some part of her couldn’t help but to be intrigued by you, the way you took control of the situation. She found it (and you, if she was being honest with herself) extremely attractive, and relinquishing her dominance might just be exactly what she needed.
Larissa dropped her thighs open, as wide as they could go, a loud moan escaping her lips as you added a third finger. She wanted so badly to reach out and touch you as she watched you fuck her, and fuck yourself on her thigh. She could feel how wet you were for her through your underwear and the thought drove her wild.
A particularly sharp thrust of your fingers had Larissa crying out, eyes rolling back into her head. She could faintly hear you whispering praises past the ringing in her ears and her entire body felt like it was ablaze. She’d never had a lover shower her with praise before and the thought of being someone’s “good girl”, of being your “good girl”, brought her over the edge. 
– – 
“You’re doing so well for me.” You smirked down at Larissa, watching as she panted and writhed beneath you, thighs still trembling from her first orgasm. “You think I’m done with you, pretty girl?”
Your own cunt throbbed with desire as you abandoned your seat on her thigh, still not quite having reached your own orgasm but dying for another taste of the intoxicating blonde.
You trailed hot, open-mouthed kisses up the inside of Larissa’s right thigh, then her left, stopping just shy of her center each time. You kissed the blonde patch of curls at Larissa’s mound, breath ghosting just over her clit. The woman let out a needy whimper, shifting her hips in a desperate attempt to get closer to you.
You dragged your tongue through her slit, finally latching onto her clit and drawing lazy circles around the sensitive bud with your tongue. You moaned at the taste of her, a heavenly mixture of tangy and sweet, the vibrations of your moan against her cunt causing Larissa’s hips to tilt upwards, pressing herself into your mouth.
“That’s it, gorgeous. Fuck, you taste good.” You continued to lap up the juices that flowed from Larissa’s center, barely able to contain your smile at the way she rolled her hips into your mouth. You hooked your hands around her thighs, dragging her as close as you could, burying yourself in her.
“C-can I…” Larissa’s voice trailed off into a breathy groan as your tongue dipped unexpectedly  into her entrance.
“Can you…?” You looked up at her in question, your eyes meeting hers, clouded with the lust of her impending orgasm. 
“Can I touch you?” Her voice was almost timid as her arms twitched above her head.
“Yes,” you grinned at the sigh that escaped Larissa’s lips as she brought her hands to your hair, fingers weaving into your locks, pushing you gently but insistently back down to her pussy. You obliged, lapping at her core as her thighs tightened around your head. Her moans were muffled, punctuated with sharp pains on your scalp as long fingers wound themselves tighter into your hair. Your lips never left her clit, tongue flicking languidly as you brought her down from her high.
Her legs released you from their iron-grip and you finally felt like you could breathe again. You cleaned her up with your tongue, pressing sweet kisses to the insides of her thighs and trailing up her body - her hips, her stomach, the swell of her breasts, her throat, finally capturing her lips, which curled up into a blissed out smile at the contact.
“You’re amazing, Larissa,” you whispered, relishing the feeling of her overheated skin pressed against your own. The feeling of her nipples poking at your bare skin, the taste of her arousal still fresh on your tongue, the sound of her breathing - heavy but evening out - were all doing nothing to quell the embers glowing in the pit of your own stomach. Every nerve-ending in your body was alive, raw to the touch.
“I regret to inform you, however…” you trailed off, taking Larissa’s wrist in your hand and guiding her between your legs. “That I am still very turned on by you, my darling.” Larissa’s pupils widened as you pressed her fingers against your center - warm, wet, aching.
“Think you can take care of that for me?” At Larissa’s feverish nod, you pulled her up with you.
“Get on your knees.” The blonde slid onto the floor in front of you and folded her legs underneath her, waiting for further instruction. “Help me with these?” You shifted your hips as Larissa hooked her fingers around your underwear and dragged it down your legs. 
Larissa suppressed a groan when she saw how wet you were for her. You brought your fingers down to your clit, amused at the rapt attention with which Larissa watched as you began to finger yourself. 
“Think you can put that gorgeous mouth of yours to good use?” You smirked down at Larissa, who didn’t need to be told twice as she placed her palms on your knees, spreading your legs as she settled her head between your thighs. She wasted no time in flattening her tongue against your sex, running it up your slit until she found your throbbing bud. Your hands found purchase in her curls, neither of you caring that you were ruining her perfectly coiffed updo as you pushed yourself into her, fucking yourself on her face.
“I’m so close,” you panted. “Fuck- you look so good fucking me, you’re being s-so good for me.” Larissa moaned into you and your nails dug into her scalp, your hips canting upwards rhythmically to meet her face. 
Your arousal dripped down Larissa’s chin as she picked up her pace against your cunt. The coil in your abdomen was winding tighter and tighter and as Larissa’s tongue began to tease at your entrance, dipping into your core, you felt yourself begin to come undone. Her thumb came up to brush against your clit, determined to prolong your pleasure as stars began to explode behind your eyes.
Once you had steadied your breathing, you leaned down, capturing Larissa’s lips for a sweet kiss, your own taste still fresh on her tongue. 
You offered your arms out to the woman. She seemed hesitant, but ultimately allowed you to pull her half onto your lap, her head on your chest, your fingertips tracing soothing patterns over the smooth expanse of her back. She didn’t seem like the type who often (ever?) relinquished control, so you were happy to give her a few seconds to ground herself.
You nuzzled your face into Larissa’s hair, almost involuntarily - she smelled of peonies and jasmine, soft and feminine, a heavenly combination. Her breathing began to even out against the bare skin of your chest and you couldn’t help the low chuckle that escaped your lips.
“Don’t fall asleep on me, Larissa,” you murmured into her hair.
Larissa peered up at you, an eyebrow quirked up in mock-offense. “Do I seem like the type?”
You grinned. “Not at all. I should be going though. I do hope you didn’t have any other meetings lined up after mine.” You nodded towards the clock on the wall.
Larissa’s eyes followed yours and a groan fell from her lips.
“Try not to act too disappointed. Against my expectations, I rather enjoyed our meeting.” Larissa couldn’t have looked more adorable in that moment if she’d tried - cheeks pink, curls falling into wide eyes, teeth worrying her bottom lip. “It - it did take a rather unexpected turn. I can’t say I’m disappointed at the outcome… That is, unless…?”
“You mean the report? As far as I’m concerned, Rowan simply… How did you put it? Ran away?” Your smirk widened at the relieved smile you received from the principal.
Larissa eased herself from the couch, reaching for her clothes and dressing herself. You followed suit, reluctantly tearing your eyes away from the blonde’s bare skin. After combing through your hair and wiping away remnants of Larissa’s lipstick from your face, you gathered up your belongings and headed towards the doors, Larissa on your heels to see you out. 
As Larissa began to ease the door open, you turned to meet her gaze. 
“You might want to, you know,” you gestured to the smudge of crimson that stained her chin. Comprehension dawned on her face, followed by a mischievous smirk as she leaned down to match your height, planting a kiss to the corner of your lips.
“Yeah, you too,” she gestured to the lipstick mark she’d just left behind.
With a chuckle and a shake of your head, you bid the principal goodbye and walked back to your car, wondering just how you would convince the school board to send you back to Nevermore again.
-
thank you to @afeatherformills and @scumppa for beta-reading <3 and tagging @orchidsshine and @sapphicsbeloved bc i think i remember you guys asking to be tagged in things but also correct me if i'm wrong hehe
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veeepawoon · 5 months
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Some theories about Compress' character and past
SPOILERS AHEAD
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The end of the manga is near, he was shown looking particularly sad in the panel with Geten. If you think about that it's kinda weird that he has that expression when he's usually sarcastic and arrogant even in bad situations.
I know that he wore the mask during 99.9% of the manga but idk, I don't think he has ever shown that much emotion. C'mon look at him, he looks like a small puppy who didn't get his treat😭
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I have this theory that he is actually a sad person with a sad past and "hides it" behind his sarcastic villain persona, the "mask" metaphorically speaking.
THAT'S WHAT THE MASK IS
The scene in the anime where his dad talks to him, telling how "the blood of bla flows bla" makes canon the fact that he was born just for the sake of keeping the "bloodline", making him a villain since he was a kid, not like Shig, Dabi or Toga who were traumatized.
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So then why does he say this to Deku? Something about "choosing your future" as you want to... while he is actually the one who didn't have many options.
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Also we all know he is an ex - entertainer
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And how he loves magic and was poor af. Maybe he really only had his father and maybe he died when he was young, making Atsuhiro a young teen/man who lives by himself in the streets. That would also explain him being responsible, mature and more serious than the others. He had more experience, apart from being 32.
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I think he didn't want to be a villain in the first place.
That's why he says to the younger people to follow the path they want to, not the one the others told them to.
Or maybe it's just his rebellious nature, he is still a villain after all.
But I like to think that his dream, the path he wanted to follow was being a magician.
To add something else to the theory there's also some scenes where he says that he doesn't really like violence and doesn't steal if it's not a necessity.
Now I don't want to search for every one of them cuz I'm lazy but this one sums up what I just said.
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Oh and also when he says this to Bakugo
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So idk I hope we'll get a better description of his past because "I'm the great great grandson of Harima" doesn't explain anything tbh👍
Also I still didn't get what Harima's goal has to do with Shig's one... God...Compress is so badly written compared to the other villains😭
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anbroids · 4 months
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as homestuck gets older and becomes more and more of a period piece i think it’s really interesting to see how continuations and fanworks take different approaches to maintaining that or not.
and i don’t want to outright say one is superior to the other. i think if you can find ways to introduce aspects of more contemporary pop culture or politics or technology into homestuck as a framework and still make it an interesting intentional choice then that’s a big achievement and not something to be scoffed at just by virtue of it being divergent from homestuck proper.
i think in a lot of ways it can keep it fresh and add a layer of relatability to the fans that grew up on it. after all, i think hussie was intending to make (or perhaps just coincidentally happened to make) homestuck relatable to his particular demographic of young adults on the internet in the late 2000s / early 2010s. i think rereading homestuck in my 20s really solidified this to me that homestuck was not intended to be a story about kids for kids but rather a story for adults about childhood and growing up. it’s funny that it wasn’t more obvious to me back then, or maybe i did pick up on it but i just didn’t really think about it all that much? because it’s so obvious. there’s so much 80s and 90s kid nostalgia in it and the tropes that the characters portray were already outdated or at least didn’t even really exist like they used to by 2009. and in many ways the characters themselves outgrow their own tropes and then later acknowledge it in the work itself both as time progresses and the narrative develops into something more complex and the characters become increasingly multi-dimensional.
i guess it’s just an interesting question to me. is having content in a story that will indefinitely age the work a “good” or “bad” choice? and several years down the line, will we be able to tell what choices were intentionally made so that it would one day be reflective of the state of technology / political landscape / pop culture at the time?
artists who set out to make their work as timeless as possible do kind of miss out on the opportunity to be a time capsule later on. or just generally representative of the climate it was created in, which is something that i think a lot of us can both appreciate but also find pretty unsavory about homestuck proper (cough dancestors cough) but then can i really say i wish those unsavory parts of homestuck didn’t exist? idk. they aren’t fun to read but i like that they make me think critically about the flaws of that particular part of internet history.
politics aside i think the fact that there’s a homestuck panel that incorporates vine is so cool. because it sort of inadvertently swallowed up a piece of internet history that would come to disappear into its already massive time capsule of media and pop culture and hussie didn’t even know. it’s just cool to me idk.
at the same time i think younger artists and writers that really prioritize keeping homestuck grounded in its era of internet and even going so far as to honor the nostalgia of an older generation is something i really admire and appreciate. and this is something that is becoming more common as homestuck ages (and becomes more of a period piece etc etc). i often find myself at a crossroads between exploring contemporary elements in my work and trying to emulate homestuck’s original tone and time period for the sake of preserving that integrity. like man. i could go on about this for such a long time because i feel like it’s just a really interesting discussion to see what we weigh as a meaningful divergence and refreshing change from homestuck proper vs what compromises the (for lack of better phrasing lol) “feels like homestuck” factor.
i think the discussions about sexuality and gender identity towards the end of comic and then further in the epilogues is an obvious example of this. hussie didn’t necessarily shy away from nuances of gender and sexuality but he didn’t really address them outright with labels either for the majority of homestuck proper until the end when other writers got involved. in early act 6 dirk is explicitly stated as gay (insert disney diversity win meme blah blah blah) but the character himself, which i feel like is an interesting reflection of hussie and homestuck’s general feelings about the topic of identity and labels (if i may speculate lmao), considers the act of labeling his sexuality as sort of this out of date, irrelevant thing in the grand scheme of things. whether that be in reference to who he is or what’s going on in the comic or a more metanarrative choice of hussie’s. some people interpret this to be a kind of admission of shame or maybe dirk just being pretentious but i personally interpret this as hussie kind of just being like. i don’t really want to spend too much time Talking about characters being gay i just want them to exist in the story and Be Gay. similarly to how the trolls don’t have a concept of sexuality in the same way the human characters do. it gives hussie an opportunity to have characters do Objectively gay things, from the reader’s perspective, without having to spell out their relationships to their own sexualities by real societal standards in the work itself when he was clearly more interested and comfortable talking about the trolls’ relationships to their fictional societal ones. and i think as a writer i find that pretty fair. (and yeah yeah i know another aspect of dirk’s whole deal is that he’s from the future so of course he would say that / the trolls are from another planet and all of this is in comedic foil to john i am not a homosexual egbert as the protagonist but i digress. idk i’m really only speculating here and maybe projecting lol)
bc tbh i also kind of shudder at the thought of writing gay characters who are always expected to spell out their identities to the audience when i’d rather just have them Do Actual Gay Things. (using gay as an umbrella term for lgbt+ yada yada). personally i’d rather have a scene where a character binds their chest to reveal an aspect of their gender presentation rather than feel obligated to spell out their relationship to their identity in words and explicit labels and also describe exactly how they Feel About All That. not because i want to cop out on representation and have their identities be totally open to interpretation necessarily, but more-so because i think it becomes exhausting sometimes as a gay person myself to have to keep acknowledging a character’s State of Differentness as obviously as possible every time i put a gay person in a piece of art.
not that i don’t find narratives that exclusively or heavily talk about and center themselves around identity and being in a State of Differentness in very outright ways important. to me that’s something very different and meaningful in completely different ways that can’t be accurately compared here. there are plenty of homestuck fanworks that make discussions of gender and identity a large priority that i think are extremely meaningful and one of the biggest reasons why i came back to homestuck after all these years and still really love the community of artists and writers that engage with it in this way. i think it’s an extremely wonderful thing, especially because with the homestuck community so niche, it really feels like a group of people spreading art that is, by a large majority, by gay people and for gay people. but in narratives that are not specifically centered around that, or has not centered themselves about that previously (like homestuck several acts into the comic) i can totally see how it comes across as off-putting. i think sometimes there’s a slippery slope with bigger projects with a large audience where the existence of gay characters in the work start to read as teaching tools for non-[insert identity here] or virtue signaling. i.e. it stops feeling like media that the reader can identity with as a gay person and more like media that is trying to represent gayness “accurately and positively” for a straight reader (or perhaps a gay reader who is completely new to their identity and appreciate this kind of easy-to-swallow and comfortable introduction). i find that in cases like this, the “representation” more often than not falls into the pitfall of being extremely generalized and sterilized or even stereotypical. which is a whole conversation in itself. bc when an identity is always easy to digest and understand, it risks reducing this character to the identity itself. water is wet i guess lol. idk it’s just a tricky balance. but definitely something i think about a lot when i’m engaging with contemporary homestuck fanwork.
long aside but. all of this to say. i just find it interesting to see how homestuck, as a kind of specific multimedia form of art and storytelling online that seemed to set a new precedent for the webcomic format at large, has taken on a genre of its own like any piece of art does that is unique and off the beaten path in its execution. idk it just makes me think of art history in general. like it’s fascinating to me to see something like homestuck which was once very new and fresh to me become a piece of art that has aged enough to open discussion about approaching the framework of homestuck in either a traditional or contemporary way. as a continuation or a fanwork or an homage. i guess the only point i’m trying to make here is that i don’t think one is better than the other and there’s something i appreciate about both.
i feel like i’m kind of avoiding the elephant in the room here which is that there’s a lot of discussion going on right now about maintaining consistency with homestuck proper in the current continuation with homestuck2 and that’s sort of a whole other can of worms i don’t really want to get into. but i would like to acknowledge how interesting it is that these discussions really obviously highlight how fast memes get “stale” nowadays in the current state of social media and everything seems to exist in a perpetual state of blink-and-you-miss-it virality. i really sympathize with the homestuck2 team who i’m sure are feeling a huge amount of pressure to strike a balance between making something refreshing / relatable to the current homestuck audience and also maintaining the “feels like homestuck” factor. all the while attempting to fulfill as many reader wishes as possible within reason. (not to mention the standard of “reason” being extremely subjective) it’s not an easy thing to do and definitely a hugely different creative process than the one hussie went through during early homestuck days. each with their own complicated hoops to jump through in terms of Making Art People Will Engage With.
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nanomooselet · 22 days
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Visual Motifs: Tesla
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So, one of the benefits of an adaptation like Stampede - a retelling, rather than just lifting from the page - is that they know where it's leading, and they can add context or foreshadowing. For some characters, they can even add presence. In addition, Stampede is required by the limits of the medium to do some streamlining. From all I've heard about their consultations with Nightow, their concern was with themes first.
But there an issue arises in Tesla. What is there to say or do for her? She isn't a presence; she's an absence. There's not much you can add without undermining the gutwrenching horror and thus the thematic impact of her character.
But Orange found a way. In fact, they found multiple ways.
Tesla can never let anyone know what she wanted because she was so thoroughly stripped of action or speech. While she lived no one cared to listen to what she had to say, and she's forever silenced by death. Nightow had to bend the rules to give her a last, ambiguous word.* Memories and assumptions are all that's left. Those are all undoubtedly themes in Trigun. I think it's all still true in Stampede, with an obvious exception.
After all, silence is a statement.
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Congratulations to Orange on making it even more horrifying. Though I'm at least reasonably sure that she wasn't conscious in suspension... I hope she wasn't. I suppose it adds to the argument to suggest her fate in the manga was kinder.
It also opens the question of what happened to her in the Fall, but helpfully (?), Nightow had already introduced a means of resolving it. It tidily both suggests a possible future plot point and further characterises Knives in the way he protects what he loves. He says her discovery was to him "but one grain of sand", and he's a fucking liar. (Also, note Dr. Conrad in the picture on Tesla's file. Nai had to learn he was involved somehow.)
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My trash boy never disappoints.
Personally I do believe it's jumping the gun to assume Knives actually bears her consciousness, but she had a profound effect on him, much as red geranium petals are now foundational to Vash's identity. While the icon of the Eye of Michael represents a number of things (I'm gonna talk about them too, if I ever get around to it), the variation on it used in the Windmill Village isn't so ambiguous. The arrangement turns up over and over.
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Behold the single most obvious way Tesla's made more "present" in Trigun Stampede. (It's sure beholding you.) The motif of Tesla's eye is as central a symbol in Knives as geranium flowers are in Vash. Tesla might not literally be a ghost, but she haunts Knives anyway. He's determined that she'll haunt everyone else too, though they may not know it's her. In his mind, he's her avenging angel.
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But he isn't the only one who holds onto her.
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And a certain panel in Maximum...
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Though those particular eyes actually represent the eyes of humans. Eyes weren't prominently linked to Tesla in the manga, but this may have been the inspiration.
Speaking of the manga... what about Rem? Though we know it or something like it occurred, in Stampede we don't see the confrontation with Vash where she confessed to her anguish over failing their sister, and how far she was willing to go ensuring he wouldn't be hurt. I understand feeling that it flattens her. The narrative is being dictated by Knives in that moment, who wasn't there to witness it and had a vested interest in removing Rem from the story.
That doesn't mean there's no sign Tesla haunted Rem. If Tesla hadn't suffered what she suffered, maybe Rem would have served an uneventful term as Navigation Officer before going back into cryosleep, while the SEEDS fleet peacefully continued on its journey. It was still because she failed Tesla that Rem adopted and raised the twins. Knives's anger/fear at the perceived betrayal by both Rem and Vash still led to him crashing the fleet, Rem's death, and all that happened in its wake.
It's an interaction we never witness - it may not even have been a direct encounter - and yet Tesla, through Rem, instigated the plot. And that's also still true.
Comparing the discovery scenes in Stampede and the manga directly, there's a change. The flower Rem left as a memorial for Tesla in the manga (looks like a white lily, which represents innocence and purity in the Japanese language of flowers and is often used for funerals) is instead a red geranium.
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I'd chalk it up to reinforcing Rem's connection with the flower and minimizing the 2D background painting budget, except...
Almost every time the twins as children are together on the screen with Rem, a geranium in a glass dome is there too. The only time it's not present somehow is when they're visiting the Plant room at the start of ep twelve.
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And when they find Tesla, there's a shot where this happens:
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The red petals are almost invisible in the darkness... and then pop out when she's revealed, like a wound. As if they emerged along with her.
The geranium, to Rem, represents Tesla. When she can, she has it accompanying the twins. The presence of this small, red, glass-bound thing - suspended, mute, so easily stripped of its petals - is perhaps an inadequate gesture, just as Tesla herself never grew to be what she could have been, and adopting the twins may not make a difference. But Tesla can be with her family in spirit and her baby brothers will get a chance to grow. That's all that Rem can do for her now, a regret she bore until the end of her life.
In Stampede, Rem and her successors are positioned as Knives's most direct ideological opposition in a number of ways, and I think one of them is in how they honour the memory of Tesla. Would the twins' older sister have wanted the vengeance Knives wreaked in her name? Or would she have had the grace to hope the humans would learn better? Would she have been happy those who came after her were given the love and the choices that she wasn't?
She can no longer choose. No one will ever know.
And that brings me, finally, to how Tesla haunts Vash.
Unlike the manga, in Stampede it's not as though Vash has any reason to fear being abused, or dismembered, or consumed, or exploited. In the manga he very much feared all those things, and accused Rem of raising them to continue the experiments. He was very angry and frightened to realise he was surrounded by humans and he was "not like them". But in Stampede Vash might as well be a human.
That's definitely a way Stampede thematically diverged from the manga. Nai's the one who's perfect and more like a Plant, because of his powers. Right?
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It's Vash who tends to be physically closest to the geranium.
In the SEEDS database, Vash and Tesla are in the same folder, while Nai has his own. There are all sorts of potential reasons, but in my mind it'd be because their colouring matches (yellow-blonde hair, blue eyes). It's Vash (his hands on the left) who notices there's an extra file and starts scrolling through them. He unlocked the database, and he caused the jars of what was left of Tesla to be revealed.
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He wears red. Specifically his outfit is red over black - his shirt and pants. And his eyes are the first ones in which Plant patterns are highlighted.
Ever noticed that Tesla's missing both arms?
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But it's hardly as though Vash is in any position to understand what Tesla felt, or what she wanted.
And it's not as though Knives, in his loneliness and fear and denial of responsibility, would puppet his sibling for the power to take revenge.
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Right?
* Don't get me wrong. Nightow's relaxed approach to worldbuilding could have made her reveal in Maximum a plot hole, but it's not. Plants really are weird enough that just about anything seems possible. Nightow created the impression that discovering her remains was so painful for the twins they came to a mutual, unspoken agreement to avoid mentioning it, let alone using her fate as a rhetorical tool. When Knives finally does bring her up, it's just before trying to meld with and then imprisoning his brother aboard the Ark. To me, it feels like his declaration of total war.
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drconstellation · 7 months
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More Half-and-Half-A-Miracle Thoughts
Part 3: The Third Archangel
Updated 10 Nov 2023
Part 1: Miracle Power Ranking is here Part 2: The Dark side of Aziraphale is here.
Before I try to put the full picture of the mighty miracle together, there is one other Archangel I want to talk about first, because yeah, if the "little" miracle had an Archangel x an Archangel x (ex-)Archangel in the equation, all working in synergy, that's some pretty serious potential power right there.
S2 has given us much to discuss about Crowley and his past. We know he is different in that he has an imagination. We know he is the only ethereal entity, angelic or demonic, who can stop time, which is no mean feat. I have a list of at least nine, possibly thirteen clues (it keeps growing! 21 clues And yes, I'm counting,) that he was once a
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senior Archangel, one of the seraphim, before his Fall (but not which one in particular, for sure, alas. We can debate that later, its not important here. Really. Don't @ me about it, I'm not going to engage in this post.) They (updated link to a new discussion: the idea of Crowley previously being a very powerful angel) have all been mentioned already, none of them are new. This implies there is a huge amount of potential power that Crowley could pull upon to put into the miracle performed on Gabriel. So he is our obvious ex-Archangel in the equation.
And we already have Gabriel, in the middle.
Which just leaves us with Aziraphale, and his green-paneled waistcoat...
I've led you all on thinking he's somehow connected to Hell? Or been associating too long with Crowley? No. (Or maybe, yes? To hanging around a demon, I mean.) On one hand it does show us he is not like the other angels. On the other, it tells us something else altogether.
For all that I've been recently rabbiting on about dark horses pointing mainly to Crowley and Saraqael, we have perhaps been deftly misdirected from the biggest dark horse of all: Aziraphale as our 'missing" seraphim, Archangel Raphael, incognito.
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Now, I'm certainly not the first person to suggest this at all. There have been multiple metas about it, even way back from S1. I agree with them, fwiw.
Why am I saying this now? I think this recent post about Aziraphale being present at Sodom and Gomorrah sealed it for me, especially since I had made a recent note about Raphael being the one to be assigned to escort Lot from Gomorrah. And for all that I've just discussed how dark Aziraphale can be, he is still clearly affected by what he witnessed that night, so long, long ago.
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"Oh Lord, heal this bike."
Green is also the color primarily associated with Raphael, the healer. I've seen a few other colors mentioned as well (in fact, the more you search, the more confusing it gets) but mostly the color you'll see mentioned is green. And its the color Aziraphale conceals on the back side of his waistcoat. Plus he did heal Anathema (and her velocipede) back in S1 after they collided with the Bentley.
Finally, in the Islamic tradition, Raphael is known as Israfil, and he is essential to announcing the Day of Judgement, with a trumpet constantly poised at his lips, ready to blown when God so orders.
Guess who just got taken back to Heaven to start the Second Coming?
Edit: Since I first posted this, some additional information has come along to add to this. I finally bumped into a post about the wonderful golden collars in the Job minisode (It's so, so important to put at least one or two relevant tags for meta-writers like me to help find your posts readers! Then you can shit-talk in the tags all you like.) and that lead me to a webpage on basic angel symbology and the major angels, which helped to firm up a few things I'd been wondering about. One observation is angels usually go about bare-footed, but Raphael wears sandals when on Earth, as he is chief of the guarding angels, and is the guardian of the young, and watches over pilgrims and travelers. And who was wearing golden sandals during the Job minisode?
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Doing some guarding of the young as well...
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And Raphael is assigned to the direction of the East.
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Now we have three Archangels, three seraphim, no less, side by side.
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That's a mighty shitload of potential miracle power, whichever way you want to look at it. No wonder the ol' Metatrash got a bit nervous about what happened and decided to take a personal hand in things.
If your sitting there going "'Hang on, op, hang on just a darned minute - Aziraphale hasn't even been promoted to Supreme Archangel yet and Crowley could just be a Dominion, you don't know, and Gabriel's a drooling idiot, how could he contribute to it - " Just stop. Take a breath. Go back to Part 1 where I discuss the problems with our knowledge about miracle powers and their potential. Their potential. And its frustrating that in the end we just don't have enough knowledge to be certain.
So take this as my personal head-canon. I may not have really answered why the miracle was so strong. But as I said at the start, I don't think we can. Too many factors involved, too many unknowns. Too much hidden.
Bring on S3, I say!
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mspaesthetic · 8 months
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Tidbit: Persnickety About Posters
If you want to avoid overly dark or blurry posters in your fan adventures, then follow my lead:
1) Download JPEG off of Google Images.
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2) Import, scale down, and skew/shear it. Use an interpolation method such as Bilinear or Bicubic Sharper. Doing both transformations at once is better than repeatedly transforming the image (i.e. resizing it, applying the transform, and then skewing it), as it helps prevent the image and edges from becoming too blurry. This will be important later.
You can hold down Ctrl + Shift to constrain the Move tool along a single axis so it won't go out of alignment as you're skewing it. If you don't see the Transform Controls by default, enable it in the tool options bar at the top, or go to Edit>Free Transform.
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3) Desaturate it. Desaturate means to turn color grayer, until it becomes black and white.
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4) Adjust the brightness and contrast using the Levels adjustment tool. It's much too dark as it is! In Photoshop, it is located under Image>Adjustments>Levels..., but I recommend creating an adjustment layer from the bottom of the layers tab instead. Doing so will allow you to make edits non-destructively, meaning you can go back and change any parameters until it looks right.
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You could use a Brightness/Contrast adjustment with "Use Legacy" enabled instead to achieve a similar effect, but it won't clip the shadows and highlights as easily. You would have to create an additional duplicate adjustment and turn the brightness and contrast way down on the first one to do so. It's somewhat easier to use but less efficient than Levels in this case.
5) Apply a simple sharpen to the image as it is still too blurry for our purposes. In Photoshop, it is located under Filter>Sharpen>Sharpen... Do not use any other filter, such as Unsharp Mask, unless you absolutely have to in lieu of a basic one. If you must, turn down the radius a bit and the threshold all the way to 0.
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6) Make a selection around the image. Ctrl + left click on the layer's thumbnail to make a selection around it. Doing it this way makes it inherit the level of transparency any pixels have. If you can't, use the Magic Wand tool with "Anti-alias" enabled to select the transparent area outside, then invert it using Shift + Ctrl + I, or go to Select>Inverse.
Create a new layer above the image, then go to Edit>Stroke... and add a black stroke with a width of 2px located Outside. Leave everything else at the default. Doing it this way will create a stroke with anti-aliasing based on the selection you made. This should generally turn out pretty sharp if you follow my advice from Step 2. If you had used the Stroke Effect available from the Blending Options' layer styles, it will always result in a very smooth outline instead. You do not want this.
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Voila, and Bob's your uncle, you're done!
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The instructions above are Photoshop specific, but it should still be pretty software-agnostic. Here is the recreation PSD, and below the read-more link are additional notes, such as transferring the steps to something like GIMP.
ADDENDUM
You may be questioning why I deliberately made the stroke anti-aliased. "Isn't that an MSPArt cardinal sin??", I hear you clamoring. Well, my dear readers, let me briefly elucidate you on why your ass is wrong. Exhibit A:
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The clearly semi-opaque pixels that can be found in every poster outline, which is especially pronounced here in the Little Monsters poster. I can also see that Hussie actually created a stroke on the same layer as the poster and merged it down into the white background like a dumbass. I omitted this in step 6 for the sake of convenience (and also the fact that you can't add a stroke to a smart object in Photoshop without rasterizing it first).
He had to use the magic wand tool in order to extract it from the layer for this panel, and then fill it in with the paint bucket tool. I can even tell he had the color tolerance set up very high on the magic wand to grab all those near-black and very light gray pixels, AND he had anti-alias enabled and the tolerance on the bucket tool set to be at least higher than 0 to tint similar colors. Exhibit B:
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I also didn't address exactly how to desaturate something in Photoshop. Honestly it was because I was feeling pretty lazy. I would have had to rewrite step 4 to not include redundant information about adjustment layers. You can add either a Black & White adjustment layer or a Hue/Saturation one and turn the saturation all the way down to 0. The resulting tones will be slightly different from each other but I'll explain why that is in another tutorial.
Speaking of another tutorial, read this one if you believe this post is missing the step of using a posterize filter.
Now onto applying some steps to GIMP.
RE: step 2) In GIMP, there is a dedicated Unified Transform tool separate from the Move tool, unlike in Photoshop where both features are combined into one. This is how you scale and skew (AKA shear in GIMP) both at the same time, among other things such as rotating.
You'll also find that instead of any interpolation methods labeled "Bilinear" or "Bicubic", there are only ones named "Linear", "Cubic", "NoHalo", and "LoHalo". Basically, Linear and Bilinear are the same, so are Cubic and Bicubic, naturally. I guess NoHalo would be similar to Bicubic Smoother and LoHalo would be kind of similar to Bicubic Sharper as well. It's not an exact 1:1, though.
Honestly it doesn't really matter what you use to reduce the size as long as it isn't None/Nearest-Neighbor. You're going to have to sharpen it no matter what. This applies to Photoshop as well.
RE: step 3) Go to Colors>Hue-Saturation... and repeat turning the saturation down to 0, or go to Colors>Desaturate>Desaturate... and select the Lightness (HSL) method.
RE: step 4) Go to Colors>Levels... or Colors>Brightness-Contrast... The Brightness-Contrast adjustment tool already functions almost exactly like in Photoshop with "Use Legacy" enabled.
RE: step 5) In GIMP 2.10, the developers squirreled away the basic Sharpen filter, making it inaccessible from the Filters menu. To use it, hit the forward-slash (/) key or go to Help>Search and Run a Command... to bring up the Search Actions window and type in "sharpen". Select the option that just reads "Sharpen..." and has a description of "Make image sharper (less powerful than Unsharp Mask)". I find that using a sharpness value of around 40 to be similar to Photoshop's sharpen filter.
RE: step 6) Instead of holding down Ctrl, you hold down Alt and click on the layer thumbnail to make a selection around it. Make a layer underneath the image this time since there isn't an option to place the stroke outside the selection rather than the middle. Go to Edit>Stroke Selection... and create a stroke using these settings:
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I recommend keeping anti-aliasing disabled however, as GIMP produces lines that are a little too smooth for my taste.
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With "Antialiasing" enabled
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Without
If you're using a program that doesn't have a stroke feature available, you could draw a straight 1px thick line across the top of your poster, duplicate it, and move it down 1px. Merge them together, duplicate it again, and move it all the way down to the bottom of the poster. Then repeat the exact same process for the sides. I used to do this before I even knew of the stroke feature, haha.
Another reason I had to do it this way was because my dumb ass did the thing I said not to in step 2, scaling down the image with the scale tool, and then shearing it separately with the shear tool. This caused the edges to become too blurry to be used for a stroke automatically. Oh well, live and learn.
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wildcatfourteen · 21 days
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how do you come up with such interesting composition? your pieces are always so captivating 💗
thank youuuuuuuuuu <33 and the truth is. idk. i am kinda just winging it and making a lot of adjustments as i go.... im not very orderly about it and have my thoughts kinda all over the place. heres some examples under the cut w what process pics i could find
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direction process goes >>>
first did a pencil sketch for big shapes. was just placing stuff down. i wanted to make ref sheets for an art trade but didnt want to make a traditional type bc i hate drawing ppl standing full body (bc im bad at it 👍) also i did not have specific outfits in mind and was going more for a reference of the general vibe of the characters, so i just wanted a full body pose + face close up. to avoid having to show specific details. bc i was cheating. was originally going to have multiple text bubbles around for the character facts
did like two sketches digitally. messed around a LOT with placement. the little emote heads came out of me feeling like it was empty and boring on its own and they are fun to draw so why not include them. the multiple text bubbles seemed like a bad idea now so i took them out and just did one text wall.
i actually dont like the text wall now and think breaking it up wouldve been more fun visually but that would've required effort i didnt wanna put in LOL
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^ i lost the pencil sketch for this one (i always do a pencil sketch) but it was actually just the two half body drawings at first with none of that shit at the bottom or the close ups until i was like fuckkkkkkkkkkkkkkkkkkk i gotta add smth around to make this look like theres stuff happening..... the idea was to draw the two main characters of the labb novel in some kinda comic format w panels around and i then. kept adding things until it seemed like i was getting somewhere. thats kind of my process for everything TT i think it helps to stay in a workshopping stage for longer if needed to get somewhere but i often get impatient LOL
im putting a stupid note abt this here bc im still annoyed at myself but in this novel, there was a bit about a crossword puzzle related to a murder case and i only thought of it afterwards that it would be kinda cool to put the sugar cubes in like a crossword puzzle formation....... why didnt i do that......
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^ and heres some of the process for this one, but i lost a LOT of the steps for this. the beginning was totally different. the character wasnt as pathetic and scared looking at first but then i was like uhhhhh lets draw him that way :)
the first pencil draft was from a different perspective and it was gonna have a mirror composition to it kinda? but i wasn't able to make that look appealing so i deleted it. it still had the curtains tho but then i also included stuff with framed mirrors + other frames around
i decided to instead make the curtains be the focus of the whole piece to not make it so cluttered. character's pose was so different at first it was so bad i dont even wanna remember it. i took out the frames entirely bc i didnt think they added much to the piece in terms of the atmosphere. since like. the more i worked on it w the character's + the goat's expressions the more it gave a 'being hunted' feeling to it and portrait frames dont fit that vibe. which feels funny bc u look at it and thats all u can think abt but i wasnt even gunning for that when starting out. BE FLEXIBLE. TRUST THE PROCESS.
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