NASA Inspires Your Crafty Creations for World Embroidery Day
It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.
Here’s what we found:
Webb’s Carina Nebula
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options. “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.
Ocean Color Imagery: Exploring the North Caspian Sea
Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches
Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.
An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA
Two Hubble Images of the Pillars of Creation, 1995 and 2015
Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching
Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper. The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.
Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit: Lauren Wright Vartanian, Neurons and Nebulas
Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.
James Webb Telescope Captures Pillars of Creation
Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit: Darci Lenker of Darci Lenker Art
Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year. She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.
Milky Way
Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker
In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.
The Cosmic Microwave Background
This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches
Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.
The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team
GISSTEMP: NASA’s Yearly Temperature Release
Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA
Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.
In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.
Make sure to follow us on Tumblr for your regular dose of space!
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AU Baby Stalker Tim universe hopping
In this AU, babystalker!Tim gets hit with a portal gun (or something) and winds up in Gotham around 7 or 8 years in the future. He was in Crime Alley when he got hit, so that's where he is when the lights stop imitating the absolute worst kaleidoscope to exist meshed with LED car headlights.
Hearing some poor kid probably upchucking in an alley of the worst area of town, Red Hood goes to investigate. He finds what must be a baby ("I'm 10!") clutching an expensive camera.
If that's not weird, the child has no clue who Red Hood is. Not that Red Hood knows who the child is. Maybe an out-of-towner?
[There's barely any baby photos of Tim and Jason wasn't around at the early Robin stages.]
The kid is ecstatic (and slightly confused) to learn that Crime Alley, the area that Robin comes from, has a protector! There's another vigilante Tim can add to his collection (and subtly stalk).
While Tim ponders who this guy is and what his identity might be, Jason is concerned as hell that this infant is following him to his safehouse. Has no one taught him stranger danger?
Eventually, after annoyingly growing fond of the gremlin, Jason realizes two facts: this kid is from a different universe, and the child is the infant version of the placeholder.
Although Jason is upset he has to deal with this situation and somehow Red Robin fucked his day over, the crime lord can't take the anger out on pre-Robin Tim. The "I'm-probably-emotionally-neglected-and-have-no-clue-what-puppy-dog-eyes-are" puppy dog eyes are way too powerful.
Jason drags himself to the cave to have the Bats help him with this situation. Their current relationship is tentative, slightly aggressive coworkers. They don't trust each other, but they also no longer attack on sight.
Tim is hiding behind Red Hood as he stomps into the cave. Everyone else becomes alert and wary at his presence. Hood usually only appears when it's urgent.
Before Red Hood can introduce Tim and get into the issue, the kid peeks out from behind him. He notices how the other vigilantes are so hostile to the man that's been nothing but nice to Tim. He doesn't understand. He tugs the man's pants, causing the man to look down at him and says:
"They look so angry... Why does everyone always look at you that way?"
Red Robin startles at hearing a younger version of himself ask that of Hood.
The Red Robin feels his heart break at realizing that his childhood hero still exists in the figure of Red Hood. The man just isn't safe to the current Tim.
Both Jason and Tim come to the realization that a younger Tim would've trusted Hood. He would've defended the protector of Crime Alley.
Jason feels his world start to tremble with the idea that he would've loved a younger version of Tim. He would've felt protective and caring. The sight of him wouldn't drive anger and betrayal. If he hadn't attacked Tim, he might still look at him as if he wasn't a monster.
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Prompt 162
“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie.
“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end.
“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain.
“Technically, yes… but do we want to actually do that?”
All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor.
“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes.
“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain.
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The Background Six aren't gonna be finished for a bit (character designs take time, especially when you're writing a final paper), so I'm gonna post the current "final" draft of Lyra now.
Lyra is Ponyville's resident eccentric artist. Although young, she's got plenty of ambition that'll take her far one day... hopefully. She's still working on her sci-fi book manuscript about an aliens with weird, fleshy meat hooks. As her side gig, she helps put together productions at Ponyville's local theater. She also enjoys singing jazz, dancing, and painting.
She's a Romaniote Jew, her family originally from Athens, Greece and immigrating to New York City in the late 1800s.
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