#i mean this issue is also the one where batman literally says “i don't care about physics we're not dying” | Explore Tumblr Posts and Blogs

bitimdrake · 1 year

Text

rereading nightwing (2011) #30 and god i have. so many thoughts about it. And also I still cannot get a coherent hold on it.

This post is really just a mess of me rambling for myself and spewing thoughts out, so I'm putting it under the cut and read at your own discretion and curiosity.

first off, we basically only talk about the middle part, but this comic is actually three sections and it's. bad?

it's just so awkward. This is a transitional issues, but it's not even a well executed one. It's not even a mediocre one. It's very blunt and inconsistent in abruptly shoving the story forward to make way for a Grayson status quo.

The three sections all have different styles and very different tones, but they are also directly related to each other. So it's not like they work as three different vignettes sharing an issue. But they also don't make a particularly cogent whole.

And they definitely do not come even close to the kind of satisfying ending you'd typically want to see at the end of a run.

Like: the first section is Leslie recounting to Bruce how she ran into Spyral. A section which, you will note, does not include our lead and title character in any way, nor is it remotely emotionally relevant or meaningful to him on first read, nor is it remotely related to anything in the run previously. It's a Batman Inc scene that got lost and landed in the wrong issue.

And then the second section (Bruce fights Dick until he agrees to go undercover) and the third (intro to Grayson with Dick doing international crimefighting to lure in Spyral recruitment) are plot-wise directly connect and yet. Could not be more at odds.

sec. 2 Dick has a very bad time being pushed into this by Bruce, and he hates it, and the whole thing is very violent and dark and grim, and Dick ends the section saying things can never be the same between him and Bruce.

and then sec. 3 Dick has a classic inner monologue about who he is and where he's been, that includes how Bruce saved him from being an angry, revenge-obsessed kid, and how he loves his family and is defined by being a legacy. And shows zero concern at what he's doing except a mild mention that after the Crime Syndicate he wanted to go back but he couldn't.

are you seeing what i'm talking about here. are you seeing how this is technically a continuous plot, but on every other level makes no goddamn sense

anyway let's talk about dick and bruce, but first specifically about Bruce because I still do not get him here

"get him" does not mean "agree" (or even "empathize") but literally just get it. Even when I fucking hate him I have at a basic level understood what was going on in his head previously. I do not now.

Bruce was already abusive ofc, but the thing that really threw me off the first time I read this--and that still feel jarring--is how completely different this is from any of his previous violence towards his kids.

He's not suddenly lashing out in a moment of high emotion. He waited for Dick to be ready and laid out the rules (non-rule) of the fight. And it's not even about some deeply personal matter that he's getting emotional over. Yes, Dick's recent brief death is a key part, but mostly Bruce is monologuing about the danger of this one random secret organization.

The whole thing is so planned, which is never something I've thought of his previous physical abuse, and it feels fucking awful.

It also just feels so irrational. And not in a "people who are very emotional make questionable decisions" way, but in a "I'm genuinely struggling to understand how the character got here way"

Bruce is upset that he recently watched Dick die. No question there. And so he....wants to send Dick undercover with Spyral?

??????

Like I can try to explain this as some variation of the classic 'push people away so caring about them won't hurt me again', but that's really not how it feels? It doesn't track. Bruce has pushed Dick away plenty before, and he does it by some combination of explosive anger, complete emotional shutdown, and literally telling Dick to leave. But like. This is not that. He's instead ensnaring Dick in a long fight and longer conversation and telling him not to leave, but to go do something specific. And it's not even really pushing him away!! Because Bruce is still asking Dick to do a thing for him, under his control! No. wrong vibe. Explanation rejected.

Second attempted explanation: section one of this issue ends with Leslie telling Bruce that, because of super Spyral interrogation powers, she might have revealed his identity and can't even remember. So Bruce is deeply troubled by that, and Dick's identity was just revealed to the world which compounds things ("you let them give your secrets to the world"), and now he is deeply concerned with figuring out what Spyral knows/stopping info from spreading and sending Dick to handle that.

I also hate this explanation. It feels dumb. Ridiculous priorities. (also, boy, it does not paint Bruce in a good light. but the bad light it paints him in is an all new one.) Ugh.

I really really just cannot create an explanation for Bruce here that feels coherent with my understanding of him, and I hate that.

And my understanding of him is of him as an abusive father!! So imagine how inexplicable this must feel! But this is the wrong kind of abusive father for what he's been before idk i don't even know if i make sense anymore

new thought time

for the first ~2/3 of the fight, I was thinking that on reread, I could kinda see how some very dumb and oblivious writer would not see how horrific and abusive it would be in the end:

Two characters are disagreeing, and one is going to convince the other by the end. So it's dramatic, and makes the art reflect the story, to have them spar as they're talking! Both script and art are a spar!

Bruce is trying to ~prove Dick will never break~ so it'll be fitting for him to fight Dick, and then call it off when Dick indeed proves he won't give up an gets the upper hand!

Misjudge just how violent the fight will come off. Write panels where Dick is on the ground looking up/being beaten by Bruce/getting injured, because you're going for the classic structure of the hero getting their ass kicked at the start before turning things around later on, but accidentally make those too pained.

blah blah blah, completely overlook the fact that these two are father and son with the power dynamic that implies, and fail to tune the dialogue so that you don't realize it seems less like Bruce is convincing and more like he's coercing

and maybe, theoretically, a writer with real bad instincts could think this would be less horrific than it is

...I thought for the first chunk of the fight, still trying to come up with a rational explanation for this scene, even if only a Doylist one

EXCEPT

Towards the end of the fight, Bruce literally says he knows he's hurting Dick, "my family," and calls Dick "my boy" and then punches Dick in the face so like. I'm sorry you can't do this by accident. If you wrote this by accident you are simply too stupid to be alive and I refuse to believe you can exist.

so anyway I don't have a Doylist explanation for this either :/

they really did just straight up have bruce beat up his son and have said son literally say it could never be the same between them after this, and then were like. yeah :) this is fine :) back to bruce solving crimes as batman :)

FINAL SECTION: random assorted things that make me mad

right before the fight when Alfred can't get into the cave and Bruce, who planned this, lies about it being a malfunction he's fixing

alfred tries to ask if he's alright after "master richard's... the boy's passing". Quote Bruce "Dick was never a boy." (this would make me want to slap him in the best of circumstances but I just want him dead)

the beat early on where Bruce gets a good shot in and Dick is sitting, and he pauses to ask Bruce what's really going on, and Bruce kicks him in the face

genuinely just the number of panels in this that are Dick on the ground, Dick getting punched/kicked/hit, Dick slamming into some solid piece of the environment

Dick keeps questioning this idea and bringing up new points and then just outright asking how Bruce can do this to him. And literally never once does Bruce reply to any of it.

Literally the entire fight Bruce spends monologuing, completely ignoring everything Dick says, as if he's not talking at all.

The only thing that Bruce does respond to is how Dick is doing in the fight. He breaks his monologue to commend Dick on fighting well, but not even once gives the tiniest acknowledgement that Dick is also saying things.

Just the fact that Dick "wins" by dropping down to Bruce's level of violence.

when bruce says the "we fall so we can get back up" and Dick says, no, someone pushes us and we get up to push back, it's fucking sad. I think this is meant to be his victorious moment of turning the tides, but it's upsetting to me! That Dick "it's about catching people when they fall" Grayson has been pushed to reject all of that and is now only talking in terms of fighting!!! I don't like this quote I judge anyone who uses this as a great quote representative of dick grayson, sorry, it's not, it sucks

Dick cracks his head on a railing owie

as soon as Bruce gets properly decked and hits the ground, he calls the fight off :) Because this proves to him that Dick won't break in Spyral, of course, and confirms his stupid plan will work :) and definitely not because Bruce can dish it out but can't take it :)

unreal how much I hate him

And finally! Amidst all of that, amidst all the blood and violence, the single moment that made me most want to shove Bruce through a woodchipper!

"I know I'm hurting you. My family. I'm making that sacrifice. Because I don't give up. I don't give in."

shut the fuck up you fucking martyr hurting your family is not sacrificing shit

man, I really did start this post with story analysis and a genuine curiosity to find sense in chaos. My primary emotion was the fervor of solving a story like a puzzle. But now I am simply going to kill.

#*#*dc #dc #dc reading tag #i don't. i don't think this mess of a ramble deserves a real tag but uhhh #dc ref #i fuckin guess

33 notes · View notes

mermaidsirennikita · 1 year

Note

What are the most angsty historical romances you’ve ever read? I’m looking for something with an almost unbearable amount of pining. Thank you!

Well I mean, you can't go wrong with Lorraine Heath. She always knows how to twist the knife, and I don't think there are many other authors whose works I've read and literally gone "how can this possibly end in a believable HEA" and yet... they do. Her angstiest selections (for me) would be:

--Waking Up with the Duke. Mentioned this a lot recently, the "put a baby in my wife as a bro, bro" book. What also makes this so angsty is that the heroine, hero, and her husband all genuinely care about each other on some level. At one point the hero is like, trying not to cry, and it's a LOT.

--Scoundrel of My heart. Another one I mentioned earlier, where the hero and heroine fall in love in this very charming straightforward manner, and then the rug gets pulled out from under them and you get a year-long gap and they're brought back together as totally different people (and yet not) after she's gotten engaged to another man. Very angsty, all "you deserve better than what I can offer" and shit.

--The Earl Takes All. I mentioned this recently, it's a legendary historical romance. The heroine's husband is an identical twin, and she and his (scoundrel) twin had like a brief moment before the marriage, and she hates him because of it. Anyway, she gets pregnant, the twins go on a vacation together, the husband is killed by a GORILLA, and tells the other twin to pretend to be him so that she doesn't miscarry (she's had several miscarriages). The twin does in fact pretend to be his brother, and he's all "it's only until the baby is born", but then he starts falling in love with her...

--The Duke and the Lady in Red. I haven't mentioned this one as much, but this one got me in the feels as they say. The hero is this incredibly rakish duke who has like, orgies and shit... And he meets this woman who seems to be a widow, but she's actually a conwoman. He finds out, and he basically is like "I'll pay off your debts, just spend a week with me". And you think it's going to be this very resentful, dark relationship... But once he finds out what her real motivation is? Wheeew.

Elizabeth Hoyt is very good at the angst, too. I'd recommend:

--Thief of Shadows. This one has a hero and heroine with a class difference, and she's older than him (and more experienced--he's a virgin). There's the class issue keeping them apart as she's a lady and he's just a regular guy, but also the fact that she's infertile--truly, no magic baby thing--and she feels like he deserves a younger woman who will give him a baby, and it's just very intense. Angstiest BJ I've ever read, that's for sure.

--Duke of Midnight. This is another class difference one, with a duke (obviously) and the lady's companion of the woman he's courting. He's Georgian Batman (and he's INSANE) whereas she is totally not intimidated by him. It starts out as a game of cat and mouse, but it turns into this sort of like... Affair, but they know they can't be together, and it's a LOT.

--Sweetest Scoundrel. I talked about this one earlier--the heroine and the hero have another class difference issue, but she's very uptight and he's wild, and it comes out that she was sexually abused as a child (TW) so they begin this very tender sort of exploration as she gets curious about sex. He's so gentle with her, but there's a LOT of angst involved.

Moving on to other authors...

--The Chief by Monica McCarty. This is one where the hero and heroine end up in this kind of forced/arranged marriage situation because he's caught in bed with her. But her father forced her to trap him for political reasons, so it's complicated TM. He's very determined to not love her, but they have a very strong physical connection so the sex is bomb, and it's just a lot of like... This woman!! Just wants to love you, sir! There's a great moment where she knows he's excited by the idea of fucking her from behind so she... makes that a reality, and after she comes he's like super mad because HE DIDN'T GET TO LOOK INTO HER EYES WHILE SHE CAME... so he flips her over to remedy that. Sir, you're in love, it's fine, you'll love. Medieval, btw.

--The entire medieval trilogy by Elizabeth Lowell (Untamed, Forbidden, and Enchanted) is extremely angsty. The first book is an arranged marriage situation that starts great but turns angsty because the hero believes the heroine was in on this plan to have him killed. The second book has an amnesia plot situation where the heroine is keeping a secret from the hero the entire book and the fallout is MAJOR (my favorite in the series, but I recommend reading them in order). Enchanted is a lot more... complex, because the heroine was raped prior to her (arranged) marriage, so she's very cold, and the hero doesn't get why, and even when he does get why initially he thinks it's like... a lie to cover up for sex she had willingly? Like he's not mad, he's totally in love with her at that point and is basically like "I get it, it's medieval times, you gotta say what you gotta say" but it HURTS her because she's telling the truth. A very angsty, very 90s series.

--The Day of the Duchess by Sarah MacLean. Unique in that it's basically a book-long grovel, because the hero cheated on the heroine while she was pregnant with their baby, she left him, came back in time to lose said baby, and has since been separated from him for years. She comes to him asking for a divorce and he's basically like "sure, but you have to pick my next duchess" in a ploy to win her back. SUPERB angst.

--When the Earl Met His Match by Stacy Reid. This one is really interesting because the heroine comes to marry the hero because she's pregnant with another man's baby and she and the hero have been corresponding platonically for a while. In order to escape her parents, who want to send her baby to a baby farm (truly awful shit) she proposes a marriage of convenience which the (Scottish) hero takes her up on. They are clearly smitten with each other, but there's a lot of communication issues at first because the hero is mute (she learns sign language to make communicating easier, it's lovely) and of course there's the threat of her family and the biological father of her baby... I love this one. Has a classic "confess your love during sex" moment.

--A Lady for A Duke by Alexis Hall. Hero and heroine were best friends growing up, and then the heroine faked her death during the Battle of Waterloo in order to transition. The hero went into deep depression in part due to his chronic pain following the battle, but in part due to the loss of the heroine. The heroine accompanies some friends to like, bring him out of his shell years later, and at first he doesn't recognize her... But when he does... TW: a lot of discussion of the heroine's identity and transition, discussion of transphobia, not a lot of on the page transphobia has her trans-ness isn't what the villain is about, but the hero does dead name her at first until he realizes that she's transitioned.

--The Prince of Broadway by Joanna Shupe. This one has a spitfire heroine who wants to learn about running a casino from the hero, who seemingly takes her under his wing but is actually plotting to undo her father, his nemesis, the whole time. It's glorious.

--Seduce Me at Sunrise by Lisa Kleypas. Hero and heroine were childhood friends, he was basically an employee of the family who became a member of the family. Heroine got sick and almost died when they were young, and he's convinced that her fragile constitution couldn't take... him... lmao. But also, like, babies in general, and he doesn't wanna put her in danger even though they're clearly in love. She goes off for two years to get better and returns in a stronger state, but now another guy is with her and the hero still feels unworthy. It's a lot. I will add that Kleypas was trying a thing because the hero (and another hero in this series) is Romani. I think it veers into fetishizing at times--I think she was again, trying for inclusivity, but it's dated. Newer versions may edit this to an extent.

--Her Night wit The Duke by Diana Quincy. Heroine has a one night stand with a duke, then it turns out that he's actually courting her stepdaughter. A lot of angst, a lot of tiptoeing around, a lot of conflicting emotions!!!

#romance novel blogging #book recs

31 notes · View notes

batfsm · 8 months

Text

Nope, nope, NOPE!

Bruce is just as strong if not stronger. Bruce has lived with his trauma and keeps going evn longer than Barbara.

Not to mention she is a creep. She literally had cameras throughout Dick's apartment, is put with his little brothers, which if we say her and Bruce is a big no, so is this, gets fucking jealous of Dick having a life outside of her but when he gets jealous of her 'friends' he's told off? She also should be getting in trouble for some of the things she does/did as Oracle that Batman gets in trouble for but she seems to not be. (I think I saw he gets told off for going into personal files and information but she isn't. I can't remember where.)

Yeah, no. Screenrant, you are so far up Babs ass it isn't funny. This is fucking stupid.

That Babs is able to use the ring without issue is actually a huge detail, especially in comparison to Batman. When Batman once tried to use a Green Lantern ring, he was unable to do so. Hal Jordan explained to him that, in order to use the ring, one must also embrace their trauma: "You can't forget it, but you can [...] live with it." But Batman is not ready to just "live" with his trauma and rejects the use of the ring. Barbara, on the other hand, experienced an extremely traumatic event when she was shot through the spine by the Joker. But here she is able to use a Green Lantern ring without any issue — for multiple years

So because Bruce can't get over it but Barbara can, she gets a ring? What about Dick? He's been through a lot and does he get one? Does anyone else get one?

What the fuck? This is how she got her mobility back? For real?

Babs is fully capable of accepting her trauma and learning to live with it. This isn't particularly surprising, considering her role as the hero Oracle: someone who helps and saves people on a level Babs never could as Batgirl. Batman's trauma is what turned him into a hero, but it's also what's been preventing him from living his life as he truly should. But Batgirl uses her trauma to become a better hero — in one case, even as a Green Lantern — which shows that Barbara Gordon might just be a stronger hero than Batman.

Jesus Christ, they really hate Bruce don't they?

Bruce is literally using his trauma to change the fucking world but no, he can't get over it so he's not strong enough.

Christ above did DC forget that Bruce becomes Batman and stays Batman so other children doesn't have to go through what he did? That just because he can't 'live' with his trauma doesn't mean he isn't strong. He's one of the strongest heroes BECAUSE he keeps going. BECAUSE HE FUCKING CARES!

Christ, I love Babs but this hero worship of her by DC is making me want to throw up.

#barbara gordon #bruce wayne #batman #jla: created equal #opinion #rant #anti barbara gordon #barbara gordon critical

3 notes · View notes

vigilvntes · 2 years

Text

Home Is Where The Heart Is - Edward Nashton x Reader

Masterlist

A/N: ok so i wrote this in like an hour while i was bored at work because apparently my brain only functions when i'm not supposed to be writing fics so like. consider this an apology for not being able to post the riddler smut today. i'll probably have it up tomorrow but until then enjoy some soft fluff bc :') i just wanna hug him. also i'm literally about to see the batman for the 6th time i have issues so i'll see y'all sOON (also ignore ruby sparks gif i couldn't find one of edward ok) <3

Word Count: 2.3k

Warnings: language, mentions of sex, mentions of violence. other then that it's just tooth rotting fluff w a tiny sprinkle of angst.

Summary: There's no where Eddie would rather be than home.

───✱*.｡:｡✱*.:｡✧*.｡✰*.:｡✧*.｡:｡*.｡✱ ───

Coming home to you is his favourite part of the day.

Sure, Edward loves unmasking Gotham's most corrupt, but he loves unmasking himself in your doorway a whole lot more. Stripping himself of his trench coat and kicking off his boots, feeling your soft carpet under his feet, knowing that you're waiting for him just a few rooms away brings him greater joy than killing and exposing the lies ever could.

The clean-up tonight was... messy, to say the least. The rats left nothing to the imagination in terms of blood and guts. He made sure to shower and wipe the blood from his coat and boots before even daring to think about making his way over to your apartment. You know who he is, and you love him anyway, something he's thankful for everyday. But what you don't love is having to clean up bloody footprints from your cream carpet. That happened only once, and you haven't let him live it down. He doesn't think the stain is that bad, it could pass as red wine, in his opinion. You would disagree.

He moves quietly around the apartment, throwing his coat over the back of your couch and stripping himself down to his boxer shorts as he makes his way down the hallway. The door to your bedroom is cracked open just slightly, and it's dark in there apart from the dim, blue glow of the TV. He hears the faint voices speak his name (which makes him smirk, he can't help himself) and he comes to the conclusion that you're watching the news.

Or you were.

When he slips through the bedroom door, closing it gently behind him, you're tucked under the blanket with your nose buried in his pillow, snoring softly. He realised a long time ago that he'll never, ever tire of seeing this. You're the one thing that's good and right in Gotham and there you are, curled up on his side of the bed wearing nothing but an old, baggy t-shirt of his that you had claimed your favourite at the very start of your relationship. You're an anomaly, a direct contrast to the corruption and violence of the city. You're innocent. And you're completely and utterly his.

He tiptoes over to the other side of the bed, dropping his clothes down in a small pile on the floor. He'll tidy up after himself in the morning. He pulls the blanket back gently, careful to keep you covered and comfortable, then he lifts his leg and climbs on to the bed slowly. The frame creaks under the extra weight as he tries to lay himself down, and he curses himself under his breath. You've been meaning to buy a new bed for a while now, but he would argue that your old, rickety frame has its benefits and its downfalls. For one, he loves the way the headboard smashes against the wall, the frame squeaking underneath the both of you when he fucks you into the mattress, letting all of your neighbours know exactly who you belong to. However, it's useless when it comes to preserving your peaceful, dreamy state.

He thinks he's gotten away with it, sure that he's slipped into bed next to you completely unnoticed, but then you begin to stir, letting out a quiet 'mmh' and nuzzling your nose into the pillow. Hm. Okay. Maybe you're not awake.

"Eddie?"

Scratch that.

Your voice is so quiet, so soft that he almost doesn't catch it to begin with. "Yeah, bunny. It's me." He replies gently, reaching out and running a finger down your spine slowly. He forgets that you know that familiar dip in the bed like the back of your hand, because you know him.

You let out another hum and lift your head up, yawning before turning yourself around slowly. You're groggy, still filled with sleep, and you don't open your eyes at all as you manoeuvre yourself around and flop your head back on to his pillow, now facing him. When you crack an eye open, finally getting a look at your boyfriend, you wince slightly against the light coming from the TV, but you still give him that lazy grin. "Hi."

"Hi." He smiles right back at you, pushing a few wayward strands of hair away from your face so he can get a good look at you. God, you're so pretty. He's not sure how he manages to part from you in the evenings when he pulls the mask over his face and heads out of the door. It hurts him, actually, to have to leave you. But it's more than just a personal vendetta. He's doing this for the greater good, to protect you from all that's wrong with Gotham. Which is almost everything, frankly.

Edward stretches his back before settling down, resting the back of his head on the pillow and opening his arms, an invitation which you gladly accept. You shuffle over to him, hooking your arm over his chest and throwing a leg over his body. Your head rests on his shoulder, face tucked into his neck. He wraps his arms around you, holding you close against him, one hand settling in your hair and the other on your back. A shiver runs down his spine when you press a soft kiss against the sensitive skin between his neck and shoulder. Pure bliss.

"I didn't wake you, did I?" He asks quietly, rubbing his thumb in comforting small circles on your back.

You shake your head, your nose brushing against his neck. "Nah. I was already awake." You reply.

Edward hates lies, but he can make a few exceptions, especially when you're tucked up in his arms with the most content smile on your lips. "Hm. Is that so?" He teases.

"Uh-huh. Totally awake." You're not trying very hard to convince him, but you don't need to.

He just hums in response, and the room falls quiet. All that can be heard is the quiet, serious voices coming from the TV, your soft breathing synced up with his own, and the beating of the rain against the window. The light of the TV almost makes the rain look... pretty. Makes it sparkle as the drops cascade down your window until they're quickly replaced with another. But he knows the truth. It's bleak out there, there's nothing pretty about Gotham. It's cold and dark and filled with rage and violence. You, on the other hand... He lets out an audible sigh of content. You are soft and warm and filled with light and love, and he wants to protect you from everything that goes on out there. He's sure he can.

His name being spoken on the TV catches his attention again, and by the way your eyes open slowly, squinting against the light as you try to get a look, it catches yours too. "Did you see my stream?" He asks, his fingers playing around with your hair.

You shake your head. "Mmh. No, I didn't. I'm sorry, Eddie. Think I was napping when you went live." You sound genuinely apologetic, but you don't have to be. If he knows you well enough (which he does, because there's nothing he wants more than to know every inch of you), he'll find his page open on your laptop tomorrow. You'll have been waiting for him to go live, but the idea of a short nap will have filled every crevice of your mind so quickly that you'll have had no choice but to surrender to your drooping eyelids.

"No, no. It's okay, bunny. You need your sleep." God knows you've spent too many nights forcing yourself to stay awake so you can be up for when he returns to you.

"I saw you on the news, though." You point lazily at the TV. "Kinda fell asleep to that, too." You let out a quiet laugh, and he can't help but snort.

"How was I?"

You hum and press your lips to his neck again, "Terrifying."

"Oh. R—... Really?" He asks with piqued interest, glancing down at you. To anyone else, having their partner call them 'terrifying' probably wouldn't be ideal. It'd be a dealbreaker, to some. But between the two of you, it's a compliment. Your Eddie is The Riddler, and The Riddler is your Eddie. They're one in the same, and your Eddie would never hurt you, so you have no reason to fear who he is when he wears the mask. You wouldn't be so snug in his arms if you did.

"Oh, yeah. You really have Gotham in a chokehold." You pause for a moment. "I just—" You start, but you cut yourself off before you can finish.

"You just... what?" He asks slowly.

He feels you shake your head against him, burying your nose further into his neck. "No. It— No. It's fine. It doesn't matter."

"Hey..." He pulls his hand away from your hair, using it to gently grab your chin between his thumb and index finger, tilting your head up and making you look at him. "Tell me. You know you can say anything to me." You're the only one he's ever said that to. You're the only one who can tease him, test his patience, rile him up, voice your concerns about what he's doing. Everyone else is on thin fucking ice, if that. Not you, though.

You sigh, your eyes nervously flicking between his and the headboard. "I just worry."

"Yeah? About what?" He prompts gently.

"You. I just— I can't stop thinking about you getting caught. I mean— What if someone recognises you and they come to take you away?" You take his glasses off of his face, fiddling around with the arms for a moment. "What if someone recognised these," you hold them up, "and they find you and they take you away from me? I don't—... Fuck." You screw your eyes closed, blinking back tears.

Edward sighs softly. It's not the first time you've had this conversation, and he's sure it won't be the last. He drops your chin and allows you to bury back into his neck. "Bunny, come on. Don't cry." He pulls you closer to him, squeezing you tighter.

"I'm not crying." You say with little conviction, and he hears you sniffle, so he's not convinced.

"Don't you worry about me. I have it all mapped out. And these—" He takes his glasses from you and closes the arms, "aren't a problem. A lot of people have these. Generic frames. It'd be hard for them to trace me based on my glasses." You let out a quiet 'oh', clinging on to him as he twists around slightly to place the glasses on the bedside table.

Once he settles back down, you nuzzle his neck. "M'sorry." You murmur. You have no reason to be, though. He knows this is hard on you, but you understood a long time ago that it's what he has to do. It's only natural for you to worry about the one you love and the trouble he could get himself into. "Jus' being stupid."

"No. No, you're not being stupid. It's okay. We'll be okay. As soon as this is over, you and I can finally get out of this city. How about that?" Edward hates lies, and false promises. But sometimes he has to tell a few of his own, just to get by. If his plan goes accordingly, he'll be going away for a while, leaving you on your own. But he has his tricks, and he'll be back by your side in due time, if you'll have him back. You don't know that, though. Not yet. And he'd rather keep a smile on your face than let you down so devastatingly.

You lift your head up, wiping your eyes gently and giving him a smile. It's weak, but it's there. "Yeah. I'd like that." You lean in and press your lips to his softly, then to his nose, then to both of his cheeks. He returns the gestures, kissing your lips, nose, cheeks, eyelids, forehead until you're giggling and pushing his face away from you gently. It's quiet, just for a moment, as the two of you stare at each other adoringly. "I love you." You tell him, as you do everyday, but it still makes his heart flutter.

"I love you." He places a hand on the back of your head, gently pulling you back down and tucking your face back into his neck. "Sleep, bunny." He tells you, and you let out a hum of content, shuffling around until you're comfortable and cuddled up by his side.

As he watches your eyes close, listens in on your relaxed breathing as you start to drift to sleep, he can't help but feel a pang of guilt in his chest. He doesn't regret what he's doing. He doesn't regret the murder or the torture, exposing Gotham's elite for the shit they inflicted on him and the rest of the city will never be something he'll come to feel bad about. But he'll regret leaving you all alone, even if it's only for a short while. He hopes to god you'll take him back.

Before you, he never had a home. He spent his childhood in orphanages, sleeping on grimy, hardwood floors, being bitten by starving rats while the children around him withered away slowly and painfully. He's one of the lucky ones, they'd tell him. The majority of his adulthood had been spent feeling out of place, ostracised and angry about it because no one truly understood him. But you... You showed him that there's still good in some. You saved him, picked him back up when no one else would. You understand him, love and adore him inside and out without a care in the world about what he's done, or what he's planning to do. For the first time in his life, he's found a place to call home.

They say home is where the heart is, and his lives with you.

1K notes · View notes

mas-que-loucura-menina · 2 years

Text

Now that DC brought Bernard back (well not now, now but this was half made in my drafts so ignore me) I would like to present you my TEDtalk about a couple of forgotten amazing characters DC should bring back to add to Jason's storyline (instead of that flight attendant in rhato that I don't even remember her name because she was boring as fuck and is just there to be Jason's sexualized love interest).

Using "Batman: a death in the family" because in my view, this is one of the most important issues that makes mostly of what Jason Todd is today.

1- Mrs. Walker; A sweet Old lady who used to be Catherine Todd's Friend. She was responsible for saving some of Jason family’s possessions after Catherine died and Jason ran away, hoping she would see the boy again to give it back to him someday.

For those who didn't read this comic quick explanation: these possessions were responsible for Jason's discover that Catherine wasn't his birth mother.

So, Mrs. Walker plays an important role in this issue and shows care for Jason, viewing that she kept his belongs for years waiting to see him again. Also she already knew him before for being Catherine's, her friend, son. great Potential grandaunt figure, genuinely cares for Jason and seems to be really kind. Good one to bring back to today's Jason comic run, knowing that bringing back women to be his Lover doesn't add nothing to the story BUT NOW WOMEN MOTHERLY FIGURES these are great. Jason already have like 5 moms figure but he can aways use some more :)

2- Sharmin Rosen; one of the candidates for Jason's birth mother.

Quick explanation again; in the comic Jason finds an old notebook of his father which had her name in it, knowing that his mother's name started with an "S" he thought she might be his biological mom.

Okay but this woman, omg, she seems to be so cool.

She is simply a spy, a fucking SPY. Batman and Robin meet her when she's in the middle of a mission and Jason nearly sacrifices for her

Did I mention she is a badass?

Anyway, in the end Robin asks her if she ever had a baby in Gotham, she says no and that's the end of their interaction.

Did you get the part where she's a secret agent? Which means this woman is smart alright? Must as well be a hell of a detective.

Now, I would literally die to see these two brought back in a Red Hood comic where years later Sharmin gets curious about Robin's question for some reason and decides to dig into it, after all this boy nearly sacrificed himself to save her life just so he could ask that specific question. Being the badass she is, Sharmin quickly discovers Robin died in Ethiopia with Sheila Haywood the same day they met, both killed by the Joker.

She quickly links Sheila with Gotham then Sheila with Willis Todd, Willis Todd to Jason Todd which suspiciously died the same day that Robin Died. Sharmin decides that she will take revenge for Jason's death going after Joker in a secret mission to kill him. If her name was in Willis' notebook it means that she met him at some point in her life.

So she goes to Willis' old apartment to get information, but when she gets there she ends meeting mrs. Walker. Sharmin tells her what happened to Jason and Mrs. Walker decides to go after Joker with her because just like Sharmin, she also deeply cares about Jason.

They start to work on a plan to kill the Joker but at the same time Jason is also working on a plan to stop Joker for doing something evil or whatever. Then the two badass women thirsty for blood meet with red hood in the same place.

Red Hood: what the fuck are an old lady and a... I guess a not-that-old lady doing in Joker's hideout??

Sharmin: Step aside, this is a secret mission and you will end up spoiling it Red Hood

Mrs. Walker: Who are you calling old, young man?

Red Hood: OMG okay look, I'm trying to stop this mad clown from burning the entire city down okay? So if you could just go away and do your secret mission or whatever somewhere else me along with ALL GOTHAM would thank you enormously.

Sharmin: Well, me and the “Old lady” here are going to kill that crazy clown so whatever you were going to do, we can do it quicker and efficiently.

RH: ...what do you mean “kill”?

Mrs. Walker: (cocks her gun) she means putting a bullet in the clown's head.

RH: ...Two random ladies are more willing to kill the fucking clown than my own dad who watched me and my mother die because of him in a FUCKING WAREHOUSE IN THE MIDDLE OF AFRICA?!? (Keeps shouting)

Sharmim: Wait a minute- JASON TODD?!

Mrs. Walker: Who now?

Jason: (stops shouting suddenly)... what did you just call me?

Sharmin: (starts smiling towards Jason) So, answering your question or two now I can say I've been in Gotham city, but I still haven't ever had a baby there, Robin.

Jason: (realizes) No fucking way...

Mrs. Walker: Oh for the love of God I should never have given you that box.

Jason: AND MRS. WALKER?!?

They start a mission to kill the joker together but Batman Finds out about it and tries to stop the two women from killing the joker but he gets beaten by an old lady with a purse

Mrs. Walker: (beating batman with her knit purse) HOW DARE YOU LET THAT PSYCHOPATH KILL MY SWEET BOY

Batman: Ma'am if you could just listen- MA'AM I can't cross that line!

Mrs. Walker: That's what my husband said in the war and you know what happened? (Gets closer to Bruce's ear) He crossed the fucking line and beat the shit out of a bunch of nazis while his friends died in the other side of the line.

Jason from distance: Holly shit.

Anyways, this is just an idea that I found fun and genuinely think DC should go on and explore. Bruce seeing people trying to give his son the only thing he ever asked for but he himself can’t give it, the potential emotional scenes are just too good. Plus, everyone knows that Jason and badass Mother figures are the best combination ever.

99 notes · View notes

miraculous-trinity-leo · 3 years

Text

Whacky Gotham, Goofy New York, and Chaotic Paris.

(Part 1) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6) (Part 7)

Chapter 5: Then Let The Games Begin

•—–—–·†·–—–—•

Soooo, the Batfam is panicking, Gotham's confused as to why Iron Man is flying over Gotham like a madman, and Maria is with two of Gotham's Sirens (but only Ivy and Harley know this) having a wonderful time playing with Bud and Lou.

Let's start with the Sirens.

Harley is watching over Maria and Tikki as they sleep with Bud and Lou, Ivy walkes over to sit next to Harley, handing her a cup of tea.

"So, what's the diagnosis?" - Ivy

"She has some sort of trauma, has class issues... and handles more than she should, but still does everythin', on top of bein' a hero. She's been through some sh-t Pam." Yeah Harley may have found out Maria's a hero (if the tiny god and magic were anything to go by).

"Is she alone?" - Ivy

"No, thankfully, she has supportive parents, and friends that aren't little sh-ts. I think they're also heroes, she also has a lot, and I a mean A LOT of pent up emotions, she doesn't show anythin' negative, only positive things. She seems to shrink in on herself if she thinks she does somethin' wrong. Pam, we both know there's a limit to how much crap a person can take before they snap, and she's such a sweet kid. There has to be somethin' we can do to help her Ives." Ok she found out alot, but in Marias' defense, they have trustworthy souls, and they were the only other people (besides her friends) that she talked to about it, yes she had her Maman and Uncle to talk about hero stuff, but for the stuff her class does, she only ever vented (without being negative) to her friends.

"Her class is visiting the Botanical Gardens in three days, and it's a 2 part tour, so we can see just what's going on. If it's bad then we scare them a bit, if it's bad bad... they can handle a few slightly poisonous plants right?" - Ivy

"God I love the way ya think Ives, do ya think she can stay with us? I mean look at how cute she is with Bud and Lou... Oh my god, she's cuddlin' dem, and ya gave her a flower crown, how'd I miss that?! Where's the camera?"

Harley took a picture to remind her of this wonderful moment. As Ivy and Harley looked at the picture, they both promised to keep Maria safe, and maybe become sorta kinda-ish parents to her while she's in Gotham.

•—–·Now back to the Bat-Chaos Bat-Cave·–—•

Tim took over the chair and was now searching the possible locations with Jarvis, Damian was sitting on a different chair, trying to act cool, but he wouldn't stop looking over at Tim, to see his progress. Bruce was talking over the comms with Tony. Dick and Jason, weren't helping (they kept feeding each other worse and worse ideas of what could have happened to Maria). Then they heard Jarvis speak.

"I have found the most likely area Ms. Dupain-Cheng would be in. Her phone died about 56 blocks away from her hotel, if we don't count kidnapping, or murder, she would have thought about asking for directions, but may have decided not to considering the city she is in. So that leaves us with a possible 15-25 mile radius from her last known location. I think it best to divide into groups of two, have Oracle stay and update you if anything on security, and or traffic cameras happens. Bruce will be with Tony, Dick will go with Tim, and Jason will go with Damain to search within the area. Stephanie and Cassandra will search around a 5 mile radius near Wayne hotel." as Jarvis continued to explain the other details, the Batfam began to suit up, Batman met up with Iron Man, and they took the North area, Nightwing and Red Robin took the East area, while Red Hood and Robin searched the South. Steph and Cass were on foot in civilian clothes, searching the West area they were assigned.

They searched for the whole day, and came up with nothing. Until Oracle saw a video from a traffic cam around 9pm, 15 blocks away from where her phone died. She called it in and everyone went back to the cave. Once everyone was at the Bat-Computer, Oracle pressed play, the cameras didn't have sound, and it wasn't close enough to see if she was ok.

They watched as she went to an overgrown parking lot and sat down. She was looking down at the ground, and that's when they spotted two figures round the corner and spot her. They watched as the two figures approach Maria, and saw the startled reaction she had. They realized it was Harley Quinn and Poison Ivy that were talking to her, then they saw Maria collapse. They watched as Harley made sure she was ok, looking over to Ivy before looking back to Maria and picking her up. The last thing they saw, was Maria being carried away by two of Gothams' most dangerous rouges, but now they knew where to look next.

•—–· Back to Ivy and Harley ·–—•

Harley continued to take adorable pictures of the children.

"God, they're so f-ckin' cute!" - Harley for the 20th time

As Ivy continued to watch while caring for her plants, Catwoman walked in.

"Hey girls, got the stuff for movie night, so what are we- Holy mother of cats! He adopted another f-cking child didn't he! Where the hell does he keep finding them?! 7 was ment to be the god DAMN LIMIT!!!" - Catwoman

Maria jumped at the sudden shouting and may have accidentally summoned a yo-yo (one made useing creation magic and protection magic) before saying.

"Tikki where's the akuma?! How long was I out?! Forget it Tikki spot-" she then realized she wasn't in Paris, and seeing a new face, she also realized she just spilled her secret to another person within the same day... kinda

"Fffffffffffudge sunday that fell on the pavement!" - Maria shouted in baker profanities

"That's not how ya curse sweetheart. It should go more like-" Harley was cut off by a vine Ivy had summoned.

"Harley, cursing makes the plants sad, you know this." - Ivy said removing the vine

Harley just walked over to Maria and whipsered it in her ear.

"You're supposed to say it more like this, ' ..... .... ... .. ....... .. ... .....' ok?" - Harley ended with a big smile

"... I will never see this world in the same frickin' light ever again." - Maria

"ehh close enough." - Harley

"Can someone please tell me, WTH is going on here, on our special girls day off?!" - Catwoman

"She is a new member of the Sirens as of today, and as a member, she's unda our protection, so effective immediately." - Harley

"Cool." - Maria

"Harley." - Ivy

"Wut... first things first, if she is going to join, she needs to be very flexible, know how to fight, and be incredibly intelligent." - Catwoman

"She beat Ed's @ss with a gun pointed at her, and solved every riddle with ease, so I'm positive she'll be an amazin' addition to the team." - Harley

'God she sounds like a new mother now' "But we don't know how good her flexibility is." - Catwoman

"I know, hey Maria, ya wanna do some tricks with me, of course we need to stretch first, but do ya wanna give it a go?" - Harley

"Sure." - Maria

Ivy and Catwoman sat down on a couch a few feet away from where Maria and Harley stood in the empty part of the building. They started out with stretches, and to Catwoman's surprise (and Harley's delight) Maria copied Harleys streches perfectly.

"Ok, now that that's done, we'll start with some cartwheels, then move on to flips, then handsprings and so on." - Harley

Maria gave Harley a nod... and they were off... literally, Harley did a cartwheel into a handspring, and a few backflips, Maria executed it flawlessly. Harley did some more complicated gymnastics tricks, and Maria did it, Harley did triple backflips going into a cartwheel, into a summersault, and Maria did that perfectly as well. This went on until both Harley and Maria were slightly out of breath, both having massive smiles on their faces.

"Ives, please let her join, she's like a mini me." - Harley then hugged Maria and they somehow both tripled in cuteness as they both did puppy (or Puss In Boots style) eyes at Catwoman and Ivy.

"Sure Harley." - Ivy said walking over to give Harley a small kiss on the cheek.

"Okay... but she doesn't have a costume yet, and she still has to think of a name for herself." - Catwoman

"Is a mouse good, like a mouse themed costume, that or a Turtle themed one. What do you think Harley?" - Maria

"Mmmm, I like that with the mouse you can always toy with Cat, ya know, cat an' mouse stuff, turtle seems... weird even fawh Gotham, so personally I would pick mouse, just because of the cheesy jokes you could do." - Harley

"Very funny, ok then, give me a moment." Maria then reached out her hand, her eyes then started to glow an icy blue, and a small portal opened in front of her, she reached in and pulled out a small pendant necklace. After she put it on a small mouce appeared and greated itself, Marias' eyes going back to normal after closing the portal.

"Hello I'm Mullo, nice to meet you all."

"Omg omg omg, It's soooo f-ckin' CUTE!" - Harley

"Best to assume all of them are extremely cute Harls." - Ivy

"What the Hell did I miss in the week I was gone?!" - Catwoman

"Ehh, not much, oh but Iron Man did fly aroun' Gotham a few times earlier this mornin' like a madman." - Harley

"Oh sh-t." - Maria

"Maria are ya ok? That was ya first official proper curse in my presence." Harley said looking over to the girl.

"He's gonna kill me." - Maria

"Wait, what do you mean Marigold?" - Ivy

"... He's my Uncle, and I never got to text him I was ok, since my phone died before I met you." - Maria

"Hey, I'm sure he'll understand, now what are we watchin'?" - Harley

"I think we have more important matters other than movies at the moment!" - Catwoman

"Ok, Me Myself and Irene it is." - Harley

"No! You basically kidnapped Iron Mans' NIECE!!!" - Catwoman

"Technically, she fainted and us bein' the good Gothamites we are, decided to take her with us, to make sure she was a-okay." - Harley

"I'm ganna need more than just a six pack of soda to get me through this... Just put the movie on already." - Catwoman

Catwoman sat at the far left end of the couch, next to her sat Ivy, then Maria, and then Harley, Bud and Lou by their feet. All of them sharing one big blanket (Becuase if Iron Man did show up, or any of the birds, then Maria was in a protective burrito and they may not see her right away) and they started the movie.

•—–·–—•

"Oh god, the poor cow." - Maria

.........

"Hahahaha, he stuck a whole f-ckin' chicken head in that guys @ss" - Harley

"The poor chicken." - Maria

"Maria you don't want to see this part." - Ivy then lightly covered her eyes for the ehem, chicken extraction.

.........

"Anyone up for another movie?" - Harley

"That depends." - Ivy

"Any suggestions Cat?" - Harley looked across to the other end of the couch to see Catwoman already sleeping.

"She took her cat-nap already? Seriously?" - Harley

"... What about Pirates of The Caribbean?" - Maria

"I'm good with that." - Ivy

And they started the next movie, Maria was happy, it felt like when her maman and papa would sleep with her when she made a pillow fort. It was a loving atmosphere, it felt safe, and nothing could ruin it. Marias' eyes became heavy, and she leaned her head on Harleys' shoulder, falling asleep after a few minutes.

Ivy paused the move looking over to see both Harley and Maria sleeping, soon Ivy also fell asleep in the comfortable silence.

…………………………

Around an hour later Maria woke up in a panic, she had a nightmare, and kept looking around frantically for someone with tears running down her face.

"What's the matter hun?" - Harley said looking around to see if someone had gotten in. When she looked back at Maria she saw that she was crying.

"What happened?" Harley asked in a kind voice that was filled with motherly love.

"I, just *hic* had a bad dream that's *hic* all, I'm fine." - Maira said trying to wipe the tears away.

"You're ok, I promise nothin's goin' to happen to ya as long as Ivy and I are here, ok hun?" - Harley hugged Maria, and she could feel the girl let out a few more sobs, and quick breathes.

"Thanks Maman." Maria didn't even realize what she had said, it just felt natural for her to say it.

"You're welcome hun." 'Omg I'm gonna cry, she called me maman!' Harley rubbed small circles over Marias' back, and began humming until she fell asleep, she continued to hug Maria until she also fell asleep.

•—–· Back to the Chaos Bat-Cave ·–—•

"What do you mean she's with two of Gotham City's Sirens?!" - Tony

"Tony, calm down, I'll call Selina, she can talk to them and get this all sorted out." - Bruce

"Your fiancee is a Gotham Siren too?! Why didn't you tell me?!" - Tony

"Why isn't she picking up? And unlike some people, this family doesn't like outing our secret identities... on live TV." - Bruce

"Oh well excuse me for not keeping my secret identity a SECRET!" - Tony

"I'll try calling her one more time." - Bruce

"Bruce, it's 3am. Who in their right mind ever stays up this late.... aside from this family." - Tim with a giant coffee mug in hand.

"... I'll just call her one more time." Bruce then connected it to the Bat-Computer so everyone could hear.

•—–· Back to the Sirens ·–—•

Catwoman's phone is ringing like crazy, waking everyone up, including a tired, annoyed, and confused Selina.

"Wth does he want at 3 in the morning?!" - Selina

"Just answer it so we can keep sleepin'." - Harley still hugging Maria

"I'm putting it on speaker, so you lot can testify against his @ss in court, for disturbing the peace."

•—–· Over to Batsy ·–—•

"Selina I need to ask-"

"WHAT THE F-CKING HELL DO YOU NOT UNDERSTAND ABOUT A GOOD NIGHTS REST!" - Selina

"Oooooh, she sounds pissed Bruce." - Jason

"I'm sorry to call you at this hour, but we need to find a girl that looks just like every single one of my other kids." - Bruce

"Bruce... I thought we agreed that 7 kids was. the. f-cking. limit." - Selina

•—–· Back to the Sirens ·–—•

Selina looked over to Maria before muting the speaker.

"Do you want them to know you're here Kitten?" - Selina

"... I'm tired, I haven't had coffee, I have no filter, so f-ck it, act like you never saw me today, and let them drown in chaos. " - Maria

"I think I like filter less Maria." - Harley

"Okay." Selina shrugged her shoulders and then un-muted her phone, putting it back on speaker mode.

"Where was she last seen?" - Selina

"She was last seen with Harley and Poison Ivy, I want you to see if she's still with them." - Bruce

Selina looked over to Maria and Harley, both of them shook their heads with mischievous grins.

"I've been with them all day, and I haven't once seen a girl that looks like your kids. Now can I go back to sleep, and forget this ever happened?" - Selina

"WHERE IS MY NIECE!!!" - Tony

"Oh, hey Tony, didn't know you were there, don't know who, or where your niece is, but good luck trying to find her. Oh and Bruce, I'm shutting my phone off so you don't keep calling till the butt crack of dawn. And congrats it's now 4am. you owe me a lunch date, uh-ba-bye." Selina then hung up her phone and turned it off.

"That went pretty well if you ask me, now I'm going back to sleep." - Selina

•—–· Back to Batsy ·–—•

The room was silent for a few minutes before Jason spoke up.

"Does that mean that Pixiepop ran away and is even more lost now?!" - Jason

"Oh god, what do we do, what if she got hurt?!" - Dick

"What if she got kidnapped?!" - Jason

"What if she's with a big time Gotham Villain?!" - Dick

"... What if she got more coffee?" - Tim

"Oh Hell No" - Jason/Dick

"... Lets all go to sleep, and when we wake up, we'll head over to their base and double check. She could've just said that because I called her at 3am." - Bruce

"But my niece is still out there!" - Tony

"You're going to sleep Tony." - Pepper then dragged Tony to his room.

•—–· Back to Maria ·–—•

Selina went to a different part of the building, where Maria assumed the bedrooms were. Ivy had gone to the greenhouse to be with the plants, and now it was just her and Harley left on the couch, and she couldn't sleep.

"... Harley?" - Maria

"Yeah hun?" - Harley

"I can't sleep." - Maria

"Well, watcha wanna do till ya get tired?" Harley asked sitting up a little straighter to get a better look at Maria.

Maria gave a sly smile, and looked Harley in the eyes "Want to go free-running on the rooftops?"

"... Alright, but lets get some coffee, and a snack in us first." - Harley gave her a side hug, before getting up to go make the coffee, and grab some snacks.

After they had their coffee, they climbed to the roof of the base. Harley was in her outfit, bat in hand and ready to do some bonding.

"So, how does ya outfit work?" - Harley

"Like so, ready Mullo?" - Maria

"Yes Maria" - Mullo

"Ok, Mullo, Get Squeaky!" A bright light flashes, and when Harley could see again, Maria was in a dark gray suit, wearing black knee high boots, with a strip of pink at the knee, and black elbow length gloves with the same pink strip at her elbow. Her mask was a slightly lighter gray on the top part, and pink on the bottom. Her hair was pulled into two buns with pink ribbons that faded to gray, and to black at the very tip. Her jump rope around her waist forming a tail going just below the back of her knees.

"Just when I think ya can't get any more adorable. So what should I call ya?" - Harley

"You can call me Multimouse." - Maria

Soon they were racing and doing tricks off different roofs, they were really enjoying themselves. From one of the roofs they heard a commotion in one of the alleys, when they looked down they saw a man holding a woman at gunpoint.

"Not good, seems like he's got issues, probably lost his lover, most likely has additions to drugs and alcohol, and seems to be a little tipsy." - Harley

"I've got a plan." - Multimouse

…………

Multimouse droped a little way behind the guy, grabbing his attention while Harley got the lady to safety.

"You know there's a help center two blocks from here that would be more than willing to help you." - Multimouse

The crook just raised his gun to her trying to keep it steady as he spoke.

"Give me all your money little girl, or else I'll hurt you."

"1. That's not how you hold a gun. 2. That is no way to treat any girl. and 3. Instead of money, I'll give you my jump rope." - Multimouse

"Why the hell would I want your jump rope, that thing looks worthless." the crook lowered his guard enough as Multimouse pretended to hand over her jump rope, only to use it in a quick motion to dismarm the man, as Harley promptly knocked him out with one swing.

"Lets neva have ya at gunpoint again, okay hun? I'm afraid my heart can't take it." - Harley said while tying the crook to a lamppost.

"Sorry, but it was the best idea I could come up with at the moment, besides, any guy with a gun would feel like they have the upper hand if they're facing a random little girl with a jump rope, rather than Gothams' Harley Quinn with a bat." - Multimouse

"Sadly I'm just too popular with the kiddos on the street." - Harley

…………

They continued to stop a few more muggers on the way back to the base, and when they got back they peaked around the corner to see the whole Batfam plus Iron Man talking with Ivy and Selina.

"How much you want to bet we can get back out before they see us?" - Whispering Multimouse

"... Lets try hidin' in the kitchen." - Whispering Harley

As they tried to sneak by (still in their costumes) Selina just walks over and draggs them to the group.

"Here, now let me sleep!" - Selina

"Dang it Selina we wanted tah see just how long we could hide out in the kitchen!" - Harley

Selina did a double take now realizing they both went out.

"... You didn't." - Selina

"We wanted tah go free-runnin'! So what?" - Harley

"She could've gotten hurt Harls." - Ivy

"My suits magic, I am invulnerable to bullets, normal magic, swords, knifes, anything staby staby, and I can withstand any temperature in it." Multimouse said with a slight pout.

"Hold up, is she a magical girl?" - Red Hood in the background

When Selina let go both Harley and Multimouse went behind Ivy for protection.

"We can still make a run for it." - Harley whispered to Multimouse

"... Ok, I'll meet you on the roof." - Whispering Multimouse

Harley gave a nod as she slowly inched her wasy closer to the door that lead to the roof, as she saw Iron Man approach Multimouse.

"Please get out of your suit, we need to talk about why you're here-" - Iron Man

"Multitute!" - Multimouse

Harley then saw Multimouse shrink into dozens of tiny little versions of herself as her clones spread out in all directions, one of which was heading right for her.

"Wth, you never told us she could use magic!" - Red Robin

Harley picked her up, and slipped through the door without anyone noticing.

"That was great, but how do ya get back tuh normal size?" - Harley

"Simple, I just merge back with my clones." As she said this, all her clones came back, and she merged with herself, becoming normal sized again.

"Where to?" - Multimouse

………… So now The Batfam is trying to find many long gone Mini-Multimouses, and Harley seems to have disappeared with her. Harley and Multimouse are now running over the roofs, heading for Wayne Manor.

"So why are we going to Wayne Manor?" - Multimouse

"Because, Batsy will neva think of lookin' for us at his own home, at least not fawh a little while." - Harley

When they arrived at the Manor, Multimouse de-transformed as Harley knocked on the door.

"Ms. Quinn, Ms. Maria, pleasure to see you here, please come in." - Alfred

"Are any of the bat-birds here?" - Harley

"Ms. Barbara, Ms. Stephanie, and Ms. Cassandra are the only ones here at the moment." - Alfred

"Do ya think you can keep us bein' here a secret from Batsy?" - Harley

"Harley? What are you doing here with Maria?" - Barbara

"It seems that Ms. Harley and Ms. Maria are now playing hide and seek with the rest of the family." - Alfred

"Did someone say hide and seek?" - Steph

"Yes, so could we maybe try and keep this a secret from everyone else, please?" - Maria

"Sure, it was starting to get boring around here. We can all hide in the living room no one ever use. Barbara you show them the way, I'll get the food/drinks and boardgames." - Steph

"Is this alright with you Alfred?" Maria

"It's all right Ms. Maria, you can hide out in the old living room." - Alfred

"Thanks Alfie, ya the best." - Harley

"Thank you Alfred." - Maria

"Ok then, follow me." - Barbara

…………

In the old living room, Harley, Maria, Barbara, Steph, and Cass began to formulate a plan.

"Ok, so the best way for them to never find you is to have your phone off, stay away from any and all cameras, and show your face to no one." - Steph

"So, do you have anything in mind that you might want to do?" - Barbara

"Can we put them on a wild goose chase?" - Maria

Cass nodded to Marias' suggestion approvingly.

"I can hack a few traffic cams to help with that." - Barbara

"We can also throw in some useless hints, to throw dem even further off our scent." - Harley

"Good idea Harley." - Barbara

"Thanks, but how long do ya think we should make it last?" - Harley

"As long as Maria wants it to." - Barbara

"Then let the games begin." - Maria.

•—–—–·†·–—–—•

Chapter 5 complete. Hope everyone is stayin' safe, Rockin' those Positive Vibes, and havin' an absolutely wonderful day. BUG-OUT 🐞💮🐞

〜(꒪꒳꒪)〜Tag List〜(꒪꒳꒪)〜

1st Place★: @animegirlweeb ☕ , 2nd Place★: @jumpingjoy82, 3rd Place★: @zalladane, 4th Place★: @jayjayspixiepop, 5th Place★: @arty-shadow-morningstar, 6th Place★: @smol-book-nerd, 7th Place★: @irontimetravelflower, 8th Place★: @fandom-trapped-03, 9th Place★: @meme991001, 10th Place★: @buginetye, 11th Place★: @blackroserelina, 12th Place★: @jessigurl-design, 13th Place★: @adrestar, 14th Place★: @moon5608, 15th Place★: @little-bluestar, 17th Place★: @myazael, 18th Place★: @our-preciousss, 19th Place★: @wolf2118, 20th Place★: @nyx-in-line, 21st Place★: @kking13, 22nd Place★: @lunerlover2024, 23rd Place★: @moonlightstar64, 24th Place★: @corporeal-terrestrial, 25th Place★: @kashlyn, 26th Place★: @tbehartoo, 27th Place★: @heart-charming, 28th Place★: @solangelo252, 29th Place★: @t1dwarrior-of-earth, 30th Place★: @lady-phoenix-of-tardis, @lupagrimm

278 notes · View notes

bigskydreaming · 3 years

Note

Hi! I was reading a fanfic and it brought up Roy and Dick's fight, which I see a lot of in fics but never what they fought about and consequently why they don't talk. I thought it was a vague excuse/reason why Roy was Jason's friend not Dick's anymore but this fic brought up when Dick was batman so I was wondering if there was actually a fight between them? Btw I really enjoy your metas! They're v thought out and well articulated. Also it's v easy to separate what's your opinion and what's fact which is. Very helpful for me

Yeah this is one hundred percent a fanon thing that's kept deliberately vague to justify why Roy in his friendship with Jason seems to have no positive thoughts or concerns about Dick whatsoever. Now granted, Dick and Roy are not nearly as close in the New 52 as they were pre-Reboot. The lack of their friendship there is definitely one of the things I disliked most about the Reboot - and I actually don't care if Jason and Roy are friends tbh, its the total erasure of his history with Dick as if he can't be friends with both, that like, bugs most.

But so like, yeah, Roy and Dick aren't super close when they interact on the Titans in the New 52, but there's literally nothing in any of their interactions that explains the complete absence of him from Roy's life or a reason that Roy would like, hate him the way he tends to in a lot of Jason-centric fics.

When you factor in pre-Reboot stuff though, it starts to get a LOT more.....uh wyd? And this is why I have trouble buying that people just write Roy and Jason the way they do because its the only thing they know from recent comics. Like one, most fans talk about how they don't even read the source comics, so there's no reason their knowledge of the characters or events would be limited to just recent comics if they're going off wiki summaries and scans anyway. And second, most fans AREN'T limited in their knowledge to just recent comics.

Like, the second people start writing Roy and Jason and Kori but with their pre-52 characterizations and references to events from THAT timeline, it all gets very messy, the way they're like, completely antagonistic towards Dick a lot of the time. Because Roy and Dick were always solid. Yes, they fought. A lot. But they always, ALWAYS made up afterwards. They had conflict about Roy's drug addiction - it didn't stop Dick from being there to support him through rehab, or Dick being the first person Roy called to help him get Lian after he learned of her existence. Dick literally held Lian before Roy ever did? He's the one who first put her in Roy's arms for the first time.

(Which is the prime grudge I and most Dick Grayson fans have about Roy and Jason fics which make Jason like, the absolute apple of Lian's eye. If you want to expand Lian's circle of loved and trusted ones to include Jason as Roy's friend and thus her uncle, like go for it! But there's zero reason that should require invalidating and erasing the fact that Dick was this little girl's adored godfather and uncle for pretty much her entire life. And the way Dick is just shoved offstage from Lian's life entirely, to slot Jason into his place as though they're completely interchangeable, its like....THAT'S the kind of thing that gets people irey about how Jason 'steals' Dick's dynamics and character relationships.

Because there's nothing saying they both can't be major players in Roy and Lian's lives! But just that they're not interchangeable! You need to develop the specific role Jason plays there WITHOUT just overwriting everything Dick actually did in relation to the two of them pre-Flashpoint, which is what you're drawing from the second you write Lian, unless you're specifically going with the few appearances we've had of her within literally just the last year.

But I mean, when people just search and replace Dick Grayson in all Roy and Lian's pre-Reboot stories and act like Jason was the one doing all of that instead.....why wouldn't fans of the source material be annoyed by a character getting credit for interactions and things done for Lian and Roy that Jason literally NEVER DID, while at the EXACT SAME TIME, conjuring some mysterious, unnamed 'Falling Out' that Roy and Dick had, that was clearly all Dick's fault, and resulted from him being basically excised entirely from Roy and Lian's lives?

Same with Kori, for the record, and like despite being Dick's ex, she and Dick have NEVER been like, estranged? She and Dick have often been close even after their breakup. None of it makes any sense, and the fact that a lot of fans don't even try to make it make sense or justify it, and expect other fans to just be fine with settling for an inexplicable reversal of Dick's every actual dynamic with these characters while setting up Jason to occupy the exact same role Dick played in these other characters' lives, like.....lol. Its fun.)

Anyway, back to your question, like, there are fights you can go with pre-Reboot as the source of various conflicts between Dick and Roy - but again, I maintain its just as crucial that they're always written as getting past them. They have a very tempestuous relationship because they are the two people MOST likely to call each other on their shit, two of the two people WITH the most shit in common due to the parallels in their childhoods and the roles they've occupied in the Titans and the superhero community in general, and the two people most resistant to being called out on their shit by each other, lol. Mostly in that case because like, they do recognize that they have a lot in common and understand each other very well, so the second the other is calling them out for something, they're usually like "ugh, if HE'S saying this, its probably true and I am just not prepared yet to be wrong about this. I need more time being unjustifiably rawr about things." Its like that thing where they both look at each other doing something that feels familiar or calls back to their own reasons for doing something and they're like ugh I'm in this picture and I don't like it.

So they clash. A lot. But always with the implicit bedrock of like, there's nothing either of them can do or say to the other that will push the other away for good.

They fought over Roy replacing Dick as leader of the Titans when Dick's wedding fell apart, even though Roy actually didn't want to do it and was kinda pushed into it by the government, but again, Dick like, got over it and realized it was for the best and forgave Roy for it that very same issue. And on and on. It always went like that. So there's plenty of stuff that can be used or pointed at as a source of conflict between the two, but the part I'll always call unbelievable is the idea that they never make up after one of these fights. Why now? What fight, specifically, is so bad between them that despite everything else they've gone through AND gotten past, they can't get past this one? Y'know?

So yeah, that's my take on this. There is no definitive falling out between Dick and Roy as many fics like to point to in order to shove him offscreen and make room for Jason in Roy and Lian's lives, and personally, I just don't find it necessary and I actually think it makes Roy look REALLY bad. Because when you're not specifically detailing all the things that Dick has actually DONE for Roy, the lengths to which he's been there for his friend, and like, specifically invalidating each and every one of them as something that never happened in a particular fic, then literally anyone who reads that fic and has their own awareness of Dick and Roy's friendship is kiiiiiinda likely to be reading that and thinking wow what an ungrateful asshole, when Roy's just written as bitching about Dick with Jason and sandbagging him without any real explanation as to WHY, beyond just 'oh they had a fight years ago.'

(And coming up with some random awful thing that Dick did to justify Roy hating him now isn't like, a superior alternative, lmao, because again, its still just trashing one character for the sake of getting him out of the way of two other characters' friendship and people are going to think what they think about that).

Anyway, my now standard stock disclaimer that like, there doesn't actually need to be a canon fight obviously, for people to just write things this way and handwave that Dick and Roy had an epic falling out years ago and now they just hate one another or whatever, or just Roy hates him or vice versa. Obviously people are free to do what they want. They don't need a reason other than "I want to write it this way so Jason and Roy are friends and Jason doesn't have to 'share' him with Dick or have his friendship be overshadowed by their greater history together." That just happens to be a reason that no Dick Grayson fan is ever really going to be happy about, lol, for what should be perfectly obvious reasons, so it honestly shouldn't be surprising to people that fans of the source material often gripe about it.

Because yeah fanfic is a tremendous opportunity to transform the source material into something better, but if what's better for some fans actively takes away what was working perfectly well for other fans the original way, they're going to say that. Especially in a fandom where so many new fans take their view of the characters and their dynamics from fics rather than the source material - when fandom has that much of an influence on what new fans perceive to be 'canon,' fans are perfectly within their right to emphasize what is ACTUALLY canon and what isn't, so that new fans at least have the opportunity to determine for themselves what take they want to go with, instead of just accepting at face value that the nature of say, Dick and Roy's relationship is just that Roy hates Dick because of some mumble mumble ancient history vague mumble details not found mumble mumble fight.

63 notes · View notes

leewritesstuff · 3 years

Text

Keeping Up With The Hollands | 04

Summary: You and Tom were offered to document your life since you are both famous in the entertainment industry. Now as you got older you left the entertainment industry and head for the medical field. How difficult can it be? Also, did I mention that you have kids?

Pervious | CHAPTER 04 | Next

Series Masterlist

WORDS: 1.6+k

Writting this made me laugh at some parts pfftt. Anyway let's pretend that Far Away From Home was shooting during the time the boys were of age (forgot their age ngl 2 or 3 somewhere there)

Tom woke up first, sensing something on his face. He opened his eyes and catch a small foot in front of him. In confusion, he turned and notice all of his children on his king-size bed. Slowly but gently, he removed the feet that belonged to Edward.

He got up and head to the kitchen. Preparing breakfast for the family. His girlfriend Y/N was on a press conference for her charity.

"So today, we are going on the set of Spiderman Far From Home. Um, I'm not really sure how I'm going to do that and take care of four children. I know Harrison said he will be there but... I'm scared" he said to the camera as he tries to flip the pancake.

"I actually tried hiring a babysitter, they only lasted a few hours. I think I had forgotten to tell them that there would be more than one kids. Anyway, Ed and Chase gave them hell so they all left." After flipping the pancakes, Tom separated them, one for each boy and three for him, with some whipped cream on them.

Finish fixing up breakfast, he goes to wake up the boys, seeing as they are on a time limit. When he got there, he saw Jake up, trying to wake up his brothers.

Tom smile and ruffle the boy's hair, "Morning bud, you slept well?" Jake gave him a toothy grin and nodded. Jake got up and jumped into Chase's body making the boy yell, which woke up Max.

"Get up" Chase got up and pushed Jake down the bed, the two starting a fight. Jake's leg accidentally kicked Ed in his face, making the boy cry. Tom pulled away Chase from Jake and grabbed Ed, trying to soothe his nose.

"Alright, alright, it was an accident okay? You're okay" Once the boy calmed down, he picked up Maxton and carried him to the kitchen, as his two other ducklings followed.

Chase and Jake climbed into their highchair while Tom put Ed and Max in there's. He grabbed the prepared plates and gave them it.

Tom sat down in front of them, trying to feed each of the boys, "Chase is the only one who could fully feed himself, so I have to help the others."

Max took a piece of pancake and gave it to Tom, when Tom saw what he was doing, he opened his mouth and let Max feed him.

"Thank you Max for sharing." Max smiled and nodded and continued eating. After the boys were finished, Tom took their plates and washed them.

When he was done, he went to get the boys dressed including himself.

They made it to the studio safely. Tom took out each boy and placed name tags on them. He took Chase hand's who was holding Ed, then Jake's then Max and walked towards the entrance.

"Pa where we at?" Questioned Ed as he looked around the building.

"Well, we're at my work. You get to see Ironman, Thor-"

"Do we get to see Batman?" Tom looked at Max as if he just asked the weirdest question. As he was going to answer, Ed beat him to it.

"No stupid, they have Captin America"

"Aye! Don't call your brother stupid!" Ed pouted but kept quiet. After checking in with security and handing the children their passes they were allowed to enter.

As they were walking, Tom felt something heavy on his foot. He looked down and noticed Maxton was on it, he let out a sigh and tried to get the boy off of him.

"Max let go, I need to walk"

"No"

"Max, come on buddy, I need my foot"

"No"

Tom huffed and bent down, then he grabbed the boy making him scream. He tried shaking the boy off his foot but he wouldn't move. Giving up, he grabbed back Chase's hand and dragged his right foot.

"Stay then. Bloody hell"

On his way to his trailer, he showed the boys all the objects that were on the walls, the posters, the banners, the pictures of people etc etc.

Tom had left the boys in the lounge area with his stylist, Rachael since she asked too. He was grateful for that, but what he didn't mention was that they were slippery. Literally.

The poor woman's attention was more focused on Jake and Maxton fighting to get the last box of juice, that she didn't notice that both Ed and Chase were missing. Somehow, both boys ended up by the set where Tom was shooting his scene for Far Away Home.

They watch as 'Spiderman' fought Mysterio. Wanting to go help his father, Chase quickly took off his clothes and ran onto the set and started hitting Mysterio.

(I'm sorry I had to laugh at this scene pffttt)

"Someone's Kid is on set!" someone shouted

"Tom's!"

"Whoa! Hey hey! Get me down!" Tom yelled when he notices what's going on. Jake who was playing as Mysterio, 'fell' onto the ground yelling, "Argh! You got me! Man down!" Giggles and laughter could be heard around the seat.

After they got Tom down, he quickly grabbed his son, and shield him, "Mate, I get you're trying to save me and all but you need to keep your clothes on"

Chase smiled at his father, dimples on display. Tom couldn't hold in his laugh and just started bursting out. Jake got up from the ground and head over to the duo. "I guess we have a new spiderman?"

The director yelled for everyone to take a break, Tom, Chase and Jake head over to where Ed and Jacob were enjoying themselves at the buffet table.

"Ed, I thought I left you at Rachel's? Why didn't you stop your brother?"

"He's older" "Yes he is, but you know sometimes he acts like a div and you're stronger than him, so why didn't you?" "I saw food" Both Jake and Jacob laughed at that while Tom let out a sigh. He picked up the other boy and carried them to who knows where. They spent a good few minutes looking for the other two Hollands. After giving him, Tom carried the two to the lounge area. Tom got irritated when he saw both Jake and Max sitting next to Zendaya and Angourie who was entertaining the two.

"You're shitting me right?" The four turned towards the voice, Max with his bag on his back and Jake running up to their father's leg and hugging him.

"Daddy said a bad word" "Pay the cookie jar!" Both girls laughed at their friend, watching as his children scold him for cursing. Tom squeezed into the girls and sat on the couch. Noticing that his brother was nude, Max goes up to Tom and turned around. The said man opened the bag and took out some clothes.

While he was putting on the clothes on his eldest son, he kept mumbling about how 'what's with you and clothes?' and 'I will glue them onto you' or 'You have some issues with clothes'

Both girls found the whole scene to be entertaining considering the eldest son was fidgeting and feeling squirmish. Zendaya who had Max on her lap, played with the boy's hair while Angourie tickled Jake. Ed kept on enjoying his juice box.

After finishing dressing the boy, Tom took out a juice box from the bag and handed it to Chase. "Now keep your clothes on okay?" The boy nodded his head in return.

"So what's his issue with pants? Is it too tight or something?" Questioned Zendaya.

"No. He just doesn't like clothes for whatever reason. We're trying to break him out of it but it's hard. The lad just likes to keep his bits cool" "Tom never say that again please" "I'm just saying"

As he was going to say something else Rachel burst into the room panting and sweating, gasping for air. Quickly Tom got up and handed her a bottle of water while Zendaya rubs her back.

"Are you okay?" questioned Angourie. After calming herself down, Rachel turned to Tom and quickly started spurting out apologizes, "I-I'm sorry, I got distracted by Max and Jake? I think and then I lost the other two and then I told the two that were with me to stay put but when I came back they were gone!"

"Rachel, love, it's alright. I forgot to explain hay they tend to wonder about so that's my fault. I shouldn't have given you four kids. They are a lot to handle" After trying to reassure the woman, he turned to his troublemakers who all gave him a cheeky smile.

"You should apologise for worrying Mrs Rachel."

"We're sorry" The woman nodded her head and left the room, feeling tired after all of the stunts that were pulled on her today.

Since Chase interrupted the scene, the director decided to call it a day and sent everyone home. After Tom changes out of his suit, he heads back to the lounge to pick up his troublesome children.

Once they got home, Tom took them to the shower, after doing that he dressed the boys into their nightwear with the extra stress from Chase.

Once they were out cold, Tom grabbed his phone and called his wife.

"Hey love"

"Hey, you sound tired, how was today?" He took his hand and rubbed his forehead. A minute had passed.

"It was alright until Max and Jake gave Rachel the slipped, then while I was shooting Chase ran onto the scene and started hitting Jake" "He what?!" "Oh! Not our Jake, I mean Jake Gyllenhaal" "Almost got me rilled up"

"Yeah no, we were shooting a scene and Chase thought I was being attacked so he started hitting Jake, it was cute and funny but it did give me the day off. I got them ice cream, so we had a good day, yeah"

"Well I'm glad you guys enjoy yourself" "Yeah.. I miss you. I'm going to bed alright?" "Sure, night, love you" "Love you too"

Tom hangs up the phone and heads to bed, as soon as he laid down, he heard yelling in the other room.

"You got to be pissing me!" He complained but head into the other room to try and get his trouble makers back to sleep.

T A G L I S T @webmeupspiderdaddy @runawayolives @nerdy-collector-festival @hopelessromm@bi-lmg @speedyhandsbonkpalace (If you see this then I couldn't tag you) Want to be added? Then message me!

#tom holland x you #x reader #tom holland angst #tom holland x reader #tom holland masterlist #masterlist #fanfiction #pregnant #tom holland imagine #tom holland fanfiction #tom holland x oc #tom holland imagines #tom holland fic #tom holland #tom holland fanfic

56 notes · View notes

outoftimewriting · 4 years

Text

Imagine (based on the incomplete fanfic Son of the Underworld) (Son of Hades! Percy AU) (5/5) or (5/10)

Hey so, this is the last part of PJO - I follow into HOO, so before you read this, check on the masterpost - and read the warnings before proceeding :)) Good reading!

Annabeth comes to him, at the end of his fifteenth birthday party, and shows her Daedalus laptop. There's a document open in it, and it's labeled Achilles' Curse.

Percy doesn't read it - he hates reading, in any way or form or language - but she does, out loud.

"I'll think about it"

They have a year. Most of them, even those who aren't year-rounders, are going back to camp, to draw battle plans and stock on the armory.

He feels kinda selfish - for a whole five seconds before he remembers he'll probably die next summer, so he just shrugs it off - Percy deserves this year.

They all leave to go back to camp. Nico seems conflicted over something - but Perseus doesn't question it, there's enough bad blood between them.

Paola is really cool - and Sally really loves her. It's kind of bizarre at first, to see his Mom dating his teacher - and of a subject he hates - but Paola is calm and well-tempered and she laughs at his stupid ass jokes.

He visits Persephone afterward - and it really feels like he has three moms to fulfill his lack of a father - well, he is absolutely grateful for the women in his life.

Percy isn't truly in good terms with his father. The man doesn't really seem to care much for him as a person - he is much more of a trophy son.

Perseus loathes being a trophy son, but at least he has someone to help with his powers - not something a lot of half-bloods can claim.

So he goes back to school with Rachel, and they pretend everything is normal. He tells her about his quests - all three of them. He thinks she understands him better now.

He opens up to her. Tells her about Annabeth - the adrenaline-fueled kiss - and Rachel stops talking with him for a week.

She apologizes when she comes back. She needed to figure some things up - firstly, the redhead tells him she is probably asexual - and maybe aromantic too, but she is not certain because the internet wasn't really clear about that.

Then Rachel confesses that she is not jealous of him in a romantic way - she is envious of his friendship with Annabeth. Percy is her first genuine friend that really appreciates her.

This is the first grudge Perseus lets go for real before it even takes place - Rachel didn't leave him because of teenage drama, she ignored him out of confusion. Everyone is allowed space - he knows this better than anyone.

They don't kiss anymore. Not because Rachel doesn't like it - no, she is all for it - but because Percy is starting to think kisses should mean something - he is saving them.

They kiss once - when Rachel father calls for the first time this year - not to ask about her, but to tell Rachel he found this amazing all-girls school. To Percy, kisses mean comfort.

They cuddle a lot, though. These past few years of fear have made Percy very touch-starved.

It's sophomore year - and Percy is in five AP classes: Macroeconomics&Microeconomics, Statistics, Calculus AB, Physics 1, and Comparative Government and Politics.

He is planning on taking both AP Computer Science classes, Psychology, Physics 2, and Calculus BC next year; leaving only Electricity&Magnetism, Mechanics, Chemistry, and World History for his senior year.

If he lives, he is working on a tight schedule here. He doesn't know what he wants yet - and if he is in constant danger, it's already pretty lucky he can do high school - but probably something with Math.

Rachel says fourteen AP courses are ambitious - that he'll burn out. But math comes to him easily enough - it's in his blood.

She is also overworking: She is taking AP Environmental Studies, Art History, Drawing, 2-D Art and Design, and English Literature and Composition.

They complete each other. Rachel is planning on taking as many Art, History, and English courses as she can - he is taking as many Physics, Math, and Science as he can handle.

(She is also going to take on Japanese studies for some reason - probably for her GPA, but Perseus just teases her that she is getting too invested in anime)

Perseus doesn't care about languages anymore - the only languages that matter to him are C++ and JavaScript now.

They study together, they take naps together, they climb to the roof together, they flee school to visit Sally together - he is the Pinky to her Brain, the Scooby to her Shaggy, the Lois Lane to her Superman, the Robin to her Batman.

They look like troublemakers - They are honor roll students, but she is always with ripped pants dirty with paint, and he is always full of flowers everywhere, even in his muddy converses - a cliche to kill all cliches.

They're both nerds - he is the classic one, all polo shirts now, the first chair for every number-related class - and she is the artsy one - there's a brush behind her ear and her hair is so messy that half the time it covers her face.

Paola gifts him a pair of cheap frames without lenses once - saying it adds to the aesthetic - he totally uses them.

Persephone just makes him flower-crowns, and giggles when he matches them with his polo shirts.

When winter comes, he goes back to his hoodies and sweaters and gloves - to find out he doesn't miss them a lot.

Rachel introduces him to polaroids - and they look eerily pretty in the winter, her hair looking like blood spilling over the snow - and he loves it.

If he survives - he can feel Rachel slapping him - when he survives, his college credits will be remarkable. The idea of doing SATs makes him want to cry - reading always does - but he'll get somewhere good - he knows it. Perhaps Stanford. Or NYU. Or the dream of his life, MIT.

He is living his life to the fullest - he starts reading comic books, he gets really (really) into Tony Stark once Iron Man 1 comes out (even if he has to kill at least three monsters just to go to the movies), he plants trees and Rachel starts teaching him how to play her ukulele - but half his mind is still on the upcoming war.

Christmas vacation comes - and he goes to visit Camp Half-Blood, before heading back to his mom. It's quite memorable, if only by the fact that Nico Di Angelo freaking betrays him.

He tells Percy to come to the Winter Solstice with him. Most of the campers are not going - the war effort is in an all-time high - but Percy has never gone before. Hades will be there - it'll be great!

Perseus should absolutely be less surprised with the outcome - seeing that Nico is inviting him in Cabin 1, post-dinner, and they don't even stop to talk to Chiron about it.

But Percy goes. Because Percy wants to make amends.

There's no time to really talk to anyone. They travel in Blackjack for the Empire State Building - and it's fine.

They go up to Olympus, Nico shows him everything in the god's land, the temples are a work of art, if not kind of old, and the meeting is kind of okay, even if the gods are squabbling children.

Then the gods leave, and Perseus thinks they're leaving too.

"My father needs a word with you"

Perseus feels the betrayal claw on him. There are no shadows in the white hall, there's no way for him to escape. Nico looks apologetic - Percy wants to clock him in the face.

"He promised to tell me more about my mother" Nico pleads "He will tell me more about where I've come from. Please, Percy."

Nico is cute. He is, for a soon-to-be fourteen-year-old. But his pretty face and exquisite white eyes don't make him any less of a freaking liar. All his handsome male straight friends betray him - it's a worrying pattern now.

He muses for a second that they also all have a crush on Annabeth - gods, the blonde attract the worst types.

It's double-crossing - Percy ends up in an all-white cell that burns his retinas without any weapons because Zeus wants praise in the middle of this freaking war - doesn't matter if a hundred demigods die, if he only has the glory.

Nico ends up with barely any information - Zeus didn't promise anything. The god of the skies is a lying-ass motherfucker - literally.

And Zeus justifies it - He says Perseus is a criminal because he awakened Typhon. So Hephaestus issues a quest so he can save a hundred demigods, he destroys a powerful titan weapon of doom, and he is the villain? Sure, Jan.

Perseus writes this grudge in his heart - that's where trust will take you. To a cell. Betrayed by a "friend". Again.

He flinches when Nico comes into his cell, pins him to the wall and promptly begins to try and strangle him. He wants to melt in the boy's shadow - to go and never give him a chance to explain - but he looks so guilty Percy waits for his repentance.

The son of Zeus saves him, but Perseus is still pissed off. The god of thunder has threatened to kill him off at least two times now, what is to say he wouldn't have killed off Percy for the sake of glory?

He half hopes Zeus had killed him off. The war is close, too close - Nico wouldn't be the Prophecy's child. There would be no child. Olympus would fall - and Percy would have seen it all from his very comfortable couch in Elysium.

He wants Kronos gone - but he kind of wants Olympus to fall with the Titan.

Nico flies him down to the Earth - the elevator is monitored. Zeus has left, like many others - not to bother with the war effort against his main enemy, but to go to the human world mess with people.

Some gods are doing something - He has heard from Annabeth that Artemis is leading the widest hunt ever, with her brother by her side; Hermes (with Hephaestus help) is delivering Celestial Bronze, other metals, old schematics and a whole lot of fuel to Camp Half-Blood every few weeks; Poseidon is fighting his own war, in the ocean; Dionysus is at Camp - and this time, he is really helpful with the battle formations; Demeter is on the Underworld - Chiron seems to think his father is preparing for war, but Percy sorely doubts it.

Percy is taking some people with him to Sally's Christmas dinner. Just Annabeth, Clarisse, Rachel, Connor, Travis, and Charles - people who don't have a present family to celebrate it with.

Grover is coordinating the dryads up in San Francisco with his second cousin, Gleeson Hedge - they are the first to fall if anything goes wrong in Mt. Othrys.

"I think you should stay." He tells Nico.

"You don't trust me anymore." It's not actually a question.

Percy doesn't trust the boy. Not at all - it's the third time he does something shady to achieve his ends based on emotional turmoil. But he is a good person - it's just his father's cursed temper and his grief.

"It's not that. You're needed for the war effort."

Both of them know it's a lie. Percy doesn't care - he deserves to be bitter a little longer.

Percy goes back home. Christmas is amazing - even if Rachel asks him where Nico is because he is talking about making amends with the boy for a while now.

He goes visit Persephone - but she is occupied, so he wanders through the Underworld after Bianca di Angelo - someone he, for some reason, never been able to reach. It's a pointless endeavor by now.

He finds her. Or else, he finds a shadow of her - she is blocked from his view. Bianca doesn't talk to him - they weren't close - but she guides him to a girl.

Her name is Hazel Levesque.

She seems lost - like most ghosts - but something in Percy calls for her. It's the color of her skin and the sparkle in her golden eyes - Hazel remembers him of himself.

He promises to visit more - even though he doesn't think she'll remember it - and leaves to go back to the surface - he will finish the sophomore year.

And Percy does. After a very distressing break, he is doing his best. His grades drop a little in English because he can barely focus - half his mind is on the war and Nico's betrayal and Hazel Levesque's golden eyes.

Miraculously, his GPA doesn't fall - he still is taking a ridiculous amount of AP classes, and barely has time to breathe - dark circles grow under his eyes, and he looks like a mess - but now he is a Junior.

That's why, as soon as the year ends, Rachel takes him on a road trip with Connor. They go all the way to Boston, then Portland, Quebec, Montreal, Ottawa, Syracuse, Baltimore, and Filadelfia, before going back to NY.

They are stopped five times by the police - because Percy is black, and it's Rachel driving the Camaro, because she has a learner's permit and Connor is, somehow, an approved license holder.

They are on a pier, enjoying the view of the beach. They did the last week alone because Connor wanted to go check on one of his cousins - at least, that's what he said, with an over-exaggerated wink that both Percy and Rachel ignored for the sake of their sanity.

She tells him about Clarion Ladies Academy - but that her father is at least mildly happy with her GPA this year, even if he disapproves of her Art focused AP classes. Percy thinks Mr. Dare would love him, with his APs on Economics and Politics, if only he was rich. And white.

This time, when Charles Beckendorf arrives in a Pegasus to tell him it's time, Rachel doesn't kiss him - she justs hugs him and makes him promise to call her.

Perseus doesn't go to the Andromeda Ship - he is needed in Camp. He is useless on the water - but they do need him to improve battle strategy.

Charles Beckendorf is dead. Thalia is the one to tell them - she was in her father's palace helping with a monster under her Lady's orders - he went on the mission alone.

Percy talks briefly with Beckendorf's ghost - is his worst developed power, and he can barely hold the "seance" for more than a few minutes. He does it with only Nico di Angelo for witness - the others are the way to close to the situation.

There's a spy passing information to Luke.

They look at him. Doesn't matter how much he does, he is always the first suspect - he is a son of Hades. He was friends with a lot of people on the other side. He was gone for a year and a half, who knows where.

Perseus wants to say that he has helped to save their asses four times now - that without him in the Labyrinth, they would all be dead right now - and that Charles was basically his older brother.

Then he points out he wasn't even here - he had no idea of any plans of anything - and he told him about the spy, so he is not the freaking spy, go point fingers at each other instead of him.

When they start yelling, he stops them - this is not the time, he was just angry at their accusations. They have to burn Charles shroud. Silena is inconsolable - Percy is not very far from it, but he is not a public crier. The last time he cried in public, Luke was dead on a cliff.

Percy speeds up the line for Elysium to Beckendorf - his brother deserves it.

They read the prophecy together - Perseus already read it last summer, he doesn't even care anymore. They look at him anxiously - no one has forgotten that he abhors most of the gods.

Clarisse and Michael Yew fight, but Lee Fletcher - with a mechanical arm built by Beckendorf himself, still re-learning how to shoot arrows and forever incapable of playing the guitar again (but the keyboard is not ruled out yet) - stops them: They can share the chariot. The war is more important - is not the time for petty fights.

Chiron shows them Typhon - and Perseus has a sliver of hope that they can destroy Kronos and be free of the gods at the same time - It's a horrible hope, because he loves Persephone and some of them are even okay sometimes, but he really wants Zeus to go to Tartarus for at least a century, so Perseus doesn't meet him again in this life.

But he also wants the gods to win, because there's a lot of dead people - innocents, people who have nothing to do with this war.

He dreams of Rachel. Rachel is painting Luke - and Percy wakes up crying, for the boy the gods took away.

Annabeth takes him aside and reminds him of Achilles' Curse. He is off to May Castellan's house - the last place Luke has been - for it's his best and only chance, its what Annie thinks. And she is scarcely wrong.

Perseus hates the gods. They wrecked a family - and for what? May Castellan - forever waiting for a son that will never come back, haunted by visions of his future, plates of burned cookies everywhere.

Perseus doesn't pity her - he rages against the gods, who brought madness upon this woman and then left her to it. Where was Apollo, the god of health? Dionysus, who is supposed to control mental health? Artemis, whose job is to protect women?

Hestia is kind - but she is still a goddess. She could've prevented this - but she hides in her hearth and abstains - and that's enabling. Hestia enables the other gods to do as they please, even when she is the oldest. She says they ignore her - oh well, she ignores them right back! He has no time for the laments of another all-powerful being.

So he goes to his mother and asks for her blessing. Then, just to be sure, he asks Persephone's too.

He thinks about his anchor - where does he want it to be in his body. He doesn't want somewhere in his back - where he can't see it - or in his gut - where anyone can stick a sword. He settles for the bottom of his back - where he can at least touch it and it's well protected by armor - and dives.

Perseus hates water - and he has an uncanny fear of drowning. He feels pain - everywhere, horrible pain.

His vision now doesn't have Annabeth's face - the blonde is his link to the demigod world, Persephone is his link to the Underworld and his mom is his link to childhood - but the person who grounds him is Rachel.

He is stronger. He feel his powers at his fingertips - Perseus feels the Underworld as a whole, and it's overwhelming.

Green flames explode from his hands. Flowers made of shadows curve around his ankles - he has been training since he was 12, but now his body can sustain all of his power. This is all his.

He goes meet with his father - Perseus manipulates him. He tells Hades he'll be the hero, but the god himself can be praised for more than being his father. That he should join the battle against Typhon - That's his chance of proving himself. Also, there's less paperwork for him if there are fewer dead people.

His father is amused with his blatant bribing, but he thinks about it, Percy can tell. In a way or another, he excuses himself and goes back to the surface where he is needed.

Persephone stalls him. She asks him to stay, just for this night. He can go back in the morning - he sleeps, and dreams of Rachel again, drawing in the sand. In greek.

He is scared for her - she is having demigod dreams, but she is mortal. Something is wrong.

Typhon is getting worse - and Kronos draws closer to NYC. It's time - he calls for Blackjack and leaves - Mrs. O'Leary, who has become more or less of a mother to his own hellhound, follows. Persephone promises to convince Hades.

They have about sixty campers able to fight heading for the Empire State Building, and five healers. The ones too young to lift a sword or string a bow stayed back at Camp with Argus - fifteen children between 5 and 9 years old.

Percy knows he looks different - he looks just like his father. He has gained a godly aura - he has no scars anymore, no imperfections. Perseus looms over all of them - he went from 5'7'' to 6'2'' - it's a weird view, from up there. It's still strange when they look at him with a mix of fear and admiration.

Perseus Jackson is officially their leader. He hates Olympus - but he will give his life to defend every single one of his demigods.

The vision Hestia shows him just makes him want to tear this throne room with his bare hands - Luke was a kid. He was a kid - and the gods corrupted him. Thalia was a kid - and the gods took her life, twice. Annabeth is still a kid - they all are - and she is here planning battle strategies.

Annabeth missed an extra year of formal education - while Percy is a Junior, Annabeth barely qualifies for a Freshman - because the gods took this from her too.

Percy rages. The ground of Olympus trembles beneath him - he wants to kill something.

Then Hermes appears - like this whole war is not his fault in the first place, the literal bastard - just to relay a message from Athena that gives them a plan that Annabeth was already putting into works and tells Percy to stay away from Annabeth.

Like she cares. Like Athena has ever, ever, done anything for Annabeth.

Perseus can't punch Athena, so he punches the messager (also, because he freaking guilt trips both of them about Luke). He has nothing to lose - he is going to die by the end of the day anyway, and they need him too much.

He has punched a god before - Ares, in a desert in the middle of Los Angeles - but this time, it's satisfactory. He feels good after it.

Hermes seems strangely resigned - He feels guilty about Luke too, but Perseus doesn't think it's enough. It'll never be enough, not while the gods leave their children to rot in a cabin of rejects and May Castellan bakes cookies for a son that will never come back.

Hermes leaves, ashamed. It's only fair, Perseus thinks. They all should be ashamed.

They see the city asleep - the prophecy is in the works.

Perseus executes their strategy - every cabin is covering a tunnel, with the exception of Dionysus, because Pollux is with the Demeter kids, and the Hecate kids stay behind to use spells to overlook the city. Lincoln Tunnel is getting covered by Ares - who, this time around, is actively participating.

The undetermined who didn't desert are with Hermes - and the minor god's children are divided by specialty - most Hypnos and Morpheus children follow him directly, but the two sons of Iris go with the Apollo Cabin.

Annabeth executes Plan 23, automatons, mounting on Mrs. O'Leary (who has strict orders to take Annabeth anywhere she wants without stopping to play around) - she doesn't need his help with this, and Percy has a tunnel to defend.

That left the rivers uncovered - until Thalia appears, with magical sand money, and made the rivers cooperate.

The hunters join the Aphrodite kids - who are half a dozen children between 11 and 19 - the oldest being Silena Beauregard, who uses a crossbow that looks exactly like her immortal half-brother's one.

His bridge is completely covered on skeletons - but no monster comes, even if he hears explosions. He leaves an English Lieutenant from the Battle of Yorktown in command of the bridge - with Tyene, the oldest daughter of Morpheus, to be in alert and don't let Clovis sleep through the battle. Because he did it before - and while it is funny, it can't happen right now.

Perseus mounts Blackjack - and go see where the noise is coming from. It's the Williamsburg Bridge - where are most of Apollo's Cabin.

They fight - and Percy almost cries when he sees Luke, who is not Luke anymore. Luke, who is a puppet controlled by Kronos.

Perseus kills the Minotaur and the weight of his stone spikes collapse the bridge - and Michael Yew dies. This time around, the bridge falls silently into shadows, and he doesn't bother about searching for the corpse - he saw the boy falling, and his screams will haunt all of them, forever.

This time around, Annabeth is not there to protect him - Ethan also doesn't try to kill him. The Son of Nemesis doesn't leave Kronos side for a second - but there's regret in his eyes.

After the bloodlust is gone, Perseus collapses - Will has to bride carry him back. Overuse of his powers - he summoned skeletons and produced shadows, melted enemy swords (with the bonus of incapacitating them without killing), and sprouted stone spikes everywhere - there's even a vine or ten that he used to hold his friends from falling.

Perseus doesn't sleep quickly enough to not hear the yell of anguish that comes from Lee Fletcher - the pain of losing a brother and not being able to fight beside him.

But he does sleep - and he dreams. He dreams of Hades killing Maria Di Angelo, not Hera, like Zeus told Nico. He dreams of Zeus cursing the Oracle - and he seethes, because he also sees what happened to May Castellan.

He keeps getting angrier and angrier at the gods - it's building inside of him. But his friends are still here, still fragile. He can't let them suffer more.

Perseus wakes up, checks on everyone - most everyone is either injured and/or exhausted, but he checks on every camper. He knows all of their names, their ages, their cabins. - and promises to sit up to talk with Thalia and Nico - war makes him prone to peace - and promptly goes back to sleep.

He dreams of Rachel. He wants to scream for her not to come: but she'll anyway.

Perseus dreams of a boy. He is his age - maybe a little younger. His hair is blonde and his skin is whiter - but Percy glances at his eyes, and there are waves in them.

There's a girl by his side - she is familiar to Percy, somehow. They're climbing a mountain.

The dream ends and Percy can't make heads or tails of it. He asks Thalia if she has a brother, but she says that she doesn't, looking wistful.

Prometheus is tempting - but he knows there's no Luke anymore, there's only Kronos. And the gods are horrible, vile and immature - but they never killed any of Percy's friends. Some of them died for the gods - but never by their hands, so for now, Perseus would toe the line.

He does want to punch Hermes again. He takes the Pythos - if everything goes wrong, he will not hesitate in going down for the sake of his friends - but there have been six deaths, and it's enough.

"Was it worth it?" He asks Ethan.

"Alabaster is alive" And it's all the answer Percy needs.

He dreams of Ethan and Alabaster. Alabaster is alive, yes, but he is missing half a leg - courtesy of Clarisse herself. Luke - Kronos - is indifferent, and Ethan curses the daughter of Ares - "The sword that took from us will take from you"

He contains Hyperion with his shadows. Then he helps Grover (who was half asleep, because of Morpheus) to make the Titan into a tree. It's a pomegranate tree - then he sets hellish fire to it and sacrifices it to Hades and Persephone.

A pig is in the sky - this time around, Annabeth and her frightening army of automatons kill it with Nico's help.

Perseus laughs - because Annabeth has about two hundred automatons under her command, Martin Luther King and Alexander Hamilton leading the charge with a giant bull being ridden by the Mad Hatter behind them.

It's weird to see historic figures Percy admires - like Jane Bolin, Sylvia Mendez, or Abraham Lincoln - fighting alongside people he downright despises - Thomas Jefferson and the goatfucker, herpes-ridden, Colombus. His Comparative Government teacher would have a field day.

Annabeth and Nico's pair up is amazing - They fight alongside like they have been doing it all life.

Nico is a force of nature, flying and commanding the winds to do his bidding - His eyes shine in the midst of the stormy clouds. His specialty is weather manipulation - he hasn't had much success with direct energy or electric discharges.

Annabeth has her mother's tenacity for war - and her clever mind for strategies. It's clear in her eyes - she is racking the weaker points of the Clazmonian Sow in her mind and destroying it. The automatons hold the pig in place - and she makes bacon of it.

Hercules couldn't do it. Nico and Annabeth can, because they have the power and the mind.

Perseus is still fighting off monsters - but they're too widespread, so they retreat to the doors of the Empire State Building.

Percy does a mental tally: of sixty-two campers, six are confirmed dead, twenty are injured and nine are out of commission on exhaustion. There should be 27 orange shirts here - but there's only twenty.

Percy wonders if the seven missing are injured, or dead, or under a pile of rubble somewhere with no one to help them. Is there someone being slowly eaten by monsters? Is there someone alone and injured and abandoned? He doesn't know.

He prays that those seven deserted them - at least that means they probably are alive and well.

Perseus looks at Phoebe's grief-stricken face, and he knows it's not probable - she had almost three dozen hunters with her, and now there's barely fifteen still fighting, Thalia nowhere to be seen.

They prepare for their last standing - Percy keeps conjuring skeletons, but they're no match for the sheer strength of the hyperborean giants. Nico is shoulder to shoulder with the Stoll brothers against a group of telkhines - Clarisse is bringing down a whole giant by herself.

After the Party Ponies save them - Chiron leads the charge against his own father, and Perseus is so proud of his mentor he can't even put in words how much - he goes to sleep. Fighting gets him tired quickly, and they'll come back.

He dreams of Dionysus. Perseus is not fond of any god who is not Persephone, but Dionysus is mostly okay sometimes. He seems to care about his children.

Perseus couldn't care less about the Western Civilization - but he'll care for Pollux. It's one of his demigods, after all, and Underworld people are possessive of theirs (i.e. Hades and Persephone).

He dreams of Thalia, in her father's palace, begging Poseidon to leave the underwater war and help with the invasion - His wife is none too happy with the presence of his immortal bastard daughter.

He wakes up to Rachel's helicopter falling - how is Rachel even awake, is a mistery.

The improbable pair Nico and Annabeth strike again: The girl knows how to fly helicopters, and the boy can fly himself. They save the redhead and the pilot - everything is fine.

"You're not the hero"

"Why did you risk yourself to tell me something I already know?"

Rachel doesn't explain - she can't. But she has a vision that says that he is not the hero. The hero of what? Perseus has no idea. But there's no way any of his cousins is dying for this stupid prophecy.

Suddenly, there's a drakon there. Rachel has another prophecy - Perseus fears she will walk the path that led May Castellan to destruction - that only a child of Ares will be able to kill it.

Bad news: All children of Ares are otherwise out of battle.

Clarisse is resting after a nasty concussion - and her brothers and Apollo's children are fighting yet again because Lee Fletcher is in no condition to stop them and Michael Yew is dead. Ares' side refuses to fight without the chariot - which Cabin 7 has hidden somewhere.

The best they can do is fend the drakon off until a miracle occurs. And it does: Clarisse, in full armor, manages to lead her brothers into battle.

Clarisse is dead. Something shatters inside of Perseus - and he leaves the drakon for the Ares' children to solve - he can't kill it anyway - and starts to vaporize the army behind it.

He is so caught up in bloodlust, that he almost misses Clarisse slaying a dragon. Clarisse, who has no armor. Clarisse, who is alive.

Ethan's curse rang true - Clarisse's weapon took something from her.

Silena is a traitor. She is also dead - which makes her a martyr, and probably going to reunite with her boyfriend in Elysium.

He remembers how easy is to fall for Luke's charm - he was - is - still in love with the guy. Percy thought the son of Hermes could do no wrong - and he wonders how much of his rage against the gods sprout from his influence.

Something evil inside of Perseus's mind tells him she deserved it. It tells Perseus that better her than Clarisse - but he shuts it down, and concentrates on his shining red friends.

He hates Ares. But he might just have an okay side if he can produce such a magnificent daughter.

Silena is the Patroclus to Clarisse's Achilles, and the Drakon is Hector - and the daughter of Ares is sure to parade its dead body.

It's the first time they feel like they are winning. It doesn't last - but as he hugs Clarisse tightly, he thinks he might cry of relief.

Clarisse looks tough - but she is a wonderful human being. She loves Silena with her whole heart - even more than she loves Chris, her best friend. Silena might've been in love with Charles - but she and Clarisse? They are soulmates.

The damned Pythos is following Perseus - and he is done with it. He knows where hope will survive best. Rachel wants him to give it to Hestia - but he owns the fire goddess nothing.

She has never interfered, not once, to help the dozens of demigods with no family that is abandoned in Cabin 11, and he won't forgive her for it.

He sacrifices hope to Persephone because that's what spring is. Spring is the hope of a new life. Maybe, Perseus thinks, it'll convince his father to come.

They go down to make their final stand against the forces of Kronos. There's not a lot of them - but they're not getting through those doors.

Well, his father doesn't come. But Poseidon does, with his whole army, Tyson and Thalia behind him, and the scales seem to turn.

And then Kronos cuts the barrier. Perseus can see his Mom (why is his Mom here with a handgun?!) and Poseidon fighting against the monsters under the eyes of extremely confused mortals.

Some are trying to break the barrier - but it's futile. Kronos has corraled them like sheep for the slaughter.

It's just him, Grover, Annabeth and Nico, fighting against Kronos vanguard - which is big, but not as strong as they are.

Kronos passes him without resistance - Ethan follows, but there's anger in his eyes - not for Percy, but for the monster he is leashed to. Alabaster is not there.

As soon as Kronos powers stop working on them, the four follow the titan - and some things never change, no matter the universe.

This time, it's Nico who falls because of Hera - it's her curse over all of her husband's bastards.

Ethan takes one look at Perseus, and they don't even need to fight. They have been friends for longer than they have been enemies - and they both loathe the gods, but Kronos is as much of an all-powerful controller being as any of the Olympians.

They battle against Kronos - Perseus has only his ax against his scyther - a true Underworld fight.

Ethan dies. And Perseus bloodlust consumes him - it clouds his eyes and he can only keep fighting.

"If... if we've had cabins... and they had thrones"

It's true, and more than ever, Perseus wishes Kronos wasn't such a bastard. He wouldn't bother killing the gods - but the titan is a way worse option.

"LUKE, PLEASE" It's Annabeth. He doesn't have her faith - she didn't saw his transformation. But he tries anyway because he loves Luke just as much as he hates Kronos.

"Luke, remember our summer" But his words are caught up in his throat when the titan throws him against the wall.

But the amalgamation of his friend and an all-powerful being looks confused, so props for his genius best friend.

Kronos shows them a rainbow message of Typhon - and that's where Perseus it's pretty sure he starts liking his father.

Because the Lord of the Dead opens up the earth and gets out in a black chariot guided by skeletal horses like a king. By his right side, is Persephone, in armor battle as a queen should be. By his left, is Demeter, who looks every single bit like the matron she is supposed to be.

Behind him, a hundred thousand dead roars. Charon is mounting Cerberus - and literal hell is unleashed upon the Father of Monsters.

The gods strike down Typhon, sending him back to be locked away - this time, in the depths of Tartarus instead of Mount Etna.

Kronos gets mad. Utterly, undoubtedly mad. He talks about burning Luke's body. Then he hurts Annabeth and breaks two promises in one fell swoop.

"Luke.... remember family" It's what Annabeth utters, but Perseus, already certain of their own demise, is crying now.

"That summer Luke, you promised to never hurt her again. You remember it? YOU PROMISED LUKE!!"

Annabeth's promise was already broken - he had hurt her, all those years ago, in Mt. Othrys. But the promise he made to Percy - that he would never hurt her again - is new and broken, in the river Styx no less.

Luke regains his own body, for a minute, and Perseus runs to him like a man in a desert with no water.

"Please, please tell me there's a way to undo this, Luke, please, please"

"There isn't one, Percy" And it's the first time he hears Luke call him Percy, Percy and not Perseus, in his own voice, in two years. Percy cries.

"We... we don't have much time, hellebore. Give me Annabeth's dagger. Before he... before he takes back"

Luke calls him hellebore and it makes him start crying all over again. He gives him the dagger - and Luke kills himself, taking Kronos out with him.

Luke doesn't need to ask if Percy has ever loved him - Percy kept loving Luke, one-sided as it was, even when Kronos was there.

He still crying over Luke's body when the gods arrive. Luke is dead. Ethan is dead. Silena is dead. Michael Yew is dead. Charles is dead.

He lost three of his best friends in two days. Ethan is dead. Luke is dead. Luke is dead.

Perseus can't stop crying. They take Luke's body away - but he can't stop. Annabeth explains what happened to the gods - most of it, anyway. Apollo says he is in shock - his father says he is a hero.

Perseus doesn't feel like a hero. Was this all worth it? Was it worth it the pain and the death and the suffering?

Persephone touches him - and he has no tears to cry anymore. She can't hug him here, but she'll do so later.

He stares at the walls, listening to his friends being awarded - compensated by their siblings and friends' deaths - with a blank stare. Perseus wants his mom.

They call for him. He raised his head but doesn't bother getting up. He just saved their asses - for the fifth time in a roll. He deserves to grieve.

They offer him immortality. A place between the gods.

He laughs. Zeus looks murderous, but he can't stop laughing.

"My apologies, but I have to refuse," he says. But in his mind, he is thinking about how could they even think he might want to sit between them and be an all-powerful being, be another god ignoring his children and messing with mortal lives while thousands die for him.

"Promise me, on the river Styx, that you'll give me the wish that I want."

They promise him, that if it's within their capabilities, they shall grant him his wish.

"I wish for every child at the age of twelve to be claimed. I wish for cabins in Camp Half-Blood, for every single minor god, and my own father. I wish for Calypso to be free, and to the demigods from the opposite side of this war to be given amnesty. It's not their fault. It's not any of our faults."

"You dare to-" Zeus begins, but Percy is really tired of Zeus.

"We fought your war, we won your battles. We, the unclaimed and rejected stowaways of Cabin 11. We, the children of minor and Underworld gods. We deserve respect. Just like my father deserves a throne, just like the minor gods deserve justice."

"Don't you fear us?" Athena asks, something weird shining in her eyes.

"I thought I would be dead today. At least if I die now, I'm dying for something I believe in."

It stays unsaid that he doesn't believe in them. The other demigods look at him worried - but he is not afraid of the gods.

They grant his wish. Some of them aren't happy with it, but they have to do it. He meets Calypso at the front gates of Olympus - and her smile can brighten the pits of Tartarus. He sees Alabaster talking with Lou Ellen - they are both crying.

He thinks it's the end - it's not. Thalia tells him Rachel left for Camp in her Pegasus - and his father has lift the curse, the Prophecy is gone, but he fears for his best friend.

Perseus is too tired for shadow travel - he does it anyway. He flickers, but anyway, he is too late.

It works. Rachel - his best friend - is the new Oracle. Someone jokes they can't be together anymore and Rachel lifts an eyebrow.

"We never were. Didn't you see the last few hours?" Well, he did out himself. Mostly - they might say it's just friendship, and he will hate the way they twist it. Luke wasn't a villain, and Perseus isn't a pure hero with a heart of gold.

Perseus is healing from lost love - and Annabeth is too. His crush on her was only a crush, he thinks - She is his best friend first and foremost. They cry together at the bonfire that burns away the shrouds of 43 demigods - from both sides - and 16 hunters of Artemis. Their souls all rest in Elysium now.

Alabaster comes back to Camp and helps his siblings to build the new Cabin for Hecate, full of spelled blocks and magic chimneys. Clovis and Tyene have their hands full with their own cabins - it doesn't help they keep getting sidetracked with naps.

Somehow, Nico, Thalia, and his bond over helping construct Cabin 13 - They are both way too invested in the goth vibe, mostly because Cabin 1 looks like a temple, and Cabin 3 looks like a beach cabin. And both of them are so over it.

Perseus doesn't want a goth cabin - he is fighting against the aesthetic for years - but sometimes, there are no arguments. His Cabin is made of black marble, and there are skulls everywhere, with torches shining with green fire. Outside, at least. Inside, it looks like Persephone's garden, with input from the queen herself. It's ready just shy of the end of summer vacation.

Rachel tells the next Great Prophecy. Perseus isn't such a positive person to think it won't affect him - he hopes at least it'll wait until he is done with High School.

That night, he dreams of the blonde boy again - it's his first night without nightmares since the battle. He has a scar in his lip, and his green eyes pierce Percy's soul. Perseus wonders if they'll ever meet, wonders if this boy is one of the Seven of the Prophecy.

But alas, Perseus lets it go. The summer is over - he is sixteen, somehow. He is alive and going to go back to his mortal life and his junior year, and grief. Not everything is fine - but eventually, it will be.

It's not the end. Not yet.

118 notes · View notes

vole-mon-amour · 4 years

Text

OTP tag game.

Tagged by @captainjowl. You know for sure than I'm struggling to pick only 10 & fit them in here. But hell, that’s fun, thank you <3

Rules: Choose 10 OTPs BEFORE reading the questions, and then get to answering

1) Harry James Potter & Sirius Orion Black

2) Daniel Le Domas & Grace (Ready or Not 2019)

3) Samuel & Nathan Drake (Uncharted 4)

4) Corvo Attano & The Outsider (+probably Emily Kaldwin; Dishonored series)

5) Steve Grant Rogers & Bucky Buchanan Barnes (Marvel)

6) Tony Edward Stark & Peter Benjamin Parker (Marvel)

7) Handsome Jack & Rhys (Borderlands video game series)

8) Damon Salvatore & Elena Gilbert (TVD Books & a tv show)

9) Batman & Joker (in every universe, really)

10) Adam Jensen x Francis Pritchard (Deus Ex video game series)

1. Do you remember the episode/scene/chapter that you first started shipping 6?

I believe it didn't hit me before Spider-Man: Homecoming. Civil War was about Steve & Bucky for me, but when I saw that growing up Peter with Tony, their dynamic, chemistry. Tom & Robert are really just like that.

2. Have you ever read a fanfic about 2?

Lmao. I've read like 50% of the tag on AO3, I wrote my own & started a few wips on them. They are amazing. Plus, with that shitty canon? We didn't get enough of them & they deserved better, so it's only logical to save yourself with fanfiction.

3. Has a picture of 4 ever been your screen saver/profile picture/tumblr screen saver?

I was living with The Outsider icon on my twitter & tumblr. That one is still my Google profile picture I believe. Don't remember about having an icon with the two of them. Also had The Outsider as my lockscreen on my smartphone for a while.

4. If 7 were to suddenly break up today, what would your reaction be?

Funny how it fits canon, lmao. Rhys literally tried to erase Jack's AI in TFTBL, so I guess another day on Pandora, nothing new. They torture each other, they kiss each other, they kill other people in the process. It'll be fiiine.

5. Why is 1 so important?

I love them since the first time I met them, which was much more than 10 years ago, I don't even remember when. At some point they were the reason I was waking up & forcing myself to eat just to read more fanfiction & feel something. Even if I was drowning in pain (I was extremely depressed), it was still something. I read every fic I could find at that time. The depression that Harry went through, all these feelings, his love for Sirius. I was living through it, I could relate.

I'm currently drowning in these two again, though in a much healthier & happier state. I see their flaws & I know as much as I can. I see them differently as an adult. They saved me, they keep being my number one, I still consider making a tattoo of Padfoot/Sirius or of both Harry & Sirius together. I have many headcanons, ideas, I write fics about them. They are everything, you see? They were my choice when there was nothing, no one. They are HOME.

6. Is 9 a funny ship or a serious ship?

Both. There goes the dynamic of Jack & Rhys: torture, fighting, flirting, a lot of trauma. I'd definitely say that they are wild and comical sometimes, but they are definitely serious. With the Asylum, the mental health issues. There is so much more to it, the complexity of their relationship. The struggle of loving who you probably shouldn't (but hey, when does it work like that?) Thinking about Tettlate's Batman, about Batman: Europa & how Joker was: "You must be crazy, putting me in charge of the plan, letting me decide. Okay, well..."

Nah, they are entertaining, but this is a serious ship.

7. Out of all the ships listed, which ship has the most chemistry?

Are you kidding me? They are all the definition of CHEMISTRY. I'd say 5, but then go 2, 6, 7, 8. Come on. I'm not choosing. Most of they are WILD.

9. How many times have you read/watched the 10’s fandom?

The fandom itself? Idk. I found one of my favourite artists through this fandom. If it's about the characters themselves, I played the first game with the DLC from start to beginning, looking around every corner. Spent more than 60 hours in there. Watched a second game (my laptop can't run the game) and the DLC (obviously), since Francis is in the DLC & not in the main game. I have a tag for them on tumblr, I read fanfiction, I tried to write my own. I still follow Elias & want a third game. Elias liked my tweets about Adam and Jensen being an actual couple a few times. I'd say I interacted with all of this a lot? Still do, actually.

10. Which ship has lasted the longest?

5. Best friends since childhood, fought & died for each other, still found their way back to each other. "It would break your Captain's heart, to see what they did to you." That only the MENTION of Steve can pull Bucky out of this brain washing(ed?) state, distract him in the middle of a fight. When Steve died in the comics because of Sharon & Tony sent Natasha to take Steve's shield from Bucky because even Tony knew how much Steve means to Bucky. And Bucky was like: "Oh, I see what he did. Not happening!" Fought Natasha (that is his ex in the comics) & kept going for Steve's sake.

Well, you see the point, I can go on and on.

11. How many times, if ever, has 6 broken up?

They're not actually canon so none? They had a few fights: In Civil war (the comics), in Homecoming (the movie). That only means that they’ve got history & love each other.

12. If the world was suddenly thrust into a zombie apocalypse, which ship would make it out alive, 2 or 8?

As fierce Grace is, they wouldn't stand a chance against Damon & Elena. Those two had to deal with worst thing than brainless stupid zombies. On the other hand, if there were no alive humans to drink their blood... It's either an animal diet that Damon hates so much or I don't know? Still, they're faster & more powerful. Their bodies have advantage of healing the wounds as well.

13. Did 7 ever have to hide their relationship for any reason?

From some people, yeah. Don't tell Athena, don't tell Vaughn, don't tell Fiona. Though Rhys wasn't very subtle about it & Jack just doesn't give a fuck. You will probably end up dead if you disagree or bore him, or if you're useless.

"I can take you to the top, but you gotta know where the top is" & Rhys doesn't tell anybody until Jack makes him the President for like whole 20 minutes lol.

Fiona & Sasha: "This can't be happening." Sure it can, darling.

14. Is 4 still together?

I have a headcanon about The Outsider finding Emily & Corvo after Billie frees him from the Void. He doesn't have anybody & they are his only friends aside from a potential friendship with Billie. And if we don't consider TOTO dlc, they definitely are! The Outsider visits them both when they sleep & takes them to the void sometimes. How could he not?

15. Is 10 canon?

Not really but also sort of? Let's say that they really care about each other in canon, despite Adam pushing Francis away because of his trauma & fear that Megan caused him. :/

16. If all 10 ships were put into a couple’s Hunger Games, which couple would win?

Can you imagine wizards fighting extremely powerful vampires? Superheroes with venom in their bodies that make them super strong with people that made a deal with the Devil himself (hi Le Bail)? 5000 y.o. God and his lover that share his powers and an augmented human protecting his tired IT guy? Combine mental health issues to that, Jack and Rhys with Batman and Joker. Corvo & The Outsider would probably slay them all as Corvo and Emily did in both games with entire islands, though it will still be a slaughter anyway.

17. Has anybody ever tried to sabotage 5’s ship?

All the fucking time, lmaooo. I’m not even talking about it.

18. Which ship would you defend to the death and beyond?

I feel like I already did with Steve & Bucky after many Marvel movies (we're not even mentioning Endg*me, I fucking died & was dead for full 4-5 months).

19. Do you spend hours a day going through 3’s tumblr page?

I used to do that a few years back, but not anymore. There is not much content since the trilogy is finished.

20. If an evil witch descended from the sky and told you that you had to pick one of the ten ships to break up forever or else she’d break them all forever, which ship would you sink?

1 already went through it & fandom lives, so I'd say maybe 7? Rhys will find a way to bring Jack back & they are both so wild. It’s what happened in canon anyway. Jack kidnapped Lilith & forced her to do Angel's job, so I'd like to see that witch try at first. Jack is an immortal bastard. <3

Now that I think about it, Corvo would also deal with her in seconds as she waits to curse them.

As a conclusion: no one breaks up forever, we're killing the witch.

I tag: @ianmillkovichgallagher & @aledbr

Whoever else wants to join the game, please do.

#otp #me #tumblr #harry x sirius #delena #corvosider #rhack #tony x peter #batjokes #jensard #steve x bucky #ready or not #drakecest

21 notes · View notes

whetstonefires · 5 years

Note

Hey so random ask but, I see a lot of people calling Tim drake sexist, I personally don't think he is but what are your thoughts on that.

Oof. Okay.

Technically I can’t just say he’s not, because as the product of a sexist society he, like any other dude and to a lesser extent any person, has got some passive sexist attitudes baked in there.

It tends to surface in things like, when he went on that first big solo adventure when the Robin comic launched, that started in Paris? And he wound up hunting King Snake with Lady Shiva and this one rogue federal agent, a black man, and he got very decisive. Shiva says something cutting about white men, and she has a point, in that if either of his adult companions of the moment were also white men Tim would probably have been somewhat more conscious of the fact that he was thirteen.

That unconscious prioritization that DC’s sexist narrative tends to favor? That is sexism, and also racism, and it’s valuable to draw attention to it, though not, I feel, to blame it all on Tim because quite often he hasn’t actually done anything, the universe around him has just colluded to make him look good.

(Of course this doesn’t happen much anymore, but back when he was the Main Character it did. Comics is a sexist community in a sexist culture, so of course Tim got some of that muck on him.)

But most of the accusations you see going around are about tearing him down on Steph’s behalf, and that’s...murkier.

Because honestly Tim is less sexist than most of the men in his profession. Significantly less so than Bruce or Dick. I literally cannot imagine Tim talking about a loved one the way Dick used to talk about Kori, or a new acquaintance the way Dick did a lot of the one-episode women from his ‘90s Nightwing solo series. He wasn’t bad to them exactly, he was honestly very normal and probably above average, but the incredible, controlling arrogance and casual sexualization is still hard to get through, sometimes. Almost more so for how much more it comes out when he’s talking behind their backs. And Bruce...well, Bruce and gender is an entire deal I’m not going to try to unpack here.

And I cannot see Tim ever using ‘girl’ as an insult, the way Damian does.

Tim’s interactions with the ladies on Young Justice, for example, tended to be a lot less emphatically gendered than Dick’s interactions with the ladies of the Teen Titans, or even Bruce’s in the Justice League, though there are fewer women there and less casual interaction.

And to a considerable extent this was because the passage of ten years had modernized writing norms, and to a considerable extent this was because his demographic was younger than the Titans and therefore less sexualization was expected of the writers. Young Justice built on some stuff Marvel had been doing with young teams and broke some ground that Marvel has built on even further lately. (Seriously what is with Marvel’s young team books lately they’re incredible.) But there was also that Tim as an individual cares less about gender than most of his family.

(In some ways Jason may care even less, but he also leans really hard into performative masculinity and thought flirting was a reasonable way to interact with older women as a teenager, and he’s been being written by Scott Lobdell for ten years even if I have a hard time thinking of that as canon, so his data is mixed.)

Or take the case of this young freedom fighter (/terrorist) who happens to wear Robin colors, who Tim meets at one point in Europe. Dava. The story creates situations where Tim gets a weird mind-altering stimulant transferred orally to him by Dava, and then from him to Shiva when he’s giving her CPR, and Tim rather notably doesn’t have a single narration box or speech bubble that treats these as ‘kisses’ that he has somehow benefited from obtaining.

Later he crawl-drags Dava’s knocked-out-by-Shiva body out of the middle of the bloodbath Shiva is now staging, because he’s in no state to do anything to stop it, which he hates, and while this is certainly the comic arranging things to put Dava in a damsel status relative to Tim, Tim does not at any point frame it that way.

He is really good about not disrespecting Dava, honestly. It’s an interesting storyline partly for that reason, though it’s not the only time it comes up.

Tim was constantly meeting Troubled Young Women who could kick his ass and whom he respected considerably in most senses, but whom he was able to convince that their particular approach to violence was somehow flawed and needed to be re-thought. Thereby allowing there to be Strong Female Characters but keep the balance of the world in order and not worry the readership, by placing the male lead in a subtle power position even if he had gotten his ass kicked.

It was like. An entire genre. Tied to the way Shiva kept popping in as Incredibly Terrifying Supporting Cast.

This was a major way DC was using female characters in and immediately after the 90s and tbh in some ways it was more progressive than what they tend to do now, even as certain parts of the framing set my teeth on edge.

(Compare ‘Tim on drugs manages to hit Shiva hard enough to take her down because she didn’t expect lethal force from him so he has to do CPR’ to the more recent Red Robin story where we spend a couple of pages with him laying out to her face how she came to town to fulfill a contract on him but he brilliantly out-thought her and she ate the drugged chocolates he sent her so He Wins. Bleh.)

Steph stands out for hanging around instead of being a one-off appearance, and for not really rethinking her life in response to Tim much at all, while also not being a villain.

The crux of the issue is, Tim slid into talking down to Steph on a semi-regular basis, especially when trying to get her to stop vigilante-ing, which he’s getting backlash for some twenty-odd years later, mostly by people blaming him for her narrative deprioritization because it’s more satisfying than blaming DC.

And a major form this takes is declaring him generally sexist.

And the thing is, I’m sure his unconscious view of himself as more competent to make judgment calls because Main Character Demographic did play into the way he approached those conversations! I have never met a dude with any self-confidence whatsoever for whom that wasn’t a factor. Sexism, like racism, is the air we breathe, you have to actively extricate yourself from it and even then it will crop up at odd moments.

Classism played into it, too--especially once he knew she was a C-list villain’s daughter; there was that sense that often crops up in Batman properties that not only does greater access to resources make it safer and less self-destructive for the moneyed class to go vigilante-ing, noblesse oblige means it’s also somehow more just. The old ‘the outsider has a more objective approach’ canard. This was even more subtextual than the gender stuff, but I’m sure it was there.

Intellectual elitism is sort of a subset of both that and gender issues--Tim knows he’s smart, it’s the core of his pride, and Steph is not as smart in the same ways and has not had the same educational opportunites, and there are definitely moments of high-handedness tied to this.

And then there was the territorial aspect; it was official Bat policy to discourage all other Gotham vigilantes, usually in a much more absolute and commanding way than Tim ever tried, not to take them in and train them.

That might have been an option for Bruce if he’d wanted to, but it wasn’t really on the table for Tim unless he wanted to stage an intense campaign to totally disrupt his own life in order to bring this person who introduced herself by hitting him in the face with a brick after he mistook her for a villain into private Bat training and spaces. They’d known each other for a while and been having this argument in various forms most of that time, before they ever dated.

Please also remember that the last time Tim wanted to take a troubled blond under his and Bruce’s wings and show them the ropes and make sure they could do this safely as part of a personal healing process that would help everyone, that person took less than a week after starting to show signs of instability to have a complete psychotic break, beat him into the ground, build a brick wall in the Batcave to keep him out, lock down the computers, and start killing criminals with the knife-hands he added to the Batsuit, while failing to prioritize civilian safety.

This was not that long before Steph’s debut. If I were Tim I would not trust myself to sponsor further new team members either!

All of these things besides the Azrael trauma are directly from Bruce, who is often way more emphatic and more of an ass about them. Robin was mirroring Batman (consider the way he talks to Selina sometimes egad, sometimes it only doesn’t look awful because she’s playing along) and following Bat-policy; it is totally nonsensical to hold Tim accountable for this and not Bruce.

It’s also important to note that Tim wasn’t significantly less condescending to Anarky or the General, who were white guys around his age with roughly his class background whom he was trying to talk out of villainy, and honestly Lonnie’s motives were baller. (The original Anarky was a hacktivist based on a design somebody drew up for the third Robin, but Tim got made instead.) Tim’s entire character design back to his first appearance holds that when he’s trying to talk someone into something he tends to fall into a lecturing approach.

This can be very annoying! The first time he did it to Nightwing he got grabbed and shaken and snarled at. And of course it’s worse when he’s talking down a demographic slope, rather than up one.

I am very aware of how fucking annoying it is when guys do this, even if it is their normal mode of interaction. I have come very near to punching faces over it, when it’s really bad.

Tim doesn’t usually approach that line, but the problem is his writers didn’t seem to know the line was there, so if you’re reading some of his interactions with Steph from the perspective of having that chip on your shoulder already, especially if you’re not immersed in the narrative’s assumption that he is The Main Character, especially now that language norms have shifted slightly so wording that was considered neutral in the 90s is now obnoxious, it can ironically make a deeper impression than the much more blatant and decided sexism going on all around him.

So that’s my take on the situation. Tim has some mild passive gender prejudice which he has never taken enough notice of to seriously compensate for, made more visible by being in a deeply sexist world and by being kind of an annoying person sometimes, and this has been blown wildly out of proportion by people who feel that he and Steph are in competition to be The One Who Was Not An Asshole in that relationship.

This is not a winnable competition. They were both assholes sometimes, and even if you could prove Tim was a terrible boyfriend/person it wouldn’t validate all of Steph’s behavior--she was often forced to behave very badly or stupidly, because back then one of her major narrative functions was as a stick for the writers to hit Tim with.

And the thing is. If you’re going to exculpate Steph of awful behavior because it was ‘just’ the writers being sexist, let alone let Dick off the hook on similar grounds, I think it’s really unfair and messed up to then turn around and hold Tim-the-individual accountable for sexism that mostly wasn’t even situated in him so much as baked into the narrative, though to his benefit.

Like. When sexism (or other -ism) benefits people in real life it can be useful to draw their attention to their systemic advantages if they seem not to get it, but drawing Tim’s attention to his narrative prioritization would be extraordinarily meta (lol somebody write that fic). And in neither situation is it productive or fair (though I do know it is so so tempting) to treat the very existence of someone’s privilege as an offense they have personally committed.

They literally cannot help that. That’s how systemic works.

#tim drake #sexism #comics #robin #batfam #ask #i have spent a ridiculous amount of time on this ask yikes #posting as-is without further revision #hoc est meum #calypsosposts

49 notes · View notes