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1shirt2shirtredshirtdeadshirt · 9 months

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Sexism in TOS: Worst Offender, or Progressive in Retrospect in Comparison?

I see a lot of folks claim that TOS was the most sexist of the Star Trek shows by a landslide -- and while I agree that it definitely suffered from the sexism of the times, I also have other perspectives to share to give some food for thought.

I am of course not insinuating that TOS isn't sexist -- it is, but I have to ask folks to consider the breadth and depth of Berman's sexism in his run and ask yourself: Was Gene Roddenberry genuinely more sexist in his storytelling and delivery than Rick Berman?

I'm not telling you to feel one way or the other, but all I ask is that you hear me out and consider some perspectives and make your own balanced assessments. Nobody is obligated to share my opinion, but it means a lot just to have folks hear it and see their thoughts on the subject. So here is what I was originally responding to:

Someone's response to this photo:

"Devil's advocate. This was a part of the popular form of cardio during the production time of TNG. Yes, it was heavily sexualised by men, but so is literally every other way women work out. Men have been caught taking pictures of women while trying to do dead lifts, running on tracks and working on sled machines. They post them online to share too. The fact is, there is no way a woman can be shown working out without it going there. And yeah,t hat includes the combat forms of workout they do in Star Trek. Just look at how Dax dresses when she spars with Worf. Yes, they're dating, but still, same goes when 7 does and any other female.

Aerobics routines like this were made dirty and cringy. This was what women wore then by and large. This is how the workout was done. We make it cringy."

My response to them:

"I respect your take, but I disagree on a few fronts.

The miniskirt was chosen by the TOS female cast, not the male cast, specifically requested by Grace LW and affirmed by Nichelle and Majel who would go on to vehemently defend the miniskirt over the years as comfortable and embraced by them.

Grace said it was comfortable and seen as a symbol of female sexual empowerment during the 60s and thought it would be a progressive garment (and turns out that it was, as it was later adapted and worn by male crew as a skant on TNG) -- FYI those were designed by a gay man and Gene approved them.

This was also supposed to be Spock's TMP outfit:

Literally lingerie.

We saw both Uhura (who saves Kirk in from Marlena Mirror Mirror) and Yeoman Landon (the first to initiate combat with a classic Kirk-esque kick to help the Captain being attacked in The Apple) carry out their combat training in their Starfleet uniforms without ever being made to change into any ridiculous workout gear.

In fact, I'd argue Jim Kirk was sexualized even more than the ladies of the week on the show and I saw his naked body more than anyone else's on a fairly regular basis. He wore red yoga tights while topless in Charlie X while the women wore full length gymnastic suits that covered their entire body. If anything, it went out of its way to avoid sexualizing women practicing fitness in those scenes and instead focused on Kirk.

Gene confessed that he asked to have Shatner filmed in suggestive/provocative ways to "give something to the ladies", so he -- as he said -- liked to "film him walking away" or have him conveniently busting out of his shirts in just about every episode as it were, because Shatner apparently had great assets. LOL

Gene made an effort to at least sexualize both if he was going to sexualize one, and he carried that attitude forward in wanting the m/m and f/f scenes in the background on Risa for TNG. He also insisted that the men and women wear skimpy outfits on THAT TNG planet. You know the one. LOL I mean the dudes even had on less than the women:

Gene also gave permission to K/S shippers to have their conventions back in the 70s when he was asked for permission. Gene and Nimoy felt with all the skimpy outfits they had the ladies wear, why not let the ladies and gay men have their fun, too? It's how we ended up with moments like this:

Yes, those are two people dressed up as Kirk and Spock's penises doing interpretive dance. Gene didn't give two damns. LOL

In my eyes, that was a very progressive take on Gene's part for the 60s. It was actually PARAMOUNT STUDIOS who had the big problem with K/S stories and vehemently tried to shut them down. Gene literally hired slash authors on his payroll and even had several slash stories/writers published in his official Star Trek books (The New Voyages & The New Voyages II).

I feel I saw Uhura and women in TOS engaged in more physical combat/altercations defending themselves that Troi or Bev were shown holding their own.

In fact, Kirk used to get furious when someone would "dress up" his female crew members without their consent (Trelane episode, Shore Leave episode) because like his male crew members, he wanted them to be treated professionally and to also have his male crew act professionally.

Berman brought some of his own personal biases into Star Trek that in some ways regressed it. While TOS had blatant sexism and was called on it time and again, that show was made in the 60s -- a solid 21 years before TNG. We as a modern audience understood why some of it was cringe/sexist due to the time period -- look at any other media coming out in the 60s and Star Trek was miles ahead of what other shows were doing.

Compare that to Berman who was churning sexist stuff out when women like Starbuck and Scully were simultaneously on screen on other programs airing, and we had already had Sigourney Weaver and other strong women in Holywood playing respectful roles.

In my eyes, there was no need of the sexism seen in TNG but especially VOY and ENT. There was no excuse for it when other shows were writing women far better and a number of those weren't even set in the future like Trek was, making it age even faster due to having those dated perspectives frequently highlighted.

In the Center Seat documentary as well as "The Fifty Year Mission" book you will find cast members, writers and other studio alumni who attest to this. Some discussions from "The Fifty Year Mission":

"First, Berman was supposed to have been a real sleaze ball . . . According to Terry Farrel, he would go on constantly about how her breasts weren't big enough, how she should do something about it, and how his secretary was a good example to follow as she had huge breasts. She even had to have fittings to get larger bras, and that was all done at his behest.

Later Berman and Braga developed a name for Jeri Ryan's character prior Seven of Nine. They originally called the character "perineum" which if you look it up it is the area between the anus and the scrotum. Later they floated the name "6 of 9". I mean, what does it tell you about where these two were coming from in the development of this character if they had names like that put forward in all seriousness for her?"

Gene Roddenberry also had some of his own more progressive ideas for TNG cut or watered down by Berman. Roddenberry agreed TNG should have homosexual relationships and representation at a con in the 80s and insisted on it in a meeting with his writers -- something Berman later would not honor. Gene wanted the AIDS episode, showing m/m and f/f in the Riza scenes -- these were some of Roddenberry's requests to include in TNG that Berman later stonewalled.

Berman's era was sadly dated by his own misogynist bias, IMO, to the point that it can somewhat hurt the shows he worked on through his cringe egoism and blatant disrespect toward his female cast.

There is a reason why Gene could keep female actresses working with him and Berman had a revolving door of women that he couldn't seem to keep working for him -- he was abhorrent to women, on and off set. Gene wasn't perfect at all, he had a lot of issues himself -- but Berman was a whole other level. Just look at what he did to poor Jolene Blalock, Marina Sirtis and his toxic commenting on her body weight which exacerbated her struggles with eating disorders, or how he treated and talked to Terry Farrell.

Anyway, just some food for thought. I'm not saying anyone is wrong regarding a take like that, but there are a variety of ways to look at this. Gene Roddenberry isn't a saint by any means, but it definitely bothers me how folks will tote the Berman era as if it were the lesser of two evils or the more progressive depiction of women when I felt there were far more concerning portrayals of women in his era with far less justification.

(P.S: I don't event want to go near the sheer amount of "creepy old dude/villain preys on innocent/naïve/scared young woman or little girl" stories there were in Berman's era, either. But that's a whole other can of worms I can write about in a part 2.)

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notafunkiller · 5 months

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Bucky Barnes is the best super soldier

How it was subtly emphasized in The Falcon and The Winter Soldier:

He always holds back

With the Flag Smashers and even with John Walker. We could see the difference in the last 3 episodes. Sebastian Stan did an incredible job making it clear in a subtle way.

I want to mention that famous "Stay there" scene, and how it was visible Bucky was not punching as hard as he can in the fight with John.)

This is the thing about Bucky, he isn't after the kill, he just does his part. He doesn't try to show off his skills or that he is a good guy. He doesn't try to play the victim role, either. In the scene where Zemo fake-activates the Winter Soldier in Madripoor, he just makes a point. He's obviously not even trying hard.

If he wanted those in the club dead, they would be. But his self control was wow. Sebastian acted so well, his exes said everything.

*And to be honest, even when he was TWS, he could have killed everyone, but he didn't. He could have killed all of the Avengers in Civil War is they were his mission, but they weren't. This is how Natasha survived when she met him, too. It depended on what kind of mission he had (if he wasn't allowed to be seen, then the witnesses would die too, but otherwise? He didn't bother).

2. His skills

People tend to forget how smart and good at making strategies Bucky is. He's been fighting (even though he hates fighting and never wanted to be in the army) for years before he was even captured by Hydra. And this is the reason why government still want him, after all. They can use his strategies as a leader (*cough* Thunderbolts *cough*).

In the last episodes of TFATWS, we could see how he outsmarted everyone. Karli was so terrified of him.

3. Karli Morgenthau

And talking about Karli, the phone call was interesting:

She asked him if he's not tired of fighting for the wrong side, and then told him she's fighting for something bigger than herself.

"And with all the bodies you've collected, have you ever been able to say the same?"

The first thing I wanna point out is how everyone talks about the deaths Bucky caused when he was controlled by Hydra, but everyone ignores the fact that all the Avengers killed far more, but since we consider them the good side, we just don't care.

Clint, Tony, Steve, Wanda etc. They all cause(d) far more deaths than "two dozen" (known assassinations - to quote Natasha), and neither was controlled. The double standards are something else, especially for Clint. (One of the reasons why Tony was on the other side in CW was because of his guilt, after all.)

The second point is how Bucky's answer says a lot more than we might realize at first:

"You don't think I ever fought for something bigger than myself? That's all I ever tried to do, and I failed twice."

Even as TWS, Bucky had to be convinced he is on the right side, that what they do is to save the world, to give "the world the freedom it deserves".

Even brainwashed and put to sleep all the time, he had to be lied to. Bucky as TWS was a victim too. He is not a victim only because he didn't have memories or control, but also because they lied to him and used him as a toy. That milk scene is so loud. (And I am gonna talk about it in a different post). He had no rights, no choices. He was used to being tortured.

[And I wish they explored it more. We deserved and deserve a WS film - maybe with him in Romania getting back his memories, writing in his journal etc.]

"You think your cause justifies all this death, but in the end, the nightmares won't go away. You're gonna remember all the ones you killed. Trust me. Don't do this. Don't go down this path."

Despite being on opposite sides, Bucky still said this to Karli, trying to help her, to make her see the big picture, sharing how he felt and feels.

He is on "the right side". He is a hero, and Bucky being thanked by that man for saving everyone's life was touching.

4. Baron Zemo

You can see how smart, strong, and rational Bucky is when he decides to break Zemo out of jail (his plan was amazing too), risking so much (his relationship with Wakanda people and his own freedom) to get his help for the mess. He puts the cause above his own (huge) trauma. And this makes that moment in Madripoor even more disgusting (he is treated as an object, as a toy):

Zemo: Tell us what you know about the super-soldier serum. And I give you him, along with the code words to control him, of course. He will do anything you want.

The way he keeps his composure, reacts and manages the situation... absolutely incredible!

This conversation also says a lot:

Zemo: The desire to become a superhuman cannot be separated from supremacist ideals. Anyone with that serum is inherently on that path.

Bucky: Maybe you're wrong, Zemo. The serum never corrupted Steve.

Zemo: Touché. But there has never been another Steve Rogers, has there?

Bucky positions himself below Steve, who's considered a good hero, a good person... like no other. But Steve never had to go through what Bucky did: from being kidnapped like that, to being tested on, to falling off the train, to being tortured, and used, and brainwashed for decades, and put to sleep when he was not needed and having n "keepers".

Also, interesting how all Steve wanted was to fight (for a good cause, but still)... and fighting still means violence, meanwhile Bucky never wanted to fight, not even before becoming TWS, in the army (and yet he is still great at fighting. And he is deadly, even when he holds back.). All he wanted was peace.

Despite not getting the "perfect serum", despite being brainwashed, put to sleep, and forced to fight for decades, he is still himself. He never gave in to the dark side for real. He fought in his own way. The first thing he did when he woke up was to choke the Hydra guy with a whole new arm!

Bucky is so underrated: from his intelligence and fighting skills, to how human he is. Being flawed, keeping his sassiness and charm from the 40s, but getting more mature and carrying his past on his shoulders... he's so relatable and real. And every day, he shows Zemo he is wrong.

The show he makes in his final scene with Zemo is absolutely fantastic. He doesn't just prove the point he isn't defined by the serum and Hydra (AND not even by Steve, thanks to Sam. His speech made him realize the important thing about himself: that he decides who he is, not others - even those who know him before becoming TWS- "And this might be a surprise, but it doesn't matter what Steve thought. You gotta stop looking to other people to tell you who you are." parallel to "Steve believed in you. He trusted you. He gave you that shield for a reason. That shield, that is… that is everything he stood for. That is his legacy. He gave you that shield, and you threw it away like it was nothing. [...] So maybe he was wrong about you. And if he was wrong about you, then he was wrong about me."), but also that he is superior.

When Zemo tells him that he decided to let him alive (probably so he can kill Karli) and basically calls him a killing machine: "programmed to kill", Bucky plays the role, lets Zemo talk him into killing Karli, and then Bucky watches him waiting for his own death.

[Also, Bucky's line: Imagine my relief is hilarious.]

The acting was incredible: the shock on Zemo's face and the amusement and somehow relief on Bucky's after he pulls the trigger and lets the bullets fall... He proved him he's THE standard of the super soldier. Because despite everything he went through, he is the best.

Zemo telling him to cross his name off felt like a fresh start (+ telling Nakajima the truth).

5. John Walker

John, on the other hand, is lucky Bucky is an understanding person. He gets what is like... the pressure, the environment, the loss, and even tries to help.

Bucky: Don't go down that road. Believe me, it doesn't end well.

John: I'm not like you!

Of course he is not like Bucky, because Bucky has control. He is not killing to get revenge in a cynical way.

"That serum doesn't exactly have a great track record."

John kept judging Bucky every time they spoke, somehow placing himself above this "broken" man.

"This is all really easy for you, isn't it? All that serum runnin' through your veins. Barnes, your partner needs backup in there. Do you really want his blood on your hands?"

This is so wrong on every single level, especially because Bucky didn't choose to take the serum, and he always had his friends' back. He's loyal and ready to sacrifice himself.

The "funny" part about this is John ending up taking the last super soldier serum vial. All the judgement, the disgust, the patronizing tone, just to do that. Plus, of course, to kill someone with the shield.

(John proves Zemo's point about super soldiers, and Bucky does the opposite.)

And what is it easy for Bucky anyway?

He's under government conditions (so CACW coded), he has a vibranium arm that I bet the government would try to take after he dies (HOPEFULLY WHEN HE'S 200 YEARS OLD IN HIS BED, as Sebastian wants too) if he isn't in Wakanda, he is haunted by nightmares (which also can mean he is still Hydra's TWS in another universe as we found out from Strange), and he has to learn how to live for real. He's smart, charismatic, has values and principles, and he's incredible.

We need to see his version of TWS going after everyone Hydra helped. TWS is him, a part of him, and doing that on his terms, having control over it would help him heal.

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armageddidnt · 8 months

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Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

#good omens #good omens 2 #good omens season 2 #my season 2 rewatch aka: I Went Insane #i am unwell #I haven't slept properly in 44 days and counting #ineffable husbands #aziraphale #crowley #angel #demon #armageddidnt-blog #armageddidnt-gifset #armageddidnt-screaming #armageddidnt-pain #good omens 2x06

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starlight-bread-blog · 2 months

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Ember Island Players and Zutara

Two approaches to analyzing literature are Doylist and Watsonian: Warsonian is about analyzing from an in-universe perspective, Doylist is about analyzing out-of-universe perspective.

For example: Why did the Gaang arrive at the swamp?

Watsonian: Because a hurricane made them crash.

Doylist: Because the writers wanted to explore the world & characters, foreshadow Toph, introduce plant benders, etc.

This analysis will be from a Doylist perspective. Meaning, I don't intend to prove Katara secretly canonically loved Zuko. She is a fictional character, she'll love whoever the writers want her to love. And the writers said she loved 𝖠𝖺𝗇𝗀. What I do intend to do is to show how the writing alluded to Zuko standing in 𝖠𝖺𝗇𝗀's way to being with Katara.

With that out of the way, let's dive right in!

At the beginning of the episode, when they sit down to watch the play, Zuko and 𝖠𝖺𝗇𝗀 share this exchange:

If you didn't catch that, look at Katara:

This is a classic romance trope, typically used for female characters, to signify romantic feelings/a crush. But what is it doing here, when Zuko sits next to Katara instead of 𝖠𝖺𝗇𝗀? What is this interaction doing here in the first place?

When an episode aims to explore an aspact of the characters, it will remind the audience of it in the beginning. In The Waterbending Scroll, Katara steals a waterbending scroll and gets insecure about her waterbending. The episode opens with the Katara teaching 𝖠𝖺𝗇𝗀 waterbending and getting insecure. In this instance, they want you to keep in mind the dynamic where... Zuko is in the way of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀? (That's without mentioning what Katara's doing with her hair). That is strange.

Moving on to the play – See the joke about Katara's characterization in the play:

The point of Ember Island Players is while the play is heavily distorted, it is somewhat based on reality. It's funny and even gets under the character's skin sometimes because it shows them a parody of themselves. (Further evidence).

When we get to the the scene between Zuko and Katara in the Crystal Catacombs, for some reason, it's portrayed as some romantic moment.

Acknowledging a fan pairing in canon from is always out of the blue/baity from the get-go. I cannot recall a time when another show that did this. Here however, it's under the premise of somewhat founded parody. Which begs the question:

(Side note: There's been debate over Katara and Zuko moving away from each other. It's common for eventual romantic leads to deny attraction. It could be contextualized that way later and audiences aren't trained to rule out the pairing. The meaning is dereminted by the outcome).

Despite that, Katara and Zuko aren't in love. Everyone knows this, right?

𝖠𝖺𝗇𝗀 is jealous. Jealous to the point where he gets up and leaves the theater. The thing that kicks off the conflict of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀 is... Zutara?

Speaking of the conflict, I won't dwell on it too much, but the events were the following: 𝖠𝖺𝗇𝗀 adressed the kiss they shared in the invasion, a kiss that went unaddressed for 5 episodes. Katara is unable to commit to an answer. Her lines, isolated:

"𝖠𝖺𝗇𝗀, I don't know" // "This isn't the right time" // "Right now, I'm just a little confused".

Until he kisses her once again.

And realistically, she doesn't take it well. Many girls use this language to reject gently. This is purposely written to suggest that they might not end up together. All of which is kicked off because of Zutara. Remember the beginning: Zuko is in the way of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀.

When 𝖠𝖺𝗇𝗀 is back in the theater, he's concerned about his future with Katara. It is showcased with this shot:

𝖠𝖺𝗇𝗀 isn't angry at Zutara here, so why is Zuko in the shot? A director storyboarded this, it was planned. They could have easily leave him out of it and it would convey the message better. Leaving him here implies that he is somehow related to the conflict, That Aang is worried about them, while both of those things aren't true.

𝖠𝖺𝗇𝗀 not being able to sit next to Katara isn't ship baiting. 𝖠𝖺𝗇𝗀 getting angry at actress!Katara not returning his feelings isn't ship baiting. Katara herself being unable to immediately return his feelings isn't ship baiting. What is ship baiting is how all of this is caused by Zuko to a degree.

Zuko stealing 𝖠𝖺𝗇𝗀's seat and Katara giving him a side glance is ship baiting. Zutara being canonically addressed in a play that's vaguely founded is ship baiting. The former causing 𝖠𝖺𝗇𝗀 feeling jealous, leaving, and starting the conflict over it is ship baiting. Zutara is imbedded in the foundations of the episode. Ember Island Players plays out as if there is something between Zuko and Katara, when there isn't. That's ship baiting.

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obessedwithfictionalmen · 2 months

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Co-Stars

Callum Turner X Actress! Reader

Sumarry: Y/n and Callum's best moments that made the internet panic!

Waring: use of Y/n/ Swearing/ kissing/

A/n: This story is not related to the childhood friend to lover one.

To say they had chemistry off screen would be an understatement. Y/n and Callum were getting along too well-off screen. It sparked rumors of them dating their multiple interviews were made into short YouTube videos that were tilted: Y/n and Callum flirting with each other for 4:24 minutes. In those videos, we could see their best moments.

‘’You obviously get real woman to dance with you, Austin you get Meatball the dog’’ the interviewer stated. Y/n chuckled as she looked at Austin. ‘’Yeah, Meatball is an amazing actor, great dance partner, but heavier than you think. But don’t tell him that.’’ He answered. ‘’Yeah, don’t tell him that’’ Y/n and Callum said at the same time, making them giggle. ‘’Did he do boot camp?’’ the interviewer asked. Austin was saying his answer, but a joke came to Callum’s mind. ‘’He did bark camp’’ he said. Y/n laughed at his joke, but since the tree actors were tired, they all started to laugh for minutes. ‘’I’m so sorry’’ Y/n said, laughing. She put her hands on Callum’s thigh to stop her from falling off her chair. ‘’Don’t fall’’ Callum laughed. Since she was between the two boys, they both tried to catch her, they succeeded, and they were able to calm down.

After this interview, people started to talk about how they said the same thing, how Y/n laughed to Callum’s joke and how Austin was third wheeling. But when they did a group interview, the speculations jumped.

‘’Obviously, it’s a men cast, but we do have some amazing woman as well, boys can you talk to us about that’’ Josh, the interviewer asked. The crowd screamed when Barry pointed to Y/n and mouthed that she was amazing. ‘’I mean, Y/n is just amazing. The way she bodied her character and wasn’t afraid to speak her mind and yeah, it was astonishing. We were all impressed by her performance in episode 3’’ Austin said. She thanked the blonde. ‘’Like Austin said, I remember in one of the scenes in an upcoming episode, we watched her act and we felt intimated by her, cause her character is badass and this powerful woman, she’s not afraid to yell at someone and seeing the sweet, polite Y/n, I can say it, it’s in the trailer, but fake punch a guy that was two times taller than her was impressive as fuck’’ Callum said. Y/n blushed; she remembered the day they shot that scene. ‘’Yeah, when Gary said cut, they were all looking at me like, so impressed of what I just did, it was fun.’’ She added.

The comments following that interview were about the fact that she blushed after Callum’s compliment. Paparazzies were trying to get them to talk about a possible relationship, but the two actors denied anything between them. Even the other actors were getting asked if there was anything between Y/n and Callum. It was starting to become a problem, but the P.R team thought it was great to promote the story, so they didn’t do anything to shut the rumors down.

Drew Barrymore was sitting next to Austin, they were having a moment, Y/n and Callum were starting to feel left out. But now, Drew was talking about her date that she has tonight. ‘’But what if you get weird vibes from the start?’’ She asked. ‘’Then run’’ Y/n and Callum said at the same time, making them smile. ‘’You two are always timed, you both say the same thing, all the time’’ Austin laughed. ‘’We’re connected.’’ Y/n says. ‘’But back to your date’’ Callum said as he put his arms on the couch, but it went behind Y/n’s shoulder, it was like he was putting his arm around her shoulder. ‘’I mean, Y/n what would you do?’’ Drew asked. ‘’Uh, just enjoy the dinner, it’s a date, have fun! And you have Austin to save you. Or Callum and I could go at the restaurant in disguise, in a fake date, to help you.’’ ‘’Is that just an excuse to take Callum out on a date?’’ Drew teased. Y/n starts to laugh, Callum too. ‘’Moving on!’’ Y/n said, while laughing.

But what really sparked the rumor to the max, was when the went to the premiere of Master of the Air. She was dressed in a black one suit, but the top was a black corset, she looked amazing and sexy. The hole cast was looking good, but when Y/n stepped on the carpet, she got out the same car as Callum and they both had red cheeks.

‘’Now we saw you getting out of the car with your co-star, but you guys have been really close during the press tour, can you tell me about it’’ The interviewer asked to Y/n. ‘’I mean, he’s an amazing person, and I love him. People are just going crazy over us’’ she said. Callum went to behind her. ‘’What are you talking about, baby?’’ he said. Y/n rolled her eyes at the nickname. But she decided to go along with it. ‘’We were talking about you, honey. About our amazing chemistry’’ she said. They both chuckled and finished the interview. ‘’The internet is going to blow up with what you just said. You’re not very subtle, baby.’’ She said, teasing him. ‘’I mean, we’re pretty obvious now that we’re together’’ he says in her ear. ‘’Should we give the internet what they want?’’ she asks. ‘’I’ve been waiting for this’’ he said, grabbing her waist and kissing her. The crowd yelled when they both kissed, finally announcing their relationship…

#callum turner x reader #callum turner imagine #callum turner #master of the air

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amnesique · 10 months

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do you write smut? if you do, can you write the scene in episode 1(i think?) where belly tells conrad to quit smoking and he says "what will you give me if i do" but that it leads to smut?

and can you do it with x reader instead of belly if possible please, thank you so much :)

what'll you give me if i do? — conrad fisher

warnings: SMUT (18+, MINORS DNI!), dirty talk, fingering, protected sex, p in v.

there was a wave of fog that enveloped every girl that stood around conrad fisher, as if it was encouraging them to pluck up the courage to pass through it to try to understand what was happening to the boy, besides the silence that surrounded him wherever he was. and yet, none of them seemed to succeed. at least, not yet.

the fisher boy was sitting in the back yard, by the pool, with his feet in the water as he was lazily smoking a cigarette. something you saw him doing more and more that summer, even though that summer had just started.

being belly's cousin, the daughter of his mother's best friend, it wasn't out of the ordinary for you to spend the summer with them, although the fact that you jumped into the pool, as if was out of nowhere, caught him a little off guard.

he was staring fixedly with a cigarette in hand at the place where you had plunged into the water.

“sorry,” you murmured to him after getting out of the water, not before flipping your already damp hair back. "i haven't seen you here," you added, trying to adjust your vision, because of the water on your face.

"no problem," he replied dryly, taking another drag from his cigarette.

typical conrad fisher, you thought, as you suddenly just then noticed the fact that he was smoking, after your gaze had adjusted enough.

"since when do you smoke?” you asked him in a tone that was meant to be accusing, but it only ended up making conrad smile at the corner of his mouth, immediately after blowing the cigarette steam into the dark night sky.

"don't tell me you care," he said, running his tongue across the front of his teeth, accentuating his smile from before.

he took another drag from his cigarette, his gaze locked on you as he did so.

you didn't know what to answer.

you didn't care, did you?

but your mouth got you ahead of you and you found yourself telling him "i think you should quit."

"what'll you give me if i do?"

you didn't know what had made you stop breathing in the first place, his words or the way he let the smoke leave as he continued to have a smile on his face, this time actually looking more of a grin than a smile.

conrad knew that smoking can be attractive to certain girls, even for you —despite the fact that you had just suggested that he quit—, and he took full advantage of it.

acting on the spur of the moment, you swam the remaining distance between you and rose to the surface in just a few seconds. you put your arms on either side of his body, leaning on the edge of the pool for balance, and you suddenly connected your lips with his while he put out the cigarette.

he quickly took the opportunity to wrap his free arm around your waist to help keep you afloat, as he rushed to deepen the kiss the moment your lips parted slightly over his when you felt his touch on your wet skin, ignoring the presence of your bathing suit.

he was so good at kissing you that you were so damn grateful for his arm holding you. because if it hadn't been there, then you would surely have drowned already if you had to support yourself alone.

a faint sound left your lips as, using his hand around your waist, he pulled you all the way over his lap, lifting you out of the pool. a sound that he would've liked to hear endlessly.

only, being the wrong people at the wrong time, jeremiah and steven showed up outside the house, making a lot of noise before they noticed you, and you immediately pulled away from conrad, leaving him yearning for having you again in his lap.

you were preoccupied with looking at each other, both mentally cursing the two of them —conrad more than you—, that you didn't even realize what they were talking about. not until steven addressed conrad specifically, "come on, man, we're leaving," he said with excitement visible all over his face and conrad struggled to look away from you to look at him. "you ready?"

you weren't aware of what it was about, but it didn't matter either, because conrad was quick to turn him down. "actually, change of plan, man, i can't come tonight."

both steven and jeremiah looked at him confused.

steven raised an eyebrow. "how? why?" he asked.

conrad fisher was not a man of many words, so he just shrugged and said, "something else came up."

jeremiah and steven exchanged glances, not knowing whether to believe him or not, but neither of them would've thought that the thing that came up was actually someone and you were right in front of them. eventually they gave up and left the backyard, leaving you alone with conrad again and with a tension between you which could not be overlooked, the desire still being on both sides.

"soo," you lengthened the letter because you didn't know what to say, "good night, i think," you added and you wanted to leave, but he grabbed your hand and when you looked at him, you couldn't take your eyes off his gaze and the way you could see he was longing for you.

"good night?" he used a tone to tease you and a grin appeared at the corner of his mouth. "it would be a good night if you continued what you started."

"what?"

your cheeks flushed and you stared at him like a deer in the headlights.

oh, your naivety.

it attracted him even more that even though you were perfectly aware of what you had started, you were unaware of the effect you were having on him.

he pulled your hand so that your legs were around his lap again, placing his hands on your back, lightly forming circles on it with his long fingers, and his lips on your neck. when you felt his lips on your neck, you involuntarily arched your back and moved against his growing erection, having him gasping to try and keep his control.

"don't move," he warned you, his mouth now close to your ear as he lowered his hands to your waist to stop you.

but the area where you needed him was starting to throb and yearn for his touch, forgetting about the layers of clothing that would separate you both from making skin to skin contact.

you tried to tell him that, but instead you made a soft sound, almost like a whimper, and he couldn't resist the temptation anymore and pressed his lips to yours, kissing them as if hungrily as if he had been waiting for this moment for a long time.

and so it was.

only he knew how often it became painful to see you in a short dress or a bathing suit, making him think about how you would look without any clothing item.

during the kiss, you started to rub against him again taking advantage of his carelessness and when your pulsing core made contact with his length, your lips parted and you sent a soft moan into his mouth, right before his tongue entered your mouth and entwined with yours in a dance of desire.

you continued the kiss for several seconds, conrad completely dominating you while you tried to keep up with him.

you broke the kiss, leaning back just as you could breath and whispered under heavy breath, "we shouldn't be doing this."

"why?" conrad asked you, breathing just as hard, running his finger over your bottom lip.

"anyone can see us here," you said and you weren't phased that you saw another grin appear on his face.

"let that be our last problem,” he replied and lifted you off of him, taking you over his shoulder and covering your bottom with his hand as he slipped through the back door to go up to his room, without you two bumping into the belly or even worse, into one of the mothers.

you reached his room and he put you down, with your back to the door, as soon as he made sure he locked it, and the way he looked at you made your thighs squeeze around nothing.

"i think you should ditch the swimsuit, love, or you'll catch a cold."

you swallowed hard, looking at him as he measured you from head to toe, and you couldn't go on even though you wanted it more than anything.

he noticed your avoidance and moved closer to you, playing with the strap of your swimsuit, his breath blowing lightly heat against your skin. he couldn't be more wrong than that. there was no way you could catch a cold, even though your bathing suit was indeed still wet, when your whole body was on fire for him.

"do you want me to help you?" he whispered, brushing your hair aside with his free hand so he could see your neck.

with your breath caught in your throat, you nodded your approval and his hand lifted your chin with two fingers, bringing your lips to his.

"with words, love."

you snapped out of your trance, muttering an "yes", just to urge him on.

his hands slowly went down one strap at a time, taking his sweet time to look at your chest as it was right under his nose, and he couldn't control himself and grabbed both of your breasts with his hands, gently massaging them, drawing a weak moan from you. he ran his tongue over one of them, continuing to caress the other as he removed the entire bathing suit from your body and moved down, wanting to run his mouth over your body, but you stopped him, instinctively grabbing him by the hair to get his attention, and he could've sworn he was almost ready to finish in his pants, right then and there.

"aren't your clothes also wet after the moment before?" you asked, and he gave you a knowing smile.

he pulled away from you, the smile still playing on his lips, and he removed one item of clothing one at a time, earning a sigh from you each time. you liked what you saw.

he was only in his boxers and started to come towards you, but you put your hand on his chest, stopping him. “not fair,” you said and looked at him seriously, so he chuckled in a low tone and took them off as well, leaving you both completely naked in the moonlight that filtered through the blinds of the bedroom window.

plucking up some courage and trying not to think about how big he was, you pulled his neck towards you and you kissed him, as he pushed you back towards the bed until you fell on it. he leaned over you, continuing the kiss and helping you get comfortable between his pillows.

"are you sure?" he asked and you agreed. he moved his hand down between you and when he reached your opening he felt how wet you were and he smirked against your lips. "all this for me?" he asked teasing you but inserted a finger of his inside you, making you open your mouth slightly. "shh, love," he cooed, and kissed you briefly, earning your moans as he inserted another finger and and he curled them just right so he can touch the place that made you lose yourself under him. "we wouldn't want anyone to hear us, would we?" he continued and asked you between short kisses,

you wanted to tell him you were close, your breathing becoming alert as you followed your release. but he already knew that by the way you squeezed his fingers inside you, so he suddenly withdrew, at which point you whimpered and felt your body begin to calm down, though you still felt the desire pulsing at your core.

"i won't let you finish until you finish when i'm inside you," he assured you and reached to grab a condom from the bedside drawer and open it with his teeth as he roll it on.

you moaned in anticipation, involuntarily clenching your thighs, but he pulled them apart, making a sound of disapproval and positioning himself at your entrance. "i hope you haven't changed your mind because i don't think i can back down now,” he said, tucking a strand of hair, that sticks to your face because of the moisture on it, behind your ear as he watched you while standing on his elbows at the either side of your body. and when he met your gaze, you placed your hands on his cheeks, kissing him and pulling him back down over you, giving him the answer.

he put it inside you, waiting a bit until you squeezed his hand to continue as you both moaned at the contact, and he picked up the speed.

"you feel so fucking good," he said and your moans had become his new favorite sound, he could have listened to you all day and all evening and he would not have had enough.

he was nearing his finish, and he couldn't resist anymore, so his movements became sloppier and faster, as he lowered his hand to massage your clit in small circles to help you both finish at the same time.

the only sounds in the room were your hurried, strangled breaths, and the sounds of wetness as his body pounded inside you, until the released washed up over you both, and he fell on your chest.

"it was amazing. worth quiting smoking for," he said unexpectedly from the euphoric high he was feeling, —more euphoric than the feeling he got from smoking—, and you giggled under him, hiding your face with a hand as the other one hugged his body softly.

#the summer i turned pretty #tsitp #tsitp x reader #tsitp x you #conrad fisher #conrad fisher fanfic #conrad fisher smut #conrad fisher fluff #conrad fisher x reader #conrad fisher x you #team conrad #tsitp fanfic

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gay-dorito-dust · 3 months

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Hi! I saw your Percy Jackson asks where open and I wanted to send in a request! How would Percy react to a fem reader who is the child of Morpheus the God of dreams? Like I imagine being a child to the God of dreams would make one fall asleep randomly when they are still new to their powers, so how would the scenario play out if perhaps one day reader falls asleep on him during a movie night? Would he stay as still as possible as to not wake her up or would he do something else like gently wake her up/move her? Hopefully I made this detatiled enough but in anyway thank you!!

You were just halfway from dozing off when Percy’s voice brought you from the cusp of a deep sleep to ask:

‘Does your dad look like-‘

‘For the last time Percy no, my dad doesn’t look like Tom Sturridge from The Sandman.’ You replied before he could even finish his question. It wasn’t the first time he asked this question after watching the Netflix show ironically about a man who bore the same name as your godly father, Morpheus, the god of dreams; Something that you now had a bone to pick with Neil Gaiman over.

‘Sooo he doesn’t blow golden sand at people’s faces to make them fall asleep?’ Percy continued to ask but at this point you knew that he was only doing this just to get a rise out of you and also to keep you from falling asleep again.

‘No-will you pack it in, in trying to get some rest from today.’ You said as you lightly smack his arm whilst readjusting your head onto his shoulder for more comfort, already feeling the lull of sleep beckoning you to fall further when Percy once again spoke up.

‘But you already do enough sleeping as it is!’ He cried but tried his hardest not to move too much in fear of agitating you, knowing firsthand how much you hated your sleep being disrupted. ‘And I can’t help that!’ You exclaimed. ‘I’ve been falling asleep at random ever since Morpheus claimed me as his own. It’s almost as though I’ve suddenly developed narcolepsy or something.’ You were still getting use to your powers that for some reason would backfire now and then, causing you to have bouts of almost narcoleptic episodes where you could just be talking to someone then boom; there you were, fast asleep in the strawberry fields or on the sandy dunes of the lake as though it were the most comfortable place known to man.

It worried to everyone to begin with but upon being claimed, it started to make a lot more sense that whenever you did spontaneously fall asleep, it was easier to be accommodated for; letting you sleep because you were mad cranky when woken prematurely. Connor and Travis learnt that the hard way when for an entire week their dreams consisted of being chased by a very angry humanoid goose, as if being chased by a regular goose wasn’t scary enough. Just one of the few perks of being the child of the god who could morph dreams and enter them however he saw fit.

The subject of your tendency to fall asleep at random was soon dropped entirely as you and Percy went back to watching the movie that was already well within it’s third and final act. Well Percy was, you on the other hand…were fast asleep on his shoulder, uncaring of the crook in the neck that you were surly developing from your uncomfortable position. Percy doesn’t notice until he goes to look at you to make a joke on a certain scene but stopped and the words died on his lips as he stared at you adoringly. ‘Why am I not surprised that you’ve fell asleep. Again.’ He says softly to himself as he watched how your grip on his arm would occasionally tighten as though your dream had taken a tonal shift, only to loosen up and relax not a moment after.

Not that I needed my arm or my shoulder anyways. Percy thought to himself as he tried his absolute hardest to stay still for your benefit but he might as well have asked Medusa to make him into stone instead because he was doing such a shit job at not moving at all. It was almost as if all his limbs had minds of their own as they’d move or his fingers would tap against his thigh impatiently as the movie ended and the credits began to appear on screen; With the remote too far for him to reach without waking you up and nothing else to occupy his restless mind, Percy felt as though he was in his own personal hell and heaven, or fields of punishment and Elysium.

For one, he got to admire you as you slept, completely at peace and safe within his presence as you would oftentimes shuffle further into him, making noises of discontent when you thought you felt him move away and tightening your grip; Something he found undeniably adorable as he watched the twitches in your face and tries to guess what kind of dream you were having based off them. Secondly he desperately wanted to move, his brain was telling him to move, but Percy would rather not risk having an angry human sized goose chasing him in his dreams for the next week because he accidentally woke you prematurely from your nap. He knows you wouldn’t do that but in cases like these, it he’d know it be better to be safe and sure then expect special treatment; which upon retrospect sounded a lot worse then getting chased by a human sized goose.

So Percy allows himself the fate of being your makeshift pillow, though not before pressing a kiss to your head, wishing you the sweetest of dreams before inevitably falling asleep himself as he rested his head atop of yours, crook in his neck be damned.

#pjo x reader #pjo imagines #pjo imagine #pjo fanfic #pjo tv show #pjo series #percy jackson x reader #percy jackson imagines #percy jackson imagine #percy jackson fanfic #percy jackson fan fiction #percy jackson #percy jackon and the olympians

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baileybeez · 1 month

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My Top Ten Favorite Bumbleby Moments (My Opinion Obviously)

10. All Fight Scenes

I know I'm technically cheating on this one but whenever these two fight, I know I'm in for a good time. And all of them have been superb. These two are in sync without even communicating with each other. They know each other's abilities and know how to work together well in combat.

9. We're Protecting Each Other

This was a 'you had to be there' moment. It was insane. Even knowing these two would eventually confront Adam, the way they did it blew my mind. I loved seeing these two stand up together to confront Adam and become each other's strength's. They had each other's backs in this moment and were going to do it together.

8. We Were There For Each Other

This moment lived in my head rent free for months after the episode came out. They held hands before this to comfort each other during stressful times. Like Blake reaching out to apologize to Yang when she lost her arm and Blake reaching out when Yang's hand started to shake because of Adam. But this time, Yang reached for Blake in a moment of peace. After everything that happened, she forgave Blake and accepted her after everything they went through together. And all she wanted to do was just hold her hand again.

7. Volume 8 Reunion

The amount of gushing I and many others did during this moment was crazy. We were starved for Bumbleby interactions in Volume 8, especially after Volume 7 did so many with them both. After 24 hours of craziness, the two are at peace once again. Blake at first is worried since they did separate missions Yang might be mad that they didn't work together. But all Yang did to reassure her was smile and the two touched foreheads and later embraced each other. It was such a sweet moment.

6. Date Night

Volume 7 had so many good little bee moments that were adorable and I'm a sucker for fluff. Blake getting her new hair and Yang struggling to compliment it, the selfie, Blake falling asleep on Yang's lap with Yang holding her etc. But the two going to a club and off handedly mentioning they're gonna ignore Team FNKI just to have their own fun. You two can just call it a date, we won't judge lol. With Yang trying to teach Blake how to dance and Blake struggling to learn while laughing. I love how whenever Yang cracks a joke, she looks at Blake because she wants to make sure she see's Blake laughing. Not to mention Nora's comments later in the episode.

"Blake and Yang are off doing they're own thing again."

"Friends huh? Just friends?"

"Two people who have gone through that much? I think there's more going on."

And I will forever be mad RT didn't show us them at their date.

5. The Burning Candle

Ya'll this was the spark that ignited the ship. Not only is the Burning Candle just a great episode but it's an amazing moment for Blake and Yang. We get to see these two open up and communicate their wants and desires. With Yang telling Blake about her past and trying to help Blake so she doesn't push herself too far. And then of course at the end Yang gives her that wink and says 'I'll save you a dance'. Then we later see the two dancing. It was also the first time we saw Blake laughing and happy and it was all because of Yang. Yang who just asked for a dance in return for helping Blake and opening up about her past. I was sold on this ship when this episode came out.

4. How Disarming ~

The gay in my brain would not stop buzzing at this moment. It's amazing seeing how much Blake was the one openly flirting and initiating playful touch. There's a great post by @wixhing0nastar going over Blake's body language throughout the volumes. How a lot of the times Blake is more closed off in her posture, like how she holds herself. But here, she's leaning into to Yang's space and just playfully nudging her. She's not holding back. Also I swear I could hear Blake purr when she said 'How disarming'. Like my breath got caught in my throat. And then when Weiss said 'About time'. I knew this volume had to be the one where they finally get together.

3. Volume 9 Reunion

This is my favorite reunion of Bumbleby. Especially since we had to wait for so long for these two to be reunited. Blake was distraught last volume as she failed to save Yang and thought Yang died in front of her. Yang who had always been there to help her and fight by her side. And the first thing Blake does when she gets a free chance is to tackle hug Yang and hug her tightly. Softly whispering Yang in both disbelief and joy. And Yang simply holds her to reassure her like she did in Volume 8. Honestly, if Weiss and Ruby weren't there they would have probably stayed like that for hours lol.

2. I'm Not Gonna Break My Promise

This used to be my favorite Bumbleby moment of all time and for good reason. Blake and Yang had killed Adam. The first thing Blake does is weep and fall to her knees. She's gone through so much and much of it had to do with him. Her torment of him is over and the person she once knew was dead. And Yang wordlessly just holds her and lets Blake cry. Blake finally gets out that she won't break her promise and swears it. Earlier Adam had mockingly told Yang that Blake made a promise to him once and that she didn't follow through with it. And even earlier in the volume Blake had promised to be there if they faced him. Yang has seen Blake stood by her words with her actions. And just reassures Blake she knows Blake won't break her promise. No more words are exchanged as the two just hold each other and Blake just cries more.

The Confession and Kiss

Was anyone really surprised? I know I wasn't. I loved the number 2 moment on my list so much. But I knew as soon as we got the confession and kiss scene it would more than likely take my top spot. It was all a matter of how it was executed and it was done spectacularly. There's many essays and write ups on why this scene was so good so I apologize if I don't add much to the conversation.

But Blake and Yang are stuck in a punderstorm and are trying to figure out how to get out. With them eventually figuring out they need to say things about each other they've never said before. At this point the two have only really said cute things to each other and then Blake comes out with.

'I think....you're an extraordinary person.'

Honest to god I was already getting emotional from just that as Blake goes in some more. Talking about how Yang does what she says, she brightens others around her and is always brave even when she's scared. The looks and the song Worthy playing in the background only add to how monumental this moment was for me. With Yang talking about how she liked how Blake wasn't intimidated by her even back when they didn't get along. She also talks about how Blake doesn't give up on people even when other people hurt her and she never gives up because she knows what matters to her. Blake has tried to help others and has sometimes failed but she has tried to push through despite labeling herself as a coward. But Yang see's a person always trying to do what's best for the people she loves.

Then we get this moment.

These are my favorite expressions of the whole scene. It's so wholesome, pure and full of love in every detail. At this point the two know what needs to be said but Yang is at first hesitant and the bridge between them widens. Blake asks if Yang thought of something then didn't say it and Yang is so bashful as she is realizing she needs to say those three words. But Yang is scared, she compares it to a cliff and if she goes through with it she'll fall. I've always headcannoed that Yang's greatest fear is letting those she loves down. And that ties into how she fell at Beacon and fell in Volume 8. It can also tie to her with the aftermath of Mercury and feeling she let her team down. She's scared she won't be good enough and will lose it all. It also similarly ties into her abandonment issues.

But Blake points out, they're already falling. Their emotions aren't going to go away just because they're scared. They're already worried for each other when they're fighting to save the world and two thought they were dead last volume. With Blake thinking Yang died and she failed to save her. So Blake encourages Yang gently by telling her to say it.

And after a heavy sigh, Yang confesses with Blake jumping in before she can finish as the two say I love you. The bridge that separated them is gone and they're together. They look at each other with blushing cheeks with Worthy playing in the background. They pull into each other, Blake slowly smiling as they get closer and kiss each other. White lilies sprout from under them as the while lily symbolizes rebirth and rejuvenation of the soul. The flowers are also used at weddings and can also mean purity. It's such a perfect flower to fit this perfect this scene.

And there you have it, my top ten Bumbleby moments. There were lots of moments to choose from and so many of the ones I love unfortunately didn't make it on this list. So here are some honorable mentions down below.

#bumbleby #rwby #sapphic #rwby bumbleby #rwby volume 9 #blake belladonna #yang xiao long #blake x yang #greenlight volume 10 #THIS IS ALL MY OPINION

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you-fuckin-judas · 1 month

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The beautiful discussion of love through physical touch

[young royals s3 spoilers]

We are back where we started, but this season was full of BEAUTIFUL moments of this conversation through physical touch. Wille & Simon have learned and grown so much together, and it so VERY clear in how we see it.

LETS DISCUSS [and cry again together]

1. I'm just glad you're okay.

Let's start somewhere familiar, but dealt with in a new way. Simon has once a gain experienced violence as a result of online hate, and again Wille wants to be there to protect and comfort him. BEFORE when Simon was in times of stress he would push Wille away, unsure and stifled by the emotions of the moment.

BUT this time. THIS time he welcomes it, the warmth Wille has offered out and breathes it in. This moment is beautiful, in the way that they are communicating verbally and physically. They both sit there together, in the embrace. Together.

2. We have a new member of the choir

THIS moment right here, I won't lie had me running laps in my house. We just left the choir practice where literally everything was golden, the lighting, Simon's shirt, his face when it was announced Wille was joining.

EVERYTHING was golden.

We then have moved to this VERY intimate space, no music in the scene. no other members of the school in the locker area either. JUST the two of them, and their love for each other literally EXPLODING.

I have said it before and I will say it again : Omar is VERY good at depicting Simons love through his hands. Exploring Wille. His hair. His face. His chest. His neck. Literally anywhere he can reach. It's literally like he's soaking him up like a sponge.

Not in a intense, overwhelming way. But more of a : I think you're beautiful and I love every part of you. and I want to show you that.

3. Hey

If we have ever seen these two, it's always fueled with passion and intense love. We hardly are able to see them in situations where they are sensitive and soft with each other.

let's be for real, they hardly ever were given a second of PEACE.

THIS moment is so beautiful, so GENTLE. They see each other at school for the first time, and in front of everyone they share a kiss. THE WARMTH of it makes my HEART WARM. For the first time in front of their peers, in the open, in the light they can share their love.

Neither one shys away from it, and again we see Simon wandering with his hands on Wille, so comfortable in his love.

Also, I want to point out that they both are in bolder colors much different than what we are used to seeing them in.

Usually we see Wille in his signature structured school jacket, as well as in darker hues. Here we see him in this soft, plush pink sweater.

Simon we are used to seeing in purples, looser colder colors. Whereas here he's back in that beautiful golden hue, just shining.

4. Working out

Once again, we are in front of our peers. Bold in our choices physically. We see them working out, Simon joking with Wille.

We of course discuss the trip, but we cut to this quick but beautiful moment of their love to just be with each other.

Their smiles, their closeness, their confidence in their love in that beautiful lighting.

BYE THIS ONE WAS SO WHOLESOME I HAD TO.

5. What was your dream?

First episode of the season, we have already been met with an uncomfortable situation full of tension and anxiety.

They are both able to take a break and Wille takes Simon on a small tour in his home, of course like magnets they once again can't stay away from each other.

We have this intimate moment, where I won't lie I was worried SOMEONE was going to walk in because oh my GOD the timing??, and this discussion physically.

Of course the switching of who is in control, both laughing in joy by just being with each other again. We switch into this extremely passionate tone, but I want to point out something.

We obviously couldn't care less that one; we have our shoes on in this bed. Two; that both of them aren't on it properly. I'm only pointing it out because Simon is literally 2 inches from falling off it, but he couldn't care less because Wille has him in his arms and he trusts him. He's not trying to scoot back on it because he's gonna fall, he doesn't care because he knows Wille won't let him fall.

Once again, Simon showing his love with his hands in Wille's hair, his face. And Wille showing his love by holding Simon and not letting him fall.

ALSO the lighting? STUNNING.

6. What the hell do you think?

LETS TALK ABOUT HOW THIS SCENE HAD ME CRYING LIKE I HAVE NEVER CRIED BEFORE. I was furiously checking the time left on the episode I was so SCARED.

ALRIGHT I saved my favorite for last on this post. Let's go.

THE EXPLOSION of relief from them, from US was absolutely insane. The collision of this hug? I could HEAR it. They were hugging so tightly their ribcages might have locked together.

We also have this BEAUTIFUL lighting, the LUSH green behind them, the fresh air.

I want to applaud the acting from them here because the relief you could see, I don't know about you but I could feel it in my throat. Their hands grabbing at each other, holding as tight as they could, scared to let go? GOD.

Simon's FACE, the tears, the way his hands won't leave Wille and his face. He cannot believe that this is real, that this is really happening. He is just so overwhelmed with emotions and love it absolutely is breathtaking to see it.

I'm sorry but this was the most beautiful scene I have ever seen. Their overwhelming love for each other, their joy at finally being FREE. You can see it; their hands not leaving each other, their SMILES, their eyes locked.

Will I do an in depth discussion on this finale sequence here? Yeah probably because it's EVERYTHING to me.

Young Royals is so personal to me, and this show has meant so much to me. I'm crushed its over, but I think the ending we got was absolutely perfect.

I won't stop the analysis posts because there's just so much I want to talk about, young royals forever 💜

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pommedepersephone · 6 months

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Buck up, Hamlet! or how Aziraphale and Crowley's blocking helps communicate the evolution of their relationship

Can we talk about the blocking?

Specifically, I have been rewatching S1E3, one of my favorites. I love how the development of the relationship between Aziraphale and Crowley is shown through these little vignettes. There have been some great explorations of the costuming and dialogue, but what always strikes me is the BLOCKING. The way their placement and movements add such depth and tell the story of living as a queer person, having to communicate in coded language.

Through the episode, we get 4500 years of history - Eden, Mesopotamia, Golgatha, Rome and Wessex - to see Aziraphale and Crowley standing on their opposite sides. Aziraphale always on the right, Crowley always on the left. But after the Arrangement, their blocking changes drastically and becomes much more fluid and nuanced. Each scene after this is distinct but the scenes in at the Globe and the Bastille have the most development, and I find myself rewatching them A LOT. Here is what I see.

All the World's a Stage

This is the first meeting we see that isn’t a chance encounter, though the two try to stage it as such. It takes place in a theatre - and they are acting, playing their roles as demon and angel. Even the humans are complicit in this performance, with Shakespeare stepping in to address the two "in your roles as the audience." Oh, delicious.

But once it's been firmly established for anyone watching that they AREN'T friends, they DON'T know each other (cough cough) the following moves are clearly choreographed and have been played out many times before. Crowley sashays to the right, opening the dance, and Aziraphale accepts the invitation to dance with: “What do you want?”

“Why ever would you insinuate that I might possibly want something?” Crowley is just playing his role as cheeky demon offering up a temptation - but his position to the right of Aziraphale speaks to the fact that they are both very complicit in this performance.

“You are up to no good.” “Obviously. And you are up to good, I take it? Lots of good deeds?” Just standard character establishment, here.

“No rest for the, well, good." Ah, this line, the inversion of the well known idiom. Because the line between good and evil (and between angel and demon) maybe aren't so distinct, and Aziraphale acknowledges this with his words. We are moving into negotiations now. "I have to be in Edinburgh at the end of the week. A couple of blessings to do, and a minor miracle to perform. Apparently, I have to ride a horse.”

“Ah hard on the buttocks, horses. Major design flaw, if you ask me. I’m meant to be headed to Edinburgh too this week. Tempting a clan leader to steal some cattle.” The way Crowley moves AROUND Aziraphale here, intimate but also careful, watching for his reactions.

“Doesn’t sound like hard work.” Said with a little sideways look, because Aziraphale can see where this is going. And he's open to suggestion temptation.

“That was why I thought we should… well, bit of a waste of effort. Both of us going all the way to Scotland.”

“You cannot actually be suggesting what I infer you are implying?” A little bit of pretense, because Aziraphale has to pretend to be tempted, right?

Crowley presses. “Which is?” Because he is willing to play the part of tempting demon, but only if it is clear this is a farce, that this is indeed mutually agreeable. He is making sure they are doing the same dance.

"That one of us goes to Edinburgh and does... both. The blessing and the tempting."

Yes, they are doing the same dance, and what is left is the formality of concluding the dance - a moment of Aziraphale expressing his concern for Crowley, the coin toss - they both know how it ends. It's a ritual, an act of give and take.

But if it were ONLY the Arrangement, a simple quid pro quo, it would have ended there. It doesn't. Instead, the two offer each other a more intimate exchange - "It'd take a miracle to get people to come and see Hamlet."

Aziraphale doesn't even have to ask with words, just a look, and Crowley happily agrees. That is the final part of the dance, a small acknowledgement that this isn't just about making their jobs easier.

A Free Man in Paris

Paris is something else. This is a HUGE step beyond making sure that audiences like a show your angel is particularly fond of. This is a stolen dangerous moment, an OUTRAGEOUS flirtation that takes place outside of time, conducted in clear view of others but beyond their understanding. Isn’t that how their entire relationship is now conducted, hidden in plain view and so clearly affectionate?

And look, Aziraphale is BITCHY in this scene. Peak That Bitch. He's just purchased a bookshop, he's creating a very permanent place for himself here on earth - Aziraphale is feeling quite proud of himself. In fact, he's preening a bit that he has figured out how to exist, even in some small limited way, as himself within the confines of the system of Heaven. Buuuut he may have gone just a bit too far, and gotten himself in a spot of trouble. He has landed in a prison, threatened with "death" and stuck because he's already gotten a warning about being frivolous with his miracles. Oh jolly good that Crowley is here to save the day!

There is something raw being communicated here here, where both Aziraphale and Crowley are presenting themselves to the world in ways that are dangerous. Aziraphale's reaction tells us that Crowley's look is doing things to him, but also in a way that it is NOT socially appropriate. Aziraphale may have showed up in all the trappings of an English aristocrat, but here is Crowley as a French royal sympathizer. NEITHER of these are safe choices in the middle of a revolution. The costuming is so critical to fully appreciating this scene, so check out the amazing clothing overview with @cobragardens.

When Crowley arrives and stops time, he and Aziraphale find themselves situated facing one another, but angled so they aren’t facing straight on. Interestingly, from Crowley’s perspective, he is where he is supposed to be - the left of Aziraphale. But Aziraphale, from his perspective, is also to the left of Crowley. It was Aziraphale after all who initiated this situation, who put himself in danger by being too… Aziraphale. It’s dangerous to be yourself when you don’t fit into heteronormative social expectations, isn’t it? Still, the two keep up a very flirtatious banter as they discuss the situation, and Crowley maintains his very-intentionally-unbothered sitting position up until Aziraphale goes too far and thanks him for coming to his rescue.

While Crowley is also flirting with danger in the way he is dressed, he also didn't just pop over for a nibble dressed this way. And whatever he might have been up to was interrupted so he could rescue Aziraphale from the consequences of his own reckless authenticity. After removing the chains, Crowley pushes Aziraphale to reconsider his honest expression of himself in this exact place and time - for the sake of survival.

Aziraphale, willing to risk himself alone, rather quickly adopts a more acceptable appearance when it might impact Crowley. It is only after Aziraphale is safely disguised and returned to his proper place to the right of Crowley, ONLY then does Crowley restart time. They can go enjoy lunch now, with the proper precautions and masks in place.

For these two particular human-coded occult beings, this is also such an honest moment. They both showed up damn authentically - Aziraphale so fabulously ostentatious, focused on chasing down some pleasure (in this crepes) and Crowley wrapped in a clear protest against the current violence. Just as Aziraphale indicated with his "Oh good LORD" as he looked the demon up and down with obvious thirst, Crowley's request to Aziraphale to change his appearance and mask better is done in such a way that affirms that Crowley LIKES who Aziraphale is without the mask.

The scene is so playful on the surface, the body language and dialogue flirtatious. It's something so familiar to the queer experience, making light of the absolute danger that we must sometimes navigate just to exist. The more I watch it, the more obsessed I become.

A Spot of Bodysnatchin'

It is worth remembering that we didn't get this scene in S1.

I am going to go through it soon, because again they dance back and forth beautifully in this minisode, but suffice to say we all know... it didn't end well for Crowley.

No Walk in the Park

The moment in St. James Park is brief, and it wasn't until S2 and the meeting at Edinburgh that we got the full context for this meeting. But even without this, we can clearly see that things are weighing heavily on Crowley. The scene in the Bastille took place in a prison, with the threat of execution over their heads. The juxtaposition of this conversation taking place in a park - a place that is not only NOT inherently dangerous but looks lovely and welcoming - only highlights the change in Crowley's attitude. He still attempts to be playful, but he's afraid. Look at that paper, it's a bit crumpled, he's been carrying it around for a while.

They are firmly entrenched on their assigned sides for the entire conversation, both very stiff. It feels uncomfortable to watch. When Aziraphale refuses his request, and indicates whatever is between them is just "fraternizing" with the enemy, we get a glimpse of how fearful Crowley really is. In none of these flashbacks has Crowley ever spoken to Aziraphale with the anger we see here. When they part in anger, it feels wrong.

Take Me to Church

So there is a long break between meetings now. But then, ah, the church. The place Aziraphale realizes his feelings. (Look, if Michael says this is where Aziraphale realized he'd fallen in love, I am not here to argue.) What I love is that again we see Crowley and Aziraphale swapping sides. Crowley is here to save his wayward angel, AGAIN. Despite feeling the ill effects of walking on consecrated ground, Crowley is here to save his angel and defeat Nazis. It's definitely not remotely evil intentions.

It isn't like the Bastille, but some of the parallels exist - Aziraphale failing to grasp the risks of his actions. And the silliness of his little dance coupled with just how deadly serious this situation is harks back to their flirtations in the prison.

Crowley is to the right of Aziraphale from the time he arrives until the bomb drops. Then in the rubble, with the danger past, we see them on their assigned sides again. UNTIL Crowley hands Aziraphale the books he saved with a "little demonic miracle of my own." He then crosses Aziraphale, and we see the look of absolute adoration as the angel watches him walk away to the right.

Sweeeeeet baby Jesus, baby girl has it BAD.

Always Crashing in the Same Car

This extremely heartbreaking scene has been dissected, chewed over, breaking our little hearts with it's sharp pieces.

But it is purposeful that this scene took place in the Bentley. Being in the car is symbolic because Aziraphale is here making an offering to Crowley, in his space, something that he Aziraphale feels is WRONG which is highlighted by his placement to the left of Crowley. He is scared, acting against all his own desires, but he does it anyway because he cares for Crowley. It's simple, powerful placement. Need to hurt more? Yeah, thought so. Take a deeper look at the dialogue with @zionworkzs.

#good omens meta #look the blocking has me feeling things #just brilliant #i am very normal about them #neil gaiman #good omens #just theatre kid things

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1shirt2shirtredshirtdeadshirt · 1 year

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Today on popping the corn and feeding the children, what do you folks think of this discussion? :)

I'm always curious to hear what other Trek fans, especially queer Trek fans, think about our place in Trek history and how we fare as the queer participants within our fandom. What have your experiences been like?

Overwhelmingly I've found a great reception and a welcoming attitude, but I admit that has increased considerably since the 90s. However, there are still some Trek fans who seem to be vehemently in denial about queer history in Star Trek, or the fact that anyone who has worked on Trek has pro-LGBT attitudes. This always surprises me considering some of the blatant queer content we have already seen in Star Trek such as the Jadzia Dax and Lenara Kahn kiss.

Anyway, I enjoyed the discussion that followed and seeing the overwhelming outpouring of support coming from Star Trek fans in response to this thread.

Here was my two cents contribution:

"No, what they said was factual.

Have you forgotten Nichelle Nichols was indeed an African American woman in the core seven bridge crew back in 1966?

Or the fact that Gene Roddenberry went out of his way to write The Motion Picture Novel, creating the term "T'hy'la: friend, brother, lover" so that fans could choose which interpretations of Kirk and Spock they saw fit? He also embraced K/S fans and hired a number of them to write the earliest Star Trek novels, including the very first official one (The New Voyages Vol. 1 & 2) which included slash fiction as well as Gene's approval/forward in the books.

In case anyone has forgotten, here's a little bit of background on Gene Roddenberry and his perspectives on queerness in Star Trek.

He admitted that in his early life he was very affected by how society and culture treated the LGBT community, and that he too found himself subjugating and judging others for that lifestyle because it was what people did at that time. As he got older and had more life experience, he began working with a number of queer artists in Hollywood -- and through TOS, a number of queer individuals began asking questions about Kirk and Spock.

Instead of vehemently shutting down this perspective, Roddenberry was intrigued, and saw potential to tap into a large audience (LGBT) that most others didn't want to go near or acknowledge publicity-wise. He saw it as an opportunity to expand the fanbase while also pushing yet another envelope.

But with the heat already on the show for what they'd already pushed, he found he was often stuck between what he'd like to do and what production would let him get away with. There are a number of Kirk and Spock scenes in scripts that got cut out for leaning a little too obviously romantic. Tiny trickles of that content still made it in were infamous moments like the backrub scene in Shore Leave. Even the 2009 movie had a K/S moment while Spock Prime and Kelvin Spock talked that was written and filmed that was cut out of the final product.

Queer subtext and coding has always been relentlessly weeded away at with an excuse ready to go for why they always try to cut us out, but we all know it's because they are scared of the homophobic backlash and ratings hits. Look how violently homophobes went after the gay romance episode of The Last of Us **just this year**. This has always been our reality, so for someone like Roddenberry to make efforts in the 70s? That was massive.

But Gene as well as the queer/slash Trek community managed to accomplish some things in the 70s which I'm surprised more folks don't talk about or give much credit.

In the same TMP novel which features "T'hy'la" and the famous footnote, Gene cleverly wrote Kirk with a bisexual/pansexual lens: Kirk describes himself as *preferring* women but being open to "physical love in **any** of its many Earthly, alien, and mixed forms." (Direct quote from Genes book). Basically, Captain Kirk was DTF with whoever if there was a connection, which was a very progressive take for a character in a novel written in 1979, but made sense for the future which would have a lot less hang ups about sex and love compared to our current rather puritan/conservative society.

I also prefer women, but I married a man. Shout out to Gene Roddenberry for giving us a seat at the table back in the 70's when folks *still* try to insist there is no place for K/S or queer concepts in Trek, because he made efforts -- however small -- to employ queer people and show queer perspectives. According to David Gerrold, LGBT+ representation was a big thing that Gene personally pushed for in TNG and wanted various depictions of love/couples in the Risa scenes, to name one example.

In the 70s, fanzines led to meetings and swapped fanmade magazines, which got so big that they needed hotel centers, then convention centers, then one day the TOS cast came to one and what we know as modern fan conventions were born -- inspiring even George Lucas who attended Trek conventions in the 70s and saw how popular Trek was in syndication; it was a great climate to launch his Space Opera. Star Wars then became so huge that we got TMP.

But none of that would have happened without the level of organization, passion, and creativity that those fans poured into Star Trek and their characters after it got cancelled and went into syndication.

Without queer folks we wouldn't have George Takei, Theodore Sturgeon who gave us Tribbles, Bill Theiss and his amazing TOS costumes, Mike Minor's art direction, Merritt Butrick, David Gerrold (writer for TOS, TAS, TNG) to name a few of many queer contributors to Trek that Roddenberry respected and tried to go to bat for wherever he could in a climate that was absolutely impossible to gain an inch in.

At a time during the 70s and 80s when so many people resented and feared the queer community and wanted us to disappear, especially in the 80s during the AIDS epidemic which many homophobes claimed was "God's punishment to the gay community" or "Gods's answer" to our "hedonism", thinking we'd gotten our just desserts and should just disappear . . .

During that time, Gene Roddenberry gave us queer folks a place to say: "You know what? Sure. Write your stories. TV says you guys shouldn't exist, they pull books with queer people off the shelves and burn them. Laws exist specifically to forbid you guys from loving each other, and call you mentally ill. You can't even hold hands in public. But I'm going to validate you guys and invite you to write novels or work for me, try to see what we can get by production, and allow you to see yourselves in my characters if you want to. There's a place for you in our fandom."

He gave us bi/pan Kirk, he gave us K/S is open to interpretation. In Phase 2 Kirk's surviving nephew Peter, son of his brother Sam from Operation: Annihilate!, was going to be written as gay and living on the Enterprise with his partner -- that also got chopped and reworked into a script that wouldn't get used until decades later. That was huge at a time that being queer was officially listed as a mental illness, and villainized due to the AIDS crisis.

So before you try to dismiss or tell K/S + queer Trek fans whether or not they deserve a seat at the table, remember that Gene Roddenberry was among the **first** to pull that seat out for us in a climate that was ruthlessly against LGBT+ folks." -- 1Shirt2ShirtRedShirtDeadShirt

P.S: Have some cute bisexual/pansexual K/S pride gifs. :) Pride month is a hop, skip and a jump away.

LLAP!🖖💚

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onceuponastory · 9 months

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just a kiss

Plot: Frustrated by Y/N and Bucky's refusal to admit their feelings for one another, Natasha decides to take matters into her own hands. Pairing: Bucky Barnes x Female!Reader Warnings: None. Just some fluff, and reader and Bucky being shy, flustered idiots who can't admit their feelings for each another. Notes: Recently I rewatched the episode of Vicar of Dibley where she helps Alice and Hugo kiss for the first time, and I love that scene so much, so I just knew I had to write it for reader and Bucky. This is just a sweet, lighthearted, crack fic. I hope you like it!

Not beta’d, so any mistakes are my own.

“Y/N, you’re staring at Bucky again.” Natasha murmurs, not even looking up from her magazine.

“No I’m not!” She stammers, clearly embarrassed.

“Yes, you are.” A reply comes, still buried from the depths of the magazine. “Why won’t you just tell him how you feel already?”

“I can’t.” She sighs. Y/N never meant for this to happen, of course. But then again, nobody ever plans this sort of thing. To fall so deeply, irrevocably in love with her best friend that her heart feels like it’s doing backflips every time he walks by. And she did try to tell him, honestly. Things just got in the way.

Before she could tell him, there’d be a mission sending one of them away, or an impromptu emergency calling her home. And maybe (although she doesn’t want to admit it) part of the reason she hasn’t said anything yet is because she’s too scared of taking the first step. Of laying her feelings on the line and not knowing what she’ll get back. Would she get them right back with a neat little bow on top? Or would they be completely destroyed?

Natasha, though, knows everything. Both about Y/N’s crush on Bucky… and his crush on her, just as big as Y/N's crush. After all, she seems to be the one they both come to when they need someone to rant about their feelings to. And the fact they’ve not said a word to each other about it is driving her crazy.

After all, there’s only so many times you can hear “God, Bucky looks so hot today.” And “How do you think I should tell her?” before you lose it. So, Natasha soon decides that if they’re not going to say anything, she’ll say it for them.

The next morning, she and Y/N are sitting in the kitchen drinking coffee together when Bucky walks into the room, filling his own cup. Already, Natasha can see the apprehension in their eyes. “Showtime.” She smirks. “Bucky, I was just thinking. Doesn’t Y/N look beautiful today?” He looks over, raising a brow.

“She’s just in her pyjamas.” Immediately, his face turns bright red, and his eyes widen. “Not that you don’t always look beautiful, Y/N it’s just-“ as Bucky stammers his way through the sentence, Natasha rolls her eyes.

“This is the guy who was a super powered assassin?”

“Oh, thanks Bucky.” Y/N smiles softly, somehow not noticing how flustered he is around her. Or if she did, she doesn't mention it. “You look really handsome, too.” Natasha grins. It’s not much, but it’s a start.

“You think so?” Bucky gasps softly, and Y/N nods.

“You always look handsome, Bucky.” They both mumble a ‘thanks’ to one another before silence falls again.

“Is there anything you two want to say to each other?” Natasha asks, looking between them both. Yet, neither says anything. They keep staring at each other, each clearly wanting to say something, but unable to. Natasha suppresses a groan. Here it comes. They’re going to bury their feelings all over again. “Oh my god!” she exclaims, massaging her temples. “This is insufferable. You two are insufferable.”

“What are you talking about?” Bucky furrows his brow.

“Look.” Natasha huffs. “You.” She gestures to Bucky. “Like her.” Another gesture, this time to Y/N. “And she likes you back. So there’s no need to be so nervous around each other.” For a moment, she expects Y/N or Bucky to be angry at her revelation, to tell her it’s none of her business, and they’d reveal it themselves when the time was right.

Instead, though, the complete opposite happens.

“You… like me?” Y/N gasps. Chuckling, Bucky nods, running a hand through his hair.

“Y/N, I’ve loved you from the moment I met you.” He admits, his cheeks flushing red once more.

“I never knew that.” Y/N gets up, walking over to him. “I’ve loved you for a while too, probably just as long as you loved me. But I was too scared to tell you the truth, because I thought you didn’t like me back… I’m so glad to hear you do.” Bucky grins, chuckling.

“Well….” He trails off.

“Just fucking kiss already!” Natasha groans. Slowly, Bucky moves his head towards Y/N. At first, the kiss is soft and tentative, as if they’re afraid of hurting each other. But as time passes, they release their emotions and the kiss becomes more passionate. As the pair wrap their arms around each other, Natasha watches on, beaming with pride.

A few hours later.

“Hey Nat, Stark wants you to sign this report.” Steve informs her, sticking his head into the room.

“Okay, pass it over.” When the blonde notices Y/N and Bucky in the corner, he furrows his brow.

“Are they…okay?” Natasha glances over at them, still making out. They’d come up for air a few moments ago, before hungrily returning their lips to one another. She smirks.

“Oh yeah, they’re just fine.”

~*~*~*~*~*~*~*~*~

Please follow @onceuponastory-library and turn on notifications to be notified when I next post!

#bucky barnes x reader #bucky barnes #bucky barnes x female reader #bucky barnes x y/n #bucky barnes x you #bucky x y/n #bucky x reader #bucky x you #bucky x female reader #bucky barnes fanfiction #bucky barnes fic #bucky barnes oneshot #marvel fanfiction #marvel fanfic #marvel oneshot

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im-a-hoping-beetch · 8 months

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Many people seem to get genuinely confused, whenever we, zutara shippers, mention how underdeveloped kataang really is. Usually, they’ll brush it off as us being delusional, bitter and you know the drill. Their main response to that, usually is: “How, could they possibly be underdeveloped, they had 3 seasons!?!”

The thing is they forget that the amount of time isn’t as important as what you do do with it. Cuz, yeah, Aang and Katara did have 3 seasons, but their relationship still managed to feel rushed as hell. Heck, even Bryke, out of all people, admitted to it. Which mostly as to do with a bunch of things that I’ll get into right now.

Let’s start with the fact that, Katara never actually shows any interest in Aang.

Now, many of y’all will probably come for me by citing how the cave of the two lovers or even the Headband have moments of her showing interest in him, but all of them end up falling flat at some point.

The cave of the two lovers:

The argument here, usually is“if she didn’t have any interest in him, why would she kiss him?” or “why would she blush at the idea of kissing him?”. The former seems to forget this is a life or death situation and that we don’t really know for sure that if there were another way to get out if this, she wouldn’t take it. For the latter, I’d like to say that blushing can have many significations such as, embarrassment. Which, here makes sense when considering what she says and overall demeanour, after suggesting to kiss.

Like yeah, a fourteen year old girl blushing bcz she’s embarrassed at the idea of having to kiss, her friend, out of all things, cuz you know… awkward. Can you imagine that (pun fully intended)???

The headband:

This one is going to be a ride, but stick with me. The arguments can range from “What about her jealousy while Aang is dancing with other girls.” to “What about the way she looks at him during the dance.”

Here, is said jealousy being shown:

And said look being done:

Now, yeah, I can absolutely see why these two exemples would be used as a way to prove her interest, but let me remind you that this is the same episode where we have this happen.

Yeah, the same episode where Katara is acting all jealous and giving flirty looks to Aang is also the same one where she pretends to be is… mother. While, I could go on about how it wasn’t the best idea on the directors or whoever was in charge of the episode part if it was their way of giving a glimpse of Katara being into Aang. The issue is, them doing so wasn’t completely farfetched either, because up until now it’s been established that Katara can be very motherly and she acts that way with almost everyone in the gaang. More specifically, the one with who she does so the most is, Aang.

I mean, even the show makes a point of poking fun at their mother-son dynamic on several occasions all throughout the show (ie. the don’t-rub-your-eyes-when-you’re-speaking scene in “The runaway” episode). So realistically, the two exemples shown way above could somewhat work, but only if you decide to completely ignore what episode they take place in, one that hasn’t really helped at stopping the mother-son dynamic allegations kataang has been getting, for years, now.

So, back to the development aspect, I think it has always been stunted from the beginning, because, fundamentally, the ship as always been designed to be Aang-centric. If you’d like more insight on that I’d recommend checking @starlight-bread-blog’s amazing post on the issue. But also, that their lackluster resolution is way much more obvious, cuz both are leads in the show. Katara's existence in the show, isn't solely there to serve as some love inerest for Aang. Shocker, but she's actually a MAIN CHARACTER in the show, meaning that we spend three seasons where we get to learn about her battles, fears and aspirations, none of which seems to involve a relationship with Aang.

Like yeah, the reason why The Ending Kiss™ feels so unsatisfactory is, simply, because, Katara doesn't like Aang (at least not like that). Katara, likes Aang, because the show said so. Now, stick with me, cuz I can already feel some of y'all ready to jump at the screen. Within the show, name a single moment where she ever comes to thinking of Aang in a romantic way. One that doesn't involve any external sources, such as someone suggesting about it or because of the given circumstances she has to. The answer is none. The only time we ever get to see her voice her ACTUAL opinion about it, this is what she says:

That's not even counting how her overall demeanor, from the body language to her choice of words seems to suggest that she's actually trying to let him down gently. Also, may I remind you that at that point THERE'S ONLY 3 FREAKING EPISODES LEFT BEFORE THE BIG KISS™ and this is where there at in their relationship. Plus, within the 3 episodes that are left WE NEVER GET TO SEE THEM TALK ABOUT IT, EVER!!!

This obviously was part of Bryke’s horrible attempt at the will-they-won’t-they trope. Which ended up playing right in their face, cuz like I mentioned they themselves had to come to glaring realization that kataang was rushed. Now, it could’ve been it, the creators realizing their obvious mistake and if they could, trying to fix it by giving us what seemed like the natural progression of their relationship, which was for it to end.

Instead, we got comics!Katara and oooh boy…

Basically, they decided that they would throw away Katara’s meticulously built characterization in order to make her existence revolve around, Aang. I kid you not, when I say that she isn’t allowed scenes, lines and actions that do not revolve around her “sweetie”.

Remember how I said that, Katara likes Aang because the show runners said so. This is an example of this cranked up to a hundred.

Essentially, when you start thinking about where these two are in terms of growth, kataang is the antithesis to development itself. On one hand it validates the regression of one (ie. the dropped chakra plot line), while simultaneously, having to strip any previously built characterization of the other (ie. comics!katara).

On that note, I’d like to remind people, how important Katara is to the story. Without her, the entirety of the gaang would be dead. Without her, there would be no story. Without her, there would be no Aang.

She deserved to have a voice within her own relationship and not for it to be stolen by two grown men who were still stuck in their childhood fantasy.

She deserved better.

#atla #avatar #anti bryke #avatar the last airbender #anti kataang #zutara #pro katara #katara deserved better

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weepynymph · 1 year

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I gotta talk about this moment even though it's been discussed a million times

Zuko, opening up to someone about his scar for the first time (from what we’ve seen in the show at least, but we can reasonably assume he hasn’t spoken about it like this since he got it) and explicitly stating that whilst he's always associated it with with failures ('the mark of the banished prince'), he's finally ready to take control and change his life for the better. And whilst he has accepted that he can never change his scar, it’s ok because he still has the power to change his destiny.

And despite this assurance, Katara, the healer, still jumps in and offers to heal it anyway, understanding that this is still a burden she could lift from him - 'What if you could be free of it?'

She knows it won't change his life in the same way taking control of his own destiny will, but still, it's like she can't help but try to ease his pain. Even if it's a pain that's long since become a permanent part of him, something that might seem surface level or cosmetic to others - 'It's a scar, it can't be healed.'

And then we have this

'I've been saving it for something important.'

This. Healing Zuko's scar. A wound that has, for all intents and purposes already healed and is not longer a threat to his life, but still burdens him emotionally. That has come to represent all of his trauma. This Katara considers important enough to use her limited and precious supply of spirit oasis water. In the middle of a war. In the middle of a dangerous journey to save the world in which she and her friends might be seriously injured at any time (including in this scene, where Ba sing se is literally under attack as they speak).

And if that weren't enough

'I don't know if it would work'

Now, I don't know the mechanics of spirit water in the atla universe, but it seems to be pretty heavily implied later in the episode when she uses the water to heal Aang, and for a moment thinks that it hasn't worked, that it's sort of a one-time deal.

Which means that she's willing to potentially waste the spirit water just on the off-chance that it might remove the scar. Which in the context of the wider story seems utterly insane.

But Katara thinks it's worth the risk.

And presented with this opportunity, this beautiful, selfless offer to ease his suffering, even on a purely physical, surface level, Zuko wordlessly submits, and lets her touch his scar.

Now, Katara doesn't know quite how significant this touch is (although she's very emotionally intuitive so I'm sure she has some inkling of the gravity of this action) but we do. We know that Zuko doesn't let anyone touch his scar, ever. So what this communicates to us as an audience is that Zuko is allowing himself, for the first time, to put his complete trust in someone. To be completely, 100% vulnerable with them.

And the moment of touch is all the more significant because, in many ways, it isn't even strictly necessary.

Katara's hands are empty, she isn't putting the spirit water to his face, to attempting to heal it here. And while I'd argue this touch could be a practical one - assessing the damage of the scar with her hands to see how to proceed before she uses the water - the moment after, right before they are interrupted, isn't one of practical, medical assessment, but of intimacy.

The way Zuko waits, patiently, eyes closed, and the way Katara pauses, just for a moment, doing what I can only describe as gazing at him, and that slow blink in the middle- Again, not examining his scar or reaching for the spirit water to begin, but just taking it all in.

It's so breathtakingly intimate and vulnerable - a point of connection between these two people who are supposedly so completely different but are, here, somehow so alike in their openness and understanding of one another.

That Katara offers to heal Zuko's scar even when he's said moments before that he's made his peace with the fact that he's never be free of it. And the way he accepts her offer without words because she's right, part of him does want to be free of it.

It's just an absolute masterclass in creating an immediate and powerful connection and bond between two characters in an incredibly short space of time from a start point of complete opposition without rushing it or making it seem implausible.

#I don't know how to end this is just needed to talk about this scene #they really send me into a feral frenzy #because how could this not be endgame when this scene exists???#anyway #zutara #Zuko x Katara #zutara meta #zutara analysis #my meta #atla #avatar the last airbender #my gifs

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loveyourownsmiilee · 2 months

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Alright friends I’m back with a small and quick buddie language analysis based off all that content we got for the 100 episodes celebration!!!

First of all, I can’t even get into body language without speaking about their outfit choices. On the same day we have their costume designer talk about how everything is thought out, how she meets with the directors/producers to make sure everything is right we have a sneak peek on what appears to be Buck and Eddie’s wedding outfits for Maddie and Chim’s wedding. Why is this a big deal?!? Because they are literally complimenting each other almost as if it’s meant to be viewed that they’re together as a unit. Now maybe it can be a family unit and not necessarily a couple type thing. Regardless, light pink and mint green are very complimentary and work well together. Upon some research, I found that pink tends to balance out the color green. The color pink will typically soften the color green whereas green will keep the pink color more grounded and leveled with the earth. Think of a strawberry where it grows from the green leaves and blooms into a beautiful red or pink shade!

Anyways it’s certainly a fucking choice that now we have confirmation that their costumes are always intentional, we have a glimpse into both gentlemen matching at what seems to be Buck’s sisters wedding. If that’s not meant to be obvious or a statement, then what is the reason? Especially knowing Eddie has never worn pink a single episode we’ve seen him in. He usually wears the earthy tones and Buck is the one who wears the fun colors including pink. So this role reversal is intentional but I also think it’s because Eddie is finally stepping out of his comfort zone and trying new things but Buck is still there to balance him out with his familiar earthy tones. They simply compliment each other well.

Now when it comes to body language, I’ve said this before and I’ll say it again: Oliver and Ryan have such raw natural chemistry that really shines on screen. Clearly they’ve been filming a lot together because they’re slowly morphing into the same person. In many videos we have seen thus far, they are mirroring one another so seamlessly. That’s because their bodies have become so familiar with one another that it naturally mimics one another.

Take this video for example. They both go in and take a bite at the same time. They’re not even looking at each other but their bodies are in sync with one another.

Then we have another video where both men tilt their head and look left at the same time. It happens so naturally, almost as if there’s a mirror there and you’re seeing the same reflection. It’s ridiculous how in tune they are.

Then we have the level of closeness and lack of personal space. Oliver usually tends to keep his arms straight out and never really puts his hand around anyone when taking pictures. He clearly feels comfortable enough with Ryan to put his arm and hand around him for the photos they were taking. Also, Ryan is leaning in towards Oliver in the first photo which can be a direct result of how comfortable they are to be around each other, taking up the same space.

Do not even get me started on whatever this is. Clearly they didn’t know their picture was being taken while they were having their little talk. But this reminds me of all of Aisha’s lives where they were in their own little bubble talking as if they’re the only two people in the room. Same goes here. This is clearly two people who are so fucking comfortable in each others’ orbits and tend to tune out everyone and everything around them when they’re together. They exude such natural chemistry that it’s so palpable in pictures such as candids like this one. This tells me that it’s very likely a lot of their scenes have been together, which would explain why real life starts mimicking what happens on screen.

All in all what I’m trying to say is something is definitely different about these two this season. I know I’ve said it in the past but you don’t just look this comfortable and attached with just a random coworker or a friend. These are two people that have grown closer whether it’s on screen or maybe in real life with their friendship. All I’m saying is that something has shifted and it’s so obvious with just how naturally in sync they are with each other, how easily they touch one another and lean into the others touch. Something definitely has shifted or is on the cusp of shifting and I for one am excited to see. Excited to see why these choices on their wedding attire were made. Excited to see the trajectory of their on screen relationship. Excited to see how they’re going to strengthen Buck and Eddie and excited to see if they do in fact plan on planting those seeds for Buddie to bloom come next season.

#buddie #evan buckley #eddie diaz #ryan guzman #oliver stark #911 spoilers #buddie language #body language #911 on abc #buddie meta #I’m back at it

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forbidden-sunlight · 5 months

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yandere!Jax with gender-neutral!magician!reader headcanons

Warnings: obsessive behavior, implied bullying, spoilers for the pilot episode.

There may also be possible triggers in this story.

If you do not feel comfortable venturing any further, please hit the 'back' button on your mobile device or computer and read something much more pleasant than a possible series of unfortunate events.

You are responsible for your own Internet consumption!

Hey guys and welcome to my very first fic for the indie animation that has shaken up Youtube, The Amazing Digital Circus! If you haven't seen it yet, I highly recommend it! :) Special thanks to @ceoofdabicorpsensfw for helping me figure out characterization and with a few scenes I was struggling with in this new writing style I am trying out. If you would like me to write more TADC content on here or on my other blog @an-idyllic-novelist please let me know!

So with that being said, sit back, relax, and let's see what's going today in the digital plane! :)

Whenever someone new arrives at the Amazing Digital Circus, it would fall on either Ragatha or Alakazam to get them all sorted out before they start to lose their mind. Alakazam, of course, would be Caine’s reference to you. You couldn’t remember your name and the ringmaster needed a magician. Tit for tat as they say, right?

The daily adventures around the digital plane provide stimulation and prevent everyone from losing what remaining insanity you all had left, especially since you couldn’t eat or sleep. A routine is also very good too, as you have suggested to Pomni. But she still insists on finding an exit. Just like what you all have tried to do when you first came here.

If there is one person who is seemingly unaffected by the situation, you would have to say it would be Jax. Either that, or the purple-furred rabbit just didn’t give a shit so long as he got some fun out of it. The guy’s existence would have been obsolete ages ago if he didn’t insult Kingler or ‘accidentally’ broke Gangle’s comedy mask for the nth time, which would lead you or Ragatha to calm her down long enough for it to be properly fixed for the next adventure.

What you did not realize, however, was that the pranks Jax pulled on you were actually much tamer compared to what he did to everyone else. Especially when one of them was getting more attention from you than he was receiving.

After all, there’s nowhere else in this place who can keep up with his sass and jokes and not get so bent out of shape over something small like popping a balloon right next to your ear. Maybe Ragatha, but she’s so boring~.

Not only would Jax be a possessive yandere who can get jealous easily, he’s also curious. He wants to know everything about you, down to the smallest detail about what you did today, yesterday, and the day before yesterday. Don’t be surprised if one of your items goes missing, only to have it suddenly turn up the following day. Actually, you might not wanna know why Jax took it and what he even did with it. If he took your journal or your playing cards, the last remaining building blocks of your sanity in this place…well, you must have done something to really piss him off.

Who knows? Maybe if you gave him the attention he craved for and even participated in a well-meaning, harmless prank, Jax might leave a love letter on your bed, written with a [Favorite Color] crayon inside the shape of a purple heart.

If you had a really bad day that led to your abstraction, Jax would also go insane. Because losing his darling, the most important person in his life, would finally push this childish jackass to his breaking point and just…let it go.

Taglist

@angelltheninth

@nunezs-stuff

@dragonempress18

@thejester0897

#forbidden-sunlight #yandere x reader #x reader #yandere male #gender neutral reader #gender neutral y/n #tadc #tadc jax #tadc x reader #yandere jax #the amazing digital circus #yandere fanfiction #the amazing digital circus jax #jax #jax x reader #the amazing digital circus x reader #ns.fw #yandere romance #gn!reader

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