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interstellarsystem · 1 month

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Nonhumans are here, even if you do not see us. We always will be. We are often hard to spot, but can be found doing all the things a human might.

A cat went to work at an event stall for a mental health service.

A massive sea serpent wanted to go to science class because it enjoyed it more than the rest of those living in its shared form.

The void sat down, huddled up in a blanket, to watch a tv show with its partners. It had to stop watching after a bit, but enjoyed spending time with those close to it anyway.

A wolf went to a psychologist appointment and gratefully drank the hot chocolate they were offered in the waiting room.

A shapeshifting being of pure darkness spoke publicly about trans rights in front of politicians and then went to the pride festival he helped fight to keep alive.

A dragon went to school so the others sharing his human body could have a break.

A manifestation of the fear of madness itself sat in the food court at the mall eating mochi and drinking tea while waiting for its friends to get back from shopping.

A witch drew a picture of his cardinal bird and shared the work he was so proud of with his friends.

A cockatoo borrowed the next book in his favourite series from the school library and almost couldn't wait the whole day to go home and read it.

An alien went camping and watched the birds outside and the way the wind made waves and patterns on the water.

A fallen angel went shopping for sunglasses to shield his eyes from how bright the sun was.

A harpy went shopping for new plants to look after. He named a few because he loved them so much, and sent pictures to all of his friends.

An anthropomorphic hedgehog traded Pokemon cards with his peers at school. He was happy with his collection.

You may not see us, and you may feel alone, but you are not. We are just hidden. We are in more places than you'd think, and in the places you'd least expect. We are complex, we are valued, and we are here.

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psqqa · 8 months

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yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

#ace attorney #where are all the people gnawing on phoenix's bones so white??#i need to find the phoenix bone-gnawing corner of this fandom PLEASE #this is me asking for the Phoenix Fic btw #where is the fic meditating on phoenix's whole mental state in general?#where is the fic about how it's phoenix's cageyness and poker face and flat affect under stress that is the hurdle?#the relationship ramifications of being actually really fucking hard to read when it comes down to it?#where is the fic about the week of his disbarment?#the one detailing the panicked blow by blow of it rippling through his social circle while he stands in the eye of the storm?#the one that ends messy and anxious and unresolved because it's week 1 of 7 years?#where is the birth of phoenix wright: poker legend fic?#where is the art school/theatre major phoenix fic?#no not the able to art/act phoenix fic but the kind of person who chooses to go to art school/study theatre phoenix fic #where is the supremely disinterested in pop culture phoenix fic?#where is the actually incredibly meticulous and competent phoenix fic?#capcom can tell me all they want that he's essentially an adhd disaster flying by the seat of his pants making it all up as he goes #but that's not what they're actually showing me #they're the ones who created an in-fiction legal system that functionally necessitates that #and the nature of the game is that phoenix is almost always proven right so rather than him coming off as hare-brained #his opponents rather just come off as short-sighted. either negligently or maliciously so #and the choices the writing makes in service of retaining mystery and audience suspense in fact function to make phoenix a person #who is astute and puts the pieces together but is cautious in his conclusions #i will grant them that phoenix does tend to lose sight of his overarching goal in getting drawn into proving or disproving minor points #the fact that edgeworth on the other hand never loses sight of this or where the various arguments stand in relation to it #is his sexiest trait as a character by far #but those minor points are actually functionally critical to the ultimate argument phoenix makes #so even though i do read that trait through the game mechanics i do also judge the other characters for being dicks about it #my point is phoenix wright does in fact have the character of a lawyer and is conventionally good at his job fucking fight me #my point is that you all have had 20 goddamn years to Rotate this man #my POINT is that there should be Intricate Fucked Up Meditations On Phoenix that rewire my fucking brain and i NEED to know where they are!

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somos-deseos · 10 months

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#Naturaleza relajante

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houseswife · 16 days

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wilson saying “I need to do this. for you.” is fucking insane actually. in the same episode where house is deciding whether or not he should commit suicide as a result of wilson’s dying. They are each other’s lines between life and death. humans have a biological instinct to preserve their survival at all costs; house has an addiction that governs his life. but they were willing to forgo all of it for one another, because they couldn’t fathom it being any other way. IM SICK

#I know it’s fictional but there is nothing more meaningful and real than the desire to be loved by someone else more than anything #and it’s killing me #I was out by lac leman one day when I was seven when my mom told me that swans fly as high as possible #and fall to their deaths when their partner dies #and whether or not that’s true. it fundamentally changed my view of love tbh #my grandmother survived breast cancer for 10 years as well as covid #but died ONE DAY after losing the person she cared about most in this world #love transcends nature #and this show is a beautiful example of that #house md #greg house #gregory house #hatecrimes md #hilson #james wilson #house/wilson

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ichimakesart · 1 month

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Always Waiting

~☆◇Prints◇☆~▪︎~☆◇Commissions◇☆~▪︎~☆◇Kofi◇☆~▪︎~☆◇For inquiries: [email protected]◇☆~

#ichi makes art #art #digital art #illustration #fantasy art #digital illustration #science fiction #scifi #landscapes #cat #robots #sculptures #body horror #water #plants #nature #2d animation #animated #gif warning

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cryptonature · 2 months

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It's finally time! I've been excited to post about this FOREVER. Here is the cover for my new memoir about loving nature and struggling with depression. I'm very proud of this book and I adore this cover.

Artist: Tuesday Riddell

(Visit the link in my bio for more info.)

#nature #naturalist #nature poetry #mental health #hopepunk #poetsandwriters #depression #memoir #non fiction #new books #cover art #cover reveal

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ganondoodle · 3 months

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once you notice how few characters in media have brown eyes it really becomes impossible to not pay attention to it and its been bothering me ever since

#ganondoodles talks #i now its not that there are literally zero #but it almost is #and i get giving fictional characters non natural eye colors is fun #but blue and green is still everywhere evne tho those are also real #like sometimes it feels like brown is actively avoided #going for red or yellow instead #and i know in anime especialyl theres this idea i think that similar to hair color its bcs the majority of japanese people have those #so it feels 'more special' if its anything but that #idk how much of that is true #also its not just anime #feels weird #brown is such a diverse and beautiful color #makes me sad

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turtleblogatlast · 6 months

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Something I love to think about is every iteration of Leo’s relationship with Splinter and how Splinter’s interests always define how a Leo presents himself.

I used to abide by the idea that a Leo will simply emulate his Splinter directly, and to an extent I still believe that to be the case, but moreso I think Leos have a tendency to mold themselves into what they believe is their Splinter’s ideal son - someone who embodies all the traits Splinter has explicitly shown to admire or value in a person.

Most of the time, they try to be a dutiful and honorable boy abiding by the full extent of ninjitsu teachings. Then you have Rise Splinter, who very much still has undeniable prowess in the art of fighting and being a ninja, but when it comes to how he shows his interests to his boys…one thing reigns supreme.

Acting. Shows. One liners. Flamboyance in the name of gaining an audience’s attention.

He showcases Lou Jitsu movies on repeat for the boys, passing down the morals and words from those movies to them with no small amount of pride. All while fully expecting them to respect these teachings.

So, of course, Rise Leo picks up on this. He’s a Leo, after all, as much a daddy’s boy as any other variation of him, only he clocked his father’s interests to be different than most others. He picks up on the art of showmanship, of keeping things to himself so as to be a more exciting twist later, of treating the world as a set to act in.

He’s an actor, not just because Splinter himself was one, but because Splinter likes acting and showed one particular actor (unknowingly to the boys, it was himself) as the pinnacle of all his teachings. As someone to value and admire. And even more than that - Splinter focuses on the character the actor is portraying rather than just the man himself.

And I think this is all even more interesting when taking the turtle tot short into consideration, because very, very briefly, just as with many times else throughout the series, we see how easily Rise Leo aligns with his other selves, seeming to pick up the sword easier than his brothers do their own weapons - after quoting Lou Jitsu of course. After emulating his idol - the person who his father seems to admire so much.

Point being, it’s so interesting to see how Leos tend to mold themselves in one particular way throughout every variation - that being, what their father is shown to value most in people.

#rottmnt #rottmnt leo #tmnt leonardo #rise of the teenage mutant ninja turtles #tmnt #this is mostly a rottmnt post but it aligns with others as well #idk I just think it’s so interesting #because at his core rise leo is the SAME as the other Leos #they’re all goofy they’re all natural leaders they’re all quiet wanderers they’re all daddy’s boys #but these inherent traits take second to what they believe is valued more #specifically what their splinter values more #and sometimes what is valued allows them to more commonly broadcast themselves as who they actually are #but other times their core personalities directly go against what they think they NEED to be #so they stifle it #and soon enough their emulated selves become so tangled into their real selves that it’s a struggle to tell who they are without it #god I love Leo #and this is not to say that the other bros don’t do a similar thing #they just tend to be much more separate about it in terms of what they admire and who they are #whereas Leo blurs that line #don’t mind me just once again overanalyzing a fictional turtle boy #edit: AND ANOTHER THING #but Splinters value placed on Lou Jitsu ALSO helps push Leo into being someone who does things on his own #sure he loves his brothers and they’re everything to him #but he pre invasion he often does things himself or just expects to handle things on his own #y’know #like Lou Jitsu who notoriously does NOT have a team #so this Leo doesn’t care about being a leader - because who he’s emulating isn’t one #he’s like ‘okay we’re just a group of Lou Jitsus’#and there’s something so painfully childlike about this

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chelseaalexandriaaesthetics · 23 days

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Are you reading anything good? I'm always taking book suggestions!

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t4tails · 27 days

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male characters can be "female-coded" for ambiguous suffering but god forbid you start actually headcanoning them as trans women

#og post #like to me if i was reading fiction like that this seems like the natural next step but curiously theyre almost always portrayed as cis men #white gender conforming cis het men.

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mangotalkies · 1 year

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"after all, how can one feel the loss of a thing whose existence one has become unconscious to?"

a wonderful collection of essential and constant truth bombs.

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lepetitdragonvert · 5 days

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Unicorns ! Unicorns ! by Geraldine McCaughrean

1997

Artist : Sophie Windham

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writingwithcolor · 4 months

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[Running Commentary] Zombies are Zombies: Cultural Relativism, Folklore, and Foreign Perspectives

She obviously started getting into media in Japan, and (from my research into Japanese media and culture), Japan’s movies about zombies are mostly comedic, since due to traditional funerary practices the idea of zombies bringing down society is ridiculous to a lot of Japanese people.

Rina: OP, this you? https://www.tofugu.com/japan/japanese-zombies/

Marika: Counterpoint: Parasite Eve. Resident Evil. The Evil Within.

Rina: Literally all the grody horror game franchises that people forget were developed and written by Japanese people because the characters have names like “Leon Kennedy” and “Sebastian Castellanos”

~ ~ ~

Based on the reception we received the last time we did one of these, the Japanese moderator team returns with another running commentary. (They’re easier to answer this way) (Several of Marika’s answers may be troll answers)

Our question today pertains to foreign perspectives on folklore—that is, how people view folklore and stories that aren’t a part of their culture. CW: for anything you’d associate with zombies and a zombie apocalypse, really.

Keep reading for necromancy, horror games, debunking the Sapir-Whorf hypothesis, Hong Kong jiangshi films, Japanese disaster prep videos, and Vietnamese idol pop...

Essentially, in my story there’s an organization who wants to end the world. They think this one woman in particular, a woman of mixed Vietnamese (irreligious, Kinh) and Japanese descent who spent her formative years in Japan, is the person to do it because she’s (for lack of a better term) a necromancer; powers are semi-normal in this world. She prefers not to use her powers overall, but when she does she mostly talks to ghosts and spirits that are giving people issues. She could technically reanimate a corpse but she wouldn’t because she feels that would be morally wrong, not to mention she couldn’t start a zombie apocalypse in the traditional sense (plague, virus, etc.) in the first place.

(Marika (M): Your local public health officials would like to assure necromancers that reviving the dead will not provoke a zombie apocalypse. This is because necromancy is a reanimation technique, and not a pathogenic vector. Assuming that the technique does not release spores, airborne viruses, gasses, or other related physical matter that can affect neighboring corpses in a similar way, there should be no issue. However, necromancers should comply with local regulations w/r to permitting and only raise the dead with the approval of the local municipality and surviving family.)

M: I think it makes sense for most people of E. Asian descent, including Japanese and Vietnamese people, to find it culturally reprehensible to reanimate the dead. I imagine the religious background of your character matters as well. What religion(s) are her family members from? How do they each regard death and the treatment of human remains? Depending on where she grew up, I’m curious on how she got opportunities to practice outside specialized settings like morgues.

M: It’s true, space in Japan is at a premium, even for the dead. You note that most of Japan cremates, but, surely, it must have occurred to you that if there aren’t that many bodies in Japan to raise…she doesn’t exactly have much opportunity to practice with her powers, does she? I yield to our Vietnamese followers on funerary customs in Vietnam, but you may want to better flesh out your world-building logic on how necromancy operates in your story (And maybe distinguish between necromancy v. channeling v. summoning v. exorcisms).

Rina (R): OP, this you? https://www.tofugu.com/japan/japanese-zombies/

M: Counterpoint: Parasite Eve. Resident Evil. The Evil Within.

R: Literally all the grody horror game franchises that people forget were developed and written by Japanese people because the characters have names like “Leon Kennedy” and “Sebastian Castellanos”

R: And yes, the Tofugu article uses Resident Evil and those games to support its theory, with the reason that they are set in the West. But that only suggests that Japanese people consider zombies a Western thing, not that Japanese people consider zombies nonthreatening if they were to exist.

M: Same with vampires - series like Castlevania also use Western/ European settings and not “Vampires in Japan '' because vampires just aren't part of our folklore.

(M: Also, realistically, these series deal with individuals who quickly perish after their bodies are used as hosts for the pathogen in question, rather than the pathogen reanimating a corpse. Although the victims are initially alive, they soon succumb to the pathogen/ parasite and their organic matter then becomes an infectious vector for the disease. It should be noted, infecting ordinary, living humans with viruses to grant them elevated powers, is not only a major violation of consent and defies all recommendations made by the Belmont Report (in addition to a number of articles in the Hague Convention w/r to the use of WMDs) and is unlikely to be approved by any reputable university’s IRB committee. This is why the Umbrella Corporation are naughty, naughty little children, and honestly, someone should have assassinated Wesker for the grant money.)

R: wwww

From what I know Vietnam didn’t have a zombie movie until 2022.

R: Do you mean a domestically produced zombie movie? Because Vietnamese people have most certainly had access to zombie movies for a long time. The Hong Kong film Mr. Vampire (1985) was a gigantic hit in Southeast Asia; you can find a gazillion copies of this movie online with Viet subs, with people commenting on how nostalgic this movie is or how they loved it as a kid.

M: “Didn’t have a [domestic] zombie movie” is not necessarily the same thing as “Would not have made one if the opportunity had arisen.” None of us here are personifications of the Vietnamese film industry, I think it’s safe to say we couldn’t know. Correlation is not causation. It’s important to do your research thoroughly, and not use minor facts to craft a narrative based on your own assumptions.

(R: …Also, I did find a 2017 music video for “Game Over” by the Vietnamese idol Thanh Duy which features… a zombie apocalypse.)

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(R: The MV has a very campy horror aesthetic and zombie backup dancers (which I love, everyone please watch this lol). But the scenes at the beginning and end where people are biting their fingers watching a threatening news report clearly establish that the zombies are considered a threat.)

So at one point, she laughs about the idea and remarks how ridiculous it is to think zombies could end the world. What I’m struggling with are other ways to show her attitude on the issue because I’d assume most non-Japanese readers wouldn’t get why she thinks like that. Are there any other ways to show why she thinks this way, especially ones that might resonate more with a Japanese reader?

R: The problem is this does not resonate in the first place. Your line of thinking is too Sapir-Whorf-adjacent. The Sapir-Whorf hypothesis, otherwise known as linguistic relativity theory, claims that language shapes cognition—that you can’t conceive of something if you can’t express it in your language. This is a very weak theory that you can easily bring evidence against: think of the last time you felt an emotion you had a hard time putting into words; just because you didn’t have the language for it doesn’t mean that you didn’t feel it, nor does it mean that you won’t be able to understand or recognize it if you feel it again. Similarly, it’s not a sound assumption to say that if some kind of subject matter does not exist in a culture, then people of that culture couldn't possibly conceive of it. This excerpt from linguist Laura Bailey sums it up quite well.

M: Just because ghosts may be more culturally relevant doesn’t mean that zombies (or vampires, or whatever) are nonexistent in a Japanese or Vietnamese person’s imagination when it comes to horror and disaster.

R: Really, if anything, Japanese people are much more attuned to how easily a society’s infrastructure can be destroyed by a disruptive force without adequate preparation. Japan is natural disaster central. A Japanese person would know better than anyone that if you aren’t prepared for a zombie epidemic—yeah it’s gonna be bad.

M: Earthquakes, tsunami, typhoon, floods: Japan has robust disaster infrastructure out of necessity. 防災 or bousai, meaning disaster preparedness is a common part of daily life, including drills at workplaces, schools, and community organizations. Local government and community agencies are always looking for ways to make disaster and pandemic preparedness relevant to the public.

M: Might “zombie apocalypse prep as a proxy for disaster prep” be humorous in an ironic, self-deprecating way? Sure, but it’s not like Japanese people are innately different from non-Japanese people. Rather, by being a relatively well-off country practiced at disaster preparation with more experience than most parts of the world with many different types of disasters (and the accompanying infrastructure), it likely would seem more odd to most Japanese people within Japan to not handle a zombie apocalypse rather like might one handle a combination of a WMD/ chemical disaster+pandemic+civil unrest (all of which at least some part of Japan has experienced). Enjoy this very long, slightly dry video on COVID-19 safety procedures and preparedness using the framing device of surviving a zombie apocalypse.

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M: Living in Los Angeles, I’ve often experienced similar tactics. We do a fair amount of advance and rehearsed disaster prep here as well. In elementary school, the first and last days of class were always for packing and unpacking home-made disaster packs, and “zombie apocalypse” simulations have been around since I was in middle school for all kinds of drills, including active shooter drills, like the one shown in this LAT article. The line between “prepper” and “well prepared” really comes down to degree of anxiety and zeal. So, it wouldn’t be just Japanese people who might not be able to resonate with your scene. The same could be said for anyone who lives somewhere with a robust disaster prevention culture.

M: A zombie apocalypse is not “real” in the sense of being a tangible threat that the majority of the world lives in fear of waking up to (At least, for the mental health of most people, I hope so). Rather, zombie apocalypse narratives are compelling to people because of the feelings of vague, existential dread they provoke: of isolation, paranoia, dwindling resources, and a definite end to everything familiar. I encourage you to stop thinking of the way Japanese people and non-Japanese people think about vague, existential dread as incomprehensible to each other. What would you think about zombies if they actually had a chance of existing in your world? That’s probably how most Japanese people would feel about them, too.

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