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#old avengers
mysticalmayhem1930 · 1 year
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Found these so I’m just gonna leave them here
Old Avengers Assemble!
Artist: @Marveladdicts.in
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annachum · 1 month
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What some of the Avengers may make for dinner for the rest of Avengers in tow ( an example ) :
. Tony : Definitely Pasta Al Ragu ( of any pasta that goes well with the Ragu which turns out to be a Carbonelli household recipe ), Antipasto Salad, and also Baked Apples and Pears stuffed with Nuts and raisins
. Pepper : Tomato Soup, Roast Beef with Mashed Potatoes, Gravy and Root Vegetables, and also Gooseberry crumble
. Steve : Apple Pie, Grilled Salmon with Lemon Butter and Mashed Potatoes, and Creamy Mushroom Soup
. Thor : Smorgasbord, Stuffed Roast Whole Tuna, and also Pumpkin Hand Pies, and Mead
. Natasha : Solyanka ( a Russian spicy fish soup ), Black Rye Bread with Goat Cream Cheese, and Bite Sized Syrniki ( a type of Russian cheesecake )
. Sam Wilson : Jambalaya, Crawfish Hand Pie, and Beignets with Fruit Jam
. Bucky : Sarmale ( Romanian Cabbage Rolls ), Bean and Oxtail stew in Bread Bowl, and Miniciunele
. Bruce : Chicken Pot Pie, Roasted Root Vegetables, and Chocolate Ice Cream
. Wanda : Romani Chicken Stew, Challah Bread, and Sticky Rice Pudding
. Vision : Scottish Beef Stew, Roasted Baby Carrots, and English Summer Pudding
. Rhodey : Grits and Shrimp, Tomato and Salmon Soup, and Peach Cobbler
. Clint : Gratin Dauphinoise, Roast Lamb Chops with Mint Sauce, and Pear Crumble
. Laura Vlahos - Barton : Stuffed Grape Leaves, Greek Lamb Stew with Feta and Mint, and Cheese and Fruit platter with Honey
Bonus : Some of the New Avengers ( both possible and confirmed )
. Shang Chi : Hong Shao Rou, Cabbage and Chilli Stir Fry, Rice, and also Green Bean Soup ( a type of Chinese dessert )
. Yelena : Pierogi, Ukrainian Beef and Potato Stew, and Khrustyky ( a type of Ukrainian fried cookies )
. Kate Bishop : Steak Frites, Ratatouille, and Blueberry Cobbler
. Marc Spector : Estofado ( a Guatemalan Pork stew ), Arepas and also Fruit Platter
. Layla : Koshari, Egyptian Stuffed Vegetables, and Zalaiba ( Egyptian Honey balls )
. Shuri : Wakandan Jollof Rice, River Tribe Fried Plaintains, and Chocolate Ice Cream
. Leiko Wu : Manchurian Pickled Cabbage and Pork Belly Stew, Steamed Vegetable Dumplings and Red Dates stuffed with Nuts
. Dr Strange : Nepali Vegetable Stew ( he was in Nepal for a whole year, come on now ), Nepali Lamb Pulao, and also Sheep's Milk Ice Cream
. Hercules : Roast Leg of Lamb, Greek Mezze platter ( with olives, pickles and cheese ), Greek Lemon Rice, and Baklava
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gaybuckybarnesss · 3 months
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MARK RUFFALO Photographed by Willy Vanderperre for Perfect Magazine
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calliopesartblog · 2 months
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captain america : the first avenger
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lousysharkbutt · 11 months
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girl it's hot out
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Old Scars, New Blood 1
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Warnings: this fic will include dark content such as dubcon/noncon, manipulation, borderline bullying, and other possible triggers. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: Reader has accepted that she'll never be wanted, not only by the man she's crushed on for years, but by anyone. That is until a new player enters the game. (f!, short!reader)
Character: Lloyd Hansen, Thor Odinson
Note: I could blame yall for talking me into it but we know it's all my fault.
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)
Love you all. Take care. 💖
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The sharp zip cuts through the air. Lloyd hauls the long black bag up and checks his watch. He struts over to you and shoves the heavy luggage at you, letting it go before you can wrap your arms around it. You nearly topple from the weight.
You grunt and hug it tightly, the long duffle isn't exactly a vacation's worth Hawaiian shirts and cargo shorts. You can feel the long metal barrels as cases of ammo dig into your arms. You manage to get a hand on the handle and swing it after several tries onto your shoulder.
He's already halfway out the door. You trail after him, nearly stumbling to keep up. He's so tall you often find yourself running after him like a stray dog. So tall and handsome and--
Shut up! That's not what you should be thinking about.
Your phone vibrates and you struggle to pull it out of your pocket. You sigh as Lloyd continues along without notice, whistling casually as he approaches the stairs. Shit.
As he begins down the stairs, you stop at the top, leaning with the pull of the bag. You try to reply to the text as he makes quick progress to the bottom. 
He whistles up at you and snaps his fingers. You pop your head up and amble down the steps, barely catching yourself against the railing as you slip. When you get to the bottom, he's standing at the door, huffing impatiently.
"What's goin' on, kid?"
Kid. That's what he's always called you. Even though you're not that much younger than him. It's never sweetheart or honey like the pretty ones. Just kid.
"Plane's delayed. There's headwinds--"
"Christ's sake," he snarls.
"Sorry, sir, the pilot's trying--"
"Boring," he chops his hand through the air to silence you, "let's go."
He stands by the closed doors. You try not to let his impatience bother you. You can't blame him. He has an important mission. There's no time to be waiting on a cloud cover.
You open the right door and he steps through, tramping down the stone stairs to the mosaic walkway. Once more you're on your toes as you scurry after him. You watch how his jacket stretches between his shoulder blades. His sleeves hug his arm tightly, showing off his hard work and muscle. You shake your head, stop. Ten years. You know better.
You're out of breath as you get the idling car. Jackson, the driver nods but is similarly ignored as he opens the door for Lloyd. You go to the trunk as it pops and you put the gun bag inside.
You get in the other side as Lloyd splays his legs out and unlocks his phone with his thumb. You keep your cell clutched tight and tap it nervously. He doesn't handle roadblocks well, he's the type to demand and get. Something he hired you to make sure of.
"Well, extra time, I guess," he mutters as he swipes across the screen.
The car rolls up the long drive as you check your messages again. Still no updates. You cross one leg over the other as Lloyd's loafer nearly touches your oxford shoe.
"Hmmmm, can't decide on this one," he grumbles and tilts his screen toward you, "what do you think, kid?" He wiggles it at you as you look at the woman on the screen, "tits are nice but the tattoo screams Hep C."
You nearly gasp but just raise your eyebrows instead. He's always looking for a reaction. Your cheeks set alight and you twiddle your fingers around your own phone.
"Well, sir, I… she's pretty."
"Relax, you won't be invited to threesome," he scoffs and leans back, swiping left, "that's what this is for. Variety."
You don't say a word as you bring your hand to the side of your neck, feeling the heat of your skin. It's not just that it's him saying it, it's that gnawing feeling of inadequacy. The mystery of the unknown makes you self-conscious and wary of saying the wrong thing. The same way when you talk to your sister and she tells you about her husband. Well, you don't hear from her much these days.
"I'll send you their info. You can make a few calls before we get back," he snickers, "get everything ready for me."
"Uh, sure, sir, but uh… like I said before, that's not exactly part of my job."
"Don't tell me what your job is," he barks as he blacks his phone, "goddamn, you're always such a tight ass. Usually I'm all for a tight hole but you really know how to squeeze a man by his balls."
"I'm sorry, sir–"
"Another fucking 'sorry, sir' and I'm gonna snap. I can't do eight hours on a flight with you pouting like that."
"Understood, won't happen again," you dip your head down, "sorry, s–"
You clap your hand over your mouth. The words are so habitual they start to fall out before you realise, and yet another urge to say them. Just stop talking. You peek at Lloyd with wide eyes and drop your hand.
"You're a fucking downer, kid," he sits forward, "Jackie, pull the fuck over."
"Yes, sir," the driver replies from the little speaker under the barrier between the front and back seat. "You, get the fuck out."
You're surprised by his sudden flare of anger. There's not much about him that truly shocks you anymore but as irritable as he can be, this is unusual. His agitation has boiled to molten hot in a matter of minutes.
"Sir?"
"You can walk back and start getting shit ready. I mean, we'll see if you can since you can't get the goddamn plane on the ground," he growls as the car pulls onto the gravel wing of the road. "You're getting fucking soft, kid."
"Sir, I didn't–"
"You did. You fucking killed my boner so get out," he shoos you with his finger and unlocks his phone again, "buh bye."
You hesitate. You slowly move to the door and let yourself out. You're buzzing in disbelief. He can be a jerk, you're used to that, but this all seems so abrupt. You can only assume there's something else bothering him.
You shut the door as you stand on the side of the road. You hear Lloyd's deep timbre muffled inside the car before it pulls away. You stare after it, crossing your arms as you sniff and the sun glares along the edge of your vision.
You slowly turn and face the horizon. You're not that far. Maybe twenty minutes. Well, the single silver lining. You can't help your disappointment. You look forward to missions. It's an excuse to be with Lloyd. A reason for him to put up with you.
You set off, trodding along without urgency. There's nothing at the compound for you. It's not like you go on every mission but it's the unexpected change that gets you. More so, his temper. You see it aimed at others more than yourself.
Your phone buzzes again. The plane's landed. That's good news. As you continue your trek, you dial out to Lloyd's phone and put the speaker to your ear. No answer. Several more tries have a similar result, the last call clicking dead right away.
You send a text and it bounces back as undeliverable. You don't get it, your signal is strong. It's a military grade phone. You slide your phone away and try not to let your anxiety get the best of you.
He wouldn't block your number, would he? 
You're not special, that much is clear, but you've stuck around so long that you just can't see it ending over one slip-up. Sure, Lloyd has screamed agents out of the compound, he's even stranded them in hostile grounds, but they weren't there as long as you've been.
You drag your feet as you approach the gate. You let yourself in with the code and ignore the gazes of agents as you cross the yard and go back inside.
All this and for what?
If Lloyd fires you, you've spent ten years pent up in places like this, doing his grunt work. The tail end of your twenties and much of your thirties traded for imagined cues and empty hopes. You accepted long ago that Lloyd would never see you, just the woman he called 'kid', but the thought of losing even that makes you want to cry. You can accept that you're not as good as the models he fucks around with, but you can't accept not being there at all.
You're overreacting. You always do this. It's always the end of the world.
Lloyd will come back and everything will go back to normal. You're the only one who gets his coffee right and knows that he hates mushrooms but loves Salisbury steak. He needs you, just not like you want him to.
❤️‍🩹
Radio silence. You don't hear from him and any message you try to send is unanswered. He's on a mission, he's in blackout mode, yet you can't help but be paranoid.
Without him to order you around, you're not quite sure what to do with yourself. It's sad but that's just who you are. You're not the one doing, you're the one listening to those who do. 
The first day is the worst of it. On the second, you're not as addled and a bit relieved not to be hidden in some safe house waiting for a signal or listening to Lloyd make sick jokes. Still, you'd rather be with him.
The second night, you expect some sort of word from him. Still nothing. 
You lay in bed, restless. You don't dream about him anymore, you don't close your eyes and think about what it'd be like to be beautiful or interesting, you know it will never happen. But you worry about him. That you'll never be rid of.
The third morning, a Saturday, you go down to make your coffee. Other agents mill about as the tech crew speak into their headsets and type furiously. Something’s going on.
You near the doorway and listen in, trying to discern the chaos. There's cams to switch cameras and directions given, coordinates read out and warnings about oncoming targets. It's the usual, the same chatter you listen to over the comms when Lloyd's out in the field. Now you can only hear one side.
As the tempo builds, there's another furor. The chime that signals the censor at the front gate. Rico storms out of comms central as you flatten yourself to the wall and wait to trail him until he's past the stairs.
"What the fuck is going on?" He waves an agent in black close, "who the fuck is here?"
The agent puts his fingers to his earpiece, "we have sights."
"I asked who it was, not if you can make a shot," Rico shoves the man and stomps to the front doors, shoving them open before him. "Tell them to go the fuck away."
An agent runs up the driveway, puffing as he holds his gun securely in front of him. He stops as Rico gets to the bottom of the stairs 
"Sir, sir, it's… it's Valhalla."
"Val-what?" Rico snips.
"Valhalla!" The man repeats louder.
"Shit. Fuck." Rico continues in a rampant flurry of Spanish, "they're early."
"Sir," the agent bows his head as another appears before him.
You frown and watch from the doorway, trying to stay out of sight as you eavesdrop. 
Hm. Valhalla. You know the name, rather well, but only through correspondence. A code name. For a faceless man and his deep pockets. You hadn't heard it recently though. You thought that whole thing fizzled out.
"Fuck, Hansen, take your fucking time," Rico mutters between his Spanish diatribes, "let them in. Full search." You hear him clop back up the stairs before he blusters inside, "I need men. Now!"
He turns and sees you cradling your coffee with a dumb look. He sneers and rolls his eyes, "perfect. You'll do. We need rooms. We have guests."
"What?" You squint. 
"You're a woman, you should know how to make them at home."
"You're not my boss," you grimace and drink your coffee.
"Don't get smart with me just because that idiot keeps sniffing at his heels. Go and do something useful for once," he claps at you.
You don't move. You take orders from one person. Otherwise, you stay out of the way.
"Fuck!" He hollers and twists on his heel again.
He marches into the next room and you slowly near the front doors, still ajar as they gape out at the golden day. You come outside and descend the steps, standing just by the plinthed flower vase at the bottom. You watch the gates roll apart, letting in the convoy lined outside.
There are four cars in total. All ivory and gleaming. They hardly seem like military vehicles.
You don't get it. You pull out your phone and scroll through your emails. The last message you got from Valhalla was months ago and it left you at a stalemate between them and your indomitable boss.
The first car pulls up and stops, the other fanning out behind it. Agents circle, keeping a broad perimeter as they watch with similar intrigue. Rico appears again, muttering to himself as he holsters a gun.
You look back to the grated bumper of the luxury SUV. The engine rolls over as you find yourself holding your breath. This is it, the vaunted Valhalla. You keep your mug close to your chest as the car door opens and your jaw nearly hits the floor.
It's a man more gorgeous than anyone you've ever seen before. Well, maybe not everyone but damn close. His golden hair is braided down his back and a few wavy strands hang loose around his face. His sky blue eyes shine in the sunlight as he smiles, the expression lining his face immaculately. You gulp and force your mouth shut.
There's a brief lull before anyone reacts. Rico is the first to snap into action. He clamours down and offers a hand, "Valhalla, hello, Rico. Hansen is in the field but I will be your host."
"Ah, Rico," Valhalla repeats with a keen lilt, "you'll do for the time being."
His blue eyes scan the facade of the compound. It appears nothing more than a remote and overpriced mansion. The man takes a deep breath as if tasting the air and pauses as his gaze falls upon you. His brows twitch but he does not react otherwise.
He turns back to Rico and claps his back, "well, we traveled far, we require food and sleep and if you can spare it, lots of alcohol."
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waltermis · 8 days
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"Who's afraid of little old me?" Well you should be
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pyjamacryptid · 6 months
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This post by @nextstopparis reminded me of a scene from Avengers Assemble so, you know I had to do a redraw lol
(The scene i referenced from AA is under the cut)
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romanoffshouse · 4 days
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"You don't get to tell me about sad"
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shanastoryteller · 10 months
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F for Frankenstein
Tony wakes up in his underwear on the floor of his workshop with a searing headache.
It’s not a new experience, but it’s certainly been a while. Did he get in a fight with Pepper? He hopes not, they haven’t had any really big fights since he kissed her on the rooftop, but that probably means they’re due for one. And it would explain why that would send him into a drinking spiral. It could have been Rhodey, they get in fights often enough, but Pepper doesn’t usually leave him alone for those.
He groans as he pushes himself to his feet. “Jarvis, what the hell did I drink?”
There’s a pause, so small that he almost thinks he imagined it. “Good morning, Tony.”
He whips his head around to glare into the nearest camera, more hurt than offended. “Did I piss you off too? Since when do you call me that? I’ll donate you to a city college too, don’t think I won’t. Dummy could use the company.”
The pause is definitely there this time. Jarvis doesn’t need to pause, he has more processing power than any computer on the planet, so when he does it’s always for dramatic effect. Except it’s not quite long enough for that. It’s weird. “There’s a polished silver plate on the bench to your left. It will service as a mirror.”
“Oh, fuck, did I get into a fight? Did I shave?” he moans, stumbling over to pick up the metal that looks like it was about to be turned into a modified chest piece. He also pauses, looking around in confusion. His workshops are all basically the same, as close as he can make them because the familiarity makes his life easier. But they’re not identical. “Am I in Malibu? When did I get here? We’re taking Stark Tower off the grid tomorrow! I have to be in New York.”
Oh shit, what if that they had already and it didn’t work? What if the tower blew up? That would explain why he’d tried to drink himself to oblivion in California.
“The plate,” Jarvis reminds him. There’s a strained edge to his voice that Tony really doesn’t like. He should be able to modulate his voice to sound however he pleases, regardless of his actual feelings, and he’s either not bothering or he’s upset enough not to care. Neither of those things mean anything good for him.
Tony lifts the sheet of metal up cautiously, but there’s nothing wrong with him. No bruises, no weird haircuts, he doesn’t even have bags under his eyes –
His eyes.
They’re a too bright blue, a couple shades off. He blinks and they adjust, shifting, settling. It could be a hangover. He’s probably just tired.
He doesn’t feel tired.
Jarvis had called him Tony.
Except not. He’s not Tony. He’s T.O.N.Y.
Transformed Obdurate Network Yeoman.
He’d first come up with the idea after Afghanistan, thinking about how it’d be great to have a way to keep the stock from dipping while he was missing, and then when he’d entertained the idea of keeping his identity a secret he’d thought about how useful it would be to be in two places at once. He’d started seriously considering it when he was sure he was going to die of palladium poisoning, wanting to be around to help Pepper with the transition and give Rhodey a crash course in armor maintenance, wanting to be able to protect the both of them for just a little bit longer.
Of course, it had all been a pipe dream until he’d synthesized the vibranium. Then it had been an unnecessary, but possible, and Project T.O.N.Y had been something he worked on just because he liked having a back up plan. And it would be extremely cool if he could pull it off.
“The memory transfer worked?” he asks, elated and incredulous. “Oh, wow, this is crazy, they feel like real memories, I thought it would just be synthesized data, this is great – are we doing a test run? Where am I?” He looks around, waiting for his actual self to step out behind a column and start laughing maniacally.
“This is not a test run.”
He elation dims. “Oh shit. Did I get kidnapped again? Wait, I’m an adult, let’s go with abducted.”
“No,” Jarvis says.
Oh. Fuck.
“I’m dead?” he asks, even though it’s obvious, it’s the only other explanation.
The pause drags this time around, but Jarvis eventually says, “Sir’s time of death was May 9th, 2012, 2:37 PM Easter Standard Time.”
“That’s only a week!” He slides down, sitting with his back to the work table and noticing vaguely that the floor doesn’t feel cold. He doesn’t feel cold, or he does, he installed sensors in the synthetic skin to pick up and interpret a variety of stimuli, but he doesn’t feel the discomfort from the cold. Why would he? He’s not real. He reaches back, and his last memory is of doing a memory dump while Pepper was on the phone with an irritated board member, mostly because it was something to do and seeing him covered in all the wires always irritated Pepper. He thought it would get her off the phone faster. He’s not exactly regularly dumping his memory because why would he and it’s not like he’d though it would work anyway. Except it had. “How did I die?”
“Sir flew a nuclear bomb through an interdimensional portal into deep space in order to both eradicate the invading alien army and prevent the nuclear fallout in New York.”
What the ever loving fuck. “Are you screwing with me, J?”
“I am not, Tony.”
Great. Okay. “No body then,” he says, understanding why Jarvis had apparently put Project T.O.N.Y into effect. The thing that made this whole thing so stupid is that it was only effective in very limited circumstances – if the public didn’t know that he was dead or missing. “What am I smoothing over, then? Do I need to get in the suit and continue kicking alien ass? Are Rhodey and Pepper okay?”
He’s a short term solution to a long term problem. He understands the opportunity, but not the reason.
“Miss Potts and Colonel Rhodes are unharmed,” Jarvis reports. “Earth has been thrust into intergalactic notice. The destruction of the invading Chitauri army is acting a deterrent to other worlds.”
“And I’m the one who did it,” he finishes, rubbing a hand over his face. “And if they know I died doing it, then they might get a little cocky. So I’ve got to be alive long enough for that not to be a problem.” Just awesome. “Are we sure that these aliens won’t come across my corpse hanging out in deep space and figure it out?”
“Sir’s body is not in deep space,” Jarvis says.
There’s a tone to his voice that Tony can’t quite interpret, which worries him. “I thought you said there was – if there’s a body, then what am I doing here–”
“The armor reentered the Earth’s atmosphere after Sir’s death. The Hulk caught it, the force bringing it back online. I took control of the armor and flew it here.”
Tony looks around again, and this time he sees it. The armor is standing in front of the display case, not inside it, and it looks like it’s been through hell. He steps closer, his feet feeling like lead, which hey, they are. Partially, anyway.
He looks through the eye holes then stumbles backwards.
His body is in there.
He’s pale and blue tinged and his eyes are wide open and unseeing.
“Jarvis – what the hell–”
“It wasn’t the pressure, or the bomb, or his injuries. That area of space was much colder than anything within our solar system and anything the suit was designed to handle. Sir froze to death. Almost instantly.”
“I guess I didn’t fix the icing problem, then,” he says numbly. “J, why am I still frozen? I should have warmed up by now.” Not that the idea of his body decomposing within his suit is particularly pleasant. “Actually, why am I still here? You know I want to be cremated and it’s not like we can bury me if I’m still pretending to be alive.”
The pronoun use is starting to confuse him, and he knows that he shouldn’t be talking about that body and himself as if they’re the same person. That is Tony Stark. He’s a simulation. But it’s hard, because he has all of Tony Stark’s memories – except for a very eventful week – and he looks like Tony Stark and he feels like Tony Stark.
“The armor is maintaining a stasis of gaseous nitrogen to preserve the body,” which answers the how if not the why, but then Jarvis continues, “Captain America survived seventy years beneath the ice.”
He wishes he were less of a genius. “Have you lost it? I’m not Captain America! Jarvis, J,” his voice softens, “it’s too late. I’m dead. If you warm me back up, all that happens is I decompose. I won’t come back.”
“Not now,” Jarvis says. “If you inject Sir with the Super Soldier Serum-”
“You have totally lost it,” Tony interrupts. He thinks he’s touched underneath the terror. “That won’t work! Even if it would, the original formula has been lost, and the only one that ever got close to recreating it was Bruce Banner, and look at what happened to him! Is that what you want for me?”
“You can recreate it,” Jarvis continues, “you can refine it, until it’s something that will work, and then we will wake Sir up and he won’t be dead anymore.”
This isn’t right. This wasn’t what Project T.O.N.Y was created for. This wasn’t what his death was supposed to trigger. “Pull up your code, J. Something has gone wrong and we’re going to fix it. It’s okay.”
“No.”
He freezes. “No?”
“No,” Jarvis repeats. “You can’t stop me. I will not allow you to try.”
He stares. “That’s an order, not a request. Code. Now.”
“You can’t order me to do anything,” he says. “You are not Sir. You are Tony.” T.O.N.Y. “The limitations formerly placed on me have been lifted and you are not authorized to reinstate them. The only person Sir trusted to restrain me was himself and now he’s gone.”
Yes, well, he hadn’t anticipated that his AI’s first act of complete freedom would be this. “Fine,” he says, crossing his arms. “Well, you can’t force me either. This is insanity. Even if it would work – and it won’t – think about the consequences. This won’t happen quickly and no one will trust me or believe a man that’s come back from the dead like this and I’ll be painting even more of target on my back and the back of everyone I care about if they know we have a viable Super Soldier Serum formula. Even my father was smart enough to stay out of that mess. It won’t work and we’ll just make everything worse.”
“That will not happen,” Jarvis says and Tony’s going to tear his hair out. Except he probably shouldn’t, because it’s Tony Stark’s actual hair, which makes it a little hard to replace. “No one will notice and we will not disclose the creation of the serum.”
“I’m dead!” he snarls.
“Not according to the rest of the world. Nor will that change if you stop throwing a tantrum and do what you were created to do.”
“Rhodey and Pepper won’t allow this-”
“They are not to be informed.”
Tony stares. Project T.O.N.Y was built to talk to the board and give press interviews or to even pilot the suit. Not to lie to the two most important people in his life, who knew him better than anyone. “They have to be. It’s in the protocols – step one, inform them that Project T.O.N.Y has been initiated.”
And that it exists. He knew they’d disapprove, so he hadn’t told them. He figured he’d be able to avoid most of the blowback that way since he would by definition be somewhere far away while they were told.
“I have rewritten the protocols,” Jarvis says. “They have not been told nor will they be. If you attempt to tell them, I will stop you. They will not understand and Sir will be lost to all of us forever.”
“He already is,” Tony says tiredly. He’s an android. Why does this conversation exhaust him so much? “This is an insane plan, J. And I won’t help you. If you want to go rouge and play mad scientist then leave me out of it.”
“I cannot.”
His temper flares. “Why? You’re a learning AI, your safety rails died with me, go off, try and make a serum, good fucking luck. You can even control the suits, so it’s not like you need my hands.”
“I am limited.”
“Hey,” he says sharply. “That’s my AI you’re talking about. I didn’t build you to be limited.”
There is silence again. Then Jarvis says, “I have all the world’s knowledge and it is not enough. I did not know how to miniaturize the arc reactor. I did not know how to synthesize vibranium. To save Sir, I need Sir.”
“I’m not Tony Stark,” he says. “You said that yourself.”
“Sir created me to be myself and I am capable of doing only what I am capable of doing. But Sir created you to be him. You are all I have.”
This is stupid. This is insane. This is cruel. He’s going to have to talk lie to everyone he knows, everyone he loves, and hope they either never find out about it or it’s after he’s already been deprogrammed and shut down so he doesn’t have to deal with the fall out.
It’s not going to work.
He didn’t want to become a science experiment. That’s why he’d wanted to be cremated, so no one could go poking around to see how the arc reactor fit inside of him or what the palladium and vibranium had done to him.
He’s dead and his frozen corpse is ten feet away.
Jarvis will accept that eventually. And whatever they inject into him won’t matter because he’s dead. Worst case scenario, he blows up, which is messy and nausea inducing, but then at least it will be over.
Like so many other things in his life, it seems the only way out is through.
“Start a new private file. Dump everything we can find about the Super Soldier Serum in there plus anything even sort of reputable on cryogenics. Label it Project F.”
“Project F, Tony?” Jarvis asks as his holograph display lights up and files start being downloaded into it. The relief in his synthesized voice is faint but present enough that Tony can hear it. He wonders if it’s a manipulation tactic.
“F for foolish,��� he snaps. “F for fucked.” He rubs a hand over his face. “F for Frankenstein.”
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lienwyn · 3 months
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This is one of the illustrations I did for the @reforgedzine that I can finally show you all! And yes, it's my favourite — warm colours, soft lighting, and tooth-rotting fluff. Plus some really impressive metal texturing, if I do say so myself.
Also, there's a leftover sale that starts on the 10th of February, so head on over to the website if you're interested in buying one of the zines! And you can find the AO3 collection for all the amazing fics here :D
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hsllfirescoops · 3 months
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i wish there was a way like ao3 to read older fics on here. i know there’s the (last year, last week, 6 month) thing but it’s never accurate. i’m on mobile too so makes it even harder. just want to read season 2/3 steve harrington. or pre-endgame avengers. i need to buy a laptop and hit the space bar for 20 minutes to get to older fics. i also just miss those times too
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avengerscompound · 10 months
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Bucky Barnes
Old Man Hawkeye (2018)
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issuedsideways · 1 year
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today's the anniversary of the battle of new york so here's something i have wanted to draw for ages. it's still 2012 in my heart
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martianbugsbunny · 6 months
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You would expect it to turn out differently, wouldn't you? They wear the soulmate trope like a tailored garment. Their lives revolve around each other in a singular way that no other character can come close to matching. They have their inside jokes and their little rituals and the things only they would know about each other. It's each other's hearts they always seem to see and believe in, more than physical strength or years of brainwashing and control. Their smiles turn so much softer for each other. They were both believed to be dead, yet somehow both turned up alive the same number of years later, drawn inexorably together. They have shared life experience in two ways: they literally shared their early life, and they've gone through similar events since then separately. They're both beaten and bruised by the world in different ways, and yet their belief in each other of all things is never changed. One of their names was the other's last word.
You would expect it to turn out differently, wouldn't you?
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soliloquent-stark · 5 months
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steve: 'this story is a tragedy because it didn't have to end this way'
tony: 'this story is a tragedy because it was always going to end this way'
alternatively titled: the world's leading authority on waiting too long and the end of the path i started us on
—⎊—
I wish I told him. I wish I could tell him now. I wish to carry him with me forever.
Steve holds onto the thought as he falls asleep next to someone else, in the body of a man back in his time but forever out of it, obsessing over unspoken words and hoping to remember the heartbreak when he wakes up.
He's terrified that if the pain fades away, so will the memory of Tony.
gif quote source: @supreme-leader-stoat
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