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creatingblackcharacters · 2 months

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"It takes HOW LONG?" Black Hair is an Art (pt.2)

(This is part two of the hair lessons, focusing on writing/narratives. If you want to know how the styles LOOK, refer to part 1 and its addendum)

Now that you know what our hair actually looks like, we’re going to discuss incorporating that into your writing (original fic, fanfic, webcomics, anything with a narrative). You don’t HAVE to give us a dissertation on "how you studied 'The Black People’s Hair'" in your story. That’s not what I’m asking you to do. I’m just asking you to CONSIDER the effort and existence of it. The same way you put effort into discussing nonblack hair textures? Should be the sort of tenderness and care you put into discussing ours. It does not stand to reason that I have read thousands of stories describing "the silky, black/blonde tresses/waves that fell down their pale back as their lover ran their fingers through them", but Black readers have nothing of the sort to compare to without seeking our own authors out. Our hair deserves some loving and adoration too!

This is a very long post describing hairstyles and how they can correspond to your character's design and decisions, so I'll put a read more here. The sections are organized into 'Twist Out', 'Afros', 'Locs', 'Braids', 'Black Men', and 'Straight Hair' if you Ctrl F. PLEASE PLEASE PLEASE take your time to read all of this at some point though, as I put a lot of resources and explanation into this. I'm trusting you!

The History

As I discussed in the last lesson, our hair is incredibly important to us, and part of that includes the vulnerability and trust that comes along with access to it. This is due to a long history of oppression. There’s a racist history of making Black women hide our hair, as if it would ‘tempt white men’ away, regardless of it were due to actual attraction or the (more likely) rape of Black women. There’s a racist history of touching our hair, as though we are animals or zoo exhibits. We aren’t just going to let anyone touch our heads, so DON'T write that, unless you are doing so to show that it is a microaggression towards your character. Even now, cultural appropriation is rampant. If I were to wear cornrows with hoops, it'd be seen as 'ghetto' or 'gang-like'. Meanwhile, it is a fashion statement for white women. When Miles G Morales showed up in Across the Spiderverse, animators specifically chose cornrows for him, but many people mistakenly took it to me that he was 'rougher and tougher' than the original Miles. This was a racist perception! Hearing the Fade get hyped up in the news as the 'Travis Kelce', when Black men and especially NFL players have been wearing it for DECADES to crickets... it hurts lmao. Point is, you can describe and respect Black hair without being racist about it. Okay? Okay.

Vulnerability

YOUR CHARACTERS NEED TO BE CLOSE BEFORE ALLOWING THEM TO TOUCH THEIR HAIR!!!

It needs to be someone they TRUST wholeheartedly. Again, do NOT let a stranger touch their hair unless it’s meant to be an uncomfortable situation!

Consider CONSENT! Consent is ALWAYS beautiful! Have your other characters (Black or not) ASK to touch your Black characters’ hair! And not in the ‘Oh can I touch it?’ way. But if they’re really close friends or dating, have them ask to help do their braids, or wash their hair, or even just to stroke their hair and face! Or if your Black character is injured with a head wound, and they have to tend to them, have them ask! The asking shows a level of care and respect for your Black character and their body! At any point the consent may be revoked, and that needs to be respected! If they let them tend their head wound, but then smack their hand away after, that’s not ‘rude’- they’re allowed to do that, especially to signify that they aren’t at that level of trust yet. That's still angsty!

One great example of love from a Black character is doing their partner’s hair, or allowing their partner to do their hair. The ‘Hair-washing’ fic is a common thing in fanfiction; we all understand how that shows the depth of the trust in the relationship between the characters. How would you write about that trust with a Black character, if you don’t know what goes into taking care of their hair? If you don’t even know what their hair looks or feels like? The lack of awareness will show, and what should be a beautiful, deep moment will fall flat for Black readers. I wrote one once for my character with locs, and it honestly made me tear up because I realized that I’d never seen one, at least not in the majority white spaces that the fandoms I was in were.

Think about it- how often have you read a hair-washing fic with a Black character? Was it accurate? Would you know if it was accurate? Have you spoken to or heard anyone Black in your fandom space talk about it? Do you know anyone Black in your fandom space to ask? It’s things like this that we have to consider!

If you have a character that is nonblack in a relationship with your Black character, that honestly reveals even more trust because there’s a long history (again) behind that NOT happening! In life, we can’t go to the same places. I can’t go to a white hair salon or barbershop. They won’t know what to do! People are allowed to go through hair school without learning how to work with different, thicker textures. It’s not right nor fair, but it’s a part of the casual, systemic racism in our lives.

My feelings on what Lestat symbolizes aside, the scene where he plays with Louis’ curls in AMC's IWTV was an intelligent way to show that closeness, and how a nonblack character would affectionately play with a Black character’s hair! How he works with the curl in his fingers, rather than trying to pet Louis or run his fingers through- it was an intelligent move on Sam and Jacob’s part as actors to understand that THAT’S how that would go down!

If you have a character that wants to show a violation of your Black characters’ space, touching/harming our hair is cruelty on a very personal level that will generate an extreme reaction.

Think About Your Character!

When thinking about your Black character’s hairstyle, you need to think about your character themselves! What do they do every day? What are their hobbies? Are they Type A, Type B personality? Do they have a lot of time? Are they always in a rush? Are they noncommittal? Are they self-conscious? Artsy? Serious? Are they in a time period where the means to care for their hair are limited?

People make jokes and comments about how Black women don’t like getting our hair wet and dismiss our concerns. But it’s not out of ‘silliness’ or vanity. What you consider ‘just hair’ may have taken days of planning in advance and HOURS of our time! We put a lot of thought and effort into our hair, and it will easily shatter the illusion for your Black readers if you describe our hair poorly or create an unlikely scenario with it. It’s not a joke!

Some Terms:

Protective styles- a style that allows our hair to ‘rest’ with minimal manipulation

‘Tender-headed’- some people’s scalps are more sensitive to the tightness of styles, so it’ll hurt a little bit more and require some more gentleness (Regardless it’s still going to hurt for a bit after a fresh style)

Bonnets- a silk/satin cap of varying lengths that we wear at night to protect our hair and keep the moisture in

Loc Sock- same idea, but for locs

Durag- keeps short haircuts protected; can even help create the wave pattern that many Black men enjoy

Scarf- same idea as the bonnets, except scarfs can be used specifically for straight hairstyles to wrap them up to keep it straight and neat

(It'll seem real legit if you include your Black characters wearing their headcoverings at night! I remember laughing while reading Twilight because I knew that if Edward snuck into my room at night, he'd see me in my scarf or bonnet lmao.)

General Hair Care:

While I don’t completely agree with some of the advertising in this first one (it’s the internet. Can’t go nowhere without someone trying to hawk something) it’s cool in general to explain how our hair looks the way it does.

If you have Black children OCs, it’s important to consider that their parents have to do their hair, and how that will be its own experience! (It can be very stressful for Black children to get their hair done, as it takes a long time and can be physically uncomfortable. There are plenty of stories of burnt ears and tugged tangles and not very nice old women. Children are children! Keep in mind how they may behave while getting the style of your choice.

Moisturizing to keep healthy

Twist Outs

Cute twist out styles

Twist outs are a style that takes overnight to hold, or maybe even a few days! The cool thing is that the twists themselves can be the style! So the tighter you want their curls to be, the longer they’ll wear the twists in. If you want to describe your character with tighter curls, there needs to be a section of time where their hair remains in the twists! If your character has an event, and they want twists… this needs to be done in advance. Your character will NOT untwist them the day of, unless they want weak, limp curls (or you want the scene to compose of them having weak curls).

How long they'll last depends on the activity of your character! If all they do is work a desk job, or they don’t sweat very much, the twists can last some time! But if they sweat, or wear hats or caps, it’s not going to last long. Maybe a week.

Pros: Very versatile! If you have a character that loves trying new looks and enjoy being spontaneous, twist outs are for them! Easy! If your Black character is younger, or haven’t done their hair before, this is a great way for them to start working with their hair! Doesn’t take long (to do)! If your character is in a rush, and they do their twists, they can go just about anywhere. If they’re not self-conscious, this will be just fine.

Cons: It cannot get wet again, or the style will puff up back into your natural texture. It does not last long enough to say “oh my character went on a two year long fantasy adventure with this style.” If you want your character to have a twist out the whole time, they’re going to have to take time to do it. It would be cool if you incorporate a scene where they’re working on their hair, maybe in the background while everyone’s discussing plans or something. Just a reminder that their hair isn’t just staying magically twisted (unless they have the magic to do that).

Afros

Afro Style Guide, Style Guide for Men (works for any gender though)

Wash & Gos are just that- wash it (or really, condition it, you don’t have to shampoo it every time) dry with a t-shirt (to prevent breakage), put some oil and a light crème on it, fluff it up and you’re good to go! Maybe an hour at max and can be done while getting dressed in the morning!

Pros: Easy! If they’re doing a full, combed out afro, it’s not as simple, it will take more time. And at night it has to be plaited so that it maintains its length, otherwise it will tangle. But other than that, that’s still not all that hard. They can show off their curls! Black characters can and should have pride in their hair. It’s beautiful. This is the opportunity that you as an author can describe the pure texture of their hair, how it shines in the light, how the coils look, how soft it is! Romanticize Black hair the same way you do anyone else’s!

Cons: None really! Afros are wonderful! Just make sure that your character has a way to keep their hair from getting tangled. Just because it’s easy doesn’t mean there’s no maintenance! A pick, a bonnet, oil and water go a long way!

Locs

Five stages of locs

A person who does locs is a loctician.

Can be palm-rolled or interlocked/crocheted

I cannot emphasize enough that you do not want just anyone doing their locs! They can really mess up someone’s hair if they don’t know what they’re doing. I say that to say, for your character, if they don’t trust the person doing their hair… they should. They should not be walking into anyone’s place to get their hair locked; they’d do research first.

The time it takes locs to ‘bud’ (that is, to actually form the loc) depends on the texture of their hair. But it can take up to 3 months to even a year for them to actually ‘loc up’. So if your character just got locs, they’re not going to look neat. They’re going to be frizzy.

As long as they’re washing their hair, keeping it moisturized, and not using wax products (DO NOT HAVE ANY BLACK CHARACTER USE WAX PRODUCTS IT IS BAD FOR BLACK HAIR) it’ll last forever! Locs are incredibly strong, especially the thicker they get! It is recommended that locs are retwisted every six weeks, but if your character has freeform locs, doesn’t have the money or time right now, or they just aren’t that pressed, they can grow indefinitely.

Something cute to write in your stories: sometimes locs do just… fall out. Not the whole thing! But the same way thin hair gets everywhere… sometimes the ends of thin locs just… fall off! You’ll find little buds on the ground. This happens especially in the budding stage.

Pros: Very low daily maintenance! At most they’ll need a bonnet or loc sock, and oil/water mix to spritz and massage in. Strong style that can hold any look- buns, curls, etc. They can be dyed, though it will take a long time to do so. I say that to say, if you want your character to have bright green locs, go for it!!

Cons: Low daily, but HIGH wash day maintenance! So if your character has a fancy date or something to go on, they should not be getting their hair retwisted the same day, or at least not so close to. It’s going to be shiny, oily, and tight, which can cause discomfort. Give them the day to let the hair settle!

Locs are PERMANENT!! This isn’t a bad thing, as much as it is a ‘KNOW WHAT YOU’RE DOING BEFORE YOU DO IT’ thing. Technically they can be combed out, but that would take a very long time and very precise effort, and most people aren’t going through all that. They’re just going to cut them off and start fresh. If you have a character that would balk at such a choice, locs aren’t for them. If you have a character that’s picky and choosy, that likes versatility, that can’t make up their mind, do NOT give them locs unless they’re making the conscious choice to commit. (Again, this is subjective! Maybe they have locs because their mother died and it reminds them of her! Okay! That works!) If you have a character that’s vain, or at least doesn’t like looking awkward… unless they’re going to style up the awkward stage, they’re not going to want locs. (Awkward stage: the first two stages get considered awkward because the locs look messy. This is because they’re turning from curls to locs!)

Braids

Styles

How long braids can take depend on the style. Box braids can take 10-12 hours to do! Microbraids? You HAVE to have multiple people or you'll be there for damn near a day (and that's assuming you have a masterful braider!)

How long they last depend on your character! If they're like me as a kid, I didn't care how I looked, so my mom got me cheap braids and let me run free for two summer months. So if your Black character is a carefree child! Go for it. But if they're a teen or adult (or are very concerned about how they look) a month to six weeks is about how long braids can stay in before your new growth shows. A character that is usually trimmed and proper having loads of new growth over their braids may symbolize that they don’t have it all together anymore.

Pros: Protective style! Great way to let your character have minimal daily maintenance; oil and water and something to cover it. SOME braided styles allow for high activity and even rain without changing. It depends on the hair that’s been braided in, as well as the style. Incredibly versatile! They can have multi-colored braids, long braids, short braids, beads, trinkets… if your character is creative and bubbly and likes to experiment, the sky is the limit! That can symbolize their artistic expression, just by describing what they look like! So long as they have the time, they can have any look and style they want. No need to commit too long.

If your character is capable of doing their own braids (and locs, btw), they’re amazing. Like… that’s mad respect for them. If you describe your character being able to do their own braids, they’ve got amazing arm strength, patience, and skill. That skilled dexterity can be revealed as a trait of theirs through that alone.

Cons: They take a LONG TIME. Your character is not going anywhere. If they’re getting braids… they’re not going anywhere. If you write your character doing anything fancy the day of, depending on the type of braids, Black readers are not going to believe you. Even if it did get finished, it would be very tight. I currently have a poll going on, and so far, a good majority of the 10+ answers are braids! It cost MONEY. It is NOT CHEAP to get braids done! If your character is poor as a church mouse, they will be doing those braids with their friend in front of youtube. Because it can be in the hundreds of dollars. (Don’t get me started on hair culture right now; BACK IN MY DAY IT COST-)

Hairstyles on Black Men

I want to specifically give space and applause to these hairstyles on Black men, because we REALLY don’t give Black men enough credit for all the creativity they show with their hair! And again, with The Killmonger being the choice style in all these damn vidya games despite almost no Black man I know choosing it as a look… PLEASE LOOK! WE HAVE OPTIONS! Try describing how gorgeous these looks can be on your Black men characters! It would be very nice.

Straight Hair

Well, I was going to explain, but ol ‘Guest Writer’ here pretty much lays it all out! So just go ahead and read this article lol.

Just to re-emphasize, straight hair is NOT something that just grows out of our head that way! It takes effort! So if you have a character that doesn’t feel like maintaining straight hair, they shouldn’t have it! If your character has natural hair and lives in a rainy or humid city, they’re going to be fighting that weather to keep it straight- make sure that’s consistent with their personality!

My best friend used to wash and flatiron her hair every day. Like, laser focused on looking that good, Type A shit (she’s a top money banker now, so I guess it worked out). If you have a character like that, it’s fine! If they’re lazy any other time of the day, they’re not suddenly going to be waking up at 5am to flat iron their hair. It’s not consistent.

Conclusion

That’s pretty much what I have! I’m not the guru on all things Black hair, and I obviously cannot encompass every potential scenario you may have for your characters. Really, my intention here is to get you to think about how our hair reflects our character and personalities, and how when you write and/or draw a Black character, you have that ability! And when you’re able to incorporate that naturally, it makes your Black readers feel seen, like you actually cared about that character enough to give them just as much description as your nonblack characters. You don’t have to be a master at it! Just… occasionally the little things that we can go ‘oh, yeah!’ at would be nice. An equivalent effort would be nice.

Remember, it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #black hair #black art #black characters #character design #black writers

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multifariousqueer · 1 year

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can you write miles 42 having readers bank account, card ALL that on his phone and gets mad if she purchases shi with money he didint give her. its really crazy but its miles 42....what do you expect??? hehe

Sure love!!!

A/n: y’all I love you so much but I need you guys to start requesting regular miles fanfic pls. Although 42 miles owns my 🩷

It was just a simple necklace. It was the Vivienne Westwood necklace that you saw everyone around you wearing and wanted so badly. You knew Miles would get it for you in a heartbeat but a part of you wanted to get it for yourself. It had been a long, stressful semester but you struggled through it all and got to a point where ou were passing with A’s and B’s. Coincidentally, you had gotten a job at Starbucks after months of applying and you had about $1000 saved up of your own money that you were waiting to spend on something special. That was, until that “something special” came along in the form of Miles.

You never knew what he did but you knew he was making 8x your salary in a month. It seemed like anything you wanted, you got when you were with Miles; shoes, clothes, books, makeup any and everything you wanted, it was yours in a matter of days. It’s worth mentioning that Miles is extremely overprotective and wants to know everything about what you’re doing and buying because he loves you and cares about your habits.

Even on Miles’s birthday when you dipped into your savings to get him the latest Jordan’s, he was furious that you had to use your own money:

“Damn Ma, these are valid. How much were they?”

“Oh don’t worry about it” you said

“I said, how much were they.” His eyes narrowing in on you because he knew how much they were because he was gonna buy them 2 weeks ago but decided not to.

“$500. I’ve been saving for them for you, baby. It’s all good” you tried to assure him

“Aight. thank you.” He said, pulling you close to him, the scent of the Dior Sauvage cologne you also bought him, filling your nostrils

But deep down you knew he was pissed off and mad that you spent your own money, so after a long talk about how he should be able to keep tabs on you and keep you safe, you gave him your Apple Pay and banking info for emergencies only but of course it’s Miles and being the overprotective boyfriend he is, he checks it everyday for any “extravagant purchases” made by you or someone else.

Of course he isn’t crazy, he set a $25 limit for you before he steps in and asks what’s up. Once, you were at a mall with your friend and found the cutest shirt at Urban Outfitters and decided to buy it. The price tag read $50 but you went ahead and got it; the same happened at Bath and Body Works and Tilly’s and as you made your way to the bathroom, you got a text from Miles:

Miles: did someone take your card?

You: no why??

Miles: why’d you spend $150 in an hour??

You: I’m at the mall

Miles: so? I pay for your shit

You: dawg it’s $150. It’s not that deep 💀

Miles: I ain’t yo “dawg” and yes it is when Yk I buy you shit

You: you aren’t my sugar daddy

Miles: I basically am atp. I’m sending you $1000, buy something cute

You contemplated leaving him on seen but you remembered how he hates that so you replied:

You: Okay

You had saved up enough to get the necklace and when you got it, you were ecstatic. You thought about all of the possible outfit combos and how good it will look against your brown skin but your thoughts were interrupted by a certain someone:

Miles: what’d I tell you, Mami?

You: ?

Miles: don’t play dumb, yk I would’ve bought you that necklace in a heartbeat but instead you wanted to be miss independent and buy it yourself. I guess since you’re so independent, I’ll stop sending you that $1000 every week. How about that?

You: ok

Miles: ?

You: we can discuss this when I get home

Miles: K

You: k

It was a long ride home but eventually you accepted that Miles was gonna rip your head off and there wasn’t anything you could do about it.

When you got home, he had three of the necklaces, two huge teddy bears, a bouquet of your favorite flowers and the newest pair of Jordan’s waiting for you:

“What’s all this?” You smiled and asked

“I told you I’ll pay for your shit, y/n” miles said, with a small smirk on his face

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cybernaght · 10 months

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The fandom echo chamber: fanon, microanalysis and conspiracy brain

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe.

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”.

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours.

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we?

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals.

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation.

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth.

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space.

Eventually, this chimaera becomes a reality.

Part two. Microanalysis

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling.

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season.

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal.

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal.

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works.

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time.

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever.

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding.

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs.

Part three. The Conspiracy Brain.

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To.

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another.

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership.

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake

C) this must be done on purpose

D) here is why

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another.

Three, Intentionality

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed.

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media.

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic.

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking.

Unfortunately, people make mistakes. We are all fallible that way.

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness.

Conspiracy theories create alternate realities, very much like we all do here.

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all.

All I am saying is… listen.

Do you hear that echo?

I do.

#fandom thoughts #fanon #good omens #good omens 2 #bbc sherlock #merlin bbc #think piece #it's been years and I still have no idea how to tag #conspiracy theories #fandom content #all fandoms

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cameronspecial · 20 days

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Could you write a Rafe Cameron x curvy/chubby middle class reader fanfic where reader starts receiving love letters and gifts from a secret admirer called your mr right or something cheesy like that and she requests help from the pogues help in finding this secret admirer. Later she finds out that her secret admirer is none other than Rafe Cameron (her “handsome enemy”) after him interrupting her and a guy because (he’s super jealous). She confronts him on it(thinking it is some cruel joke of his; trying to get the chubby/curvy pogue princess to sleep with him and talk bad about her afterwards to his friends. Rafe has been in love with reader since the day he met her and flirts with her which always leads to bickering mainly reader being sassy and sarcastic with him and him just eating it up with a smirk. This confrontation leads to love confessions, breeding and praise kink/smut

Mr.Right

Pairing: Rafe Cameron x Reader

Warnings: SMUT

Pronouns: She/Her

Word Count: 1.6K

Masterlist

Y/N never thought Mr. Right would be none other than Rafe Cameron. It doesn’t make sense. After years of the two of them being in opposition, she can’t believe he is the one who has been sending her love letters for just as long. She remembers the excitement of finding the first letter.

She had been living in the Outer Banks for three weeks and she couldn’t believe someone was interested in her, especially because no one had shown any desire for her in thirteen years of living. Most of the boys she has met didn’t like that she was sassy and sarcastic. They preferred girls who would go along with their every word. Sure, her friends, her fellow pogues, weren’t like everyone else, but she knew they all had a crush on Kiara, which was understandable to her because JJ, John B and Pope had known her forever. So, when she found the messily written letter signed by Mr.Right saying that she had a fiery personality and was the most beautiful woman Anonymous had seen, she couldn’t help the butterflies that erupted in her stomach. It was the first time someone had considered her a woman, even though she had her first period two years ago. As the years went on, more and more letters came in, sometimes with gifts, and her self-confidence grew. She would use the letters as a reminder of who she really was whenever the dick boys at school would mock her because of her weight.

That is why when she pieces together the identity of Mr. Right, her mind reels at the thought of Rafe being the one to help boost her confidence. It can’t be him, not when he has been the one to poke at every button she owns. Nevertheless, it can’t be more clear to her as she processes the words he says. “Don’t touch Fireball again,” Rafe threatens the man who she was dancing with. The nickname is one only used by one person in her life and it can’t be a coincidence that Rafe used it too. Suddenly, the butterflies plummet to their death into her stomach acid. Of course, Mr.Right is him because the letters aren’t genuine love letters. They can’t be. Instead, she is sure that he is using them as a cruel way to mock her and she can imagine the years he has spent laughing over her naivety. He has probably hidden from the sight of her mailbox to watch her happily open the letters. He must have loved it whenever she would do one of her dorky dances in excitement.

Fury forms in the pit of her stomach and she goes to the one mode she is used to when it comes to Rafe. Confrontation.

Rafe watches the loser walk away from Y/N with his head hung low. Rafe’s satisfaction is short-lived as she grabs his shoulder to spin him to look at her. “You are a cruel man to play that sick joke for six years,” she yells in his face. His eyebrows meet and his head tilts, “What are you talking about?” She laughs with a shake of her head. “Don’t play dumb with me, Mr.Right.” She punctuates the alias with bunny ears. The pseudonym illuminates the reason for her anger and he is quick to understand that she thinks his letters were a joke. “They aren’t a joke, Fireball. Every word I said is true.” He doesn’t see a reason to lie. He has been found out. She scoffs, “Why would I believe you? All we’ve ever done is be at each other’s throat and you would take any chance to blow my fuse.” He steps forward so that she can feel his breath fan on her face. The mintiness of his breath mint hits her. “Because every single fibre of my body yearns for you and it is impossible for me to hide it. That’s why I had to write to you,” he growls at her, not in anger but in passion. His words cause a wetness to form between her thighs. She is definitely going to feel it when she walks away, her thighs rubbing against each other will cause it to spread. She doesn’t back down, “Like I can believe you can feel anything other than anger. I bet most of the girls you have slept with faked an orgasm because they couldn’t take how furious you look while fucking them.”

“So you have thought about what I looked like while having sex?”

“Ha, yeah, totally. Just about as much as you think about me.”

His eyes darken and his mouth dips so it presses against the shell of her ear, “Then you must see me every time you are in bed with someone because you are the only person I imagine when I’m cumming. And I’m willing to prove it.”

His hand wraps around her wrist and she doesn’t protest as he leads her through the busy party to an unoccupied bathroom. He slams the door, locking it before pushing her forward so her clothed breasts press against the counter. His hard-on digs into her bum. He unbuttons her shirt so she can see his toned abs through the mirror. She says nothing whilst he grabs the bottom of her dress and pulls it off. The bulge of her stomach that is revealed makes her want to shy away from him. She has seen the other girls he has slept with before and she doesn’t have anything in common with them. He tsks, “Don’t do that, Fireball. I want you to see every sexy part of yourself while I fuck you dumb.” Her hair is in his grasp and he yanks her head back so it is beside his. He kisses the spot below her left ear. She gasps when his other hand goes down to her thong and he rips it off. Out of the corner of her eyes, she spots him shoving the used item into his back pocket. His thumb finds her clit and he begins to rub it clockwise. Their eyes meet in the mirror. “See this. This is what I imagine every single time I come,” he mumbles, speeding up the pace of his finger until she cries out that she is coming.

He watches her with pride as she recuperates from her high. She decides to provoke him, “I don’t believe you.” His nostrils flare and he tugs on her hair a little hard so his mouth can drop to her neck. He begins to nibble on her skin. “You want to play, then I’ll play.” He uses one hand to remove his jeans and his boxers, gripping his large length. She watches with hooded eyes as he pumps cock. He gathers some of her cum between her legs and smears it across his dick. She bites her bottom lip in desire. She catches his smirk from the side of her eye.

He steps forward and the tip of his penis flicks against her entrance. He teases her for a bit, chuckling when she whines at him to do something. He obeys her command and slams into her at full speed. His thrusts are fast and harsh, hitting every spot inside of her that she needs. She lets out tiny squeals at every jerk forward. “I don’t know why you can’t believe that I think about you. I mean look at you,” he orders. His chin motions to the mirror and she observes her reflection. “Every single part of you is a work of art and I’ll be damned that you can’t see it.” She can’t form any words, too focused on the pleasure he is providing her. His hand goes back to her bud and he rubs it in synch with the movement of his hips. Her toes curl in her heels. God, she hates and loves that he knows what he is doing. “Aww. Is my dick so good that you can’t think of anything to say? It’s okay, I’ll fuck a baby into you. Maybe then you’ll be able to recognize your beauty. I’ll have to admit it once you see how adorable our kids are,” he teases. Her walls clenches around him and he takes notice. “Hmm. You like that idea, don’t you? It’s okay, Fireball. I always knew you were a beautiful slut inside.” She reaches back and shoves her fingers in his mouth, “Shut up would you, I’m trying to imagine Zac Efron.”

Rafe lets out a breathy laugh and grabs her left ankle to place it on the counter, allowing him to be deeper inside of her. Her breasts bounce in a way that hurts a little as he brings her closer to the edge. “He won’t ever get to see you like this, Fireball. This is my privilege and if I have to fuck a cuteass baby into you so that gets the message across, then I will.” He accentuates his next sentences with a thrust each. “Only I get to have my head between these thick thighs.” Thrusts. “Only I get to grip these soft hips.” Thrust. “Only I get to call your stunning self mine.” She moans at his words, feeling herself tighten with each promise. “Repeat what I said,” he commands and she does. Her release is brought during her repetition and she collapses against the smooth counter.

She pants with her cheek stuck against the marble. His dick spasms inside of her and his cum stains her gummy walls. He leans down so his chest is pressed against her back. “So, who am I to you?” he questions in a pant. She gives him a tired smile, “Mr.Right.”

Taglist: @loves0phelia @thelomlisrafecameron @wickedlovely121 @thepatriarchykeychain @drewsmusee @starkowswife @maybankslover @forstarkey @loving-and-dreaming @magicalyoura @rubixgsworld

#rafe cameron #rafe cameron x reader #outer banks #rafe cameron imagine #outer banks fanfiction #outer banks imagine #outer banks x reader #outerbanks #rafe cameron outer banks #outerbanks rafe #rafe cameron smut

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tkingfisher · 1 year

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So I write all sorts of things (fiction, fanfic, screenplays) and my mind is cluttered garden of flowers and weeds and shiny ideas, and I'm wondering how to form a writing practice to clear it into tidy rows? Is it possible to shepherd untamed ideas into order?

How do you manage all your wonderful worlds, characters and inspiration and not feel haunted by the story bits and pieces in your head? Any practical tips beyond dark magic?

Thank you, you are such a constant inspiration for me, both prose and just your presence. <3

*laugh* Oh god, Nonny, if I ever find out, I’ll tell you! When you read books, you’re getting the Instagram-filtered view of a writer’s brain, all the flowers that grew out of the compost heap, carefully composed and shot in optimal lighting. The real inside of my skull is a magpie nest of Neat Shit I Read/Saw/Thought Up While Lying Awake At 2 AM. There are characters and ideas in there that I’ve been trying to get into a manuscript since I was twelve and typing on an Amiga 500.

But, that said…really, I think it’s okay. Creativity is inherently untidy. The compost heap can be corralled into a very pretty box made of sustainably harvested materials, hand-stained by traditional artisans being paid a living wage by an employee-owned company, but as soon as you lift the lid, it’s all worms and coffee grounds and old potting soil and cow shit and the vegetables you swore you were gonna eat this time before they went bad. That’s what compost is.

Nevertheless, having been in the business for…uh…fifteen years now? (@dduane is snickering at me, I can feel it) and having written nearly forty books, I can offer three bits of something less than advice. It’s what I do. It may not work for anyone else, but it’s what I do.

Un-Advice The First: If you get a shiny idea and you are super excited by it? Go ahead and chase it. Pull up a new page in Word or whatever and slap down a couple thousand words while it’s exciting. I know that this absolutely flies in the face of common wisdom, but quite frankly, my enthusiasm is a much rarer commodity than my time, so if I’m excited about something, I write it down until I’ve taken the edge off.

Then I usually save it into a big folder called “Fragments” and go back to work on whatever I’ve got a deadline on. (Usually. Sometimes the edge doesn’t wear off, and I wind up with another book. Which, y’know, darn.)

There are vast numbers of people who will tell you that a shiny idea is a sign that something is wrong with your current project and the solution is to knuckle down and work! through! it! And those people are probably right for them, and I trust they know how their own brains work. Me, though, I got ADHD like a bat has wings. My hard drive is a vast swamp of story beginnings, neat ideas, random scenes. And that’s okay because I still get books finished.

In fact, it’s better than okay. Not that long ago, my agent sent a novella to a publisher and they said “We’ll take that novella and three more novels. What’ve you got?” And I ended up plundering my hard drive and sending the editor a good dozen random beginnings until we found one that we both liked, and then I wrote the rest of that book. And then another one. If I hadn’t had all those fragments lying around, though, it would have been a miserable experience of writing book pitches and trying to think of stuff I could get excited about. (This may not be how some editors work, but it’s how my editor and I work, anyhow.)

Un-Advice The Second: Trust that everything will find a home eventually.

This one is easy to say and hard to do because sometimes you get that overload that if you’re writing the book about, say, werebear nuns, you aren’t writing the one about the alien crustaceans. Or worse, you feel guilty. If you don’t use that one cool thing, was all that time you spent on it wasted?

Breathe. Be easy. Every single cool thing does not need to go into a single book. There is no sell-by date on the neat character. You will probably write many books in your life and all those random characters will find a home. (Seriously, the werebear nuns were lurking for like a decade.)

For me, at least, when I find the spot where something fits, it often snaps into place like a Lego. Easton’s backstory as a soldier from a society where soldiers were a third sex had been kicking around in my head for a few years, derived from about three different sources, and then I wrote the opening to What Moves The Dead and all of a sudden Easton was there and alive and they had strong opinions about everything and I had ten thousand words practically before I turned around.

You can also stave off guilt by writing some of your ideas in as highly personal Easter Eggs. A couple of my books have references to a white deer woman, a heroic deed done by a saint and the ghost of a bird, and a woman with dozens of hummingbirds on tiny jeweled leashes. Those are all characters and stories I’ve had vague notions about, but haven’t managed to work in anywhere or learn much more about. Still, the passing reference is enough to make me feel like I haven’t abandoned them.

(The advantage to this is that once you DO write those in, the readers are all “oh my god, she foreshadowed this a decade ago, she must have planned this all out in advance!” Then you look really clever and well-organized and no one has to know that you have no idea what you’re doing.)

Un-Advice The Third: Write the kitchen sink book.

At one point, I had so many stray ideas that hadn’t gotten into a book yet—the tree of frogs, the dog-soldiers, the stained glass saint, the albatross and the shadow of the sun, and also I wanted to write something with Baba Yaga—that I hauled off and wrote a book where I just put in everything and the kitchen sink. It’s called Summer in Orcus. There are bits in there that I had been cooking in the mental compost heap for decades, but that weren’t enough on their own to sustain a whole book. The phrase “antelope women are not to be trusted” showed up in my head some time in college. It’s a fun little book and I’m proud of it, but it’s very much a patchwork quilt of weirdness. But it’s also written so that if later on, an antelope woman shows up in another book in another context, that just adds to their mythology, it doesn’t break canon or whatever.

(Pretty sure I’m not the only one who has done this, either. China Mieville has said that he wrote Perdido Street Station because what he really enjoyed was writing all the weird monsters.)

So yeah, that’s my advice, for what it’s worth. Some days I just tell all the fragments and ideas that I promise that I’ll get them a home eventually but I need to write this thing here now. Sometimes I throw down enough words to get the story stabilized and then I’m okay to move on. Sometimes I write multiple books simultaneously.

Any method you use to write the book, so long as it doesn’t hurt you or anyone else, is a perfectly valid method. If anyone tells you different, you send them to me.

(…god, I hope that was the question you were actually asking, Nonny, and that I didn’t go off on a completely different tangent when you just wanted to know how I keep track of a plot or something.)

#long #rambling #writing

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seokgyuu · 6 months

Text

part of the @svthub 70's collab

Lee Seokmin is a very successful and admired Detective in the NYPD. Up until now he has had no trouble catching the bad guys. But when an especially horrific serial killer starts roaming the streets of New York City and he faces perplexity for the first time in his career - his superiors send a unit from the FBI trained to profile Serial Killers, which contains none other than you - Seokmin’s High School Sweetheart.

Pairing: Detective!Seokmin x FBI Agent!Reader

Genre: Criminal Minds/Detective AU, exes to enemies to lovers, Serial Killer AU, angst, Smut (MDNI!)

Warnings: Serial Killer theme, description of violence, description of dead bodies, cult themes, mentions of suicide, mentions of blood, mentions of abuse, mentions of suicide, character death (none of the main characters); smut warnings: fingering, penetrative sex, dirty talk, usage of the word “baby”, begging, reader has female anatomy, unprotected sex, creampie

Wordcount: 15.8k

a/n: I finally made it!! after months and months of writer's block I finally finished this fic, and I am actually really happy with it. Please mind the warnings, as this goes into darker themes. I also want to note, that I am no expert in terms of criminal language especially during the 70s in the us. So, if you spot anything that isn't all that accurate, i apologize! I also want to thank @multi-kpop-fanfics, @bitchlessdino & @strawberryya for reading through this and telling me i, in fact, do not suck at writing lmao. ily guys!!

taglist: @the-boy-meets-evil, @wooahaeproductions, @wongyuseokie

Lee Seokmin was a proud man. Proud of his grades in school and university. Proud of the man his parents had shaped him into. Proud of all the cases he had solved as a detective. With pride comes vulnerability, though. Especially in cases like these when he doesn’t have the right to be proud of himself. When he feels lost and helpless and his superiors look at him as if he had never solved a single case in his career.

He knows. He knows he isn’t giving them or the people of New York City anything to go by. All he can do is say he needs more time. Time that no one has.

“More people will die, Lee.”

Seokmin hates Jeffrey Stolper. Hates him like fire burns. There is nothing he can do about it. Balling his fist under the table, Seokmin slowly raises his head. There is a certain emotion in Stolper’s eyes, an emotion Seokmin was happy to say he hadn’t seen many times before. His older colleague was gloating. While they were working together, their boss put Seokmin in charge because of the very obvious numbers differentiating them. Seokmin solved cases. Stolper left them cold. Seokmin couldn’t count the amount of times he had helped Jeffrey from drowning in his own misery, and this was the thanks he got. The older man was gloating because, for the first time in practically ever, Seokmin was lost.

“Thanks, Stolper, couldn’t figure that one out myself,” he mumbled, letting his free hand roam over his sweaty face. Scoffing, the older male with the slowly graying hair leans back in his chair.

“Not the hot shot everyone says you are, aren’t you?”

“Shut the fuck up, this is not the time.” Seokmin’s voice is quiet but sharp, and Jeffrey laughs, his chest heaving as he seems to be vibrating with the horrendous sound of his arrogant laugh. It takes everything inside Seokmin not to get up from his chair and punch the hell out of the man.

“Lee, Stolper.”

Both of them get up when their superior walks in, a big man with a receding hairline, a stubble on his strong face, and an old suit on his large frame. Frederic Bream isn’t much of an empath, but he does a good job.

“Captain.” Seokmin and Stolper speak at the same time, watching as the captain nods and then waves his hand, telling them to sit back down. Once all of them are seated, he clears his throat.

“I know you hate to admit it, Lee, but we have no leads on this. No leads and a new victim.”

Seokmin’s heart falls down to his feet. Fuck. Another dead girl? Who will it be this time? He feels sweat starting to form at the top of his head.

“Another one?” Stolper is serious and reaches for the case file Bream put on the table. Seokmin feels as if someone had dumped him in ice water, unable to move, shivering. He hates the fact that Bream is right - there are no leads. So far they haven’t gathered anything from what this monster does except that he always does it the same way.

“Lauren White, 23. Student at Columbia,” Stolper reads, his face in a grimace, “she was found near Times Square, too. Fuck, Lee, I told you to put more patrols out!”

“Don’t be ridiculous. Even if we put every man we have on the streets, this city is huge, Stolper. He could just start moving them somewhere else.”

Stolper doesn’t respond. Instead, he shoves the file over to Seokmin, who takes it with his jaw tensed.

“This is different from before, boys,” Bream clears his throat, “this is a high-profile murder. She is the daughter of the district judge.”

Seokmin looks up from the file.

“Why is this different from the other four victims? Because she has an important dad, suddenly the tables turn?”

Bream sighs, pulling a hand over his red face.

“It’s not fair, I know that, Lee. But this changes everything. The judge is furious. Was a real fucking asshole about it too, even for someone who just lost his daughter. He wants the slasher to be caught yesterday.”

“Oh, and we don’t? Captain, please, this is bullshit!” Seokmin scoffs, throwing the file back on the table and glaring at his superior, who looks straight back at him.

“I know. We all know Seokmin. It’s a bad situation. But, some might say, it did bring something good.”

“And what’s that?” Stolper speaks up, crossing his arms. Bream clicks his tongue.

“We got sent help. From the FBI.”

Silence is what follows. Seokmin feels the ice inside his veins melt and instead get replaced by fire. He knows Stolper feels the same. Everyone here feels the same. The fucking feds.

“They can’t take this from us. We’ve been on this for months,” Seokmin hisses, and Bream nods again, licking his dry lips.

“They won’t take it from us, Lee. They are only here to help. In fact, they aren’t… our usual feds.”

“What does that mean?” Seokmin raises his brows, leaning forward, hands on top of the table.

“They are a completely new department. Focused on the behavior of criminals, analyzing them, trying to figure out what is wrong with them.”

“They are killing people. That’s what's wrong with them!” Stolper shouts, and Bream holds up his hand.

“I understand that you’re upset. God knows I am, too. But there is nothing I can do. Go talk to them. They just arrived.”

The ice is back, and this time it hits Seokmin right in the face. They are here already? Waiting for them? Embarrassment flows through his veins, mixed with an emotion he has never felt before regarding his job: failure. His legs are shaking as he gets up, but he tries to play it off, his body tensing when Bream leads them to the door and opens it.

The hallway to the main hall suddenly feels longer than it is. The walls are closing in on Seokmin, the gray concrete threatening to suffocate him as he walks over the horrendous blue tiles he never understood were placed in the first place. Nothing really seems to be matching in this precinct. Most especially Seokmin and the federal agents waiting for them downstairs. He doesn’t know how his legs lead him to the glass front that shows the inside of the busy station downstairs. Everything is the same gray color. Everything is the same horrible blue. The only difference is the people standing in the right corner of the room all gathered around the whiteboard Seokmin has so carefully put together these past few months.

His hands are sweating. This isn’t fair. This is his case. They aren’t supposed to be here and take credit for what he has done so far. What exactly have you done, Lee Seokmin? The voice in his head reminds him, and he balls his hands into fists as Bream opens the door leading to the stairs that will finally bring him to the federal agents he knows he’ll hate already.

The atmosphere in the room is tense. More tense than usual because everyone in it is unhappy with the current situation. As if it isn't hard enough that there is a killer on the loose, now there are FBI agents trying to take this away from the NYPD? This is his town, Seokmin’s town! No one knows it as well as him. He knows every corner, every store. Every good place to eat, every bar to avoid. The people know him; they trust him with this, and now he is just supposed to accept that he can’t continue what he started?

He doesn’t know how, but somehow, he does end up right behind all the agents and one of the other detectives, Jeanne, and doesn’t even try to hide the fact that he is bitter. His arms are crossed as he listens to Jeanne explaining what is on the board. She had been a part of this - just like all the other detectives had been whenever they could. It’s not like crime suddenly stopped in New York City just because a serial killer was roaming around. If anything, it just got worse.

“That’s about all we’ve gathered. I know it’s not much, but it’s all we got.” Jeanne closes her explanation, and Seokmin watches the backs of the agent's head nodding. Bream then clears his throat, making the others aware that they have joined and once the team of strangers turns around, Seokmin thinks someone has yet again taken a bucket of ice and dumped it all over his head. Because why on earth are you here?

You see him the second he sees you. It’s almost funny how your professionalism slowly slips out of your control, how seeing him makes memories flood your brain and almost drowns you. Why is he here? He, who had left you with a sour taste seven years prior to this moment? Why is he standing there in a well-fitted suit, looking the best he ever had in a precinct that shouldn’t have anything pretty inside it?

“Detectives, may I introduce you to agents Son, Song, Kim, Seok and Y/L/N. They were sent here by the FBI to help us with the investigations.” Jeanne smiles, but Seokmin knows it’s not an honest smile. You see it, too. When you had gotten the memo to go to New York City and help with the slasher murders, you had already known the detectives wouldn’t be too happy to see you and your team.

“It’s nice to meet you. I’m the team leader, Hyunwoo Son.” You hear your boss speak, and you want to look at him, but your eyes are back to being glued to Seokmin. Lee Seokmin. The one who had taken everything from you when you were nineteen.

“You too. I’m Detective Stolper. This is Detective Lee.” Bream doesn’t sound sincere. For once, Seokmin is relieved his older colleague likes to speak over him. He doesn’t know if he would have been able to say a word.

Catching a serial killer is one thing. Catching him with someone you share an uncomfortable history with, another. You are sitting as far from Seokmin as you possibly can. With as many people between you as there are.

Hyunwoo is standing at the front with Matthew, explaining what your team has gathered as of now. The rest of the precinct is listening to the presentation, and you just know they are all biting their tongues. No one wants you here. All of them think you’re a fraud. While you understand where they are coming from, you also think it’s time for them to accept the newly found ways to analyze the behavior of killers like the case at hand: the Manhattan Slasher. The air is thick with sweat, and you are sure 70% of it is yours.

“We want to make clear that the work your precinct and especially you, Detective Lee, have done so far is incredibly helpful. We don’t want to discredit what you’ve done and we also don’t want to make you feel as if you’re getting kicked off the case. We aren’t your usual federal agents, Detectives, we are here to be of support to you. You still go outside and look at the crime scenes. You still get to do your work. We are here to assist, to see things we have been trained to see, things you cannot see, not for lack of smarts but lack of training.”

You had always admired Hyunwoo. How he spoke so clearly and calmly, how he never failed to make a person feel seen. You can feel the atmosphere shift. Some of the police officers visibly relaxing in their seats. You still don’t dare to look at Seokmin.

“Now, to what we have gathered. Dr. Matthew Seok will lead you through it.”

Seokmin wonders how old Matthew Seok is. He can’t be any older than 23. How on earth is he already a part of one of the newest FBI departments? And gets to be in charge of the presentation? And how does he already have a god damn PhD?

“Hi everyone, I’m Dr. Matthew Seok. With the help of the information you’ve gathered, we were able to come up with a profile for our unsub.”

Seokmin feels a scoff in his throat but manages to hold it back. A profile? What is he talking about?

“We are positive the unsub is a white man in his early to late 30s. He most probably grew up with an abusive mother, which explains why he only picks women as his victims. He doesn’t care about their race or social standing, which tells us he doesn’t hate one specific type of woman, but all of them. The age range of his victims is from early to mid twenties, meaning his mother had him young and gave him up around that time.”

You should be used to it by now. The reaction from the precincts. But it bothers you just as much as it usually does. The way they look at each other, the way they are already fed up with you being here. Your eyes wander over to the rest of your team, who you know are just as fed up as you, but they are better at hiding their emotions. Yuqi just stands there with her gum in her mouth, her arms crossed, and hoping she’ll get to go on the field soon. While she is an excellent profiler, she did train to become a field agent. It was pure coincidence that Hyunwoo had overheard her talking about this one case even Matthew had been struggling with. Jungwoo is the quietest one of your team, especially in situations like this. He just stands there, hands folded in front of his frame, eyeing the situation calmly. The team leader himself stands next to Matt still, his arms crossed as well and his gaze wandering over the crowd of people. A traitorous part of you envies him for being able to look at Seokmin without any repercussions.

“How the fuck do you know that?” A voice now erupts from the sea of people. You turn around to see the man who had walked in with Seokmin. Stolper, you think his name was. A frown appears on your face.

“It’s not our job to explain profiling to you,” you say coldly and the older man’s eyes find you - just like Seokmin’s do. You decide to ignore them and turn back to face Matthew.

“Uhm. Yes, well, we do ask you to look into certain… well, behaviors. People like our unsub aren’t exactly the most masculine. He is probably very thin and might even have a disability - perhaps a prosthetic leg or something that makes him feel inferior. Look into churches, veteran centers, see if you find anyone that could match the profile and-,”

“You mean to tell me that the killer could be a vet?” Bream now interrupts, his eyebrows raised. Seokmin presses his lips together. If his colleagues hadn’t been wary of your bunch before, they sure as hell are now. War Heroes? Their precious American patriots that fought for their country and won a war? How could you even dare to speak ill of them?

“No. He most probably didn’t serve. He tells people he did and that that’s the reason he has said disability,” Matthew continues calmly and you smile slightly. It was a reach, your reach, but so far all your reaches had been a shot to the bullseye.

Then there was a sudden thud somewhere behind you, followed by hurried footsteps and news none of you could pretend didn’t make you sick to your stomachs.

This feels wrong. It’s broad daylight, there are people everywhere. You stand next to Matthew, your hands buried in your pockets, and listen to the statement of the girl that had called the police.

“She was just next to me and then.. and then suddenly she wasn’t. I- I was confused and looked around and then I saw this- this man and how he dragged her by the arm into his car. No one did anything, no one- no one helped her and I- I didn’t-,” her voice breaks off and another set of tears well up in her eyes. Seokmin nods understandingly.

“Miss, you have nothing to blame yourself for. It is a busy street and you and your friend were not glued by the hip, alright? We will do our best to find her and you shouldn’t worry about what you could have done differently. You called us right away and that's the best thing you could’ve done.”

Tears are rolling down her face, sobs are erupting from her tiny body, and you wonder if Seokmin would ask her out if it wasn’t for the circumstances. The second the thought hits your brain, you freeze. What the hell? Why on earth would your mind go there? In a situation like this? You shake your head to yourself and look around - the police have put tape around the area where Kelly has gotten abducted. Her friend, Jean is being questioned, along with the few other people who claim to have seen something. But other than the witnesses, there isn’t much to go on about. The car he had dragged Kelly into had been an old one and Jean couldn’t exactly tell what kind. She also hadn’t been able to make out the license plate. So, all in all, it was all more or less useless information.

“Detective Lee, I will need you to go to the morgue with Dr. Seok and Y/N,” Hyunwoo is suddenly there, right next to Seokmin and you hear his voice and feel your stomach tighten. The professionalism has to stay in its place, you know that. There is no room for you to fall back into old patterns; that one silly thought you had earlier was enough. You can’t let it get any further.

But the tension is there and it's suffocating. You’re in the backseat of Seokmin’s car and Matthew is talking the man’s ear off with information you have heard millions of times before. Thankfully your friend and colleague doesn’t feel what you feel, what Seokmin feels, and for a short second you ask yourself how he even became the youngest member of your team - only for you to remember you have never met a mind as brilliant as his, with the exception of human interaction. He isn’t too good at those.

The morgue is just like any other you’ve been in. This one still feels different, though. Probably because of the young girls you know shouldn’t be dead laying on top of the examination tables with nothing but a thin blanket over their pale, lifeless bodies. You should be used to this by now, you think. But you doubt you ever will be.

Matthew is standing next to one of the women, the fourth victim, Fernanda Franco, with this look on his face you’ve seen many times before. You’re standing opposite him, your arms crossed and your eyes shifting over the body, wondering how much pain these women had been in.

“He did a thorough job with the cut,” the coroner says now; he is standing on the side of the room, holding a file, “my guess is he is good with a knife, maybe working with animals.”

“Right,” Matthew mumbles, a frown on his face as he leans forward, eyeing the victim from top to bottom. It’s somewhat fascinating how good he is at spotting things others haven’t seen before. Perhaps it had made you jealous a while back, but fortunately, that is over. Instead of being jealous, you appreciate his work and his abilities.

Seokmin, meanwhile, is also looking through files. Mostly from the crime scenes. How the women looked before the coroner took care of them. The fact that they are all still here, and not yet down under, no funeral held at this point, makes his stomach turn. He knows it’s wrong. But as long as they haven’t found the killer, as long as there might be more evidence on the bodies… Seokmin suppresses a sigh. He wants to give the families the chance to find closure so badly. If only by giving them the opportunity to put their daughters, sisters, grandchildren to rest.

The pictures are still hard to look at. The blood everywhere. The stained clothes. The signs of clear torture. Nothing sexual, at least. But then again, perhaps the killer doesn’t need to sexually assault them to feel arousal. That’s what Matthew said earlier. Seokmin closes the file and pulls a hand through his hair, his hat safely stored on one of the cabinets.

“Dr. Richmond,” Matthew’s voice makes Seokmin look over to where you are standing.

“Dr. Seok?” Richmond walks over to Matthew who is standing bent over the body, his hand holding… the victim’s ear. Immediately, you and Seokmin step closer, both of your eyes glued to the women’s earlobe. Something inside your stomach turns, goosebumps suddenly all over your skin and you feel your breath getting stuck in your throat.

“Why wasn’t this in the files?” Matthew now continues to ask, his eyes not leaving what he found. Dr. Richmond feels his face go pale and sweat starts to form on the palms of his hands. Blood is rushing through his ears and there is nothing he can say, nothing he can try to come up with because the bitter truth is-

“He didn’t know it was there,” Seokmin finishes the thought and Richmond swallows hard, hands wiping away at his lab coat. The detective is right.

“Do all of them have this?” You ask now, finally able to move away from Fernanda and move over to Jennifer Cartwright, who looks way too peaceful for what had happened to her. But then, you are happy she does. A part of you hopes she is feeling peace wherever she may be. When you reach for her earlobe, you already know it will be there. You take a deep breath.

“I’m- I don’t understand. I never… nothing like this ever happened, I-,” Richmond’s voice echoes through the room, but none of you pay him mind. The small crosses, carved into the soft tissue of the women’s earlobes, take all of your attention.

There were only a handful of people in the meeting room. Your team and Seokmin and his superior officer. It bothered you, kind of. More people had to know.

“These crosses, they have been used before,” Matthew is pacing through the room and Hyunwoo is right there at the front of it, his arms crossed and his thumbnail between his teeth. He is thinking, listening.

“This was in the late fifties, early sixties. A cult, they all followed this one man, Jonathan Brixley. He claimed to have somewhat superpowers, and while most didn’t actually believe him, he was such a good preacher, they followed him anyways. They weren’t known for being violent up until they seemed to vanish. Many thought they might have done a suicide pact, but no bodies were ever found. But what we do know is that whenever one of their own died, they would carve a little cross into their earlobe. Almost unnoticeable. Almost like a birthmark - it’s not even that surprising Dr. Richmond didn’t catch on.”

“He didn’t catch on that all of the girls have the same strange birthmark?” Seokmin frowns. You roll your eyes.

“We are all aware that this isn’t the ideal situation, Detective, but perhaps being bitter about it doesn’t make it better.”

It’s the first time you and Seokmin have directly talked. Or more like, the first time you had openly acknowledged each other's presence.

“With all due respect, Agent, I don’t care. I want to be bitter, I am allowed to be bitter. If we had known this weeks ago, we might have cracked the case by now!”

“I highly doubt that, Detective. With all due respect,” Matthew chimes in and the (unpleasant) moment between Seokmin and you is over.

“And why is that?” Seokmin’s superior officer asks.

“Well, as I said, the cult vanished. Finding out where the last remaining members are is almost an impossible task. If there even are any - I doubt they’d wanna be found. For all we know, they could be hiding in plain sight and we wouldn’t know.”

The atmosphere gets even more uneasy. If that’s even possible at this point. Seokmin scoffs and looks away, his hands in fists. You should know how to de-escalate but your head comes up empty. It’s almost as if there is an invisible barrier that forbids you from actually trying to be reasonable with Seokmin.

Just when Hyunwoo seems like he wants to say something, the door opens. One of the police officers, a woman with red hair you don’t know the name of, comes in.

“We have a situation,” she says and her eyes are full of something even you, a profiler, isn’t so sure what the meaning of is. It looks like fear, confusion, but also something like hope. Immediately, everyone gets up and follows her outside, where you spot the board with all the pictures of the victims on it… and a red thread connecting one of them to a new face.

“That’s the girl I talked to earlier.” Seokmin breathes and he looks over at Ruth, who nods.

“Yes, Detective. Jean told us that she knows one of the girls - Rebecca Twain. They used to go to the same church, same goes for her friend, Kelly, that she called in as abducted.”

Your eyes widen at that and you look over at Matt, who has his hand over his mouth, his face in a frown. A church. That fits the idea of the cult. All of you who were in the room earlier know that. This is good, this is an actual clue, one that might even lead to something after all!

“What church?” Bream now asks the police officer named Ruth.

“She wasn’t too sure. Said they haven’t been there in ages. She knew Rebecca when they were children and Kelly came to join them a few years later. But they haven’t gone to the church in at least 12 years. She said she would call us with more information, but so far she hasn’t.”

It doesn’t take a genius to understand why she hasn’t called the station yet. You sink down, leaning against one of the desks now, a hand rubbing over your face. This was bad. Seriously bad. Whenever a cult was involved in anything, it could only be so much worse than anticipated. Of course, her parents wouldn’t let her talk about it. Who would ever want to talk about something like this? Being part of a cult, if now or in the past - with everything happening these past years.

“We need to speak to her parents. Now.” Hyunwoo is already out the door, probably heading to his car and you look over at the rest of your team, who all seem more or less as lost as you. It turns out to be Seokmin who follows your team leader first and once you see his figure speed past you, you also begin to move.

The ride is quiet. Hyunwoo’s hands are white around the steering wheel. You sit next to him in the front, Seokmin in the back. All of this feels surreal to you and you are sure it’s not that different for Seokmin. Serial Killers were a constant part of both of your lives, but you - you haven’t been for a good amount of years. It’s like a bad taste in your mouth, as if somehow the food you would always cook perfectly suddenly went bad, had a foul ingredient in it, was cooked for too long. You’re not sure what it is, but it doesn’t sit right with you.

Seokmin, in the back seat, feels about the same as you. He is used to gruesome murders, to killers who don’t care about anything but themselves, but he isn’t used to having you around in all of this. Someone from his old life that he doesn’t associate with any of this. Never in a million years would he have predicted you becoming a federal agent. When you dated back in high school, you had always talked about wanting to go into politics, fighting for women’s rights, feminism, all that jazz. You had even applied to all the IVYs, wanting to study political science. So, how did you end up here?

“We will have to be careful.” Hyunwoo now breaks the silence and makes Seokmin and you look at him.

“The parents won’t be too happy to share their story, I can imagine. No one likes to admit they were in a cult, not after Manson.”

You nod and Seokmin scoffs, leaning back in his seat and crossing his arms.

“One would think people wouldn’t even join any cults after Manson,” he says and Hyunwoo laughs bitterly, nodding slightly as he takes the next right at the intersection.

“Right. Sadly, it isn’t as easy as that.”

You look at Seokmin through the rearview mirror, watch how his jaw is tightened and how his arms are crossed, how his suit jacket is discarded next to him on the backseat. You wonder how long he has been part of this lifestyle, how long he’s been a cop. You hadn’t heard from him in years, not even when your friends offered to do some digging for you. It wasn’t because you weren’t interested. More so because you felt like you would get too invested. Looking away again, you straighten out your shoulders. This isn’t the time to think about the past, there are way more important things to focus your energy on.

Five minutes later, Hyunwoo finally parks the car in front of the house of the Roger’s and the three of you get out to walk over to the front door where Hyunwoo rings the doorbell twice. It only takes about twenty seconds before the door opens and a slim woman with bright red hair and red lips stands in front of you, an apron around her waist and a mitten in her hand.

“Yes?” She looks at you with blinking eyes and the three of you take out your respective badges. The woman’s eyes widen.

It is safe to say that getting information out of Jean’s parents is almost impossible. They are a middle class family with middle class friends, he works in real estate and she does her best to keep the house and children under control. They don’t want to talk about their past at the church, or more like, they try to deny it ever was a part of their lives. Talking to them comes close to talking to a wall, if the wall felt guilt and shame and was worried about its reputation. Only when you mention Jean for the third time, reassuring her parents that they aren’t in trouble and that no one was going to find out, that the only mission you had was to find the missing girl and find out who had killed the other innocent women - they budge.

Mr. Rogers gets up, a certain shake in his knees, and walks over to one of the dark hardwood dressers standing on the right side of the spacious living room, where he opens a drawer and takes out what looks like a little notebook. You, Hyunwoo and Seokmin look at him attentively.

“We haven’t talked to anyone from that church in years. Or well, we hadn’t. Up until a few weeks ago. You see, there used to be this… this farm. It was for retreats, we would go there every other month. Sing and pray, meet new people from other parts of the country,” he begins to explain as he walks back, reluctantly handing the notebook to you. Taking it with a small thank you, you look at the page he had opened it to and see a number and a name.

“This is the name and telephone number of the couple that bought the farm years ago. We- we haven’t been going to the retreats since 1961, but a couple weeks ago an old acquaintance from the church called us. Kathryn Anderson, she was pretty close to Pastor Brix-,” he stops himself mid sentence, “to, uh, to Mr. Brixley. She wanted to know if we knew who bought the farm.” “And what did you tell her?” Seokmin asks now.

“He told her no. That we were never interested in knowing,” Mrs. Rogers now answers the question for her husband, “you see, when we left the church it was mostly because of Jean. We figured after a while that perhaps this church wasn’t what we wanted for our daughter. So, we left. It wasn’t easy, but we did it. A couple months later, the whole thing fell apart anyway. Kathryn wasn’t around for that because she had been arrested about six months before we left the church. Got a good couple of years behind bars for attempted murder, the woman. When she got out, she couldn’t reach anyone - after all, the church didn’t exist anymore. Jonathan had perished, no one knows where he ended up and she was unsure what to do. So, she finally got a hold of us and wanted to know everything about the farm. But again, we told her we didn’t know who bought the farm. We just told her it was over and that she needed to find a different safety net.”

You look over at Hyunwoo, wondering if he thinks the same thing you do.

“But you obviously do know who owns the farm now.” He says calmly. The housewife swallows, then nods.

“We do. Paul actually sold the farm to them.”

How convenient, you think. Hyunwoo smiles and Seokmin clicks his tongue.

“I see. Well, thank you for the name and number, but now it would be great if you could also let us know the address.”

“I don’t understand,” you say, your arms crossed in front of your chest. Hyunwoo is sitting at his makeshift office desk, rubbing his temples.

“What exactly do you not understand, Y/N?”

“Why we need to go to the farm. Or no, why he and I need to go.”

“Don’t be stupid, Y/N. Matthew confirmed it, the cult used this farm back in the day. There could be a lead there. And you and Detective Lee are going because you’re my best agent and he’s their best detective. I also feel like you two need some bonding time. Honestly, I’ve got no clue what your issue is with him, but you’ll need to get your act together. This is a serious case and I can’t have you dislike the main detective.”

Dislike. That’s one word to describe it. You bite the inside of your cheek.

“So, you will drive to the farm with him and talk to the couple as well as check out the surroundings. See if you find anything that could be helpful to the case, got it?”

“Yes, sir.”

Hyunwoo nods, satisfied. He then waves his hand, telling you to get out and do your job. You suppress a sigh and instead walk out and almost into your newly assigned partner - Seokmin. He looks about as happy about the situation as you feel, but neither of you says a word while you walk out of the precinct and to the car that would take you the 100 mile drive to Schnecksville, Pennsylvania.

“You drive.” Seokmin’s voice rips you out of your thoughts and you thankfully react quick enough and catch the keys he throws at you. Rolling your eyes, you walk over to the other side and open the car, sitting down in the driver’s seat. The second your door is closed and Seokmin’s door is closed, his presence almost drowns you.

“I was always better at reading maps than you,” he mumbles next to you and you feel your cheeks heat up and your stomach turn and you decide to ignore him and instead start the car.

Seokmin presses his lips together, the map on his lap and his heartbeat loud and clear in his ears. Bream really thinks he did something. Putting Seokmin in a car with you for the next two hours. Apparently, your little bit of tension did not remain unnoticed and now this was his punishment. But what was he supposed to do? Tell Bream that you were his ex-girlfriend from high school who he had left seven years ago with nothing better than a pathetic letter goodbye. It hadn’t been his finest moment, but god, he was nineteen. Back then, he had enlisted in the army after high school, something he was bound to do anyways, and being cowardly as he was, he just hadn’t felt like telling you in person. Then, when he had been discharged, he had signed up for the academy and here he is now. He knows he should say something, apologize for the way he left you. But his pride and the shame don’t let his lips move, don’t let the words come out. And so he just looks at the map and waits to give you instructions. That’s what he can do. That’s how he can cope with being next to you.

The drive is long and quiet and you turn on the radio at one point, listening to quiet music almost soothing. The highway is wide and the city is behind you and you wonder how long you’ll have to be in this car before your head starts to actually fume from all the thoughts running around.

When you see the sign for Schnecksville, you almost sigh in relief. Seokmin tells you which exit you have to take and you follow his instructions, wondering how you actually got through this drive without any actual communication besides his directions.

Schnecksville is filled with nothing and a gas station. You also pass a motel and a convenience store on your way to the farm that is a few miles away from the city center. Once you finally arrive, you can’t get out of the car quick enough, shoving the keys into your jacket when the car is locked. The farm is bigger than you had anticipated and Seokmin, who has discarded his jacket and hat on the backseat, looks just as surprised as you.

“Guess we have some ground to cover. Come on.” He takes the lead and you follow him, even though a part of you feels the need to run ahead. You don’t. You’re not a child.

The woman who opens the door is in her early sixties with graying hair and a cat in her arms.

When you and Seokmin introduce yourselves and show your badges, she gasps slightly.

“Oh, you know, my sweet peach always runs out when I open the door, she is sick, can’t really find her way back when she gets out. Come on in, agent, detective.”

Her name is Mabelle Travis and her husband is Keith Travis, but he isn’t at home right now. He is getting some groceries for them.

“How kind of your husband to help you with that,” you say as you sit down on the couch in the pastel colored living room. Mabelle nods, letting the cat back down.

“Oh, he is the one with the driver’s license, dear. I can only go grocery shopping if he comes with me. Or our son is in town.”

You nod and look over at Seokmin, who is looking at some of the family pictures on the dressers by the door.

“Your son doesn’t live with you, ma’am?” He asks and Mabelle shakes her head as she sits down on one of the horrifically green armchairs.

“No, Detective. He used to, you know, live with us. But that was before we bought the farm. My husband always dreamt of having a farm. When he retired, he thought it might just be the time.” She laughs and looks from Seokmin to you.

“But, what can I do for you?”

“Well, we were wondering if you’d be alright with us looking around the farm? We don’t know if you know, but the farm used to belong to a church before you bought it.”

“Ah, yes. We did know. I think that’s why we got it cheap. What exactly are you looking for, agent?”

“We’re not sure. But we think the church might have some connections to a case we are currently working on.”

Mabelle nods, her face in a frown.

“Oh my. Well, you’re in luck then. We bought the farm years ago, but only recently moved in. So, most of the barns are still untouched. Only this house has been through some construction,” the cat jumps up on her lap and Mabelle smiles down at it, her hand carefully caressing its fur.

“That’s good news, Mrs. Travis. We’ll go take a look then.” Seokmin nods his head towards the back door and you smile at Mabelle before getting up and following Seokmin outside. There are three barns in total - one is large and two are on the smaller side, leaving the two of you with enough ground to work with for the next few hours. You exchange looks and decide to check out the smaller space first, a barn that is completely bare except for a wooden table at the far right that holds a few blueprints. Seokmin checks them out, his eyes scanning them for anything out of the ordinary. You, meanwhile, begin to knock at the wall, listening for hollow spaces, but also come back with nothing. The barn seems as normal as a barn could be.

The second one is a little trickier. It’s not empty, instead it’s filled with boxes that, after checking as good as each and every one, all seem to be empty. You check your wrist for the time, wiping your forehead with the back of the other hand. You’ve really been at it for the last two hours.

“I think we should move on to the last barn. I doubt the rest will hold anything of worth. Come on.” Seokmin is next to you all of a sudden and you flinch, looking away from your watch and at the man, who has sweat dripping down his temple. His eyes are set on your face and you wonder if you look just as exhausted as he does. Clearing your throat, you nod and turn away from him, walking out of the barn and to the next one.

Seokmin sighs, following you outside and grabbing your arm once he catches up with you.

“Y/N, I am just as delighted about doing this with you as you are with me, believe me. But perhaps we should at least try to do our job.”

His words sting more than they should have and you are well aware of that. Funny to think that such wounds would have healed after seven years. You shake off his hand and turn around to face him.

“Oh, is that right, Seokmin? You’re just as delighted as I am?” You raise your eyebrows at him. “As far as I can remember, Detective, you left me with nothing more but a joke of a letter.”

Seokmin bites down on his tongue. You are right. Maybe it wasn’t right of him to compare the two of you.

“I know that. I know I hurt you. And I should have apologized for that years ago. I was young and-,”

“Let me guess? Stupid? That is in fact correct, Seokmin. But I don’t care about an apology, at least not anymore. I just want to get this over with, not have chit-chat with you about the past which neither of us can change anymore. So, will you go to the third barn with me so we can finally leave this stupid town?”

Seokmin watches you walk away, his heart heavier in his chest than before. He really should have reached out sooner. Pulling a hand through his hair, the detective suppresses another sigh and finally follows you to the third and last barn for you to check.

The Travises invite you for dinner and Seokmin and you are both too polite to decline. Thankfully Mabelle is incredibly talkative, loves telling you all the tales about their son, Henry, and how they used to live in the city but then moved to a smaller town. She is excited about her husband’s birthday coming up soon and Henry coming over to visit, and basically her favorite topic to discuss is him. You try your best to resist the urge to look over at Seokmin next to you, to see if he is as amused about this as you are. He is not your ally, not your friend. You shouldn’t be looking for his gaze, shouldn’t be curious of his thoughts.

“Does your son visit you often?” Seokmin now asks after taking a sip from his glass filled with tap water.

“Not as much as we’d like.” Mrs. Travis sighs and pats her husband’s hand.

“He is busy with working in the city, not always available.” Mr. Travis now explains and Seokmin and you nod. That makes sense. You try to remember the last time you had time to visit your own parents. You couldn’t even really remember.

“If there is something we want to check again, would it be alright if we came back?” Seokmin asks when you finally stand at the front door, saying your goodbyes. The Travises nod, allowing you to come back whenever. After waving at them you walk back to the car, Seokmin now getting into the driver’s seat. As you sit down on the passenger seat the atmosphere quickly becomes tense now that you’re alone again. The second your doors are closed, a familiar sound is heard.

“Oh, you’ve got to be joking.”

Rain. It’s starting to rain. What starts with a few drops on the windshield turns into a full on piss of rain that has the both of you staring at the scene for a few seconds. When a second later you hear thunder so close it almost shakes the car, Seokmin reluctantly starts the engine.

There is no way in hell you can drive home in this weather. As much as the both of you hate it, you’ll have to stop somewhere and wait out the storm. Seokmin suggests the motel you had seen on your way here and you nod, knowing there wasn’t much else you could say or do. Having to stay somewhere with Seokmin, somewhere you couldn’t just flee from, seems like the number one worst scenario you could find yourself in. You look at him from the passenger seat, trying to my sly about it but of course he notices your eyes on his face.

“Believe me, I would rather not do this either, Y/N. But I’d rather be safe than drive on the highway in this weather.”

You don’t answer him. Mainly because you would have to tell him he is right and that’s most definitely not going to happen.

“What do you mean by that?” Seokmin looks at the bored looking woman in her fifties. She sighs and shoves the one room key towards him again.

“I mean, Sir, that there is only one room left. We are fully booked. Have you seen the rain?”

It’s very obvious a rhetorical question but Seokmin is about to go on a rant to tell the woman that, of course, he has seen the rain but how on earth does this justify there only being one room in a god damn motel miles away from any big city?

“We’ll take the room,” you quickly interject, handing the lady your credit card that she looks at with a straight face.

“Honey, you’re in the middle of nowhere. Do you really think we take those things?” You feel your cheeks heat up, retreating the card again.

“That’s 16.50$ for the night,” she continues and you hand her a twenty that she takes without a word, shoving the change over the wooden surface, “have a pleasant stay.” She shoves down the small plastic window and you and Seokmin exchange a quick look before making your way to the room you will now have to share.

There is only one bed. You stare at it and so does Seokmin. Because - of course there is. How could you have not asked the woman at the counter? But then again even if you had… there wasn’t much you could have done about it. Maybe a saw, you think, just saw it in half. The two of you stay silent for a good minute, before Seokmin finally sighs, pulling a hand over his face.

“Looks like we can’t do much about this. Just… it’s just one night, alright? We can do this.”

You don’t really understand why he would say that. Why he would speak for you, when you both know it isn’t okay and you most definitely can’t do this. You take a deep breath, throwing your bag onto the very dirty looking armchair next to the door.

“Whatever,” you respond, rolling your eyes as you make your way into the bathroom, if only to get away from Seokmin for a short while. His presence is stressing you out more than you thought it would. Perhaps that had been foolish of you - thinking this wouldn’t be the absolute worst thing to ever happen. But at the same time, it’s not like Hyunwoo had given you much of a choice. He had straight up told you to get your act together and yet… You sigh, the door closed next to you. The bathroom isn’t even half as bad as you had feared. It’s small and the shower could need a scrub (or three), but other than that it’s decent. The toilet looks clean and the mirror hanging over the sink shows you your exhausted face. Dark circles under your eyes that you touch with your cold finger tips. You remember how you looked back in High School. How much you smiled, how happy you were almost every single day. And all because of him. He, who promised you the world only to rip it away when you needed stability the most. It wasn’t fair. Him being here, him playing such a big role in something so important to you. Finding this killer that took lives like it was nothing. Seokmin is here with you and he sure as hell isn’t going anywhere else. The effect he has on you is annoying, to say the least. You don’t want to feel this way, feel insecure and small and like you need to prove yourself to him. He isn’t worth your energy, your thoughts. Not him as a person at least. Him as a Detective is a different story. Another deep breath followed by some water that you splash into your face, is what finally makes you step out again and face your ex-boyfriend that has taken a seat on the bed, the case file spread next to him.

He is handsome. High cheekbones, perfectly shaped eyebrows. His hair is styled back, but slowly the front strands are falling into his face. His face is in a small frown as he looks at the documents, as he tries to make sense where you all fail to find any. Your heart betrays you by skipping a beat, by suddenly sending a wave of sadness over you. He never told you why he left. He just did.

“Anything making more sense now?” You ask cautiously, walking over to him with slow steps. Seokmin looks up slightly before shaking his head.

“Not really,” he mumbles, “it doesn’t make sense. None of this. Why is he curving the crosses into their ears? Why is he choosing these girls specifically?” You sit down on the other side of the bed, gnawing on your lower lip.

“Well, Matthew told you our theory. Abusive mother, hatred towards women.”

“But why- why would he just go after any woman if his mother was a certain type?” Seokmin looks up at you and you feel a sting in your chest. You shrug.

“You’re right to question this theory. It’s not perfect and it will take a few years until we can really say that we have a high percentage of accurate profiles. So far we’ve been good, very good. But not as good as we can be. This unsub is unique because he doesn’t have a type - it almost seems random. Like he goes out on the street and sees a girl and just takes her,” you lick over your lips, letting your eyes wander to the window, the storm on full display, “he is violent, but he also kills them quickly. No signs of sexual abuse. It’s odd and not like anything we’ve seen before.”

Seokmin listens to you speak and allows himself to actually listen. The whole profiling thing - it most certainly hasn’t been something he trusted so far. But now, hearing your words, seeing the look on your face - he almost feels ashamed of his earlier suspicion.

“It’s just-,” he begins, his hand pulling through his hair, “it’s confusing. Why would he not go for people who look like his mother? Why is he not taking revenge on her over and over again?”

You feel your thoughts stumble over that sentence for a good thirty seconds. Seokmin is right - why wouldn’t he take revenge on his mother over and over again? Why would he kill women that look nothing like her? Without really noticing, you get up, your feet carrying you over to the window, staring at the rain outside, hoping it would give you the clue you so desperately need right now.

“You agree, don’t you? That it is odd!” Seokmin gets up too, only to turn around and look at the files again, his arms crossed, eyes scanning all the pictures and clues the team has gathered so far.

“Yes, it definitely is odd,” you mumble, heart racing in your chest.

“Okay. We’ll go over this again. There has to be something we’re missing. A connection between them, a club they all go to. Anything, just… fuck, it feels as if there is clue right there, hidden in plain sight and we are missing it because it’s too damn obvious!”

Hidden in plain sight. You blink against your reflection in the window. Hidden in plain sight. Matthew had said the same thing back at the precinct.

For all we know, they could be hiding in plain sight and we wouldn’t know.

You swirl around, eyes wide and Seokmin looks at you with a confused expression.

“What?”

“The barn,” you breathe, eyes flickering to the table, where the car keys lay right where Seokmin left them, “we need to go back.”

Seokmin tries to stop you, the storm still howling outside, but you’re not letting him. This is too important, too obvious. You want to kick yourself for not realizing it earlier. For seeing something that was right there, but not actually seeing it.

You run to the car, soaked from head to toe when you sit down on the driver’s seat. The door to the passenger seat opens and Seokmin plops down, just as drenched as you are.

“Jesus Christ, Y/N, will you tell me what the fuck is happening right now?”

Instead of answering, you start the engine, the wipers doing their best to clear your view.

“Y/N!” Seokmin repeats loudly and you let out a breath you hadn’t even realized you were holding.

“It has to be in there! In the barn. All those god damn empty boxes. One of them has to have something in it, something they don’t want us to find. Fucking hell, we could have had the whole team here by now, Seokmin! If only we hadn’t been lazy!”

“Wait, hold on. So you think the Travises have something to do with this?” Seokmin asks and you shrug.

“Honestly? I don’t think they do. But it’s still their property now. And most of these boxes are theirs. I’m sure we’ll find something there. We just have to look at every single box.”

You’re almost in a haze, Seokmin thinks. Your eyes have completely changed and the way you drive this car would have been scary if only you weren’t so damn impressive. You have been impressive the whole day, Seokmin thinks. He would never say it out loud (not to you at least) but this job seems to fit you like a glove. Never did it cross his mind back in High School that you’d end up in the same field as him. He gulps down the nostalgia and instead looks out the window, wondering if the rain will stop anytime soon.

It hasn’t been long since the two of you left the Travises and yet, when you arrive, the house is dark. Checking your watch you see it's already after 9pm.

“They said we can come back whenever.” You say more to yourself than Seokmin, but the latter still nods, cursing under his breath when he steps out of the car and into the horrible weather. You run alongside him, passing the house and first barn, setting foot in the one you had a hunch about with both of you drenched from head to toe. Ignoring the cold creeping up, you begin examining the boxes once again. There is nothing extraordinary about them. They are the usual cardboard boxes one uses for moves, all over the country. It’s nothing you haven’t seen thousand of times before and-

“Y/N, look at this.” Seokmin’s voice fills the silence that has only been accompanied by the sound of rain and thunder before. Looking over at him, you see that he is holding up two different boxes upside down. There is a green dot on both of them. Your eyes widen. Quickly, you check your own box - but nothing. There is no dot. Confusion mixed with frustration begins to rise within you and you throw the box to the side, pulling clam hands through wet hair.

“There has to be a system,” you mumble, closing your eyes as you try to calm yourself down. Seokmin hears your words and looks around the room, trying to make sense of how the boxes are lined up. They all look the same. They were all stacked the same when you came in earlier today. There isn’t anything about them that makes one different from the other - except for the dots he had discovered. His brain is working at full speed, his eyes roaming from one side of the room to the other. Only when he looks down, does he see something.

“Y/N, look,” he puts the two boxes he held up to the side and crouches down, your figure standing over him a second later. There were clear lines painted on the floor. He looks up at you and you feel your eyes beginning to shake, as you move as quickly as possible, shoving more boxes to the side and focusing on the floor. And yes, only a few moments later you find yet another line, one that contains boxes with more dots - orange ones. But it doesn’t stop there. Seokmin finds another line and boxes that, once again, don’t have a dot. He wants to pull his hair out, but once you begin looking at the boxes with him, your gaze full of determination, he calms down. Together, the two of you turn over every single box until, after what feels like hours, you let out a gasp. The box you’re holding now doesn’t only have a red dot on it - it also contains something. Seokmin is next to you right when you pull out the small key that makes both of you almost jump in glee. Your hunch had been right. Now all you had to do was find where the key belonged. Your eyes met and without words, Seokmin went to the left side of the room and you to the right one, both of your hearts beating at rapid speed at this point. Neither of you wants to or will leave this place until you find whatever door is hidden behind the wooden planks decorating the walls. Your hands flew over them, knocking to hear a hollow sound, anything that would indicate there being a hidden space. Nervous sweat was now mixing with the rain on your face, the earlier cold all forgotten thanks to the adrenaline you were feeling.

“I got something!” Seokmin suddenly yells after a few minutes and you immediately turn and run over to him, seeing him break the wall free of the plank. Just that there is no wall. It is a thin wooden door with a small lock that looks like it was made for the key safely stored inside the pocket of your jeans. Without any hesitation, you move forward, key back in your hand after pulling it out, and reuniting it with its lock - the door clicking open a second later. Seokmin and you look at each other again before you push the door with your hand, it easily swings open for you and Seokmin to see a narrow hallway led down by an old looking staircase. There is a string hanging down from the ceiling which Seokmin pulls on, lighting up the hallway for you to see more clearly.

“Well, let’s go,” you say and Seokmin nods, both of you with one hand on your gun belts as you walk down the stairs, all the way down to a door that, thankfully, isn’t locked. Pushing this one open as well, you are met by another hallway, longer this time, with three doors leading to different rooms on each side. You feel adrenaline rush through you as you begin walking, Seokmin right behind you. The first two doors lead to empty storage rooms, you taking the ones on the left, Seokmin on the right. Your hands feel clammy and your senses are all heightened as you continue to the next door, opening it at once and checking the insides carefully, gun in your hand. No one is in there - but it’s also not empty.

“Seokmin!” You call out and the man is beside you right then, eyes scanning the room. It’s an office, or at least it appears to be. Right on the wall across from you hangs a portrait of a beautiful landscape and only barely hides a very obvious closet of some sorts. You shove your gun back into your belt and walk straight up to it, while Seokmin goes to examine the desk standing at the left side of the room. He pulls out a pair of gloves from the inside pocket of his jacket and pulls them over his fingers before he begins to open each and every drawer.

“There isn’t much dust around here,” you suddenly say and Seokmin looks over at you.

“What do you mean?”

“Someone comes here regularly. Cleans it of dust, keeps the floors clean.” You look around for a moment, then your focus is back on the painting hanging over the closet. Your hands are also wrapped up in a pair of gloves and you move slowly as you grab the edges of the frame to heave it off the wall. It occurs to you that the last time someone was here, they hadn’t succeeded in putting the painting back into its usual spot. You can tell because it comes off the wall without any problems, having been crooked from the beginning on. Now, you lean it against the wall next to you, before your hands open the closet.

“Is something in there?” Seokmin walks over to you now, nothing interesting inside the desk.

Once he comes to a halt next to you, he feels himself gasp. There is a whole shelf with files that seem to be alphabetically organized. Your heart beat speeds up once more as you grab a random file (Br-Bu) and open it.

“That-,” Seokmin’s eyes widen. As you continue staring at the page, he moves to pull out more of the files. He brings them over to the desk and opens them one by one, until he finds all the names he has been looking for.

“Broshard, Cartwright, Franco, Rogers, Twain and White.”

Seokmin and you are staring at the files. It was all of the girls’ parents. They had all been part of this cult before. It made sense, of course it did. And yet, having it here, black on white, was still a shock. This meant their connection had been right there, so easy to grab, and none of the parents had thought about sharing this with the police. You lean against the desk, hands pulling through your damp hair. Seokmin’s hands are propped on his hips, his eyes reading over the names over and over again.

“We have confirmation now,” he states, “we need to call the precinct.” He looks over at you and you nod, your hands still resting in your hair. Worry rushes through Seokmin and he finds himself standing in front of you a second later, his hands around your wrists to bring your hands back down softly.

“We will get him,” he says then, eyes boring into yours, “we will get him and he will be punished, Y/N, I promise you.”

It’s unprofessional, he knows it and so do you. You don’t ever promise to catch a killer.

“Why didn’t the parents tell you?” Your voice is quiet and Seokmin sighs, shrugging. His hands are still holding you.

“I don’t know. Shame, fear? Whoever is doing this is a cold blooded murder, Y/N, they were probably scared he’d take even more from them.”

“More than a child?” You look up at him, letting the feelings that you’ve been holding back finally crack through.

“I guess so? We will find all of this out tomorrow, we just need to get back to the motel and call the precinct.”

He says the words but doesn’t move. Neither do you. You both stay right where you are, your eyes locked on each other. The air around you shifts, the exhaustion mixes with something you only have faint memories of.

“You are incredible, do you know that?” Seokmin whispers finally, “the way your brain works - it’s incredible. Admirable.”

His body heat engulfs you, makes you feel hot and cold at the same time. You swallow down your doubts and instead let your heart do the talking.

“You’re just as incredible, Seokmin. All the work you’ve done in this case already… if it weren’t for you, we wouldn’t be here right now.”

Seokmin feels himself holding his breath as his one hand moves from your wrist to your fingers, interlocking them with his own while the other moves up, cupping your cheek, thumb caressing the side of your chin. He feels your skin, the softness he remembers better than he wants to admit.

Neither of you is sure who does it. Who dares to close the distance. But you’re kissing, his lips warm and familiar on yours. Your arms move by themselves, wrapping around Seokmin’s neck as he deepens the kiss, his tongue licking over your bottom lip slowly, asking for entrance that you give him without any hesitation. He kisses better than he did back in high school and his hands are more experienced, moving down and up to grab your hips and hoist you on top of the desk, standing in between your legs now. You grab his face, your tongue licking against his, feeling the stress and discomfort of the day leave you with every touch of his skin. The kiss grows more and more desperate, both of you panting against each other and only after a good five minutes do you part, his hands in your hair and yours on his nape.

“We should get out of here,” he mumbles against your lips then and you nod, letting him help you down the desk.

This time the drive isn’t awkward. It’s filled with something else, something you haven’t felt in so long. Not just regarding Seokmin - but in general. Your work is your everything and you and your team travel around the country more than you don’t. Wanting someone, feeling wanted by someone, this hasn’t happened to you in a while. Your gaze keeps wandering to the driving Seokmin, to the man that had once hurt you so much and now was the only thing you could concentrate on.

“If you don’t stop looking at me like that I will park this car on the side of the road and not give a fuck about anyone seeing what I want to do to you, Y/N.”

His deep voice made your insides turn deliciously, the heat between your legs rising as you licked over your dry lips, eyes shaking as you nodded, averting your gaze from Seokmin’s intoxicating frame. As much as the idea excited you it also seemed like a stupid idea considering the motel really wasn’t that far away.

It doesn’t take half as long as it usually would with Seokmin speeding down the road, finally parking the car in the parking lot, getting out of the car and opening the door for you, his hand around yours in no time as he leads you to the door, both of you drenched again when you step inside. But even with all the tension between you two, Seokmin walks over to the telephone on the wall, passing a young man who just seemed to have left his room to go outside. You present him with a nod when he smiles at you, quick to look at Seokmin again who is now dialing the number of the precinct.

When he explains what you found, he speaks quietly and rushed, you by his side the whole time, holding his fingers between yours. The tension doesn’t subside, it only gets shoved to the side as Seokmin talks to his superior, who was still at the station at this time, waiting for your call. Your head feels dizzy, the situation bizarre but also somewhat addictive. The second Seokmin hangs up, knowing his colleagues will leave for Schnecksville as soon as the storm gets better, he wraps an arm around your waist and leads you to your room with hurried steps.

The door falls shut behind the two of you and your body is pressed against it, Seokmin’s one hand skillfully wrapped around both of your wrists, pinning them over your head as he dips down to kiss you, his thigh pressing between yours. A moan escapes you, your hands wiggling under Seokmin’s grasp. He kisses you with the same desperation as before, his free hand underneath your shirt, fingers pressing into your skin.

Nothing is inside your head except the need for him. You don’t want to feel anything but his touch, his kisses, the way his tongue feels against yours - hot and wet and perfect. He moves his arm around you again, picks you up as if you weigh nothing, carrying you over to the bed where he drops you, your eyes wide as you stare up at him. There is no light in the room beside the one coming from outside, making him look angelic. His carefully styled hair is falling into his face now, his lips red from your kisses. His pupils are blown out and the look in his eyes runs shivers down your spine. You watch as he gets rid of his jacket and belt, following his movement as you sit up a little bit, skillfully opening the belt with your gun and leaving it on the floor next to the bed, feeling the mattress move the next second as Seokmin lowers himself onto the bed. Your hands find his nape once more just as he presses his lips against yours again, hands roaming from your hips to your stomach and under your shirt, gripping your breasts one by one and moaning into your mouth when his thumb feels the stiff nipple underneath your bra.

His tongue licks against yours again, your back arching against him as he moves to kiss down your neck, biting and licking and kissing all the same. When he hears your sounds, he feels himself growing harder, his composure almost breaking as he takes off your shirt with your help, shoving the cups of your bra to the side to dip down and suck your nipple into his mouth, your legs wrapping around his waist as you push him closer to you, teeth sinking into you bottom lip. It feels like electricity between you, the way he touches you sends shocks through your body in the best way possible.

“God, I can’t believe I have you under me again, fuck,” Seokmin breathes against your neck now, his breath tickling you. “Been thinking about you so much, you know? About how much more I know now… how I can make you cum, baby, eat your sweet pussy and have you scream my name.”

His words send another wave of shivers down your body and you nod, wishing for nothing more than for your and his clothing to land on the floor.

“Seokmin… just want you to fuck me, please, need you so so bad.”

He groans, cock twitching and he finally moves to open his pants. It’s all hurried and a little bit frantic, the way you pull on his shirt next and the way your bra basically gets ripped off your frame by him. It drives you crazy, how he kisses you, pushing you further up the bed, your head hitting the pillow as he devours your lips and tongue, his hand squeezing your tits over and over, his stiff cock right there between your legs, still caged in by his briefs.

“How bad do you want it, hm?” He breathes out, his fingers now moving downwards, ending up over your clothed pussy, making you squirm.

“Fuck, so bad, Seokmin. Please.”

He sucks on the skin underneath your ear and lets his fingers shove your panty to the side, sliding through your wet folds and moaning against you. You’re so wet, wet and ready for him.

“I wonder if you still taste the same, baby,” he mumbles, continuing to let his fingers glide through your lips, letting one of them sink into you. Your pussy practically sucks him in, eager to feel him inside. Seokmin kisses you again and your nails are dragging along his back as your hips move against Seokmin’s digit inside of you.

“M-more, want more of you,” you cry out when you come up for air and Seokmin nods, letting a second finger slide in too, fully finger fucking you now as he smothers your neck with more kisses, preceding to suck marks onto the sensitive skin of your breasts, your whimpers becoming more and more frenzied. You need his cock and you need it now. So, you let your hand wander down, grabbing around the wrist of his hand that is currently fucking you.

“Want your cock, Seok… fuck me with your cock.” His eyes meet yours, gaze almost crazy as he curses under his breath, nodding before pulling his fingers out of you, bringing them to his mouth to suck them clean - making you whimper in the process. He licks his lips after.

“Still so tasty, baby… all for me.”

He kisses you one more time, deep and emotional and dizzying, before finally ridding himself of his briefs and you of your panties, hand pumping his length a few times. You watch and swallow, remembering how he had felt back then. He had been your first. And now he was going to claim back what he had made his so many years ago.

When he sinks into you, both of you cry out in pleasure, his arms on the mattress next to your head and his lips kissing your cheek, chin and lips. You are still hugging him close, fingers pressing into his nape and back. His first thrust is deep and slow and your eyes roll back, a long moan escaping your kiss-bruised lips. He can’t keep going slow, he knows that. As hard as he tries - he knows he won’t be able to control himself. Which leads to his thrusts becoming faster, to his moans becoming louder and your pussy clenching around him more often. It’s hot and wet and quick, it’s making you feel like you’re in a dream, his teeth sinking into your flesh, your cries spurring him on. Your legs are around his hips, his cock hitting you right where you need it to with every thrust and when you feel his hand sneaking in between you, thumb pressing down on your clit, rubbing it in perfect circles, you know you won’t last long.

“You feel so good, baby, take my cock so fucking well.” He moves, on his knees in front of you now, your legs over his shoulders the next second. The new angle makes you see stars, especially with his thumb still on your clit.

“F-fuck, Seok! I’m so close.” Your cry makes him smirk, his movements becoming less and less controlled, as he is chasing both of your releases. You give up on keeping your eyes open, enjoying the way he feels, the way he hits you right where it feels so incredibly good. Your body is on fire, everything feels more intense and if you had the capacity in your brain you’d probably worry about exploding.

And you do - you explode only a few seconds later, your orgasm hitting you hard, leaving you to cry out his name, nails back in his skin, leaving clear marks that he will be proud of later.

“That’s right, baby, look at you, so pretty coming on my cock, fuck,” Seokmin feels you pulsate around him, feels how your pussy clenches over and over, milking him for all he has and there isn’t anything he can do but reach his own high, cum shooting out his cock and into your spent core. He collapses on top of you, your legs falling off his shoulders, spasming at the intensity of your climax. His breath is right there in your ear and you finally open your eyes again, fingers moving to stroke through his hair. You stay like this for a while, just catching your breath, feeling him so close after so long. Only when he slips out of you, laying down next to you, his lips pressing a kiss to your cheek, do you regain some senses. Smiling at him, you excuse yourself to go to the bathroom.

When you come back out, Seokmin is asleep. Chuckling, you pick up his shirt from the floor and slip it over your head before laying back down, cuddling into his side and letting yourself drift off into a dreamless sleep.

For Seokmin it’s not a dreamless sleep, though. It hasn’t even been two hours he’s been asleep when he wakes up, cold sweat covering his body. He looks down and sees you peacefully sleeping right beside him, one of your hands on his bare stomach, the other under your own cheek. In any other case he would have loved to look at you for as long as he could, but this isn’t like any other case.

The man, he thinks, the man we saw yesterday. Seokmin gets up, careful not to wake you up, grabbing his underwear from the floor, just like his pants. You’re in his shirt so he has no other choice but to leave the room with his chest still bare. His feet carry him out the room and to the small entrance space, right to the phone where he dials Bream’s number again. The second someone picks up, Seokmin begins talking.

“It’s the son, Sir, the Travises son - he’s the unsub.”

The area in front of the farm hasn’t been this busy in years. There are cop cars everywhere, a S.W.A.T team is about to arrive. Seokmin has his hands pushed into his pockets as he talks to his superior officer. You are standing further away next to Matthew and Yuqi, listening to Hyunwoo’s orders.

Seokmin had recognised the son, Henry, from the pictures at the house. You feel stupid for not realizing it sooner.

“Don’t linger on those feelings, Y/N,” Hyunwoo says, “it had been a long day.”

Yes, a long day that ended with you being too horny to do your job properly. You don’t tell him that of course. Instead, you press your lips together and just nod.

Henry is inside the barn now, the barn you and Seokmin found the secret door in last night. His parents and the missing girl, Kelly, are with him. It’s a classic hostage situation and yet even your team is at a loss of words. It all doesn’t make sense right now. Why is Henry doing this? You let your gaze flicker over to the barn, wondering what he is doing to them right now.

The head of the S.W.A.T team is walking over to Hyunwoo now. They apparently arrived just now

“We are ready for your orders, Sir,” he says, shaking Hyunwoo’s hand. Your boss nods.

“Alright, thank you. I’ll let you know when you can go in.” The man leaves again after that and you look at Hyunwoo, unsure.

“We need him alive, don’t we?”

“In theory, yes. But it’s not always easy, you know that. Whatever is going on inside of him, we will only find out if we get him out, but we need to look at the bigger picture. We need to figure out what his deal is.”

Just then, Jungwoo arrives at the scene, carrying a white box.

“You won’t believe this,” he says, putting the box on top of the police car next to you. Seokmin is suddenly next to you, his arm brushing against yours and making you shiver. You ignore the effect once again.

“Henry Crawl, 36, was adopted by the Travises when he was 9 years old. It says here that his mother committed suicide and the Travises took him in - Mrs. Travis being is paternal aunt. She felt responsible for him, considering the father left right after his birth and his mother died.”

“So, they aren’t his biological parents. They didn’t mention that.” Seokmin frowns.

“Which means that there is a chance his mother was part of this cult. Is there an autopsy report for his mum?” You take step closer to the box and Jungwoo nods, handing you the document. Scanning it, your eyes widen as suddenly the reason for all of this is starting to make sense.

“There were signs of abuse - of years of abuse. Scars, bruises, internal damages.” You shake your head, “he isn’t killing women because he hates them. He kills them because he is avenging his mother.”

“She was part of the cult, probably around the same time as the parents of the girls. They probably knew about the abuse and he somehow figured it out.” Matthew chews on his bottom lip as he shoves his glasses up his nose.

“We need to talk to him. Need him to let the girl go as well as his parents.” Hyunwoo looks over at the truck where all the special units are gathered. He excuses himself and goes over to them. The atmosphere shifts, there are nervous droplets of sweat running down your face. The storm might have stopped, but it’s still slightly drizzling down on you. Seokmin’s hand finds the small of your back. You flinch, your head turning to look at him wide eyed.

“It’s gonna be okay, we’re going to get them out of there,” his voice is soothing you, as much as you hate to admit it. You swallow down whatever you’re thinking and shake his hand off, before walking over to Hyunwoo and the special forces, leaving Seokmin behind.

“I want to talk to him.” Your voice breaks through the conversation Hyunwoo is having with the captain. Both of them look at you, eyebrows raised.

“Y/N-,” Hyunwoo starts, but you interrupt him.

“You know it has to be me. I am roughly the same age as his mother was back then. I am a woman. I know what is going on inside his head. Please, Sir, let me do this.”

If there had been more time, maybe they would have argued with you. But there isn’t any time. And so, they nod. As much as it makes you nervous, you also know that you’re right. You’re confident that you can do this, that you have the ability to save this girl and Henry’s parents. Taking a deep breath, you look over at Seokmin, who’s eyes speak more than a thousand words. He knows why you walked over there and he knows that you are the only one for the job. The smile on his lips reassures you more than you want to admit.

Not even five minutes later you have a walkie-talkie in your hand. The other one landed in the barn roughly a minute ago. Now, you’re waiting for Henry to respond after your first attempt at contact. The rain is still falling softly, the sun nowhere to be seen in the sky. It’s early, you’re not sure how early, but you estimate it to be sometime after 6 am.

“I won’t let them go!” The voice coming from the device in your hand brings you back to the here and now, blood rushing in your ears.

“Henry, hello, it’s good to hear your voice,” you say softly, looking over at one of the windows of the barn, wondering if he is watching you.

“I don’t- I won’t let them go,” he repeats and you lick your dried out lips.

“Okay, Henry. I hear what you’re saying, alright? You don’t want to let them go. Could you tell me why?”

“They need to pay for their sins!” It’s not hard to make out that he’s enraged, crying, but still hurt and confused.

“What are their sins, Henry? Can you tell me?” You look over your shoulder at the rest of your team, Hyunwoo nodding at you and you nod back.

“You- you really want to know?” The shift in his voice tells you that your question had been exactly what he wanted to hear.

“Yes, Henry. I want to know, I want to understand.”

There is silence on the other line for just a few moments. You remain calm and don’t ask again. It’s important you give him space, important for the hostages as well as to earn his trust.

“They- they knew about my mum. My adoptive parents. I heard them say it. They knew why the police came to visit. It was because of her, because of mum. She was tortured by them, by the whole cult! And everyone who knew about it and didn’t do anything needs to be punished.” His voice is shaking as he speaks and you wonder if the hostages are in the room with him or if he has them hidden underneath the barn in one of the rooms you found last night.

“You’re doing this for your mum, Henry? You’re avenging her life?”

“Yes!”

“I understand. You did well, Henry. You hurt them the way they hurt you. They should have never taken your mother from you, Henry, that was wrong of them,” the words leaving your mouth aren’t what you’re actually thinking, but they will do the trick. Henry will trust you, he will listen to what you have to say.

“I- I did this for her. I wanted her to know I never gave up on her. B-but-,” he stops and you hear a sob, sure now that he is indeed crying.

“But? You can talk to me Henry, I am here for you.” You bite your lip, hoping you’re not pressing the matter too far.

“B-but…,” Henry starts again, “but he- he betrayed me. He told me- he told me they were the only one’s at fault. He told me he wanted to avenge her too…”

He? You once again turn to your team, all of their faces in frowns.

“Who is “he”, Henry?”

No answer. Henry isn’t responding. You feel a slight panic arise inside of you.

“Henry, it’s okay. You don’t need to tell me, okay? Just- tell me about you, about your mum. You must miss her dearly, right?”

“My mum deserved better than what she got. She shouldn’t have killed herself, she should have fought through it! But she couldn’t. She was so scared of what they had done to her, what he had done to her! I wanted them all to suffer, wanted them all to know what it feels like losing someone they love. And I did that, I did that to him too!” He gets louder with every word.

“Henry, you’re frustrations are valid. But, please, it is enough. You’ve showed them, you’ve hurt them. Enough people have died, Henry. Let your parents and Kelly go and you will be free.”

Henry is silent for a short while again.

“If he doesn’t respond, we’ll go in,” the S.W.A.T team’s leader is now saying to Hynwoo and latter holds up his hand, as if to signal to give it more time.

“Henry? Can you do that for me?” You ask again. Everyone is growing more and more uneasy, the more time passes. Your hands are sweaty and you feel like the rain isn’t the reason for why your clothes are damp again. Just when Hyunwoo is about to take his hand down, to let the special unit do their job - the doors of the barn open and Kelly runs out, the Travises right behind her. They all seem completely out of it but there are clear signs of relief on their faces. Seokmin and Stolper run towards them, helping them when they see, that Mr. Travis is limping and both women are spurting wounds on their face. You close your eyes and take a deep breath before pressing the button to talk again.

“Henry? Henry, are you there?”

“My parents always loved me. They raised me when mum died. But they knew, you know. They knew! Which means, they need to suffer, too.”

Your heart skips a beat when you throw the walkie-talkie to the side and run towards the barn, your team right behind you. You don’t think you’ve ever run as fast as you do right now. The air is tight around you and its rough to breathe.

Henry is right there at the back of the barn, holding a gun to his head. You scream and Hyunwoo shoots forward to tackle him down - but it’s too late. The shot is heard but your eyes are closed, your knees growing weak but you stay standing. Henry is dead even before he hits the floor and there is nothing you can do.

The hostages are free, so it counts as a win. The Manhattan Slasher is finally caught. He lays there, dead on the ground. He is getting carried away now, by two coroners who present you with a nod as you wait for Matthew and Jungwoo to come back upstairs. You hadn’t felt like you could go downstairs and see whatever Henry had left for you to find.

You're sitting outside now, seeing Seokmin approach you, with a file in his hands. You look up at him, blinking against the rain. When he stands in front of you, it’s almost like the sun showed its face after all. He isn’t smiling, though. He just radiates this energy that immediately gets your spirits up.

“The judge,” he says, handing you the file, “it’s all in here. He was the one controlling Henry. Told him all those parents were the reason his mum suffered. And while it’s not all a lie - the judge himself was the actual perpetrator.”

With a slightly shaking hand, you reach for the file and open it, reading through what is evidence of Seokmin’s words. Now, this was something neither you nor your team has predicted. You swallow down a set of tears.

“He used Henry. But for what?”

“My guess is as good as yours, but, if I may try myself at your job: They probably got fed up with his shit. Told him they would rat him out to the police if he didn’t turn himself in for abusing that woman. He began killing their children as a way to keep them quiet. My guess is, that he has been keeping them quiet ever since Henry’s mum committed suicide and they all only recently began to wonder if maybe this was wrong.”

Seokmin’s words reach your brain and they make sense as much as they don’t. You’ve been working this job long enough to know that there will never be something as full closure. People act irrationally all the time, do things no one understands. There is nothing you can do about it but wait it out, wait for the injustice to die down within you. In the end there is no point to try and understand people like this. Not that these parents deserved to have their daughters get killed.

You thank Seokmin with a small nod and he sits down next to you. Next there will be the arrest of the judge. Then the parents will be questioned, and will get a punishment of their own because they didn’t stop the murders when they had the chance. You know they couldn’t because they were scared, but the law is clear.

You feel Seokmin’s hand capturing yours and you look over at him. The business around the farm isn’t done yet. Boxes get carried and there is more forensic personnel than you’ve seen in a while, probably taking apart the basement you and Seokmin had found. It should be relief you’re feeling but right now you’re just tired.

So, when Seokmin pulls you against him, arm around your waist, you don’t even try to stop yourself from laying your head on his shoulder and closing your eyes.

header by @wongyuseokie.

#svthub #svthub.collab #lee seokmin fanfiction #dokyeom fanfiction #seokmin fanfiction #seokmin x reader #dokyeom x reader #dk x reader #dk fanfiction #svt x reader #seventeen fanfiction #seventeen smut #svt smut #dk smut #dokyeom smut #seokmin smut #lee seokmin smut #ksmutsociety

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missviviii · 6 months

Note

Could you please write a fanfic of mizu x reader when taigen flirts with reader and makes mizu get really jealous?

a/n: omg yes!! 🫶 i love this idea and i find it so cute! first time writing here!!

“Jealousy”

mizu x reader

summary: mizu doesn’t like it when taigen gets too close to you. perhaps it’s time to take things into her own hands.

warning(s): swearing

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You kind of just hopped along with Mizu after her fun little fight at the Shindo Dojo. Just a swordmaster like her, but much more open and friendly. Mizu really doesn’t get it. Why’d an angel and talented person like you hang with her? But nevertheless, your company was appreciated and at least it didn’t annoy her.

That was all until Taigen joined along. You two had known each other since you were young and through most of your time at the Shindo Dojo. Yes he was a dumbass and an utter failure, but at least he was funny and you had fun with him.

Much to Mizu’s annoyance, Taigen was awfully annoying and did not shut up whatsoever. Not to mention, he could not shut his damn mouth whenever you were around. Taigen flirted with you, made jokes that made you laugh, even wrapped his arm around your shoulder so casually when you were walking beside him. It made her feel this weird burning, hating feeling grow within her, and she always hated the smile on your face when you were with him, not her.

“What’s with the lipstick, princess?” Taigen commented as he looked at your reflection in the little mirror you brought along. You rolled your eyes, sticking out your tongue at him momentarily before you continued to apply lipstick on your lips. You let out a small giggle while Taigen continued to flirt with you. Mizu entered just then, only to see Taigen all close to you and flirting. “I might just have to steal kiss if you wear that lipstick—“

Boink! Mizu hits his head with the end of her blade, an unamused expression on her face as she pushed his face away from yours. “Move, idiot. Ever heard of personal space?” She says in an annoyed voice, forcing him to scoot his ass over so she can sit beside you. Taigen grunts, rubbing the sore spot that Mizu had hit him with her sword.

“What the fuck?! Can’t a guy just be funny?!” He grumbled, glaring at Mizu while you simply just giggled. Mizu rolled her eyes, scooting closer to you until your shoulders were touching. “Besides, im not wrong. Who wouldn’t want a kiss from the angel—“

“Alright that’s enough, Taigen. Say that again and i slice all your fingers off,” Mizu sharply said as she waved Taigen off. You cocked your head to the side, particularly amused at how protective she was being today. Taigen cursed under his breath before he very much reluctantly gave in and left.

Mizu turned to look at you, only to be met with an amused expression and a small smirk. “What’s with the look?”

“You’re jealous, aren’t you?” You hummed as you finished applying your lipstick. Mizu grumbled, trying to deny it and say it was ‘only to save your mentality from his idiotic behavior’, but you knew better.

Could you blame her? How is Mizu supposed to not be jealous when Taigen of all people gets to make you laugh and flirt with you. Or even have the slightest chance on getting a kiss from you? “I fucking hate how touchy that bastard is,” Mizu grumbled as you cupped her face into your hands. She almost melts right then and there.

Then you plant a kiss right on her lips, catching her off guard for the slightest moment. Even leaving your lipstick on her lips. Red and clearly showing that you left your mark on her. “Oh you little tease—“

Mizu regained her focus and immediately pulled you onto her lap. You straddled her, thighs on both side of her legs while your hands were wrapped around her neck while she made out with you. Her rough hands dug into your thighs while you pushed her back onto the ground.

Well, what happens next is quite obvious, isn’t it?

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#mizu x reader #mizu blue eye samurai #ask answered #fanfic #writing #answered #anon ask #blue eye samurai #send anything #send me asks #asks open #ask and answer

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whereflowerswenttodie · 11 days

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hello fellow readers of jjk community.

i’ve seen a lot of jjk fanfic writers struggle in this community because of you. your passive aggressive demands, your backhanded compliments that that truly become a twisted and polite manner to ask writers to update. do you think the only job they’ve is to update your lovely fics?

you expressing your disappointment with what a writer writes and then following it up with words of appreciation is neither needed nor appropriate. do you really think you expressing how do not like a certain aspect of the story will make writers feel good about it? let me be honest with you: people end up losing motivation to write and the only ones responsible are you readers and not a single soul other than you. let’s say they end aspects of their plot, is that their story or your? for people who have no idea what writers have planned, you guys sure do yap a lot. i cannot fathom how you end up liking plots that you force writers to deviate to. use your imagination and write your own continuation of the fics in the direction you want it to go rather than pestering writers to change their fics for you.

you are not paying them, you have absolutely zero right to feel (let alone express) disappointment. you wanna express disappointment? you commission a work. without paying for it, please don’t make writers feel bad about disappointing you.

most of yall aren’t providing constructive criticism, it’s blatant hate you’re showing them. kindly stop it, or find another fic that heeds to your desires.

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winnienora14 · 6 days

Text

It’s really not that hard people

Here’s how it goes:

You have the right to your opinions on fanfics just like you have the right to your opinions on anything else in life.

Although you have to remember those fanfics took a lot of work and are free. There is someone with a heart and feelings behind them so for you to bash their writing like I’ve seen some of you do, is extremely disrespectful, even more so if you do it in the form of public humiliation.

I personally don’t like All The Young Dudes but I would never say it’s a bad fan fiction because well, it’s not. It is beautifully written and you can’t argue with that. But also because it’s useless. It would just hurt someone who worked hard and it wouldn’t make me feel any better.

I’ve heard so many ‘’mskingbean89 ruined the fandom’’ and I feel like this is such an insensitive thing to say. That is a lot to put on a single person’s shoulders, even more so when that person wanted the exact opposite. Plus, you don’t know how old she is (although it wouldn’t excuse you even if she was 102).Just imagine how you would have felt if you were like a 15 year old kid and so many people said you ruined their and your own fandom because of something you put your sweat, tears and blood into. She worked really hard to provide PEOPLE with FREE content so it’s just truly cruel to say her writing is horrible. She didn’t write it specifically FOR YOU anyways so if you don’t like it just pass your way.

Another thing…Art is subjective. Just like painting, just like theater, writing is a form of art. So your statements about what fics are bad and what fics aren’t, aren’t worth shit. Ranking fics or calling some bad is nothing but mean.

It’s just about being polite and civil.

LEARN HOW TO LIVE IN A SOCIETY PLEASEEE!

That’s that. Have a good day and let other people do the same!

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homeofatlas · 1 month

Text

Wasted Days

Summary: Being in the public eye isn’t easy. Especially when you’re in love with your best friend.

Authors note: Y'all.......I'm sorry this has been sitting half finished forever and i just needed to get it done and out there. Not edited. Also yes this is lowkey based on that line from call me by your name. but not really but inspired from it.

Word Count: 3.2k

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Being somewhat famous isn’t all it’s cracked up to be. You loved the fans' sweet messages, the way they encouraged you and supported you when you had bad games, and how much dedication went into the edits and the fanpages. You’d even be lying if you said you hadn’t looked up your own name on tumblr to see if their was any fanfic of you. It flattered you, all these people you didn’t know idolising you and watching your interviews. What you didn’t appreciate was how they began to read into your relationship with your best friend. Could you call it reading into when they were just calling it like they saw it? It’s hardly their fault whenever you and elisa posted pictures of your excursions or you had interviews together you were staring at her like she’s hung the moon and the stars. It seemed quite rude of them to have to point that out though, in your opinion.

The recent influx of comments asking whether or not you two were dating made your heart beat faster in your chest. Surely there must be something there that other people can see and you aren’t just making it all up in your head, right? If not then it’s blatantly obvious for the entire internet to see how in love you are with your best friend, Elisa. You honestly can’t help the way you allegedly look at her. You’ve tried to rein it in, you’ve tried to like other people, you’ve tried to not tell anyone and make it go away. But apparently no matter where you go as soon as anyone sees you interact with her it’s like you’ve got I’m in love with her tattooed on your forehead.

During your professional football career you’d been at Montpellier with Elisa for a year before she’d left to join PSG. Giving you just enough time to learn everything about the girl and fall in love with her, convince yourself she might feel the same way, and then be heartbroken about her transfer. You’d kept in contact and tried to see her as regularly as possible but with training and games and travelling it’d been difficult until one day when you got the call from your agent telling you PSG wanted to sign you. Immediately you’d said yes in every way but in formal writing.

Upon your first connection with the PSG team they’d noticed something was different about you. The way your hug reuniting with Elisa lasted longer than it potentially should have. The way she was more distracted with you around. The way she stuck to you like glue and smiled more than she had before. You’d gotten into the habit of constantly being around each other again. When you two played together there was no stopping you. You could read what the other was thinking before they did it. It was like watching one person be split into two bodies. Unfortunately none of these things made your crush on her go away or dull even a little. That old saying “Absence makes the heart grow fonder”? They had a point.

In your time away from Elisa you’d forgotten the way her eyes crinkle when she smiled and the sound of her voice without the glitchiness of the phone. Constantly being around her again made everything better and worse at the same time. You were so screwed it wasn’t even funny. Which is why it took less than three weeks for the girls to corner you and ask about your relationship with Elisa. They’d assumed something had happened in the past or you were currently together. Either way that had been your first inkling you weren’t hiding your feelings as well as you tried to. Realistically there was only so much you could do before you started to avoid the girl or be constantly dead faced. You couldn’t help smiling at her the way you did or being the one she ran to when she scored a goal. If you’re being honest, it’s her fault for being so loveable. What were you supposed to do?

Pulling into the PSG parking lot you ready yourself for the teasing you know you’ll face. Elisa posted a photo last night which showcased you two looking awfully close together while on a night out with the team. You’d already skimmed the comments and they were the same on every post which had the two of you together.

“Are Elisa and Y/N together?”

“They are such a cute couple!”

“My OTP”

Yeah, you thought bitterly, mine too. Scanning the parking lot to see which of the girls were already getting ready your eyes landed on Elisas car. Knowing she’s already there puts a pep in your step. Walking towards the change rooms weaving into corridors and making turns you come up on the hallway before the change room. You can hear voices inside speaking with one of the voices distinctly agitated. As you move to enter you hear your name. It’s Jackie and Elisa speaking about you. Deciding to wait for a moment, you want to hear what they’re talking about. You hear Elisas voice cut through the tense silence.

“Drop it Jackie, we’re just friends. I don’t have feelings for her and I never have. Plus if anything was going to happen don’t you think it would have by now? We’ve been friends for years.”

You can practically see the face Elisas disbelieving face as someone once again questions the nature of your relationship. Are you really so bad she can’t even see how someone else could see the two of you together? Your stomach turns at the thought. It never gets easier to see her with other people, or hear her refer to your love as being strictly platonic. It never feels strictly platonic whenever you shiver and she immediately throws an arm around you pulling you into her side. Or when she grabs you to tell you something when she could have called your name to grab your attention. Or when she cracks a joke and she looks at you first to see if you’re smiling. Those moments rarely feel entirely platonic.

The words straight from her mouth saying she hasn’t got feelings for you makes you want to turn around and call in sick for training but you have to get over this at some point. You have to learn your place in Elisas life, her longtime friend, perhaps even her best friend. Not her lover. The realisation never hurts less despite the dozens of times you’ve come to it.

You give it a couple more minutes letting the conversation truly die out before walking in as though you hadn’t heard a thing. As you walk in you notice the way Jackie glances between you two. You’re sure your melancholy is written on your face, everything always is. You avert your gaze before she can decipher why. Thankfully she’s quiet while you change silently you really can't handle any teasing right now. Small bits of you break off every time you have to tell someone you and Elisa are just friends. Going up to the pitch and beginning to warm up Elisas words are still ringing in your head. Day 1067 (roughly) wasted thinking of a girl who doesn’t want you back. Story of my life, you think to yourself.

—-------

A team dinner is the last place you want to be tonight. It’s good for bonding but you’re attached to Elisas side the whole time anyways. You aren’t sure you can get anymore bonded to her. You wonder how much of it is you sticking close to her and how much of it is her keeping you close. You wonder how far you’d get before she pulled you back into her orbit. Not very far, you reckon.

Sakina slides into the seat opposite of you. You’d say her grin is wolfish but her features are too soft for the term.

“So you two looked pretty comfy on instagram the last couple of posts. Anything you’d like to share with the team?”

Your eyes flicker to Elisa beside you only to find her making eye contact with Jackie a couple people down. Whatever telepathic conversation they’re having right now makes your chest burn. You’re supposed to be the only one who knows her that well. Your mouth is filled with a bitter taste and something clenches and flexes in your chest. You look down trying to contain yourself before replying to Sakinas comment.

“We hang out a lot, sue us.”

You can feel Elisa nod more than you see it.

“Plus Y/ns a good photo taker I’ve got to put her skills to use when I have them!” She says jokingly. She leans forward in her chair propping one elbow up on the table the other coming up to tuck a piece of hair behind your ear. You glance to the side meeting her eyes and smile. Yes keep your focus on me, the beast in your chest sighs and relaxes.

“Yeah but she’s been here for a while now. You’d think you guys would be sick of each other. I mean you’ve been friends for so long. What else do you even have to talk about?”

You have a feeling it's time for Sakina to start drinking water. Luckily Elisa saves you from having to answer again.

“Anything, everything, whatever we feel like mostly. Sometimes we talk about nothing at all and it’s the best conversation I'll have all day.”

See? It’s stuff like that which makes you wanna scream and shout and call bullshit on being platonic.

It's like watching everything you've ever worked for go down the drain as Sakinas eyes light up. Something in her brain seems to scream BINGO!

“So have you guys ever….you know?” She looks between you two, clearly hinting at something. “Clearly you’re great together and have been in the same places at the same times coincidentally.”

Yeah coincidentally, you think.

Elisa leans back in her chair seemingly nonchalantly, “I mean I liked her when we were younger but it was never the right time.” She shrugs as if she hasn’t just blown up the ground you’re standing on.

“I mean we were young and starting out in our careers, we didn’t know where we’d go. There was no point in saying anything at that point.” You try to recover. Jumping in so it seems like you’re also unbothered and knew this information. You might pass out. It feels like the lights got brighter than they were a minute ago.

Sakina puts down her drink and seems to take a pause before replying. She goes unnaturally still for a moment before she relaxes and looks between you two with a confidence you see projected towards crowds but rarely in spaces with her friends. You’re starting to think she’a lot more sober than she’s let on and this a massive ploy or some sick fucking prank you’re the victim of.

“So why aren’t you now?”

Oh, Fuck.

Damage control.

Act like this is the first time you’ve thought of this.

You see Elisas eyes darken and an intense look in her eye directed at Sakina which the girl seems to pointedly ignore instead putting on a vague attitude of indifference which seems to suggest she’s just come to an observation, not blown up your carefully constructed weird homoerotic friendship.

“We could never jeopardise our friendship.” Elisa answers lamely.

You feel nauseous. Someone might need to call an ambulance because you aren’t sure if your heart has beat at all in the past five minutes. You’ve got to get out of here, you need to be alone. Just as that crosses your mind, a warm palm goes to rubbing circles on your lower back. You know she’s trying to soothe you but right now she’s a match stick and you're an old crumpled newspaper. Glancing back you give Elisa a tight smile before excusing yourself to go to the bathroom, instead you walk out the front door and go home.

—----------------

You aren’t expecting to hear from her. She’s made it abundantly clear in the last 12 hours she values your relationship but strictly as friends and used to like you but doesn’t anymore? You sigh, needing a minute to shut your brain off.

So when there’s a knock at the door you’re confused about who's at your door on a thursday night at almost 11 pm, you know it’s the one person who would’ve noticed you slip away.

She’s the last person you want to see and the first one you want to go to about all of this. Being in love with your best friend is too frustrating, you think as you unlock the door.

“You left.” She’s pouting in your hallway.

“I’ve filled my quota of hearing why I’m not relationship material to you today. Thanks, come back tomorrow.” Crap. You’re tired and you just want to go to bed, it slipped out.

“So this is about dinner?”

You’ve had enough.

At 11:08 pm on day 1067 (roughly) of being in love with Elisa you’ve decided you’ve had enough.

“It’s about us. I’ve loved you for a quarter of forever and I've spent all day listening to the ways you don’t like me in front of our teammates so excuse me if i had enough and came home.”

“Can I come in? This feels like an inside conversation, not a hallway conversation.”

You hate how she’s right and how she places her jacket on the hook that’s unofficially hers. When you turn and she’s made your home hers. She does that a lot, gets into your stuff and makes it her own. Your heart was the first thing she ever did too.

The moment you make eye contact with her again, it comes spilling out.

“I’ve loved you since forever. Honestly I can't pinpoint a specific moment in time where I knew I was in love. But when I listen to music there’s montages of your smile running through my head and your spirit feels like everything good in the world. Violins and guitars remind me of you. You’re music. You’re art. I love you, I’m sorry if I ever made you feel like I didn’t.” Everythings comes out of Elisa at rapid fire. You’re left blinking at her tiredly.

Word’s have done enough today. You’re too tired to talk. You walk over to her and tangle her hands with yours. Her fingers run along the sides of yours and you’ve never felt simultaneously at home and like you're on a rollercoaster. You love that feeling best when you’re with Elisa, she makes everything down to going on a walk feel like an adventure but also like you’re coming home and taking off your shoes and falling into bed when you’re tired. Safe, you realise, she makes you feel safe. No one ever felt this much like home before. In fact, you think if there is a home where all the atoms in the universe started your’s would be next to hers.

She pulls you closer to her body and before you can register it you feel a soft kiss, tentative kiss on your lips. It feels so right. You’ve always felt like your bodies were made to fit together and now you have confirmation.

“Sorry, I had to do that, I couldn't wait any longer.”

You hum at the sentiment.

She pulls away before bumping your foreheads together and letting it rest there. You love how Elisa knows you. Kissing is great but you know there’s more way to be intimate in a moment without you being attached to each other. Sitting here in this silence with her is filling your lungs with life again. You hadn’t noticed how little air you’d been breathing before, now every breath is a big heave and you’re trying to fill all your senses with her. You can see her, you can hear her breaths, you can feel her warmth against you, you can smell her, you can taste the chapstick she keeps in her car. This is where you’re supposed to be, you’ve never been more sure of anything.

Her hand comes up to cup the side of your face. Speaking quietly she utters,

“We wasted so many days.”

She sounds like she's laughing at the irony of it all. You know her well enough to detect the hint of bitterness in her voice. You think back to all the days you spent throwing her longing looks, waiting until she looked away or turned to look back at her. Everytime she smiled or laughed or frowned and they all went into a file to document exactly what she looked like. When you were younger and she would run up to hug you after a goal or the late night phone calls or the times where the moment hung just long enough for you to consider saying something. A light on the dark sea looking for a boat to say I see you, come home to me, I'll keep you safe. You wouldn’t trade any of those moments for the world.

“No, my love,” you whisper back bringing your own hand up to clutch hers, “I haven’t wasted a single day loving you. You make me feel like I’m somebody when I'm next to you. I don’t care about how many goals or assists I have, none of that matters. I don’t need to be somebody to anyone, I want to be someone to you. You’re all I’ve ever wanted.”

You love her so much it’s utterly overwhelming, you can feel your throat beginning to close up. Sometimes it’s hard for you to tell her you love her because she means so much to you. Words could never portray how essential she is to your being. All you can do is hold her and try to give her the same sense of safety and wonder she gives you. Your hands tightly grip hers. You can feel her lips ghosting over the skin of your face. Her warm and heavy presence reminds you that this moment isn’t a dream.

You feel her press small kisses from your temple to your hairline, her hand moving to cradle the back of your head. Eventually she trails her kisses along your nose before hovering over your mouth where you meet her to connect your lips again. This kiss isn’t as soft as the last. This is the kiss which tells you she’s waited long enough to have you, she isn’t going to waste another moment. Your arms creep up to wind around her neck pulling her closer to you. A deep inhale from your nose tells her you don’t want to let go just as much as her. With a small bite to your lower lip, you knew you’d been right in assuming your chemistry would translate to the physical side of the potential relationship.

Pulling away with great effort you ask her to stay over tonight.

She replies by kissing you harder than before.

Perfect, you think, you’re not going to waste one more day.

#elisa de almeida #elisa de almeida x reader #woso x reader #élisa de almeida #woso #i've been holding this fic hostage so i'll do my homework #i'm trying to finish all the ones which are half done so yall stay tuned #i aware when i did the poll it was completely different but im still gonna write

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