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ineffable-suffering · 7 months

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Why Aziraphale is an unreliable narrator

Part 2: The Story of wee Morag

This is Part 2 of 3 total metas. Here are:

Part 1, in case you want to read about my analysis of the Story of Job first

and Part 3, in case you're impatient and want to jump ahead.

Fair warning though, for the sake of understanding some of the references, you're probably better off reading this chaptered meta chronologically. However, every part should work just as well as a standalone! I'll do my very best to make it so.

Alright, off or on you go beyond the cutty cut!

I'll start this second part off with a very brief summary of the main take aways and points from Part 1, which go as such:

Memory, as opposed to a third party's narration, is not a factual, objective retelling of a story or event. It's mingled and mangled with emotions, imaginations and exaggerations, projecting both the feelings and impressions you had back then as well as those you might have now in the present time back on whatever it is you are remembering. (Which is why we need to put everything that Aziraphale is remembering into the context of what he might have felt in the past, as well as what he's feeling right now.)

While this doesn't mean his (or anyone's) memories are lies, it does mean they're a very subjective and sometimes factually distorted representation of what actually happened, which, in our case, gives us a lot of subtext and a lot of not-there furniture to figure out and look at.

So, let's continue with S2E3 and the Story of wee Morag. We start our flashback with a scene of Aziraphale writing his diary entry on the 10th of November, 1827. Immediately, it's firmly established that this is once again not an outside-point-of-view narration, but rather what Aziraphale remembers and wrote down.

One thing that immediately stuck out to me here, is how helpful and kind Crowley is to Elspeth, pretty much from the very beginning when they meet her in the graveyard. Not only does he take on a Scottish accent so she won't perceive him as English (as she does with Aziraphale), but he also helps her drag the barrel that has the fresh body in it and, in the end, even pulls it all by himself while Elspeth simply follows behind them. Here's a rather poor-quality picture, for reference:

Now, we know that despite not showing it very often, Crowley has always been very fond of the humans and never really put himself on a pedestal simply because he's an immortal being himself. He likes humans, just like Aziraphale does. But, just like this story will tell us, Crowley knows that on top of liking humans, you can't just put them into boxes of good and evil and expect them to always do what is supposedly the "right" or "divinely good" thing to do. (Which is what differentiates him from Aziraphale in the way he understands and treats them, as we're shown in this minisode).

Him immediately and unspokenly helping Elspeth with dragging the barrel therefore might also be a first sign of a tiny projection from present day Aziraphale, as opposed to what Crowley might have actually done (probably just walked beside her, like Aziraphale) because he has the knowledge that Crowley really was so very kind to her in the end, wasn't he? And that he's kind to humans in general. ("Not kind! Off my head on Laudanum!" Sure, babe.)

Most of this minisode, in my opinion, is actually there to establish how Aziraphale's view of morality and good vs. evil used to be quite flawed and elitist –– and how Crowley has always been there to gently nudge him towards questioning his black and white view of heavenly right and hellishly wrong. That's why I think there's not as many hints in this minisode about Aziraphale's memories not being an accurate portrayal of what happened, as there are in the Story of Job or the magic show in 1941. (And, fear not, the latter will definitely be the most hint-heavy one). Alas, there's still a few bits and bobs in the Story of wee Morag that stuck out to me, that make a brief yet good case of the whole unreliable narration thing.

First of all: The way Aziraphale describes all of it in his diary is so different from the way we see him actually remembering it. It's almost like he tried to write this entry (and possibly all of his diary) as a bit of a thrilling short story, with himself as the main character. Which makes sense, given the fact that he adores books and would certainly be keen on dabbling in the art of capital-w Writing himself. It's yet again hinting at the fact that sometimes people (and angels) try to polish and bedazzle stories (and memories) to make them seem more exciting and adventurous, often to distract from the not-so-fun parts of it.

Like when Aziraphale's diary narrates:

"It was with heavy heart we arrived at Elspeth's destination. I was determined to thwart her monstrous plan!"

... and yet we see Crowley and Elspeth casually walking down the alleyway, very obviously not heavy-hearted in the slightest, while Aziraphale nervously scurries on behind them, very obviously not determined to thwart. (Timestamp-wise, it's around 17:38 in S2E3, in case you want to see for yourself.)

We get another cinematographic/auditory hint at the fact that Aziraphale's memory is heavily influenced by what he's feeling that very moment, when Dr. Mister Dalrymple –– FRCSE, thank you very much –– shows him the tumor he removed from the seven year old boy. You can see the shock and horror on Aziraphale's face once he learns of this child's cruel fate. We then proceed to hear Mr. Dalrymple's voice grow sort of echo-y and far away as the sad music swells up and drowns out his voice almost completely. It's awfully similar to what it feels like when really horrible news are broken to you and you dissociate and drift into a state of shock. Here's the clip of it, so you may listen for yourself:

It's clear that this is a very subjective portrayal of what Aziraphale is going through during this part of the memory. He's deeply horrified and saddened about the little boy having passed away so early in life – and we hear and feel this shock with him. Through him, because this is his memory. Whatever it is he's feeling and thinking, we're feeling and thinking it too because we're seeing it through his lense.

Another (less sad) hint at a possible exaggeration is the abnormally deep hole Crowley makes the two graveyard watch keepers fall into. I'm pretty sure he's very much in charge of his miracles, making this random slip-up seem a little silly – which is why I'm also pretty sure the "Might have slightly overdone it on that hole" is a wee bit of a meta hint at this just being another one of Aziraphale's dramatic bedazzlements of this story. For the *flings feather boa around neck* drama!

You know what else might be exaggerated? Hm, I dunno, maybe Crowley growing into the size of a tree for no apparent reason. Sure, yes, he's pretty high on Laudanum which is making him a bit loopy. But apart from that, it does seem an awfully big cinematographic euphemism for him being the metaphorical (and, once again, for the drama of it) literal bigger person in this scenario. He's the one who ends up saving Elspeth and who manages to secure a safe life without poverty and grave robbing for her. While Aziraphale was so tangled up in his own moral journey and main character-ism, missing that wee Morag was seconds away from death already, Crowley is the one who actually ends up growing stepping up for the human in need and saving them for good (pun intended).

In a way, it might just be Aziraphale's view of/feelings for Crowley in this very moment. Watching the demon outgrow what, according to Aziraphale's heavenly logic, is supposed to be a foul fiend, bestowing evil upon humanity – and growing into someone who does the exact opposite and saves Elspeth instead. Another larger-than-life character development, in Aziraphale's eyes. Literally.

Let's switch back to the topic of the diary entry one last time, so I can make my final point of the this minisode's unreliable and a smidge over-dramatic narration of Dr. McFell. If you pay close attention, Aziraphale starts the entry we're all getting to experience with: "Last month, Crowley and I both happened to be in Edinburgh." Which means it didn't actually happen on the 10th of November, but rather at some point in October, 1827. Once we see Crowley get hydro-pumped back to Hell after rescuing Elspeth, the minisode ends with, presumably, the last sentence of Aziraphale's diary entry: "And that was the last I would see of Crowley for quite some time."

Take my hand and let's look at where the furniture isn't: This very clearly means that Crowley couldn't have been gone for more than a month, at best. Read again: "It happened last month and that was the last I would see of him for quite some time." This, albeit indirectly, clearly implies that when Aziraphale had sat down to write the diary entry, he had already run into Crowley again. Otherwise his phrasing would have probably been more along the lines of "... and I haven't seen Crowley since" or "... and Crowley has yet to return from wherever it is Hell's currently keeping him".

What's the point I'm trying to make? Good question. I guess my main point of storyteller Aziraphale being a bit over-dramatic in his narration is simply backed up by this, since A Single Month would barely pass as "quite some time" for an immortal being like him. And yet that's how he puts it, in his little Confidential Journals of A.Z. Fell, Vol. 603.

And another point that has absolutely nothing to do with the topic of this meta (but I'm still gonna make it 'cause this is my memory post): The meeting at St. Jame's Park in 1862 that so many, post-S2, took to be their first run-in after the Story of wee Morag, actually wasn't that at all. They saw each other at least once only a month later, as Aziraphale's diary lets us know. Which explains why he wasn't very surprised or concerned when he met Crowley in London, 1862. If there really had been 35 years in between those two events, the first one ending with Crowley being sucked back Downstairs to receive more than three decades worth of hellish punishment, wouldn't Aziraphale have been at least a tiny bit worried or more interested than:

Just saying.

Alright, let's string this inflated hot air balloon of a post back together so we can outline some invisible furniture. This time with only two humble points:

Crowley through Aziraphale's lense Backed up by how we are introduced to Bildad the Shuhite in the Job minisode (suave, cheeky, smart, passionate in shoemaking and obstetrics), it's growing quite clear that Aziraphale's memories and impressions of Crowley are very fond and impressed ones. He sees him as someone who's not only witty, funny and cool, but also as someone who has figured out way sooner and faster than him that nothing's ever black and white. Not God's plans and not the human's choices either.

Aziraphale as a bit of an exaggerating adventure author With the direct parallel we get of inkslinger journalist!Aziraphale in the present day, it's quite apparent after this minisode that Aziraphale's memory is not only deeply influenced by his emotions, but that he also tends to have a bit of a dramatic touch to him. Although, you gotta give it to the guy: A month without seeing the love of your life, even if said life is eternal, can indeed seem like "quite some time".

Well, would you lookie here, we've reached the end of Part 2! What a journey it was. I hope you forgive me for the fact that I drifted off-course a few times. I just can't seem to reel in my silly little observations, even if they've got nothing to do with the point I'm trying to make. But hey, doesn't that just make me a little bit like Aziraphale's storytelling, in a way?

I'll let you be the judge of that.

See you in Part 3! And in case you haven't snuck a peak yet: here's Part 1 again.

Ta!

#good omens #good omens season 2 #gos2 #go2 #good omens 2 #good omens meta #ineffable husbands #aziraphale #crowley #good omens analysis #aziraphale is a storyteller #but not a very accurate one #story of wee morag #my own meta #aziraphale the Drama Queen #shakespeare who #unreliable but beloved story teller aziraphale

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kingofbodyrolls · 3 months

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My Heart's Home (m) | pjm | series masterlist

Hi, and welcome to Bora Ranch!

At Bora Ranch you will rediscover who you are, reconnect with your sister, and your childhood friend, Park Jimin, that will stir old feelings back. There's a lot of ups and downs, a lot of heartbreak, misunderstandings, what ifs, bad timing, but in the end, you will know what truly makes your heart beat, and where your heart's home is.

It's a story that will take you on a heartbreaking journey to find out what love is and the meaning of 'home', coming home and finding love. There's a lot of angst in it, I'd call it HEALING ANGST. Everything will be good in the end! Just have to go through a lot of heartbreak before the sun truly shines. There's a lot of soulmates vibes/undertones in it, and it's a lovestory at it's core. It's very romancey (Why do I suddenly feel like I wrote a YA but with mature language???).

This story is HEAVLY inspired by McLoed's Daughters (both the world/setting/plot), some plot points follow that story, but most of it doesn't.

“It will take some time To find your heart And come back home You could walk for miles Cross every river And find your not alone ‘Cos I'll be there” - From McLeod’s Daughters theme song

🐴 Summary: You’d never thought you’d step foot back at the ranch– a place you used to call home a long time ago. When you are forced to go back, reconcile with your sister and a certain childhood friend that you had long forgotten, will sparks reunite? 🐴 Pairing: jimin x reader (main), jungkook x reader (only happens once in the first chapter)*, jungkook x OC (jessi), namjoon x OC (jessi), yoongi x hoseok, namjoon x oc, seokjin x oc, taehyung x oc *I also want to clarify some things about the tags/pairings! Jungkook x reader only happens once, it is crucial for the sake of the plot, but please don't let that stop you from reading it (I take it you want to read it because of Jimin x reader). Jimin x reader is the main couple! 🐴 Characters: female reader (she’s more like an OC, but isn’t mentioned by name and no “y/n”), Jimin, Jungkook, Namjoon, Yoongi, Hoseok, Seokjin, Taehyung and four female original characters. 🐴 AUs: ranch!au, slice of life!au, childhood friends to lovers!au, cowboy!au, soulmate!au 🐴 Genres: smut, humor, fluff, slow burn and angst (yes, it’s got everything lol!) 🐴 Rating: mature/explicit/R18 – this is mature/explicit content, so minors, please do not interact! 🐴 Word count: 230k (epilogue excluded) 🐴Disclaimer: I do not own BTS or know them personally and this work of fiction is purely fictional and for entertainment purposes only. The actions and personalities described in the story do not reflect those of BTS— it’s just fiction. Also, if you would kindly read the tags/warnings before reading, that would be lovely: and if you don’t like whatever is described in the tags, just hit return and find something else to read. Thank you 🌸 🐴 Warnings/tag: will be tagged for each individual chapter. But it does contain sexual themes, smut and a lot of sexual tension and a hell of a lot of angst! Like series is an emotional rollercoaster ride, it will leave you both happy, sad, frustrated, mad, angry and oh so in love. All through the series. You have been warned, lol. 🐴 Status: completed (the epilogue is in the works!) 🐴 Fancy reading on AO3? It is cross-posted there! 🐴 Do you want to see the book cover (there's a teaser too)? [it's here] 🐴 Author’s note: this series is heavily inspired by the TV show McLeod’s Daughters. Some plot points will feel familiar, while others won’t (because I don’t follow that story structure to a tee). But If you love that show that I do, I’m 100% sure you’ll love this story too! Also, I don’t expect people to really be interested in this… this is more of a story about coming home, finding home, finding love and such… and I don’t know if you want to read that sort of thing? But I fucking love it! ✨

Chapter #1 - Inheritance | word count: 8.2k | read → chapter one

Chapter #2 - It’s a Long Road | word count: 9.1k | read → chapter two

Chapter #3 - Sometimes | word count: 11.8k | read → chapter three

Chapter #4 - It Comes to This | word count: 7.5k | read → chapter four

Chapter #5 - Our Home, Our Place | word count: 11k | read → chapter five

Chapter #6 - Wild Horses | word count: 11k | read → chapter six

Chapter #7 - We Got it Wrong | word count: 9.5k | read → chapter seven

Chapter #8 - Love You, Hate You | word count: 9.5k | read → chapter eight

Chapter #9 - Take the Rain Away | word count: 8.2k | read → chapter nine

Chapter #10 - The First Touch | word count: 16.4k | read → chapter ten

Chapter #11 - This Perfect Day | word count: 14.4k | read → chapter eleven

Chapter #12 - Broken Dreams | word count: 14.4k | read → chapter twelve

Chapter #13 - Love Letter | word count: 13.4k | read → chapter thirteen

Chapter #14 - I Wish the Past was Different | word count: 10.5k | read → chapter fourteen

Chapter #15 - Did I Tell You? | word count: 13.7k | read → chapter fifteen

Chapter #16 - The Stranger | word count: 14.1k | read → chapter sixteen

Chapter #17 - Love of Your Life | word count: 13.3k | read → chapter seventeen

Chapter #18 - By My Side | word count: 14.7k | read → chapter eighteen

Chapter #19 - Home [END] | word count: 18.2k | read → chapter nineteen

Chapter #20 - My Heart's Home [Epilogue + Q&A] | word count: TBA | read → chapter twenty

Please let me know if you're excited for this??? I'm still writing it, and honestly... I love it! But it's tough to write such a long series without any feedback or knowledge whether it's good or sucks... so.. yeah....

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moonstruckme · 4 months

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Hi my love!! I just reread your bodyguard tasm!peter parker blurb and it was so cute 😭I loved the original premise where peters spider senses got distracted because of her!! You wrote it so beautifully.

I'd love to request a part two (If you're open to that?) where he's guarding her again and we see their relationship develop a little more??

i read your requests rules and couldn't find anything about you not writing part twos, but feel free to ignore if you'd rather not! lots of love <3 <3

Hi sweetheart, thank you thank you!!

bodyguard!(tasm)Peter Parker x fem!reader ♡ 1.1k words

Peter’s staying on the ground for your sake, but he doesn’t love it.

You’re relaxed as can be, lounging on your bed while he paces your unfairly giant room from end to end. This, he thinks, is why people hate politicians. You’ve got an ensuite bathroom the size of his apartment, and on the taxpayer’s dime. He gets it now. If you and your dad were living in a shoebox like every other self-respecting New Yorker, maybe the guy wouldn’t get so many death threats.

“You don’t have to be all vigilant,” you say. “My dad’s not here. So long as I don’t get actually kidnapped or killed while you’re here, sitting down isn’t going to affect your performance evaluation.”

Peter looks at you. “I’m getting a performance evaluation?”

Your smile is lopsided and goofy. It’s humiliating how much it affects him. “No. Who would he send it to? Your employer?”

“Oh.” He feels stupid. “Good point.”

“Come here,” you laugh. “I got us coffee.”

He goes to sit on your bed, mostly because he’ll do anything you ask him to. After spending a few hours hugging you on a roof, Peter’s found that he actually likes you. You’re not snooty or spoiled like he might have expected, friendly to him even though he’s technically working for you. You seem oddly down-to-earth for someone with your upbringing, funny and smart. (Smarter than him, maybe. You turn him into a blundering idiot every time he sees you, though, so it’s hard to say.) You’re surprisingly fun to be around.

You lean over, grabbing two disposable coffee cups from your nightstand. “Do you want peppermint or caramel?”

“Which one do you want?”

“No way. You’re my guest, you get first pick.”

Peter’s here on a job, but he likes your version of the story better. The idea of you thinking of him as your guest, someone invited in whom you want to please, makes an affectionate warmth unfurl in his gut.

“You should probably have the one you want, because the other one’s going to get cold,” he says, an apology in his tone. Your brows wrinkle. “I can’t really drink through the mask…”

“Oh.” You close your eyes, expression clearing. “God, I’m so sorry. I didn’t even think about that.”

“Don’t worry about it.” Peter’s smiling under the mask. He wonders if you can hear it in his voice. “Enjoy yours. I’ll live vicariously.”

“You couldn’t just lift it up enough to drink?”

“Uh, no. The whole secret identity thing is…kind of important to the job.”

You smile guiltily, lifting one of the cups to your lips. “Fair enough.”

You’re silent for a minute, watching him as you sip at your coffee. Once again, making it nearly impossible for Peter to do what he’s being paid to do. He should be keeping his senses alert, watching the windows, surveilling the perimeter or whatever. Not looking into your clever, narrowed eyes and thinking about how your whole room smells like you.

“Okay,” you say, still scrutinizing him like you’re trying to count the threads in his suit, “now I’m dying to know what’s under the mask.”

Peter sits very still. He’s had people—fans and foes alike—try to tear it off him before, but he doesn’t think you’re like that.

“I mean, obviously you’re tall,” you lean back on the bed, mouth pursed in contemplation, “so you’re not, like, twelve. You sound about my age…”

“I what?”

“Your voice.”

“What—” He clears his throat. Tries to sound more generationally ambiguous. “What would make you think that?”

You crack another one of those sweet, silly smiles. “Well, you’re not going to fool me now,” you say. “I’ve heard you talk. You can’t be more than thirty. Plus, when you got here, you said ‘yo’.”

Peter really needs to stop saying that. He doesn’t even know when he started.

“You’ve got stitches all over your suit…” you go on. “What neighborhood are you from again?”

“I’m not telling you that,” he laughs.

“Oh, come on.” You scooch a little on the bed, tucking one leg under you to face him more fully. Your eyes pierce his like knives. Very pretty knives. “There’s almost ten million people in New York. You really think I’m going to track you down?”

“Your dad is the mayor…”

“Stop.” You give his shoulder a playful shove. Peter’s mask feels suddenly warm. “Those surveillance rumors weren’t true, the tabloids made that up to mess with his re-election campaign.”

“Okay, okay. I’m from Queens.”

You lean back on your hands, and he can’t decide if the way you’re looking at him is analyzing or flirting. “Interesting,” you say slowly. “So you’re, like, a real man of the people. Not the Bruce Wayne type.”

“Hey,” he teases, “Bruce Wayne could’ve lived in Queens. It’s nice.”

“But Bruce Wayne wouldn’t have to sew his own suits,” you point out.

Peter tilts his head, blows a breath out the side of his mouth. You’ve got him there.

“And you’re tall, clearly pretty strong, you seem smart…” You nod, seeming to have come to a decision. “I think you’re handsome under there.”

A laugh startles out of him. He hopes it sounds casual, like it came from someone cool, whose heart isn’t galloping in his chest. Peter really shouldn’t care if you think he has the potential to be handsome under his mask. It’s not like you’ll ever find out. Still, it feels weirdly nice.

He makes his voice light and playful. “Well, it’s good to have your approval. Now we can pretend that I’m almost in your league.”

For the first time since he’s gotten here, you look genuinely caught offguard. “Me?”

“Yeah, you.” Peter grins. It feels good to have flustered you. He’s missed doing that. “Who else?”

You look away from him as you laugh, shaking your head. “I don’t know if you’ve noticed,” you say, “but you’re a superhero. You’re not the one who should be worried about leagues.”

You’re cute. Peter makes a bold move, scooting an inch closer to you, into your space. He’s glad you can’t see that under the mask, his face is just as flushed as yours. “I’m not a superhero,” he says, keeping his voice light as meringue. “I’m just your friendly neighborhood Spiderman.”

You roll your eyes. “Humble, too. Points in your favor.”

A laugh rumbles through his chest. Someday, he’s gonna have to get Peter Parker in your orbit somehow. He wants to meet you—more than that, he wants you to meet him. He’s not sure how long he can wait.

He decides to let you off the hook. Slightly. He reaches across you, taking the unused cup from your nightstand. “Thanks for this,” he says. “Once you don’t need me here anymore, I’m gonna take it home and heat it back up.” He grins even though you can’t see it. “Maybe I’ll swing by and return the favor sometime.”

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helly-watermelonsmellinfellon · 8 days

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There's something I don't see talked about enough in the SVSSS fandom.

The System.

I just received a comment on one of my fics - which has post-canon SQQ and SQH able to still use social media - suggesting that it would be very easy for people in the real world to point out that these characters using fake accounts to post on real life social media sites would easily be doxxed and the System would have no ability to do anything about that.

Something I have noticed among a lot of people who read this particular book is that not a lot of consideration is given to the very thing orchestrating everything. We often think of the system as a ridiculous guide or rule book that exists solely to give the protagonist what he wants/deserves. We don't really approach it for what it is.

This was my reply to that comment:

Doubt it. The System is able to kidnap people from their worlds and place them in other worlds and bodies in those worlds as punishment. And if you don't do as it wants, to the specification it doesn't directly detail, it can send your soul to an alternate version of the present world to be tortured in another body. I sincerely doubt an abstract, otherworldly being like that, which never receives consequences for anything it does because there is apparently nothing that can canonically challenge it, is going to be threatened by doxxing. If it can create things, link universes together, steal souls, and can be anywhere at any time, I wouldn't expect it to be incapable of manipulating people's perception. I even mentioned how in this fic, it WILL erase SQQ's sister's memories if he chooses to reveal his identity to her, but it becomes too much for her to handle. This suggests it has power anywhere and can do whatever it wants. So, in my mind, if someone actually tried to doxx their accounts, it's either going to lead nowhere, lead to somewhere fake, or the info will be stripped from their lives entirely the moment they find anything/nothing.

It was a very nitpicky kind of comment in my opinion, which warranted this response, but my response just made me realize that the System is effectively an amortal, omnipresent, and omnipotent Entity. It literally doesn't go away. We even think it's over and the Extras tell us, via SQH, that it's still there and still in control.

Think about it.

Think about every single thing that happened because of the System's actions or demands. It literally never faces consequences because there is nothing that could hope to punish it. I've only read 1 fic where higher beings step in to punish the System for kidnapping, coercing, and torturing innocent people for its amusement.

Because that IS something it can do. With ease. And seems all too happy to do.

The System is very dangerous and it's weird how this is something people forget when reading fanfics. SVSSS is the kind of book where crack ideas can work in the frame of the canon story because a character like SQH exists. Because he wrote PIDW with every single plothole and contrived story beat for the sake of money and survival, we can have the weirdest shit happen and blame it on his lack of imagination when writing PIDW. It doesn't need in-depth nitpicking to make it make sense. MXTX gave us a very large and generous sandbox to play in.

You don't need to rationalize a crack plot. And you should always keep in mind that canonically, the System is a terrifying Entity capable of outrageous things. It shouldn't be the deal-breaker that the Entity that kidnaps, gaslights, coerces, tortures, and manipulates people is capable of fantastical feats in a fanfic.

#svsss #bingqiu #shen qingqiu #shang qinghua

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nonpracticinghumanbeing · 7 months

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So Izzy said a thing.

The thing seems to be a part of a redemption arc and makes him sound like a human rather than a monster.

The Canyon went wild with joy and jubilation. The haters are doing everything they can to rationalize the thing in a way that would fit their point of view. One of these things makes me feel like a part of a wonderful, welcoming, and very queer community. The other makes me perplexed, annoyed, and sad at the same time - in a way that feels very personal.

OFMD is an explicitly and unapologetically queer show. And not just that, it shows a variety of non-normative behaviors (Jackie’s polyamory, Geraldo’s humiliation kink, Lucius and Pete’s penchant for “having an audience” to say nothing of Izzy’s masochistic tendencies) in a completely non-judgmental way, making the viewer feel like all ways of performing one’s sexuality are valid.

Izzy wants to be a part of this world. For all his anger and manipulations, and (yes, let’s call him out for the sake of fairness) his abusive behaviors, he desperately wants to be a part of the world where he is free to love who he loves, in whatever way he is capable of doing so. No matter how much the haters don’t want to acknowledge it, this is ultimately a story about love. Both Con and Daddy Jenkins admitted Izzy is in love with Edward and the fact that the antis are willing to contradict not only the actor (who, may I remind you, was instrumental in shaping Izzy’s character) but also the showrunner is very symptomatic of the larger issue of how queer people have been treated in society.

No one in their right mind chose to become a pirate unless they had no other option. Piracy was fraught with constant danger and meant being an outsider everywhere. The only place one could be more or less safe was between people in the same lifestyle. In OFMD that is represented by the Republic of Pirates, where not being a pirate would get one in trouble. Sure, there is some violence but it comes with the territory and - much more importantly - it’s never motivated by someone being a pirate.

Izzy claims to hate the Republic - and for someone as repressed as him it makes sense. There are people being a different kind of a pirate than Izzy would like there - drunk, rowdy, and undisciplined. He clearly takes great pride in his work and has built his whole identity around being Blackbeard’s first mate. Seeing people be pirates while taking their responsibilities lightly doesn’t fit his worldview because he’s been taught that all of his energy should be spent protecting whatever freedom the pirates managed to carve out for themselves.

Someone once wrote that despite what the popular meme says, Izzy isn’t a real pirate dropped into The Muppet Treasure Island, but rather a hard boiled queer-coded character from a 50s noir movie dropped into today’s Pride. He’s had to keep vigilant against any threat for so long he hasn’t noticed that there was a way to be a pirate/queer and still enjoy one’s life. That one can like frilly robes and be a somewhat competent sea captain. That it is possible to pine for one’s boyfriend and keep one’s crew safe. That being soft doesn’t necessarily mean being weak.

He’s willing to do whatever it takes and sacrifice whatever has to be sacrificed (Stede’s life, Edward’s happiness, his own status of the loyal first mate) to keep his little pirate/queer world safe. It’s this conviction that puts him in the way of Ed and Stede’s relationship and makes him an antagonist. But - and it’s something the haters seem to be incapable of grasping - an antagonist doesn’t have to equal a villain.

Why does Izzy react so violently to Stede, exactly? Why is he willing to go against his captain's wishes in challenging Stede to a duel? Why does he sell Stede out, making a deal with the enemy in the process? Because Stede is a stranger infiltrating Izzy’s safe space. The English are a huge threat, sure, but they are easily identifiable from a distance. Stede seems to Izzy to be something far more dangerous - an outsider worming his way into the heart of Izzy’s world, where he can do truly irreparable damage. The English are cops who chase gay boys around the park. Stede has the potential of being an undercover cop sent into a queer bar in the 1930s to get the dirt on the patrons so they can be blackmailed and arrested.

Of course, he may not be that, but it’s a risk Izzy can’t allow himself to take. With his vision of what it means to be a pirate/queer he's sure he sees through Stede’s ruse. Now, I’m not trying to excuse abusive behavior, as some of Izzy’s choices were hurtful to everyone around him. But as a queer person I do have sympathy for someone (grossly) overreacting in defense of their safe space. Constant vigilance is an inherent part of the queer experience, especially for those living in conservative countries or remembering the times before the Pride.

Like, for example, Con does. Con, who - yes, I will repeat this because it’s super important here - played a huge part in shaping Izzy’s character. Con, who despite having a decades-long career where he often clearly gravitated towards queer characters, only got comfortable enough THIS YEAR (and thanks to this show and this fandom) to publicly come out. Con, who - as a friend wonderfully phrased it - is queer as in start a riot, not as in love wins.

And Izzy is the same. He is a start a riot pirate/queer in a show full of love wins pirates/queers. His way of being what he is is so totally different from everyone around him that it makes him an antagonist. (Sure, there are other start a riot queers in the show - Jim literally kills a man who wronged them and Lucius is very outspoken about his opinions in a way that makes him somewhat radical, but neither of them is as extreme in their ways as Izzy is and neither goes against the main characters’ romance thus becoming an antagonist.) But. The thing is, when you are a part of a minority, when you are being prosecuted and targeted for who you are, you need safe spaces. And those safe spaces need protection, because every freedom can be taken away if wrong people come to power. No doubt the queer movement would look much more tame and palatable to the bigots if we were all the love wins queers. But we desperately need the start a riot queers if we are to survive.

So yeah, you can say Izzy said what he said because he needs a structure and clear hierarchy in his life. He absolutely does. Some of it comes from his submissive and masochistic tendencies, sure (I wrote a lot about that, including a piece for the Above All Else zine). Some of it may come from neurodivergence (some people read Izzy as autistic, I’m not going to discuss this because as a neurotypical person I have nothing of value to say about it). But it also ABSOFUCKINGLUTELY comes from the desperate need to protect his safe space from outsiders.

And there is one more thing the haters conveniently forget about: OFMD is also a show about growth. It’s about Stede turning from a wooden puppet into a real boy and then into a man. It’s about Edward learning there is a life beyond the legend of Blackbeard and peeling off at least some of the leather. And judging from the trailer, it’s about Izzy learning you can be a start a riot pirate while being accepting of the love wins pirates in your life.

The more I think about it, the more likely I find it that Stede’s “I don’t care what anybody says, he’s actually a good guy” line from the teaser refers to Izzy. But even if it doesn’t, I am 100% sure the haters will be proven wrong. This show never relied on stereotypes and cliches. In fact, it actively does everything to break them (from Jim’s sacred quest for revenge ending up with them befriending Jackie to the only names that get mispronounced being those of white characters) while killing off the real enemies of the pirate/queer crew (Badmintons, Jack, Geraldo) and giving all its characters place to grow.

So, maybe one day we will all learn to love Izzy?

#ofmd #our flag means death #our flag means gay #izzy hands #ofmd meta #lol i got so pissed off at a really bad take on the line that i'm back to writing meta #thanks to remy for the start a riot / love wins thing!#i'm getting emotional again damn this show #queer representation

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sepublic · 1 year

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The Collector’s story is so sad to me because they really do try!!! They are putting in the effort to be better!!! They defy the other collectors’ policy of imprisonment and genocide, for the sake of the Titans! They go along with Philip’s plans, giving him the draining spell and a bunch of other magic! And they listen to King’s Owl House rules, they’re gradually adjusting their behavior according to his advice, respecting his boundaries, even letting him get away with Eda and Lilith!

He’s learning. He really is doing all he can to improve, he’s listening. But the Collector isn’t doing it fast enough, they haven’t figured it out quickly; So it feels like for the adults and everyone else around them, they don’t want to put in the effort to teach and rehabilitate this kid. That’s too long and arduous, it’s much easier to stick him in a prison and hide it, or even kill the kid.

The Collector invests so much good-faith effort into changing for people, but those around him? They don’t want to reciprocate the same effort to understand him in return, that’s how it feels. They demand so much but give nothing back, use the Collector. And would rather take the easy route of punishing the kid to make him shut up for their convenience, instead of really working to talk with him at his level, and explain how to get better. There’s this silent, genuine, hurt and confused question echoing from the Collector; “What did I do wrong?”

It really does feel like one big metaphor for neurodivergent kids, and children in general, who are seen as misbehaving troublemakers. And rather than taking the time to understand their perspectives, and communicate to them about the problem, adults would rather just hit them until they’re quiet.

Because it’s easier, more convenient that way, like sweeping dust under the rug. Even if it just makes this kid who IS willing to improve feel neglected, unappreciated; Allows their problems to fester untouched and unseen, until it boils over and explodes later in life. And suddenly adults are all shocked because He was such a quiet, obedient kid, who could’ve seen this coming?!

The Collector feels like the collective wrath of so many kids who were treated like inconveniences to deal with, rather than growing children who needed help and guidance. And boy is the Collector messy about it, because they’re tired of playing by other people’s rules and trying to appeal to them with good behavior, in exchange for compassion, because that clearly hasn’t worked out and never will.

They are every child who has asked Why about a rule, and instead of being treated like a person with an honest need to know, was just told Because I said so. They want to get it, but people just prefer them being blindly subservient; People don’t care what the Collector thinks, so why should he feel the same for their judgment? The kid is panicked when he insists King focus on the revision he made to the storybook, the lesson he learned, but he’s still being put away for what others wrote.

“You can trust me” is something Philip and King have both told them, and maybe that parallels how adults insist children follow their seemingly arbitrary rules even without knowing why, because “It’s the rules” and authority dictates all. So after struggling under that command, of course the Collector is eager to be the one wielding it this time, with his rules...

The rules of a game. The rules of behavior. Both are laws dictated for people to follow, with someone often deciding and being able to change them as they see fit, especially with childrens’ playground games. Life is a big game and the Collector wants to play his own, after all this time following others’ rules; His people’s, the Titans’, Philip’s, and finally King’s.

There’s a lot to be said about how we expected the Collector to have been someone who didn’t play by any rules, did whatever he pleased. But it might just be the opposite, the kid has never had true freedom, always subject and listening to what someone else tells them, because they’re in charge or it’s the moral thing to do. They’ve been imprisoned their whole life, literally even, and now their desire for agency has burst free.

The Collector wasn’t the god of chaos we thought they were, but now they will be and we’ve seen why; It’s not because there weren’t any rules for them, it’s because there were too many, and the more you tighten your grip, the more something slips free. Too much authority, too little, the kid needs a proper balance of contradictory lessons, like so many in this show...

#the owl house #the owl house collector #king clawthorne #character analysis #meta

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yuurivoice · 19 days

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Laying in bed having a think.

As I try and tackle three intertwined (four? fuck) narrative stories more meticulously than I've crafted any of my narratives thus far, I find myself making several realizations.

BitterSweet is a product of me being at several mental low points but failing upwards. BitterSweet wasn't even intended to be a real narrative, but rather an introduction to Seth then sort of a choose you own adventure, listen to either "path" type thing. When the story revealed itself to me it was very exciting, but I was just going episode to episode and seeing where I'd end up.

Chapter 2 had more planning, a pretty defined outline, and was executed just about to perfection. I think 2 is probably the strongest in terms of knowing wtf was going on and seeing it through.

Chapter 3 is one I feel deeply conflicted about. Plans had to change on the fly multiple times. The scale got out of hand. I was on the struggle bus and only managed to write an episode two at once. It was a mess. We hit some high marks, and some of my favorite performances are in there, but there's this dark cloud over it for me. It's a shame, but it got done.

I can see really clearly how my struggle with my mental health, ADHD, etc. played significant roles in hindering me. So on one hand, I'm thrilled that I was able to make something cool that so many people appreciate and enjoy despite how challenging it was. On the other hand...there's a lot I wish could have been different.

Those wishes have informed many of the choices I'm making now as I tackle Shattered and Echoes, as well as BitterSweet and the unnamed thing. I'm not hitting the big red launch button until it is complete. I've never done that. But I want my writing to be tighter and more cohesive. I'm lucky that making shit up as I went and hitting the broader strokes I knew were there worked out as well as it did, but also I've tripped over myself a time or two.

As ambitious as I'm trying to be with weaving these stories, I want to make sure that when you step back and look at the big picture, it makes sense, but is also really fucking dope.

That's my hope.

This next batch of work is going to be special for me. I'm in my medicated era, but I'm working with a lot of the bones put in place by a version of me that was operating well below capacity.

Reading those first drafts I wrote last year was humbling. God they were bad. Frustratingly so because when I took a hammer to it, what I cooked up in significantly less time on the second draft was so much better than what felt like I had to pull teeth to accomplish before.

I try and tell myself not to look at all of my work through that lens of "I could have done so much better" but it's frustrating. I've gotta cook with the groceries that version of me brought home lol.

It boils down to this. When these next projects launch and the dust settles, I don't want to be glad it's over. When I finished BS3, I breathed a sigh of relief because it felt like I just got out of a year long brawl.

When I finish these projects, I want to be proud. I think that's the conclusion I reached. I was not proud of my work, because it was tainted with compromise and frustration that outside factors fucked with several aspects of it.

So I'm trying to prove to myself that I can do better than that. For myself. I've shaken off the frustration that I'm an entire year behind schedule. I've committed myself to completing it all before it sees the light of day. I've streamlined the process. I really tried to set myself up for success.

When I was struggling I'd cut every corner, I'd phone it in, I'd toss out ambitious ideas for the sake of just being able to call it done.

There's a lot less of that happening now. I'm able to at least try and hold myself to something resembling a standard. Now I just hope I can execute.

Thanks for reading. Sorry about all of whatever that was.

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tossawary · 2 months

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As I post about rereading SVSSS for lore and characterization, and about sometimes ignoring canonical details for the sake of whatever story I want to tell / explore in fanfiction for fun, I want to make it clear that I don't make these changes because I think it makes a "better story" or that I can write a "better story". I don't even like using the term "fix-it" for my canon divergence AUs that avert some in-universe tragedy, even if it is the "correct" fandom term in some cases, because I don't think that SVSSS is a story that needs to be "fixed".

(Honestly, a lot of my minor alterations to canon's details are because I can't remember what exactly canon is and can't always be bothered to hunt for one sentence (which I may or may not remember existing at all) across multiple volumes, especially when I don't always think strict faithfulness to canon is that crucial to the main concept of what I'm doing. I wrote PINTWILF and several other fics before the official English translations were fully released, when checking minor details was an even greater pain in the ass. Sometimes, I'm cooking without the recipe in front of me because I just want to eat.)

Like, I have criticisms of SVSSS, definitely. When I first started writing SVSSS fic, I was more frank about this (fond but less fond of the characters and world than I am now), and I've talked about things I wished the story expanded on more. I think it has flaws. I know those flaws are a dealbreaker for many people. But it's not my story. I can't tell MXTX's story better, because I believe that every author's story belongs to them and only they know what they're trying to achieve, even when I may personally think that the story might have been stronger if it had done something differently or I'm ignoring some minor detail specifically because I don't really like it.

It's awkward, sometimes, occasionally being told by someone that they enjoyed my fic more than the original story. It's very flattering (I can't pretend I don't have an ego) and I don't think anyone means any harm by this, people enjoy stories or don't for many different reasons (enjoyment is not necessarily an indication of quality and I think engaging with fandom can often be more fun than just reading a story on its own by yourself), but it is a little awkward, especially when SVSSS is not an English / western story. I have an advantage appealing to western readers. Reading a translation of the original story, I know there are details of SVSSS going over my heard, references I'm missing, nuances I don't recognize, even as I endeavor to keep learning. I personally enjoy some of my fics more than SVSSS itself because I associate them with good experiences and a lot of them appeal to me personally in some way or another (all of my favorite tropes! we all have favorite tropes!), but they are built on the back of someone else's original work on the other side of the world, and I want to be respectful of that.

I don't want to compete or fix. I'm not trying to compete or fix, I think I would fuck it up if anyone seriously set that task on me, and I don't think that's a good way to view anything. I want to explore and appreciate. I'll type up a lengthy post at some point as to why I'm generally not interested in concrit on my fics (honestly, mostly it's because I'm not interested in being told that a reader hates the present tense and wishes I would rewrite the entire story, which has happened to me before), but I hope that doesn't come off as disinterest in the original story or its cultural context, or as me thinking even a little bit that any of my stories are flawless and/or better than the original.

I want to make a "why would you put two bad bitches (compliment) against each other like this?" joke here, but I also want to be clear: I think MXTX is by far the badder bitch (compliment) in this situation.

(Turning off reblogs, btw, because this post skews more on the personal side.)

#tossawary svsss #tossawary fandom #long post

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butterflyseas · 11 months

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⸻ "hey... you okay?"

☆ノ aka how they take care of you when you're sick (ft. march 7th, seele, bronya, natasha, serval)

↳ notes: wrote this while i wasn't feeling too good, so this is pretty self-indulgent. may be a little bit ooc. just some quick little headcanons <3

↳ content: gn!reader. mentions of being sick (non specific). slight spoilers in natasha's. brief mentions of loss. fluff <3

⸻ 𝗠𝗔𝗥𝗖𝗛 𝟳𝗧𝗛

MARCH notices that you're sick before you even realize it yourself — there's a certain shine that's missing from your eyes; your expression isn't as bright as it normally is. she's committed your face to memory; not even the slightest change in it goes missed.

seeing the change in your expression changes hers — it goes from its usual cheerful bubbliness to a concerned one in the blink of an eye as she asks you what's wrong. and when you tell her you don't feel well, she immediately tells you that you "should have told me sooner!" and that "you need to rest right away!"

she corrals you off to her room and tucks you in amongst her pillows and blankets and stuffed animals. she just wants you to be as comfortable as possible! at least, that's half of the truth — she also just wants to stay close to you.

whatever you need, she's happy to get you! water? there's already a full glass on the nightstand. tea for when your throat is sore? she's brewing a pot as you speak. tissues? she set out a box next to you ages ago. medicine? she's pestering dan heng to get every kind he can find. cuddles until you fall asleep? she was already going to do that <3

part of it is because she wants you to get better as soon as possible — she misses hanging out and going places with you — but it's also because she doesn't like seeing you unwell. it makes her anxious for some reason — like she's on the verge of losing something important to her. she doesn't tell you that, though — she doesn't want you to worry when you're already not feeling good.

so, for your sake — and her own — she ignores that feeling and instead focuses her energy on keeping you in high spirits. she'll talk your ear off about anything that comes to mind — usually stories about past trailblazing expeditions and the adventures she got up to on them. anything to put even the slightest smile on your face.

"oh, oh! and then, dan heng said—"

⸻ 𝗦𝗘𝗘𝗟𝗘

when SEELE gets sick, she ignores it and pushes through whatever illness she may have gotten. because of that, she doesn't notice when you're feeling unwell until you're trailing a handful of paces behind her.

she'll scold you for not telling her sooner — and for making her worry — but she's mostly upset with herself for not realizing something was wrong quicker. if something were to happen to you because she was careless... she doesn't like to think about it; she'll be more vigilant next time.

her first instinct is to take you to see natasha — she's not a total novice when it comes to managing an illness, but she'd rather be safe than sorry and make sure it really is just a simple cold and not something more serious. and when it isn't — when it really is just some little bug you caught from somewhere — she visibly relaxes and lets out a small sigh of relief.

even if she's not the best at showing it, seele cares deeply about you. every time she tells you to stay in bed; to take the medicine natasha sent home with you; to make sure you eat enough — it's all because she's worried about you. she's lost too many people; seen far too much death. she's doesn't want to lose you, too.

her edges soften when she's around you — they do normally, but it's more noticeable now. she'll stop you if you try to get something for yourself, saying that you should take it easy; that she's got it. she doesn't want you to overexert yourself and make your illness worse — but, deep down, she also wants to take care of you.

"just take it easy, okay? i've got it."

⸻ 𝗕𝗥𝗢𝗡𝗬𝗔

BRONYA is a busy woman. being the commander of the silvermane guards as well as being the future supreme guardian means that she doesn't have a lot of free time — and any free time she does have is spent worrying about the safety and future of belobog.

however, the second she catches wind of you being sick, all of her worries shift over to you.

she can't fully abandon her duties to rush to your side — she wishes she could, though — but she does delegate as much as she can to her subordinates so she can check on you without so much looming over her head.

when you're in person, she keeps most of her worry off her face — a habit she's yet to fully break, even in your presence — but you can tell that she is, if the massive bag of items she brought with her is anything to go off of. medicines, snacks, bottles of water, soothing oils that fill the room with their scent the moment she opens them — anything that you might need to help you feel better.

she can't stay with you all day, but she stays as long as she can. most of it is spent with her doting on you — cooking lunch, brewing tea, spooning out the correct dosage of medicine to give you, cleaning and tidying your room — but there are soft, quiet moments as well. she'll sit by your bedside, holding your hand until she finally relents to your coaxing to lay next to you. with her face turning red, she'll settle into the spot beside you, wrapping an arm around your shoulders and stroking your hair until you eventually fall asleep against her side.

before she leaves, she tucks you in and leaves a small kiss on your forehead.

"i'll be back tomorrow. rest well until then."

⸻ 𝗡𝗔𝗧𝗔𝗦𝗛𝗔

being a doctor, NATASHA is the most skilled when it comes to taking care of illnesses and ailments. and being the only doctor — as well as the leader of wildfire — in the underground means she's seen just about everything in the book, from the common cold to broken bones to everything in between — you're in good hands with her.

when you come into her clinic saying you don't feel well, she's immediately nudging you toward a bed and urging you to lay down while she looks you over and assesses your symptoms.

the underground is low on supplies — especially medical ones — but she'll still set aside some medicine and painkillers for you to take. if you don't want them — or if the clinic's supply is running dangerously low — she'll make you any one of the at-home remedies she knows.

basically, whatever you need, she'll get for you — and if she can't, she'll compromise as best she can. and if she can't do that, either, she'll venture out into the underground for a supply run herself.

while she can't shirk her duties entirely, she'll still spend every moment she can by your side. she knows it's a little excessive — after all, you're not dying — but she can't help it. she just cares about you too much to not dote on you a little — and with the way she smiles whenever you tell her you're doing okay before thanking her for caring so much, you can't bring yourself to be bothered by it.

"just lay back and relax. i'll take care of you~"

⸻ 𝗦𝗘𝗥𝗩𝗔𝗟

SERVAL notices something is up when you first walk through the doors of her workshop. there's a sluggishness to the way you're walking that isn't normally there — did you not get enough sleep last night? or maybe you just woke up earlier than normal?

when she asks what's up and learns that you woke up feeling sick, her older sister instincts kick in before you even finish speaking. the machine she was tinkering with is put to the side in favor of making sure you're okay; it's not long after that you're ushered to sit down while she gets things set up for you.

she finds a pile of blankets and pillows stashed away somewhere that she turns into a makeshift bed for you. it's not the most comfortable thing in the world, but it's comfortable enough — plus, it's warm and it smells like her, so you don't mind too much.

with you tucked into your blankets, she starts a pot of tea and takes to rummaging around the workshop until she finds a few bottles of medicine hidden away in a drawer. hopefully, it's enough to stave off your sickness before it gets worse — but, if it's not and you end up needing something stronger, she'll ask gepard to stop by the clinic for her so she doesn't have to leave your side.

she likes having you lay your head in her lap — she does normally, but she especially does while she's taking care of you. she'll run her fingers through your hair and ask which of her songs you like the most — whichever you pick, she'll sing to you until you fall asleep like that. and even after you have, she'll stay in her spot until you either wake up or someone enters the workshop in need of her services.

"i don't normally give private concerts, but i'll make an exception just for you."

#☆ノ writing #hsr x reader #honkai star rail x reader #march 7th x reader #seele x reader #bronya x reader #natasha x reader #serval x reader #hsr imagines #honkai star rail imagines

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chaotic-on-main · 10 months

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I'M BACK.

Hi guys. I hope you're ready for this.

Welcome to the first ever cringefest hosted by literally all of us writers on tumblr.

What is cringefest, you might be asking? Well my lovely tumblr fiend, this is an event for us lovely creative writers to band together and let go of all our inhibitions. I personally find that I stress out a lot about my writing, making sure it's professional and well written (hell I'm doing it right now as I write this) and that can be very taxing to go through! It's literally so stressful. But what if we said fuck it and wrote for the sake of it?? To be dumb, to laugh at our dumb ideas.

Let's put our blorbos into some situations, yeah??

But first, some answers to some questions:

What do I do?

Write the cringiest, most stupid drabble (or a one-shot if you have more to say) you can about whatever you want.

This is open to any fandom, character, show, anime, movie, trope etc etc.

You need to put them in some real cringy situations though. And make sure your writing itself is cringy, don't hold back!!

Please tw/cw accordingly.

Smut is allowed obviously, I'm not your mom, but again mark MDNI and tw/cw accordingly.

Can I join even if I don't write normally?

ABSOLUTELY. This is open to EVERYONE. AND I MEAN EVERYONE.

How long does this last?

This will be open starting Saturday, July 8th and will close on Saturday, July 15th.

Who do I tag once I'm done, and what do I tag it as?

Tag me, @chaotic-on-main, so that I can compile everyone's stories into one masterpost as they come in.

As for the tags, please tag it as #cringelord69 (thanks @humanitys-strongest-bamf) and #23cringefest!

I don't feel good about knocking on certain things.

This isn't a question but I hear you!! I also don't want this to feel like this is a 'shitting on' contest, BECAUSE IT'S NOT. This collab is not meant to be mean, discriminatory, or judgmental. The point of this is not to make fun of characters, tropes, scenarios, ESPECIALLY WRITERS. This is literally us having fun and writing these characters in the dumbest way possible. Think of my immortal from all those years ago. YEAH. THAT MY IMMORTAL.

I'm worried about being bullied for my writing.

Again, not a question, but that's okay! So listen bud, this is the best thing about being cringy on purpose. We're out here being shitty for the sake of being shitty and anyone that makes fun of you is the dummy for not understanding the assignment.

Try not to worry about it, but if you are, please just send it to me in an anon and I will post it and link it to the masterpost. Easy peasy!

I said I'd tag those who reblogged the original post here in case you were all interested and wanted to partake!

@wyvernslovecake @humanitys-strongest-bamf @highgoon69 @roseofdarknessblog @sckerman @suukee @kingkonoha @honeylavendr @rae-does-stuff @oxygenbefore1775

don't forget guys, CRINGE CULTURE IS DEAD.

HAVE FUN WITH THIS!!

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drunktuesdays · 6 months

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I've been waffling where/how to ask you this and like. you took a long time off writing, how long did it take to accept you were done? was it a slow end that dragged along, or did you just stop one day? I feel like I've lost a part of myself here and I don't know if I should keep trying to hang onto it

this is a really hard thing to answer!!!!!!! yes, i did go through a LONG fallow period. i didn't write a single word from probably 2015-2020. and i did think i was absolutely done. i had SO much fun in teen wolf fandom, and when i fell out of it, i didn't think i would ever feel that strongly about a fandom again. i never could have predicted professional wrestling rpf in one million years.

and no, i didn't stop one day. i think i was pretty much done with teen wolf about six months before i finally wandered away, but i had had so much fun and made such good friends that i didn't want to believe it.

but the truth is that the best fic comes because you have something to say. there's something about the canon that compels you, or you're curious about, or you think would be interesting to explore. and for me and teen wolf, i think there came a point where i realized i wasn't saying anything new or interesting, i was just retracing my steps for the sake of participating.

for me, when i realized that, that's when i decided i was done. i didn't want to keep flogging a dead horse. and having something new and fun and interesting to say isn't something that you can force. or at least--it isn't for me. i cannot guilt myself into writing when i really truly have nothing to say. i can make myself write when i just don't feel like writing, and i can slog through scenes i think are tricky to write, but when i truly honestly have nothing to say, i just have to take a break.

but--i don't think you should feel like you lost something. you didn't lose anything. all that art you did is still there. you still wrote all those stories. and if you go through a fallow period, it doesn't mean it's fallow forever. maybe you need a short break, maybe you need a long break, but you can't kick your own ass about it. you're not going to rediscover your voice by guilting yourself into it. start reading again, watch movies and tv that wake your brain up, daydream, whatever. it'll come back! one day, you're gonna see something that will activate you, and your writing voice will pop into your head, and suddenly you won't be able to type fast enough. this is a spell i am casting on you, on me, and on anyone who wishes they were writing!!!!!!

#asks

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xoxoladyaz · 9 months

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AU-gust, Day 3: Writer

TW: References to monster smut and genitalia, Shrek

Robin’s mad at him.

(Well, mad isn’t the right word. Frustrated? Annoyed? Shocked by his enduring stupidity? All of those are probably better options.)

“Seriously, dingus? You haven’t told him yet?!”

Steve anxiously ran his fingers through his no-longer perfectly-styled coif. “I’ve tried, Robin! It’s just kind of hard to tell the guy that you’re falling in love with that you write monster porn for a living!”

It had started when he was a senior in college, reeling from his break-up with Nancy and trying desperately to find anything to distract himself from his heartbreak. It was a total joke at first, trying to find the cringiest romances he could find and reading them with Robin as they got progressively more and more drunk on whatever cheap booze he’d squirreled away from Tommy that week. But then one night he found himself in bed crying when Matthias the Minotaur sacrificed his life for his one-true love and he couldn’t stand it because Matthias deserved a happy ending after everything he’d been through and Steve had read enough of these books, for fuck’s sake, he could write a better ending!

It was just a hobby for a while, a secret shame that got him through the doldrums of working for his father while trying to figure out what he wanted to do next. Steve could never keep anything from Robin, though, and while she initially teased him for writing “monster porn,” after she read one of his stories she demanded he submit it to some indie romance publishing houses and she didn’t give up until he had done so and now – well, now Steve was making a truly obscene amount of money off of his many, many monstrous and paranormal romance books (with Robin as his editor, of course) and had kissed his shitty parents goodbye.

(And if his pen name was his father’s name, which meant that anytime someone googled “Richard Harrington” the first thing that popped up were book titles like “Prisoner of the Gargoyle’s Heart” and not his father’s incredibly influential law office, well, that was just payback for twenty-five years of bullshit.)

The thing is, Steve isn’t even ashamed of it, not really. He’s always been a kinky guy, first of all, and besides, it’s not all about the sex (although his sex scenes are some of the best in the business and he hadn’t shied away from writing queer books when the rest of the world had.) What he liked most about the stories he wrote was that regardless of what his monsters had looked like, or lived through, or done in their past, or where they’d come from, they all found someone who loved them because of their differences - because of their monstrousness – and not in spite of it.

(And yeah, okay, he liked the sex stuff too. Who wouldn’t want to fuck a dragon with two dicks? Or Prince Titian, the golden-haired merman who had both sets of humanoid genitalia? Or Neptus, the half-man, half-octopus who had all those huge tentacles - )

“Dingus. Stop thinking about Neptus.”

“Huh?” Steve asked, shaking his head. “How did you - ”

“Because I know you, Steve Harrington, and there’s only one person slash fictional entity that you get that weird horny look for and honestly, I could have lived my entire life without knowing about your tentacle thing - ”

“ROBIN, it’s not – I don’t have a tentacle thing - ”

“ – but we can deal with your weird fetishes another day, right now we need to discuss why your boyfriend still thinks that you’re an accountant and the fact that you need to tell your boyfriend about your job so I can tell my girlfriend about my job so she understands why I need so much therapy and why I know so much about your sexual preferences - ”

“Jesus, Robin, I got it, I got it!” Steve stood and headed for his minibar. “Look, it’s not – it’s not that I don’t want to tell him, it’s just – people can get kind of weird about it.”

“Yeah, and those people suck,” Robin replied as she followed after him. “But Eddie isn’t Nancy or Tommy or Cheryl or Brad or Kel, he’s Eddie.”

“Yeah, world-famous-high-fantasy-author-Eddie-Munson! He’s, like, actually legit Robin! He’s won the Hugo Award twice!”

“He also likes to go to the Renaissance fair dressed up as a faun and annoy people by playing the pipes, Steve. And you’ve seen his weird monster dildo collection which I know you have too - ”

“I know, I know!” Steve exclaimed as he poured both himself and Robin a glass of Merlot. “I just,” Steve turned to face Robin and sighed. “I’m just scared, Robin. Like, it hasn’t even been that long but he makes me feel – I don’t even know, like, I haven’t felt this way about someone since Nancy, you know? And Eddie - this feels like it could be more than that. Like a forever sort of thing.”

Robin sighed and leaned her head against his shoulder. “I know, dingus. And I know that people have you given you all kinds of shit in the past, but that’s not going to be Eddie. And if it is Eddie, I will kick his ass into the ocean and feed him to your squid-man.”

“Neptus isn’t a squid man, Robin - ”

/////

Robin was right, of course. Robin was always right.

(Except for when it came to best Marvel movie, she said Civil War when everyone knew that Thor: Ragnarok was the superior film.)

Anyways.

Robin was right, it was time for Steve to tell Eddie the truth. And Steve had known that too, knew that stretching it much longer than two months would probably end really, really badly, especially if Eddie didn’t take it well, but enough of his relationships (romantic and otherwise) had been ruined by people just not understanding or not caring enough to try to understand his stories or why he loved what he did, but Eddie was different. Successful and handsome and creative and intelligent? Sure, Steve had dated people who had all those qualities before. But only Eddie Munson spent hours on the phone with Steve’s friends, talking them through their D&D related problems. Only Eddie Munson showed up on their first date with flowers for Steve, when Steve was the one who normally had to go all out for his partner.

And only Eddie Munson would learn Steve’s favorite Taylor Swift songs in his free time (instead of the latest Metallica or Ghost) because he wanted to make Steve smile, which is what Eddie was in the middle of doing when Steve finally worked up the nerve to tell him.

“The stakes are high, the water’s rough, but this love is - ”

“Hey, uh, Eddie? I kind of need to tell you something,” Steve interrupted him as he walked into the living room, beers in hand.

Eddie stopped what he was doing at Steve’s entrance and beamed, setting his acoustic guitar off to the side. “Everything alright, angel?”

“Huh? Oh, yeah, I just – here,” Steve handed him a beer. He waited until Eddie had taken a sip (and swallowed) before continuing. “I, uh, well – look, we’ve been dating for two months now - ”

“Two months, three days and fourteen hours,” Eddie winked as he took another sip.

“ – and – right,” Steve flushed bright red at the look in Eddie’s eyes. “Right. Uh, anyways, we’ve been dating for two months and I just thought it was time to tell you and – okay, it’s not a big deal but it is kind of a big deal? But not what you’re probably thinking, I’m not, like, married or anything, I – I’m not an accountant, okay, I’m a writer!”

“I know.”

“ – not, like, a normal writer, I write – wait, what?” Steve gaped at Eddie. “You – what?!”

“Baby,” Eddie started slowly, his finger running in tempting circles around the rim of his beer, “you know I know people in the romance world, right?”

“I – what? You knew this whole time?”

“Yep,” Eddie shot Steve a sultry smirk along with another wink. “I knew exactly who you were when I asked you out, big boy. Or, I knew who Robin was and I put two and two together.”

“I – how?!”

“Baby, you didn’t even change your last name.”

Steve just sat there in stunned silence while Eddie continued to sip on his beer, a teasing gleam in his eyes. “But – I – and you’re okay with it?”

At that, Eddie’s smile grew a bit more serious, and he set his beer down on the coffee table so he could hold Steve’s hands in his. “Of course I am, sweetheart. You’re insanely talented, Stevie.”

“I – I write porn, Eddie. With monsters in it.”

“I know, it’s stupidly hot.”

“But you – it could hurt your career if people found out,” Steve said softly, sadly, squeezing Eddie’s hands. “People – people would give you so much shit, Eddie.”

Eddie squeezed back. “Steve, my nickname was ‘The Freak’ in high school. I was a poor kid with shitty parents who was raised in a trailer park. People have given me shit my entire life and frankly, I couldn’t give a flying fuck about what anyone said about you and your writing. If anything, people are going to ask me what the fuck someone as handsome and gifted as you is doing with someone like me.”

Steve snorted and Eddie let out a laugh. “I mean it! You’re like Prince Charming or some shit and I’m the ogre living in the swamp.”

Eddie froze for a few seconds before a maniacal grin overtook his face.

“Eddie?”

“Stevie, baby, have you ever considered a sexy Shrek retelling?”

“No. No.”

(“There’s an Ogre in His Swamp” was released on April Fool’s Day the following year. The author, Richard Harrington, posted a dedication in this book, the first of many that he would dedicate to his husband, E. W. Munson:

To my Ogre – thank you for being my happily ever after.)

#steve harrington #eddie munson #steddie #stranger things #steddie fanfic #writer Eddie munson #writer Steve harrington #august fanfic challenge

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kidstemplatte · 8 months

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terzo as a dad headcanons

pairing: terzo x fem! reader

this is something i wrote on a whim because i think terzo would be the cutest most incredible father ever. maybe one day i’ll write a short one shot about dad terzo. i hope you enjoy!

when terzo finds out you’re pregnant, he is THRILLED.

he secretly loves babies.

of course being a new parent is emotional for anyone, but for him especially , it means a lot. he’s been in so many relationships, however, none of them have been prolonged or particularly substantial , and the fact that he is now in a stable enough relationship to have a whole child with someone is so important to him. he’s so grateful for you.

he’s such a girl dad idk why

he leaves the nursery designing up to you because it’s more your forte but he will do anything to make sure your vision comes to life. you will not lift a finger.

takes such good care of you during your pregnancy (as any partner should)

endless massages and late night store runs to get whatever you’re craving

reads a lot of parenting books because he’s nervous and wants to be the best dad possible

cries when he holds your baby for the first time

uses a ton of cute italian nicknames for her but “la mia stellina” is his favorite. (“my little star”) (isn’t that adorable?)

another favorite is piccolo pipistrello (“little bat”)

this girl is spoiled ROTTEN let me tell you. practically everything she touches at the store is going into the shopping cart. anything for his little princess.

he takes the tea parties she throws very seriously. adds them to his calendar. will cancel meetings because he has “important business to attend to.”

will either sing or read her to sleep. he’s so good at reading stories because he gets very invested in the characters and does funny voices. despite this, she’ll always end up falling asleep because of his soothing voice.

lets his brothers babysit, but if they’re busy…

the ghouls may be feral and uncontrollable but they are loyal to a T. no funny business when your baby’s around. and for this reason they often babysit while you and terzo have date nights. only after terzo announces, “no vaping, for satan’s sake!” directed at a certain smiley ghoul.

she LOVES the ghouls.

swiss’s smile makes her burst into fits of adorable laughter. if she’s ever crying, the one thing they can count on to calm her down is swiss’s goofy smile.

she loves when mountain picks her up and spins her around.

you do NOT want to make terzo an unhappy father.

if your daughter ever came home crying about a teacher or classmate, oh boy.

he’d hold her, tell her it’s okay, that he will fix everything for her, his stellina.

but the sweetness disappears after he puts her to bed that night and walks into your bedroom.

“i’m going to kill that child.”

“TERZO! you can’t kill a child.”

“yes i can.”

if it’s a teacher who’s causing trouble though, you might let him.

late at night you notice terzo’s not in bed and you hear some rumbling in the cabinets.

you find an open spell book on the kitchen counter.

“terzo, are you HEXING our daughter’s teacher?”

“why yes, amore mio.”

“that’s horrible! now, let me help you.”

now, let’s talk about teenage years. when things get a little more complicated.

SUPER protective. the second she starts talking about boys is the second he has to step in. doesn’t even have to be a crush.

“today in class we were talking about alexander-“

“alexander? who is alexander?”

“the great-“

“great? what is so great about this boy, hm?”

“DAD, we were in HISTORY class talking about ALEXANDER THE GREAT.”

“oh.” he’s embarrassed. everyone gets a good laugh.

once your daughter is old enough to develop an attitude, he hates it. but he’s really good at leaving the room and diffusing before he loses his temper. he never wants to scare anyone.

“ay, what happened to la mia dolce bambina?” he’d say to you defeatedly after rubbing his face with his hand.

you have to remind him that as people grow up it’s only natural for them to form their own opinions and start rebelling a little bit. she may be his sweet little girl but she’s also a young woman.

but any disrespect towards YOU, and that’s when he really gets fired up.

when he gets super upset he will say things in italian he couldn’t say in english.

“satanas , cosa ho fatto per meritarmi questo?”

he just shouldn’t be surprised when he finds out his stellina’s been studying up on italian.

“not even satan can save you from wrath like mine, dad. that’s one thing i got from you.”

#ghost band #papa emeritus iii #papa emeritus x reader #terzo #terzo x reader #the band ghost #papa emeritus #papa emeritus iii x reader #ghost #papa terzo

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lambcow · 3 months

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My Plan for the Upcoming Twilight TV Show so that it's actually Good

I heard recently that they're doing a Twilight TV show. The rights are out there at the very least. Who knows when it will happen and what network will produce it where, but it's going to happen.

But here's my thing - they're going to do it wrong if they do it the way I think they will, which is anything like the timeline of the Books/Movies. As a hardcore Twilight fan (yes I'll admit it, I spent a long time in fandom as a preteen, okay? It was my first online fandom and the first fanfiction that I wrote) I have Opinions(TM) about how to make the show in a way that would make it interesting. Stephanie Meyer had interesting ideas and I stand by this! There's a lot of untapped potential in the series and I think if they did it right it could be a really, really cool show! But there's not much going on if we just rehash the same events of the books over again at an episodic level.

No.

I present to you, not the TV show "Twilight", but the TV show "Cullens", which starts off with Carlisle Cullen as he has come to America when he finally starts to build his Coven.

This is NOT the story of whiny Bella Swan and her falling in love with Edward and becoming a vampire over 4 books or 5 movies, but rather the story of a man who has already spent over two centuries as a vampire, struggling because of his love for humanity as he finds purpose and meaning as he builds his family. We follow his story as he collects his coven.

We truly open on the show when Carlisle finds Edward dying of Spanish Influenza and decides to turn him for humanity's sake because he would die and because he as a man is lonely and this boy is so young, only 17, and Edward's mother begs him to do whatever he can to save her son and who knows, maybe Carlisle's been watching him and he sees him like a son already too. Maybe we get flashbacks to Carlisle with the Volturi for those 20 years he stayed with them in Italy back in the early 1700s, who knows. The fact of the matter is, that Carlisle is a doctor at the hospital where Edward is, and for whatever reason that we as an audience are compelled to understand in this first and important episode is Carlisle is finally done being alone and craves family and Edward resembles that for whatever reason, so Carlisle gives in and turns him. The next several episodes are an arc about their relationship as we deal with newborn Edward. We know how hard it is to adjust to being newly turned. After he calms down, Edward then has to confront his mortality and that of his family, we see him start to remember his family and confront those memories. More flashbacks to the Volturi as Carlisle explains what being a vampire is to Edward etc.

We follow the pair then as they travel around with the cover story that Edward is Carlisle's nephew. It's three years later when Esme enters the picture. What we know already is she attempted suicide and Carlisle turned her to save her - and that they have history since Carlisle treated her for a broken leg some ten years prior when she was 16 years old. Fast forward to now and she's gone through an abusive marriage where she ran away from her husband several times, most recently after getting pregnant, and has just lost her baby due to a lung fever. At her wit's end with all of it, Carlisle finds her after she jumps off a cliff attempting to end her life. They end up falling in love and getting married after she is turned. That's several episodes I'm sure. GREAT ARC. But Esme struggles with blood lust, which is a great transition into the conversation for what happens just a few years later with Edward...

We can tie more vampire politics into the show (especially the Volturi into it) when Edward goes through his Ripper phase when he decides he doesn't want to drink animal blood like Carlisle teaches him. The two fight but what can Carlisle do? Maybe there are other vamps around as well to cause extra drama. Who knows? It is a TV show, after all. He goes off on his own and that's a whole plot. I'm sure the network could find some interesting ways to make this dramatic for a few episodes and keep enough plot points alive. Add in some new OC's and side characters. Remember the Denali clan? When do they start being formed? There's not a lot of context on them, just that they're close with The Cullen's. Maybe we get some of their story and interaction here. Maybe Sasha (the original leader who was killed by the Volturi for creating an immortal child) reaches out to Carlisle at some point near the beginning and this is when they all become vegetarian vampires together before the whole Denali clan is formed too.

Fast forward to when that arc is resolved. Edward is back with Carlisle and Esme and the peace is back. Now, we get Rosalie... Now, the thing with Carlisle, is he doesn't turn people just to turn people. He's very moralistic. We learn that all the time about his character. I'm sure our little trio has traveled on from Chicago and is in New York where they encounter Rosalie Hale who was assaulted nearly to death by her husband and all his buddies. Carlisle is somewhat of a matchmaker here and hopes Rosalie and Edward can keep each other company for their immortal lives... it makes me wonder what episode and background we can throw into the show here. Did Carlisle know this girl in any other capacity? Why are his dad senses tingling about Rosalie anyway? That's gotta be an arc.

Anyway, turns out Rosalie is not only not interested in Edward, but she's only really interested in staying with the Cullens because being alone forever would get lonely, so she stays with them... but that's after her revenge arc because Rosalie Hale is a certified Bad Ass. She goes after her Fiance and all his Dude Bros and takes them all out, and I can just imagine her executing this flawlessly as a vamp. I do wonder if Edward reads her mind about her plans and asks if he can help her, though. Eventually, she gives in and it's Sibling Bonding(TM) at its finest. It's this bonding that convinces Rosalie to stay with the Cullens after all, and that's that.

Next, we get Emmett. Now, this is a fun one! Because we get Emmett who starts pining over the gorgeous Rosalie Hale when they move to this new place. I'm not sure it says where they are, but I digress. Do we have a bit of the Bella/Edward vibes here? Are there warnings of "don't let the human close"? Is this around the time when we've just had the Denali arc and are reminded of the human child being killed? Is Carlisle having flashbacks? What is the drama? Make it interesting, TV people! Is Edward mad that Rosalie is flirting back? Is it harmless? Who. Knows. -- But then, it doesn't matter because Emmett is getting mauled by a bear in the woods and... wait, why is Rosalie even there? Why does she even find him? Hmmm, seems like she's following him around protectively ;) well- whatever the reason and drama, Emmett is near dead and she saves him and brings him to Carlisle to be turned. The reactions of the coven... the reactions of the town, of his family, of his friends, the drama. Make it interesting, once again, people! This is TV gold! It's cliches and everything you want for TV, c'mon! And then, of course, since they were already practically in love already, they really can be together, but now they have to leave because Emmett is supposedly dead and the Cullens are complicit in that for some reason too perhaps. So they get out of dodge and where do they go now?

If you guessed Forks, Washington, you're right. It's the first time and it's time to get into the legends and deal with The Wolves(TM). It's all about the Quiluetes and it's time to make a treaty with The Pack(TM). Ephraim Black is Jacob's great-grandfather and the leader of the tribe. Whoooa boy. I can think of sooooo much they can do with this,. And just how long do the Cullens stay in Forks the first time around? It's a whole arc. Maybe it's a season. We get some good wolf content. We get some pack dynamics. It's great. We get some beef between Rosalie and the wolves maybe, because there's obvious dislike between her and the wolves later and it's gotta be for a reason more than just their smell, I know it. So, several episodes there. Maybe even some fighting. I know it ends with a treaty, but that's not easily won. Maybe it's Rosalie they found first and one of the wolves attacked her before they were able to make talks for peace. Yeah. I can see this season being really fun.

So, after all that goes down, maybe there's something with the Volturi? Something with the Denali? They do end up staying with the Denali Coven for a time. Maybe they go somewhere else for a little while after they've overstayed their welcome in Forks. Sometime around the 1940s they leave. During the 1950s Jasper and Alice wander upon them and at this point, I fully believe we would get a several-episode arc of Jasper's origin story with the Civil War and the Newborn Army - but they've gotta make it interesting somehow, so there's gotta be a parallel conflict in the timeline that makes it relevant, like I keep saying, make it interesting. Who knows where the Cullens are living right now at this point, but there's crazy everywhere and they're vampires they're practically magnates for danger and chaos. Make something up. Family drama, vampire drama, whatever you need. Where are more of those OCs. And don't forget! We have all the covens and vampires from the battle in Breaking Dawn that we can draw on at ANY point in the show for extra vampires to make any of this interesting as well! Make. It. Make. Sense. How does Carlisle know everyone all the time??? Add spice, add interest, and make the Cullens well-connected in a way that makes sense!

Once we get through Jasper's origin story, we get how he and Alice met, which of course is that Alice saw him in a vision. Alice is such a fun character.

And what do they do in the interim 60 years until Bella? Um, not really sure, but we can find some filler or we can time skip. Not like we haven't been doing that anyway. I also have this vague idea that the whole first few seasons are vaguely a la How I Met Your Mother where they're always telling the story to Bella or Renesmee or someone anyway -- oooh telling the story to Ren would be cute actually... that has potential. Grandpa Cullen telling his granddaughter about how all the family got together. That's adorable, whether you like Renesmee as a character or not. Tell me I'm wrong... Anyway, so then maybe it's like, "So what about mom?" or something and we jump to the actual plot of the Twilight books.

But we don't just get the Twilight books, we get the full in-depth. We get the shifters in La Push full with Emily and Sam and Quil, Embry and Jake, and Paul and all the bois, we get the whole story from Bree Tanner on the side as that develops. We get random check-ins with the Denali clan, because that's relevant! We get Edward's perspective on things as well when he meets Bella and how he runs away to the Denali clan because he's dead lusting for her blood! We get complex feelings and all the arguments about it! We get Rosalie and Edward fighting because isn't she being hypocritical about Bella?

We get the Volturi and more drama from the throne room as they learn about the Cullens and their drama just like we have been following Volturi drama on and off all series long. We know the personalities of Caius and Marcus and their dynamic with Aro. We've already heard the origin story of Jane and Alec and we know how brutal the terror twins are. We get the Volturi women Sulpicia, Athenedora, Chelsea, Heidi, and Renata. Don't even get me started on Demitri and Felix and my headcanon of their epic friendship. So, yeah, Volturi stuff.

All of it comes to a head at the final battle in Breaking Dawn just like we know but with so much more meaning than ever before because of the rich history we have from seasons upon seasons of "The Cullens" or "Cullen" or whatever you end up calling this show. It's amazing, it's beautiful, we've laughed, we've cried, we've become a family over and over again and Carlisle has a family and this is his family and he is happy.

Will they make it like this? Probably freaking not, but this is my one request to the universe. Don't make a "Twilight" TV show. Make a "Cullen" TV show.

Please.

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kchasm · 11 months

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Ryu Number: Alice (i.e. of Wonderland)

Okay, I know what you're thinking. K.C., are you really churning out a post on Alice's Ryu Number? Sora is in Smash, for goodness' sake. That's Kingdom Hearts, which gets you the Disney version split-lickety.

Yeah, that's true. And it would be perfectly reasonable to shut the book on the matter right there and shout, "Problem solved!" But here's a question: Are Alice of Wonderland and Alice Liddell the same person?

That's a rhetorical question, by the way. If a century of Alicologists aren't going to come to an agreement, an opinion off the end of a tumblr post is unlikely to set off a scholarly paradigm shift. For what it's worth, Lewis Carroll himself seemed to consider Liddell and the literary Alice as separate individuals—the latter as more of an idealization than any real person*—but he's got some investment in the matter, so he's not exactly a reliable source.

(This is a joke. Don't at me.)

*Woolf, J. (2010). The Mystery of Lewis Carroll. St. Martin's Press.

... But we're not here for literary analysis, of course. We're here for the Ryu Numbers. So what's Alice Liddell's?

The most obvious route, of course, would be through American McGee's American McGee's Alice and Alice: Madness Returns video games. The lore of the second game straight out gives Alice the surname Liddell...

... and the opening cutscene of the first game features a photograph in Alice's bedroom of someone who might be Lewis Carroll (which is a bit weird, but whatever), as well as an Alice storybook (meaning Alice exists one narrative layer higher than the literary Alice).

...That said, if American McGee did mean for the game Alice Liddell to be the Alice Liddell, that's something it looks like he walked back in game two (or at least went in with plausible deniability about). Game Alice seems to have had just the one sibling, an older sister named Elizabeth, and her father's name was Arthur—the real Alice, on the other hand, had nine siblings in all (jeez), with her only older sister named Lorina and her father named Henry.

(Also all the Wonderland elements explicitly take place in Alice's head, which means technically we shouldn't be counting Wonderland characters any more than we'd count characters that show up in dreams or hallucinations, but I'll pretend not to notice if you pretend not to notice, alright? Call it the Code Name: S.T.E.A.M. precedent.)

To get to something plausibly Liddeller, I'ma jump back to the Apple II/Commodore 64 era.

Wait, the Laurence Yep? Aunno, maybe! I wrote to him once, because I wanted to know if the Charles Edward Stuart that appears in this game is actually Charles Edward Stuart, or just the White King believing himself to be Charles Edward Stuart, both of which seemed likely enough to me given the setting.

I never got an answer back, probably because I couldn't find any contact info for Laurence Yep and ended up writing to the most recent publisher of his works I could find instead. What I'm saying is that I doubt Mr. Yep ever laid eyes on my letter before it was slam-dunked into the nearest wastebin (Mr. Yep if you are reading this please DM me).

Anyway, shortly before Alice falls into the rabbit hole, gets swept up in the usual Wonderland annoyances, then finally makes her way up and out the same rabbit hole (i.e. no "it was all a dream," it's happening for realsies), Alice runs into a dude on a boat. It's Lewis Carroll, and you know he's Lewis Carroll because he says he's Lewis Carroll.

Add that that he's a teller of stories to this Alice, and and it serves as good implication as any that the player character is the historical Alice Liddell.

#ryu number #alice #alice liddell #ryu #super smash bros. ultimate #sora #kingdom hearts #kingdom hearts hd 1.5 remix #cheshire cat #american mcgee's alice #white rabbit #alice in wonderland

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