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#analysis of MCU
daisy-mooon · 6 months
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Behind the jokes and badassness, Captain Marvel is a fascinating character to me, because of how death follows her.
She causes an explosion. That explosion, which gives her powers and her immortality, canonically kills her. The Kree Empire resurrects her and makes her as Kree as they can. She shares Yon-Rogg's blood and his life, she's his creation, she's his victim, she's the one who causes his downfall, she's the one that destroys the system, the society, the planet that allowed her to be abused.
It's the Kree that see her as a killer and Annihilator. She's a monster of their own making, but it influences every species and planet she touches. Her victories cause death and her mistakes cause more death. Carol's triumph, the death of the Supreme Intelligence, results in the death of probably millions of Kree, and by consequence, almost causes the death of Hala's star.
"I'm only human" Carol says, before killing the Empire that is the reason that she can't ever be human again.
"We'll be back for the weapon," Ronan says, but that weapon will kill everything he stands for.
"Your life began the day it nearly ended," The Supreme Intelligence says, coldly, calculatingly. It's an AI. It doesn't have a good concept of death. It doesn't fully grasp that Carol had genuinely been killed that day, because she's still in front of it. Carol kills it.
"Death seems to follow you," Dar-Benn says, before she causes an explosion with the bangles, trying to defeat Carol. The explosion kills Dar-Benn.
Death follows Carol. Death follows Carol! Mar-Vell is dead. Maria is dead. Talos is dead. Soren is dead. Ronan is dead. Minn-Erva is dead. Korath is dead. Dar-Benn is dead. Yon-Rogg is, probably, dead. The Supreme Intelligence is dead. Natasha is dead. Tony is dead.
The only people in Carol's life who aren't dead are Kamala, Monica, Yan, Valkyrie, and Fury.
She watches helplessly as Dar-Benn almost murders Kamala after Kamala tries to save Dar-Benn's life, tries to find a way to solve the violence without death.
She watches helplessly as Monica gets torn into another reality, which for all she knows, she could die in. The tear in reality that was caused by Dar-Benn's death.
She tries to hide Yan's existence from her friends and tries to warn him and his people. The Kree soldiers aren't fighting to maim, they're fighting to kill. He escapes death by his own fighting skills and the fact that the Kree would rather focus on killing Carol than him.
Valkyrie and Carol interact once, and she only calls when she needs help after a fight, not during. Think about it. Valkyrie and the Bifrost could have helped the trio enormously. But Carol doesn't call until the fights are over. It would be very easy for a regular Asgardian warrior to die compared to superhumans.
And Fury... have you seen how often Fury comes close to dying? He's alive from skill and luck. He is lucky that he isn't dead.
Captain Marvel is so, so fascinating. Her story begins with her own death, and the more it goes on, the more death happens around her. Nobody is safe. She causes almost all of them, even the ones of her friends - not directly, but through the consequences of her actions. The consequences of her victories and mistakes. The consequences of her anger and revenge, her power and powerlessness. It is caused by both the Human and Kree sides of her, by both Carol and Vers, Captain Marvel and the Annihilator.
Carol is immortal. She can't die. And death follows her anyway.
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no but think about the Loki from Thor. from Avengers. the fact that he’s fighting for something good that he believes in means so much. the fact that he can sit there and say he just wants his friends back. these friends. the ones who see him for him. who don’t judge him. who he feels like he BELONGS with.
when has Loki ever felt like he belongs anywhere? he’s always been the outsider, the outcast, the villain. at the TVA he has felt appreciated and accepted. no one is singling him out or giving him a hard time for being himself. he FITS. he has come so so far. and shipping aside, the main reason for that is Mobius. someone who has seen every dark crevice of his life and his bad choices and his darkest moments and treated him with compassion and understanding.
the orphaned, abandoned, misunderstood villain has been able to write his own story because one ordinary man believed in him.
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elsaqueenofstress · 11 months
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thinking about how quill used music as his only reminder of his mother, to the point that he would risk his own life to save it and keep part of her alive, and how we're introduced to him as the one who dances while everyone around him rolls their eyes, and how he raises baby groot to be the first of the team to dance as openly and joyfully as him, and how this groot is the first one to dance during the last scene, and how rocket – who hums tunelessly while he works until he's building stereos to play tunes while fighting until his favorite song is "come and get your love" – joins him without any self-consciousness, and how quill left rocket his zune and team leadership but the first gift he ever gave him was a name for what he was: raccoon, and how drax overcomes his stubborn adherence to never dancing because what matters more to him than being a stoic destroyer is being a father, who makes the hundreds of children that look up to him laugh with delight, and who gets to watch mantis (whose innocence reminded him of his daughter) set off into the world with her own purpose the way his own child never got to, and how nebula dances along with them, no longer holding herself to the second-best status that thanos forced on her, instead at home as a leader who can fight with her family without having to compete with them, and how she stills talks to gamora, who is able to accept that she once meant the world to the guardians, once spoke their language and joined in their hugs and was part of their fun, but that she doesn't owe it to them to join in the dance and be that same person, and returns to the adoptive family that she feels at home with, and the lyric "leave all your love and your longing behind / you can't carry it with you if you want to survive," and how in order to go forward the guardians can't all stay together, but how that doesn't mean they aren't still a team and a family because how do you truly leave the people who have dragged you, doubting and kicking and screaming, toward comfort and security and happiness? for the hottest, slowest, laziest days to end, the ones where you lost best friends and spouses and children and siblings and years of your life and memories with someone, the ones where you run from your past and pretend you were never in pain, never loved anyone, you have to let that hope catch up with you (“happiness hit her / like a bullet in the back”). anyway i think this was a pretty good series like this post if you also had a laugh or two over cosmo the space dog's telekinetic hijinks!!
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thislilstangirl · 1 year
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the rage of princess shuri
very few character arcs have been as substantive and transformative as the arc given to shuri in wakanda forever. and what makes it so powerful is her undeniable rage.
shuri angry. at herself, at the ancestors, at the world. and there’s so much range in her anger. it’s cold and dismissive to her mother’s faith in the spiritual. it’s painful and untethering to herself and her beliefs. it’s hot and all consuming towards namor and the harm he causes.
and then with how mythical and fairytale-esque wakanda forever is in general. shuri plays with the princess archetype and instead almost becomes a vengeful goddess. eternal war was one death away. it just happens that the person she longed to kill was her mirror image.
a black heroine having the space to transform, rebirth by fire and fury, was an experience. i don’t really know how to put it into words.
“Is my mother’s life not worth eternal war?”
that might be one of the most heartbreaking, and relatable lines in the mcu. grief and anger crystallised into one question.
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tamtamho · 1 year
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[spoiler] About Rocket's body
Just watched GOTG 1's interview and here's what Gunn said about Rocket's design:
"What if they broke his sternum and streched it out? Because raccoon doesn't really have a chest (like human's)"
And it makes me think about what HE did to Raccoon's bone structure.
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Raccoon shoulders are curved to their chest so they can walk quadrupedally, but rocket walking on his two legs require his shoulders to be straightened out (hence the metals). They need to change his C-shaped spine into S-shape like humans, change the length of his arms... and deconstruct his pelvis entirely. Like. Entirely.
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Because there's no way that raccoon pelvis can make him walk like a human. Also look at that body. My man looks like a gymnast with narrow waist and everything. While regular raccoons are just. A ball of floof.
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Not to mention the brain surgeries he needs to go through.
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With him able to lift big ass firearms with tiny hands, they must've replace his bones or muscles into something stronger.
Whatever HE did, feels less like trying to make "something perfect" and more like a child assembling and reassembling his toys because he can.
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communistkenobi · 1 year
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I’m not a fanfiction rights warrior or anything but the discourse about how it’s actively making published literature worse is so stupid. if fanfiction is having a negative effect on the quality of published fiction, that impact is vastly outpaced by the economic reasons for why mass amounts of low quality garbage is being pumped into the fiction market. certain conventions of fanfiction (namely the use of trope and character tags) are being adopted by the industry not because fanfiction has some hegemonic influence on said industry but because those things are easily adaptable for search engine optimisation and marketing purposes. like what explanation sounds more plausible: fiction is being increasingly tailored to fit into various narrow category tags (“gay enemies to lovers slowburn coffee shop romance,” etc) because the consumer market has seen a rapid sea change in the past 5-10 years and now audiences all want to read what is essentially OC fanfiction that they also pay for, or because formulating books in that way makes keyword search optimisation on google and amazon way easier to market low-effort schlock to people? this is not a new phenomenon and blaming end-users for the state of the industry is basic cart-before-horse reasoning. you can dislike fanfiction and find the people obsessed with it annoying, but the relatively niche space those people occupy online is not structurally responsible for books being more shitty than usual lately
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So many things I want to talk about in this scene. But I think these screenshots say it all.
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talkingparrotkee · 5 months
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One thing I like about MCU Shuri and also think several people sorely get wrong is that she's the more cool-headed character. She is slower to shout, panic, and anger, being relatively more laidback. Shuri would rather wall up and bury herself in her lab (M'Baku confirms this at Ramonda's funeral, and we see her doing just that in the beginning) before lashing out.
Even Ryan described how T'Challa was more hotheaded to T'Chaka's diplomat, while Shuri was the more cool and laid back one to fiery Ramonda.
We see it in her clothing styles.
We see this in the way she initially approaches things. Two key instances:
The way she first responds and confronts Namor. Shuri is still on defense at the river, but she is less combative or reactive compared to Ramonda. Shuri more quietly assesses and responds to him. Compare this to Ramonda, who immediately fires back and disregards what he says without even checking if it could possibly be true, to which Shuri has to point out some truths by empirical evidence (i.e., Ramonda dismissed him saying only they had vibranium, Shuri gently nudges her, saying he's covered in it, so that cannot be the case). A similar thing happens when she is down in Talokan with Namor. Throughout it all, Shuri kept a leveled head and bit back her tongue to think of solutions, even when things started turning south. She knew how to shut up as well rather than argue him down more (something not many people know how to do).
The way Shuri tried to extract Riri compared to Okoye. For starters, Shuri did not break into bathrooms or bring spears in Riri's dorm - she blended in and used the door. She did not make threats and give an ultimatum either. Shuri just tried to explain the urgency to Riri and draw her out without the use of physical force.
We also see it in her reactions with other characters.
In the first movie, she tells T'Challa to "calm down" when he shouts at her to drive. We also see her not care to fight T'Challa for the mantle, even if it is her birthright (she just wanted to go home and get out of a particularly uncomfortable corset). Instead, she prefers to fight alongside and as support.
Black Panther: "The Black Panther lives. And when he fights for the fate of Wakanda, I will be right there beside him."
Black Panther 2: "I was not trying to save the mantle mother, I was trying to save my brother."
For another example regarding her interactions with characters from Wakanda Forever, Riri is consistently depicted to be the more anxious and is more inclined to lose composure. Shuri, even when she's stressed or overwhelmed too, is often the one to remain composed. Shuri attempts to calm Riri down so she doesn't have a panic attack. Shuri also didn't reply when Riri started snapping at her about the FBI, only calmly working about and mapping out an escape plan.
One last particular example is with Okoye. Shuri is less quick to be defensive or shout compared to Okoye. We see it in the way Okoye commanded her to get in the car, and rather than shout back, she simply uttered quietly, "Why are you shouting at me..." Shuri didn't reply to Riri snapping, but Okoye did not let anything slide, pointing the finger back to her. During this entire exchange, Shuri was quietly observing before cutting in, saying how they needed to work together to get out of their situation.
Black Panther Wakanda Forever was her later in-character out-of-character. In other words, that unrivaled anger and snapping you saw was never her baseline. She's not an angry or vengeful person. That was the point of Ramonda, "Show him who you are," when she was hesitating killing Namor.
It was the result of her character at a breaking point. Shuri was not coping properly and dealing with frustrations she couldn't see her way out of. Shuri was struggling with spirituality. She was trying to know if her family was truly still there. She was trying to find the reason behind her failure and loss. Shuri already began cracking since T'Chaka died (see: Wakanda Files). T'Challa's death just broke her, with her narrowly holding her pieces together.
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bitchliteraria1906 · 1 month
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A thought:
If it weren't for the TVA mess, Mobius would be... such a normal guy. Not only that, but a rather silly one.
Just... think about it.
He looks like a normal guy, and doesn't try to compensate that with extravagant clothes. He is genuinely a nice person who looks like he'd own a bunch of dogs, or at least feed strays. He has a random hyperfixation that no one else around him cares about. He likes key lime pie. He makes knock knock jokes. And if it weren't for being a TVA agent, he doesn't look like he'd have any kind of extraordinary skill.
And we ship him with a norse god who has a bunch of powers? Who's been through so much shit?? Who has killed people???
And sure, it's hillarious, but it also has the potential to be so fucking sweet.
Because Loki has spent most of his life unable to find peace, always trying to prove himself, to get out of Thor's shadow. Then, coming to terms with being a frost giant. And then, the New York thing.
And after all that, he gets to interact with a guy who, despite working for an organization like the TVA and being able to be intimidating when needed, somehow still manages to have such a comforting aura. A guy who makes stupid knock knock jokes in the midle of a serious interrogation and infodumps about jetskis, and who, most importantly, treats him like a normal person, even after studying his life and seeing all that he has done, and all that he's capable of.
And it's so clear that Loki appreciates it. He smiles at the joke in the interrogation scene. When Mobius is excited to finnaly experience some (very simple and mundane) things outside of the TVA while they search for Sylvie in season 2, Loki goes along with what he wants and humors him.
Loki is a god, who is used to being surrounded by other gods. He could so easily just see Mobius as less for being a human and a fairly normal guy with such dumb little quirks, but he clearly values him so much (both his company and him as a person), and sees him as a complex individual that's worth respecting/caring for, and I think that's amazing and an extra reason to enjoy their relationship.
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cptn-merica · 4 months
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please tell me other people have noticed that steve's leather jacket has significantly more rips than it did after talking to the red skull
the timeline of steve's jacket:
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^ right before the rescue, slightly worn but fully intact jacket. he probably bought it while on the uso tour.
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^ mid mission, the damage is beginning. his right shoulder is ripping through the seam. probably just from exertion and a slightly too small jacket or cutting the corners too close. keep in mind this is after he jumped out the plane and ran through the woods, right before he fought to get into the hydra base.
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^ talking to the red skull. same status, same rip that could be widening
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^ like 4 seconds before jumping to meet bucky. same status
--- time cut ---
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^ the march into base camp. he has a slash across his chest where a leather strap was, even through the fucking metal zipper. his right shoulder is battered and the left is pretty exposed too. you can see through to his costume.
i wonder if his jacket got caught on the medal railing on the jump between the balconies of the exploding hydra building. i imagine that he probably was hanging from the jacket, stuck on the metal railing while trying to climb up and over.
seriously tho I wonder what happened, because bucky's shirt isn't any more torn after his jump. i guess we can blame it on steve being steve. anyways, i hope other people noticed this.
(imgs source)
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godlesslostsoul · 5 months
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Something I realized awhile ago is Carol in Captain Marvel (2019) is probably so emotionless because of what the Kree did. Parts of her were missing/locked away which would affect her moods and personality. She’s more direct and soldierly. That starts to fade away when she realizes where she came from.
Now in The Marvels (2023), Carol is shows a lot more emotion even in scenes where it’s just her and Goose. She’s not as closed off and she’s more mature with her emotions (like reflecting on her feelings and then apologizes for snapping at Kamala). We learn later she’s been trying to recover her memories which would definitely allow her personality to show through in this movie. We also see her be a bit awkward with emotions around people, and that’s probably due to her still holding herself to a “soldier” standard and being fairly isolated in space. She’s more comfortable with Valkyrie and Fury and later on Monica and Kamala.
This was definitely character development and I don’t think Brie Larson should’ve played the character any differently in either movie. We’re supposed to see two different characters here. In Captain Marvel, it was Vers for the most part until her story is revealed. In The Marvels, it was Carol Danvers/Captain Marvel.
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ircn-dad · 1 year
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Here to remind you how Tony was unfocusing his gaze 'cause of the pain he felt while probably struggling to recognize what was happening around him and who was the person in front of him, but as soon as he heard "it's me, it's Peter" he immediately focused on him.
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And while he couldn't find the force to speak, my theory is that he didn't do it also because he didn't know what to say to make the kid stop crying, to make the pain go away.
He knew what to do with Pepper and with Rhodey, their reactions were so part of their characters: Rhodey and Tony didn't need to share a word, they have been friends since ever and they understand each other without the need to talk; Pepper and Tony both smiled at each other, to reassure the other that everything and everyone will be fine.
With Peter? I think Tony not speaking was also in character. He didn't almost speak when Peter was dying, he didn't know what to do. He tried to comfort him when he said "you're alright", but as soon as things got worse he just stood there in shock, without never taking his eyes off him while Peter was crying and begging him to do something.
The same happens here:
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In the photos you can't catch it very clearly, but if you watch the complete scene you can see how Tony is not taking his eyes off him and -even when Pepper is there and is trying to take him away- he's trying to calm him down with his eyes, because that's Peter, the kid he lost and that he found five years later just to lose him again. I don't know if I'm the only one, but I almost saw panic in his eyes, it's like he was scared about Peter not being okay and about him not saying a word again. That's why he whispered kid once he wasn't in his gaze anymore, he wanted to see him one last time, to make sure to reassure him like he did with Rhodey and, soon, with Pepper. To make Peter sure that he will be fine even without him.
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daisy-mooon · 5 months
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Men will say "This is what I find annoying in female characters" and then start listing multiple symptoms of PTSD
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phoenixyfriend · 1 year
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[squints at the MCU] Tony Stark has displayed more ability to weather interrogation and torture than Steve Rogers.
This is "(displayed more)(ability)," not "(displayed)(more ability)," to be clear.
(I know fiction’s depiction of torture is famously propagandafied, but in this case, it’s not about torture for information so much as physical traumas shown on screen.)
(Anyway, have a rant I did on discord the other day.)
It's not really so much about "resisted the urge to hand over information" as "survived a truly harrowing experience and still came out of it trying to do good."
Tony's very first movie involves getting repeatedly drowned while in constant pain from bomb injuries as a civilian contractor, and I… don't think I can remember anything even a little similar with Steve
I don't think he's ever been captured for long before breaking out? All his injuries are in active battle, not torture.
Like... Steve went through something horrible with the ice and losing Bucky, nobody can argue that. But I think it's very telling, sometimes, that movie Steve, especially 2012 movie Steve, is completely unaware of the absolute nightmare that Tony experienced in his solo movies.
I have so many feelings about Tony Stark being the epitome of "guy who was raised and manipulated into being a bad person by someone he trusted, and (after a horrible experience) attempts to be a better person, constantly and consistently, even if he sometimes fucks up in the execution."
And the way that some fics elide his experiences in cleaning up other people's messes (first Obadiah's, then Howard's) and how that doubtlessly compounded his many neuroses from fixing messes that he did actually create himself is just
I have a lot of feelings
And am also feeling a little bitter and salty about how Tony Stark's MCU incarnation reportedly took some inspo from Elon Musk... and a little petty and satisfied about just how drastically we've all be shown that Musk can never live up to the idea of 'billionaire with inherited wealth who actually, without hesitation, risks his own life to save millions' that he tried to use PR to achieve in the media with 'my electric cars are gonna save the world' stunts about things he didn't actually have a hand in inventing
I'm just reading some fics I really enjoyed when I was still in the YA fandom, and there was a reference to a line Steve said in the movies and I started thinking (again) about how frequently fans take lines from Steve or Sam about Tony as gospel, because they haven't seen Tony's movies, and the lines from the star spangled boys are contextually meant to show that they don't know jackshit about Tony or his life, because they are directly contradicted by multiple prior films.
Also like... how often Steve's traumas get explored (in fic) in a way that Tony's just... don't? At most, his issues about Howard get explored, but that's it.
There's this moment in CACW that people take as Accurate and it infuriates me.
Tony Stark: [Back in the cell.] Just look. Because that is the fellow who was supposed to interrogate Barnes. [He shows a holographic image of Doctor Broussard.] Clearly, I made a mistake. Sam, I was wrong. Sam Wilson: That's a first.
Which, like... it's a bad movie. Obviously. But also
That line is immediately followed by Tony revealing that he's here to help the others and is sabotaging the security to make sure Ross can't take advantage, and yet fanfic still uses Sam's quote to promote anti-Tony agendas!
And 'Tony admits he fucked up' is. Like. Listen to me
Tony's first solo movie is fixing Obadiah's machinations. *
His second solo movie is fixing his Dad's fuckup.
His first team movie is fixing Thor's mistakes.
His third solo movie is fixing something that is only tangentially his fault.
It's not until AoU that the fuck-up is really his and his alone (well, not counting Bruce), and even then, even then, a massive portion of the blame is narratively laid at Wanda's feet!
And only then do we get this man, who has spent five movies seeing what happens when people don't take responsibility for their actions, or have anyone riding them to be ethical, who has criticized himself for neither having that oversight nor providing that oversight for people who snuck shit under his nose, that is when we get Tony weighing in on the side of "most countries on the planet are agreeing with this and it's for a reason, please work with me here, maybe we can get some of it rolled back to be less authoritarian and more reasonable."
* and removing himself from the military industrial complex he was raised and groomed to be in, but that's a system and not an individual act or a set 'villain'
Or as @firebirdeternal put it:
I would say that his first solo movie does have a large element of fixing his own mistakes too, it's just that his "mistake" was Trusting the Wrong Person and not taking personal responsibility for how his actions are affecting the world. (Which, he immediately does upon coming back from being captured? "We're going to immediately stop making weapons, because it's making the world worse" and then when Obadiah cuts him out of the company he goes "Oh. Okay no that didn't work, have to personally fix all this then.") and yeah it's just Tony have plenty of reasons to be on the side of "Someone needs to have oversight over this"
IM1 is such a good exploration of someone in privilege saying "this stops now" in a situation where they do have control because they have been confronted with their mistakes in a way that's unavoidable
It's also like, a great example of the fantasy of the Super Hero. Because Tony Stark, the businessman, even with all his wealth and knowledge, isn't able to stop the systemic harm being caused by His Own Company. One person isn't able to do that, even with the best of intentions. It isn't until he becomes something else, something more, a Super Hero, that he's able to make any kind of meaningful change on his own. Like IM1 is just a phenomenal movie. It understood it's subject material so incredibly well.
And people skip it and then take Steve and Sam at their word about Tony's strength of character and moral convictions and I scream.
THIS MAN FLEW A NUKE INTO A WORMHOLE WITH THE FULL EXPECTATION THAT HE WAS GOING TO DIE
Yeah, like, that Jump on the Grenade mentality is something that he and Steve actually literally share.
They both had 'jump on the explosive to save people' moments in their introductory movies.
I find so much more strength and inspiration in stories like Thor and Tony, where they are inherently fuck-ups and were shitty people and they are trying so damn hard to be better, which is more Tony than Thor really, but both of them and their first movies are just. I find that more inspiring than Steve or T'Challa or any other hero who was already a good person and just Became Great.
Tell me about the person who has to struggle to find that moral choice. Tell me about Natasha dragging herself from her oceans of blood and Tony fighting the government over whether they have the rights to use weapons he's created and about Thor having to reckon with his family's power being born of imperialistic ravaging of other cultures.
I want to hear about the people for whom being good is hard and a choice they don't have to make, but then they make it anyway.
Also I stand by "I am Iron Man. [infinity snap]" being the most amazing bookend the MCU could have done and probably the best part of the Endgame.
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fotibrit · 7 months
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I’m a really big fan of the idea that Tony is (secretly) an expert in everything he actually cares about. We know he “became an expert in thermonuclear astrophysics” in a night. He, at some point, learned to drive race cars. I think it’s reasonable to assume he could have done this about other things, in secret.
Did Tony study decision theory and game theory in order to be a more effective gambler, in order to make his charm look more effortless? did he learn about the events of WW2, practically memorizing The Steve Rodgers Story, so he could look well-informed in front of the soldier?
(did he, after the snap, throw everything into finding out exactly how painful Peter’s last seconds were? did he study the psychology of child abuse, trying to piece together whether his father was neglectful or he was just not ideal? does he look into the history of every one of his teammates, hoping to be able to anticipate their every move, both in order to make jokes/nicknames and to anticipate any betrayal?)
I think Tony Stark puts a lot of effort into seeming effortless, and I wish that were explored more in fic
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cleabellanov · 2 months
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Jet-Skiing through identity: a deep dive into Mobius M. Mobius (part 2) 🛥️
Even the kindest of hearts have a trigger point, a spot that can catch a bullet without bleeding; making it part of the heart's anatomy.
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I'm only saying that because I associate Loki as Mobius's soft spot("I know you have a soft spot for broken things"), and Loki turning his back to that in s1e2 as the trigger point. Imagine you have that courage, to do something everyone around you thinks is wrong. Then, just as you were going to prove the opposite,our efforts turn to be in vain.
For Mobius's character, this means he has to turn around at 360, to where he came from; with inovative ideas not working, it all comes to accepting defeat.
He manages that excellently in front of Ravonna: caring more about reassuring her everything will work out rather than focusing on himself. Another example of how much Mobius cares about others, even when he should care more about himself.
Episode 4, season 1, is crucial for where Mobius's story is going.
We can see so many interesting things in his conversation with Loki, like the way he handles stress through amusement. Asif this emotion isn't worthy enough, but to be laughed at:
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"You like her! Does she like you?"
After all, let's not forget Mobius was already (and even earlier than this episode) catching feelings for Loki. His own words put this straightforward: "Just kind of an asshole. And a bad friend". Notice how he doesn't use any word similr to "traitor". He still considers him a friend, albeit a bad one, after everything he's done. Mobius might do his best to hide it, but he's still forgiving deep down. And it's not even Loki's departure in time and space that matters the most to the analyst. It's his alliance with Sylvie, hinting once again at the jelaousy of his character I talked about in part 1. "It's ruining my reality right now!" in Mobius's words.
But when he is told by Loki that they're all variants, Mobius doesn't simply dissmiss the idea. He could, and should, given the position he is in. But the brightness of his mind, and that little flicker of hope he still has in his Loki makes the difference. After all, hope is what makes us believe: it's the desire of having something to believe in.
Watch his reaction when he is told all this:
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He is masking it flawlessly in front of Loki and the hunters, but that raising hope makes him search: is the trickster out of tricks for once? What if, all this time, that feeling he had inside himself but hid away is actually a sign, gently whispering to him there is more he should know about? That is a bravery so different from live action, and battling with superheroes: the bravery of discovery. Loki telling the truth means Mobius living a lie - a scary thought of course, but not scary enough to stop him.
This all drives Mobius to finding out what actually happened with hunter C-20. And the rest is history.
There is a certain honour in telling Loki he was right from the beginning. This new approach, this insight Mobius now gains over everything give him not only a rush of adrenaline, but also the confidence he didn't allow himself before. Therefore, he wasn't just working half a measure. The limits that were set were not part of his perimeter, but of the TVA's. Now that he sees that, he can also break those limits.
He is also free to speak his mind. And Loki is so deserving of these words that this scene right here is one of the most precious in the entire series. Their wonderful dinamc certainnly gives extra points to that.
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Now Mobius isn't just an analyst anymore. He is a rebel, betraying the only thing he believes in, the one institution that shaped his entire existence. This rebellion isn't just external, but internal as well. Ultimately, only one part of the internal conflict won, but the other still exist, like two sides of the same coin, spinning and spinning. But he still has the hope that he'll find something better on the other side, and doesn't stop just because it's a hard thing to do.
If it was easy, everyone would do it. (Loki in Thor The Dark World)
I wanted to write more but this is already getting too long (like damn I'm fangirling hard) so see you for part 3!
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