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#poetry and fiction
lady-regal · 4 months
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Birthday Candle
The flames have been waiting, seated, neat, above a pink candle, with the weight of all my wishes wrapped around her head like a crown of thorns. I never meant to make her the home of my hopes. I just needed a place to escape to, a refuge from my reality, until I had the strength to rebuild, but she gazes, with gentle eyes, forgiveness, understanding, and together, we wish for a day…
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jayvespertine · 4 months
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— Jay Vespertine; not from a book but from an actual conversation.
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”oh so how did you get into writing?-“ no, writing got into me. Actually it infiltrated my brain, starting with the slow takeover of my room with books to the extremely fast claiming of my notes app and now there’s no way to stop it and no way for me to stop.
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taiey · 2 years
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The curtains were blue because everything in the room was carefully colour coordinated, reinforcing the character's stylish and controlled characterisation. The curtains were blue because everything in the room was a different colour, reinforcing the character's eclectic and globe-trotting personality. The curtains were blue because the character is elsewhere established to hate the colour blue, subtextually implying that their deceased spouse was responsible for that decoration choice.
The curtains were blue because throughout their filmography the director consistently uses cool tones to mark moments of distance between characters. The curtains were blue to tie the events in that room into the broader oceanic motif of this particular novel. The curtains were blue because the assonance evoked a contrast with the following stanza of the poem.
Even the curtains looked expensive: floor to ceiling velvet drapes, in a flawless royal blue. She tucked the saucer up on the windowsill and tied back faded blue curtains with a loop of string. The narrow blinds were the same navy blue as the pinstripe suit of the man who served eviction notice that sent them to this office.
The curtains were blue because the author's childhood home had blue curtains, which they discussed in their letters related to their feelings of comfort in that place. The curtains were blue because the author's childhood home had blue curtains, which they discussed in their letters related to their feelings of grief in that place.
The curtains were blue as an allusion to the contemporary joke about literary criticism, an extension of the author's autocritical approach that will be further discussed in section seven.
The curtains were red, as a pun on;
The curtains were read.
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humanizationofit · 23 days
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This is me btw
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kjscottwrites · 8 months
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And, importantly, share some recs!
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luthienne · 5 months
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from "11 POEMS—TITLES BY AZIZ SHIHAB—FROM HIS NOTEBOOKS" as featured in Naomi Shihab Nye's Transfer: Poems
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silverquillsideas · 3 months
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15022024 // excerpts from poems I'll never publish
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fatimaamerbilal · 9 months
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fatima aamer bilal, from days where my whole world is my bed.
[text id: september arrives like a twisted knife, and i always welcome it with open arms.]
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lady-regal · 4 months
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Paper Doll
You said you wanted me to understand, and then you didn’t speak for a century. My sweet, suffering paper doll, impossible to perceive, kneeling to worship, worsening and healing, closed off but still feeling, praying for nothing, but still stuck in the routine. Our heaven is a hazy room atop a tower. Flowers litter the floor, clinging to life as I catch your eye, capturing your…
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intopermanence · 2 months
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(You indent my soul.)
Annabella of Ely, from Poems I-LXVII: “XLIV”
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poetryofmuses · 8 months
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I don't want a fictional man. I want to BE fictional. I want to escape this reality and live in a fictional world with him.
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cryptonature · 2 months
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It's finally time! I've been excited to post about this FOREVER. Here is the cover for my new memoir about loving nature and struggling with depression. I'm very proud of this book and I adore this cover.
Artist: Tuesday Riddell
(Visit the link in my bio for more info.)
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lets-get-lit · 3 months
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Do not be afraid; our fate Cannot be taken from us; it is a gift. 
- Dante Alighieri, Inferno
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tohakumaru · 16 days
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[project page]
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>walk away, go with the nomad. i love you.
since you cannot cry, you make an effort to push the stale air out of your lungs, a poor imitation of a sigh - i guess bad habits really die hard. if the nomad has noticed, then it pays you no mind and simply carries on. casting one last lingering glance at the water and the sky above, you dutifully follow. after a short while, it becomes clear that something has changed. the nomad has picked up its pace, moving in erratic strides. here and there, you find it dashing across the sand, beak and head angled upwards, as though searching, or following an invisible thread in the air, one that you can feel, but cannot quite grasp, like a long forgotten name - always on the tip of your tongue, yet never to be spoken aloud. at times, you struggle to keep up. it's so hard, you're so tired, it's too much. your eyes burn with fatigue. you want to scream, to beg the bird-thing to slow down, but the words evade you everytime you open your mouth, and the nomad does not so much as look at you. a hot and bitter pressure builds behind your nose and muffles your ears. once again you feel yourself falling apart - but the blanket wrapped around your frame and the water sloshing in your hollow stomach seem to work against your body's trajectory to disintegrate, two forces swirling inside and all around you, like a wicked pendulum that propels you forward despite, despite.
i won't let you go, should have known that from the start.
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tenderly her eyes made their pilgrimage across the mounds of glass and steel, mourning perhaps hunger is a cure for insanity, shut-you-up-real-nice knowing full well being alive is a horrendously beautiful thing while the dogs, blood stained snouts dig out the madness, turn it into a five course meal heaving, a still-beating heart melts like butter on their lips as poorly clipped nails fumbled and fussed,
just enough to make a day-ride.
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in this fashion, you and the nomad dance across the white sand for some time, until a hillside comes into view. upon closer inspection, you are awed to realise it is made entirely of roots. at the foot of this strange hill, a grove - an incredible indent in that tangled mass that is the tree-hill - opens up and presents an even more curious sight: 12 creatures, each bearing the likeness of a bird, but is clearly not one. they stand stock-still and solemn, with multitudes of dried flowers and glittering gemstones at their feet. their faces, elongated and coming to pointy, beak-like ends, are not dissimilar to the nomad, but much more haggard; and so immobile, it is easy to mistake them for statues, has there not been the occassional puffs of dusty smoke and shrill noises, like a kettle boiling over, coming from their beaks and throats that betray any hints of liveliness about them.
the nomad slows its steps, and looks down. it keeps its eyes to the ground as you get nearer to the grove. it occurs to you that it is avoiding the living-statues' gaze. surprisingly, they reciprocrate the gesture. Ever so slightly each of them turn their head, so their eyes fall off the nomad, and onto … you. you, who does not belong you, who comes on a leash, believing it to be choice you, who dies, and nothing changes
to your bewilderment, the statues came to life, all at once. they grovel at the flowers and gems, and toss them in handfuls at you as the nomad leads you through the grove, leaving a trail of petals and stones. when you pass the 12th statue and come to the end of the opening, everything suddenly shifts: slowly, mechanically, the roots shape themselves into a winding stairway, leading you up the hill.
calmly, the nomad signals you to go up.
what do you do?
[previous chapter]
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ivynightshade · 4 months
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fatima aamer bilal, excerpt from moony moonless sky.
[text id: i can’t be loved, swallowed or digested. must i make myself smaller?]
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