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#it's just that no one is born with reading comprehension you know?
foxgloveprincess · 1 day
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Pairing: Cole Turner x Female Reader, Curtis Everett x Female Reader [Second Person Narrator]
Summary: You always try to be your best at your job.
Word Count: 919
Attic Wives Anonymous Masterlist
Warnings: Dark, Dubious Consent (Sex Toys, mild Overstimulation), Manhandling, Clueless Reader, Cages, Pet Names (pup, lamb, etc.). Minors do not interact (18+).
A/N: Time to meet the contractor/handyman and his business partner, the toy maker. It’s a side story for A.W.A. that I just wanted to peek into. Don’t know if there’ll be any more parts to this. But Enjoy!
I love feedback, so go ahead and reblog if you want. However, I give no permission to copy, translate, rewrite or post my work on any third party website or app. Seeing my work posted anywhere beside my blog, my library blog, or my AO3 account (FoxglovePrincess) means it’s been stolen/plagiarized.
I don’t do tag lists, so follow @foxglovefics to sign up for notifications on my fics. 
This is unBeta’d, so all mistakes are my own.
Please DO NOT click ‘Keep Reading’ if you are not 18+ years of age or if you are uncomfortable with the pairing, themes, dynamics, or warnings. You are responsible for your own media consumption. Thank you!
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Things you now knew were stupid: answering a sketchy ad on the side of the road for a job in product testing. Apparently not your brightest idea. As Jeanne would say, you’re a dumb bitch. At least you were cute. 
It hadn’t seemed that bad. Cole and Curtis were pleasant, though they made you well aware of your deficient resume. You didn’t have marketable skills. It was something people said a lot. 
But that didn’t stop them from hiring you. They wanted you to start right away. And the benefits? They said they’d be comprehensive. 
What they didn’t mention was what exactly that meant. You were just happy they’d chosen you. With job after job firing you for ‘incompetence’, they’d seen your potential. Had said so, in exactly those words. You’d been on cloud nine, smiling wide. 
Before they opened the door to your office and had you test the first product. 
“Just turn your head toward the camera,” Cole coaxes, his sweet words dripping over you like honey. 
Your feverish body slumps over. The machine between your legs continuing its torturous thrusts and vibrations. 
A warm hand falls to your lower back, the other tilting your head up to meet stormy blue eyes. 
“She’s had enough,” Curtis says. With a flick of a switch, the machine beneath you turns off. 
“Come on, man,” Cole whines, “just a little longer. She’s so fucking adorable when she breaks like this.”
“We don’t want to break her.” 
Bundled into strong arms, you’re pulled off the toy and laid out on a nearby cushion. Your limbs melt into the plush fabric, twitching from overstimulation. Not an ounce of strength to move of your own volition. That’s all been fucked out of you. 
“It’s half the fun,” Cole mutters under his breath, starting a routine of cleaning off the toy. Though he complains, he won’t go against his partner outright. They work too well together for that. 
A quiet moment passes, Cole cleaning up and Curtis rummaging through some drawers. He produces a blanket a few moments later and carefully wraps you in it. You hum and lean close to his gentle touch. 
“By the way, Ari’s got me making a tail for his girl,” Cole says, joining Curtis in putting you away. He tilts your chin up with a finger. “How do you feel about that?”
You blink slowly and let incomprehensible mumbles fall past your lips. Mostly in the affirmative, not quite understanding how they’ll make you a tail. Isn’t that something animals are born with? Or sometimes like your cousin Courtney? Your brow furrows as you try to think.
You shiver and grip at the quilt over your shoulders, tucking it closer to your face.  For one night you wish they’d let you sleep here. Not that you’d complain about your normal accommodations. They could always fire you, and then where would you be?
“Don’t go falling asleep on us now or you’ll forget your form,” Cole reminds. He tucks a pen and paper into your unsteady grip and presses a kiss to your forehead. 
You blink to clear your eyes and look at the short form. Five questions and a comment box. 
“Do you need help?” Curtis asks, a hand on the cushion by your head, close enough to touch. 
Despite the urge to stretch into his touch and accept his generosity, you shake your head. It’s your job, you’ll do it yourself. Dragging your body from the cushion, you sit up and place the paper on your leg. Scrawl the product description on the top line. All five questions stare up at you, a scale of 1 to 5 beneath. 
Is the product enticing to potential customers? 
Is the product innovative?
Does the product seem high quality?
Is the product different from other products?
Does the product fulfill our customer’s needs and wants?
Though sluggish, your brain processes each question and makes a thoughtful rating for Cole’s new machine. The comment box proves more difficult. Words harder to scrawl while your hand lacks its usual strength and dexterity. But you jot down a few notes—about the vibration and the fit, you think? 
A yawn cracks your jaw and you stand on wobbly legs. Holding onto different bits of furniture about the room, you hobble to place the paper in its usual basket. They’ll look at it at the end of the month and determine what to do with it. 
Legs like jelly, you steady yourself a moment too long. Your bosses preparing your next task. You glance over and sigh. Still trying to perfect that thing. They’ve been working on it since you started working for them. 
“Come on, pup,” Curtis beckons, voice gruff, holding the door open. “Time for some shuteye.” 
You nod and bend your knees, ducking into the small metal cage. They finally got the cushion on the bottom thick enough that you don’t feel the bars digging into your side as you lay down. And they added some personal touches—a few pillows, your favorite blankets, a stuffed animal—to ensure the space still allows comfort to fit a full-grown human. 
Another yawn breaks free of your lips. Your head falls to the pillow and you let your eyes flutter shut. 
Fingers caress your cheek through the bars. You peek open your eyes to see Cole, a soft look of satisfaction on his face. 
“Time for a little nap, little lamb,” he whispers, “then there’s a few more things we need to test.”
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thecoramaria · 17 days
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I would like to ask your opinion on what might constitute a mature rating in ao3 that isn’t necessarily more extreme instances of violence/sexual references (compared to teen).
My example is I would like to write a “descent into madness” arc but I’m unsure where it falls on the scale. I sense that the worst of the depiction will be extremely harmful words to others and mild injury from disorientation.
I would first ask myself "If a 13-year-old asked me if it would be okay to read this, what would I say?" If the answer is no, its going under Mature rather than Teen and Up Audiences. You might be fine with a 16-year-old reading it, but there are teens younger than them, after all. Now, however you answer that question isn't the end of it. You might not even know what to answer. The thing is that ratings aren't just about mature subject matter or how "graphically" they're depicted, but the level of maturity/life experience you as the author would expect from the reader for them to understand the story.
A story can have not even the mention of violence, swearing, sex, and the like, and still warrant an M rating, because it's written in such a way that only someone with a certain level of reading comprehension or understanding of the world/subject matter would get. For example, if you were writing a story about office politics and drama with all these underhanded comments and such, that would still be rated as mature, because a teenager would be unlikely to have the life experience to fully understand the sheer anxiety of reading a sentence like "As per my last several emails," and even if they do, it's less likely to engage them because it doesn't resemble what their own life looks like at that point. Does that make sense? If you rate that kind of story as 'Teen and Up Audiences' because it as no age-inappropriate content, the teens who see or read it are still going to be unhappy because it doesn't relate to them, and adults may skip over it because they think it's an "immature" interpretation of their experiences.
For a "downward spiral" arc (I'm using this instead of "descent into madness" because I think it's a less ableist term), those have been done in kid's media before, with Azula from ATLA as a pretty famous one, but it also wasn't the centre of the story. ATLA's target audience is also younger than teens as well. The thing is though, the watcher can still enjoy ATLA whether they sympathise with Azula or not, since they have other characters to be invested in and root for, and they can always come to understand her nuances better as they grow older.
If Azula's downward spiral was the main storyline though, it would have to be marked as being for older audiences, because seeing the protagonist -the character you as the reader are likely to be the most attached to- go through these difficult emotions and reach a point of no return is going to be an emotionally and morally challenging read. You'd expect your audience to have a certain level of maturity where they're able to understand where the character is coming from but also how their downfall is also, at least partially, their own doing. If you're using this story to raise questions, you'd expect the readers to be able to sit with and think about them rather than demanding answers. However much of that maturity you expect from your readers will ultimately decide if your story should be rated 'Mature' or lower. Well, this answer got away from me. I hope it all makes sense! Def typed this up through a raging headache lol
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ozzgin · 26 days
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Yandere! Werewolf Headcanons
I've been stalked by the guilty feeling that my Romanian Werewolf boy got a lot of backstory but not much romance or interaction. So there you have it: some headcanons featuring the ancient Beast, a post-kidnapping sequel.
Content: female reader, obsessive behavior, monster romance, mild NSFW at the end, ridiculously older yandere
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You followed the gargantuan stranger back into the city, leaving the bloodbath behind as if it was just a distant dream. Admittedly, you’d expected to be dragged into some mountainous cave or an abandoned mansion, not the cozy - albeit a little dusty - apartment on a main, historical street. On second thought, he did function as a human outside of his monstrous escapades, so it made sense. “Is this your place?”, you sheepishly asked while he wiped the thick layers of blood off him. “One of them, yes”, he answered curtly. “It’s central”, you remarked, trying to make conversation. “Well, I didn’t know about it back then. It’s been a few decades.”
Your ears perked up at the words. Gazing at his features, he didn’t seem necessarily aged to you. The deep creases contouring his face felt more like a sign that he’s lived sorrows beyond most people’s comprehension. “How old are you?” You finally asked as curiosity replaced your initial fear. He abruptly stopped his movements and leaned back, brows furrowed in deep contemplation. “I’m not so sure anymore. I was born in the 80s”, he concluded. “That’s not too far back, is it?” You inquired, this time more relaxed. “80 BC, I meant. You do the math.”
He freshened himself up as you counted the millennia on your fingers, frowning in confusion. He chuckled at your intense focus, then quickly looked up into the mirror. When was the last time he smiled like this? The reflection was a foreign sight to him. “We’ll get you everything you need tomorrow”, he continued, still in a daze. What a strange idea, having someone to speak to after an eternity. And suddenly, it occurred to him just how rusted his communication had gotten: “I’m so sorry, I haven’t asked for your name once”, he said, embarrassed. “It’s (Y/N). And you are...?" Might as well introduce yourself to your benevolent captor.
The dreaded question. How did they call him back in the day? He hasn't had anyone spell it out for him, nor did he feel the need at any point to say it himself. Why would he? He hadn't anticipated meeting you. With pursed lips, he searched his mind. Eventually, from the depths or memories, from days of yore, it made its way back: "Daos."
Given your first gory encounter (where he quite literally murdered everyone else), you were surprised to find out he's otherwise a calm and polite individual. Well, he's had centuries to mature, you suppose. You've also noticed he has that rather old-fashioned chivalry to him. He's very attentive despite his stoic demeanor, and often follows with acts of service.
"You're insulting me. I can carry this myself with ease", you'll argue. "I never doubted you can. Nonetheless, it is my wish to do it for you."
As the days pass, your reluctance seems to vanish as well. In fact, you've become particularly cheeky, encouraged by his warm, unperturbed behavior. Maybe you haven't gotten the worst deal out there, after all.
"You know, you talk like an old man", you've teased him once. He was visibly taken aback by your statement, and you could discern a faint blush on his face. "Do I? My apologies, I haven't spoken to anyone in a long time. I'm not familiar with modern speech. Have I embarrassed you somehow?"
He spends his free time reading, though he will frequently take you on walks. It's an interesting affair to say the least. You can feel the curious eyes of the passersby and hear their not-so-discreet whispered gossip. You can't truly blame them: Daos is enormous even as a human. He towers above everyone else with his imposing appearance. To match, his voice is deep and coarse as a result of not using it much until recently.
The ancient werewolf is a living history book. If asked, he will narrate to you important events or details you might be curious about regarding his culture. Once, when he'd been in a good mood, he even shared fragments of his life before turning into a creature. He'd been a high-ranked Dacian warrior, spending his days training or fighting. He still remembers the flag he carried with bitter fondness, yet another irony to his fate: a wolf-headed serpent. It was meant to showcase their way of life; barbarians with no fear of death. They'd greeted the Roman Empire with nothing but a sword and a shield, no shred of doubt.
He might've been betrayed by his people, but the pride remains. The pride of a soldier who's never known defeat. You learned quickly that his beastly form doesn't count as a significant change by any means, save for appearances. The man has brute strength even as a human. You'd once strayed from his view, and a stranger approached with a daring whistle, gawking you up and down. Before you could react, Daos clawed him by the throat. You heard the twist of the skin and the creak of the bones giving in to the immense pressure of his large hand.
"It's the second time I have exposed you to such unpleasant sights", he said, discarding the body as if it was any other garbage. "Forgive me, but I will not have you disrespected like this."
He is very much aware he's taken you away from the world out of his own selfish desire. The fact that you accepted it is more than he could ever ask for. That's what he keeps telling himself, even as his eyes wander to your lips whenever you speak. Or as his hand lingers a moment too long against the curve of your back. Or as he hungrily takes in your scent whenever you're nearby.
He might be unhealthily possessive of you, but Daos will never do anything against your will. No matter how obvious his urges are. In fact, no amount of flirting or teasing will shake his resolve. You will have to be very direct with your approval.
Once the reality settles in, he'll become extremely affectionate, bordering on obsessive. To think he could have you in every way possible. Oh, he's waited thousands of years for you. All the suffering, the loneliness, the anger, they're stripped of any meaning now that he has you.
The city strolls at an awkward distance have since become a habitual excuse to hold your hand and show you off to the mortals. The quiet evenings of passing time with a book now include your merely noticeable weight cuddled into his lap. You didn't expect him to be this adoring. Being touch-starved for millennia counts as one reason, naturally, but there's more to it, so much more. And it all leads back to you.
He is a little taken aback when you ask him to do the deed in his werewolf form. "Don't be foolish. I can't overcome my instincts as well when I'm a creature. I could harm you", he'll lecture you. "Besides, you can barely take it as it currently is", he'll add, smirking at your baffled expression. It seems he's picked up on your cheekiness.
After a lot of pleading and waiting for the right moment - when he's ravaging you in a daze - he finally agrees. True to his word, his tune instantly changes. The tender hold turns into a desperate grasp sinking into your skin, and the thrusts become irregular, almost frantic. His drool cools your burning cheeks as you hold onto the coarse fur, feverish and overwhelmed.
His golden eyes rest on the small human squirming underneath him, and suddenly, he can't help but notice: you have the perfect birthing hips.
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hobiebrownismygod · 6 months
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Researching Characters so you don't have to Part 1: Hobie Brown & His Accent
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Art above IS NOT MINE! Click for the link to the original art! Artist: @Jay19
A lot of people write Hobie Brown like Tom Holland, but this just isn't accurate if you want to write a good fan fiction. Hobie is a homeless black teen from the 70s, who was born in Cambridge, and is also a punk. He's not gonna sound like Aaron Warner or Tom Hiddleston. Just because he has a British accent doesn't mean he's going to sound like your average British movie star.
British English is a dialect, not technically an accent. An accent is how someone pronounces words, while a dialect includes pronunciations, but also includes general vocabulary and grammar. This means that despite Hobie speaking English, he won't use the same vocabulary that American-English speakers use, so if you write him that way it won't be accurate.
The British accent that most people are used to is called Received Pronunciation, which is considered the "upper-class" British Accent. However, Hobie does not have a a Received Pronunciation accent. He's cockney. They do not sound the same as upper-class British people, and have a completely different set of vocabulary.
How do you write a cockney accent?
Rule 1: Never pronounce the "H"
For example, house becomes 'ouse. Hat becomes 'at. Hello becomes 'Ello. By writing the words with an apostrophe in place of the "h", it would read more accurately.
Rule 2: -ing becomes -in
For example, running becomes runnin'. Helping becomes 'elpin' (because both the h and the g are silent). Walking becomes walkin'. Those speaking in a cockney accent don't pronounce the "g" part of the ending -ing.
Rule 3: Words starting with "th-" are usually replaced with "f-"
For example, thing becomes fing. This becomes fis. However, don't overdo it. If you write out every word starting with an f, it'll become difficult to read. Only do it if you're trying to enunciate some words over others. Even if you're trying to write an accent, it should still be comprehensible.
There's other rules as well, but these were the main three I saw during my research!
How do you write a cockney dialect?
Cockney rhyming slang
Hobie consistently uses Cockney rhyming slang in ATSV. For example, he calls Miles, "Peter Pan" which is Cockney rhyming slang for "Little man". Using Cockney rhyming slang can make your writing seem more authentic
Some other examples are "Apples and pears" for stairs. "bees and honey" for money, etc. You can google other ones for any words you want to use!
As always research is your best friend, so while writing Hobie, make sure to have another page open with lots of slang and other words available for you to use in your writing to make your character sound as authentic as possible!
Note: I'm not cockney nor British, so if you see any mistakes with my writing, please let me know <3
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traegorn · 5 months
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Hey-o! Tis the season for people to talk about how the holidays were "actually pagan" and I'm on the hunt for sources about how that's really not the case, if you have any you'd recommend!
Okay, so the problem is there are so many weird "Christmas is stolen!" bullshit memes going around, it's so hard to just give you a comprehensive list of sources. Christmas celebrations have evolved as the religion has spread, and different things come from different times...
The key here is to go for academic sources. This is a question of history, and a well supported historical research is going to tell you whether they're operating from primary, secondary or tertiary sources.
So while I can't give you a simple list, let me give you a couple of examples off the top of my head and give you tips on how to investigate any the dumb claims that get passed around.
Christmas being in December: So a lot of people go for the "Christmas is in December so it can steal from [INSERT SOLSTICE CELBRATION]" is ahistorical... because we know exactly why Christmas is in December. Because the guys who made the decision argued with each other and left behind written documentation. The two big names you need to look up are  Clement of Alexandria (who pitched January 6th) and Hippolytus of Rome (who proposed December 25th). This is around the turn of the third century, and you can find both of their writings. Some folks have questioned the authenticity of some of Hippolytus of Rome's writings, but Clement of Alexandria's seem well supported. These were internal arguments about when the birth of Christ took place within the early church, and when they settled on late December. There are reasons for this, and you can read their arguments (it largely has to do with the importance of when Jesus was conceived -- they wanted that to be an important date and then added nine months to it). Importantly though, because linear time is a thing, this means Christmas was set in December before the Christianization of the Germanic and Norse tribes... so anyone who says Christmas was set to December to correspond with Yule doesn't understand the concept of "coincidences."
The Christmas Tree: The Christmas tree was invented in 16th century Germany. That's... that's just written down all over the place. Now, there are legends about Martin Luther being the first who did it -- but I'm pretty certain that's just an embellishment that got added on. There are preceding traditions where part of an evergreen was brought into the home as a part of solstice traditions (though some will claim the Egyptians did this? Which is wild -- likely misinterpreting their use of palm fronds as the same thing), but the act of taking a whole ass tree, cutting it down, putting it in your house, and decorating it? That's 16th century Germany all the way. You can rabbit hole so many sources on that one, but honestly just pick apart the citations on the Wikipedia page. Putting a branch in your house and dragging a whole tree in are very different acts.
Jesus's story is copied from [INSERT RANDOM GOD]: There are so many of these, and some are just downright disrespectful to major world religions (the Krishna version of the meme especially). The answer is... just see if what the meme is saying about the god is supported by the mythology. Like I've seen ones that says Dionysus was "born of a virgin." If you know anything about the Greek gods, you're probably already laughing on the floor. Horus gets dragged into this too, because Gerald Massey was trying to pull a "White Goddess but with Dudes." But any serious research on Horus will tell you the supposed parallels aren't supported by the mythology.
So sorry, this wasn't so much sources you can use as it is how to look for them to begin with. Because there's just so, so much. This isn't even covering cases of syncretism, where pre-existing cultural traditions got continued post-Christianization. Because it's almost always the case that if a pre-Christian practice endured post Christianization, it's because people decided to keep doing it -- not because the church was trying to "steal" it. The latter means there was some mustache twirling plan behind it, when the former means (usually) the church went "Well, they're paying their tithes and saying it's for Jesus, so who gives a shit?"
I'm just going to finish this off with linking to my podcast episode on this, along with Ocean Keltoi's great Yule video on the topic. Hopefully that helps.
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obeymematches · 14 days
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Hi there ,I really like your writing! So I wanted to ask you how the demon brothers would react to a MC turning into a little toddler ? (Because of some spell/forbidden book curse etc,you choose) MC being super adorable and sweet like the "perfect" toddler somewhat? Being a little funny too and giggling/smiling a lot ,also loving the brothers and being very comforting with them!
ahhh i wish my own toddler was so nice and sweet lmao
he is though but only if i let him get what he wanted
Toddler MC
Lucifer:
• Sigh
• The only other person not out of their mind in this house turned into a toddler somehow
• Pretty sure it was a curse against him
• Listen dear I doubt he gets along with a toddler for an entire day
• Though you being nice to him, showing him daffodils, rocks with your sticky little hands, hugging his leg until he picks you up helps a lot.
• He is in his prime during bedtime; reading you stories is his favourite part of the day. You are a good, curious kid & never throw a tantrum when he is with you. It is so peaceful he doesn’t actually want it to end. He tells you another story even if he has already told you 4.
Mammon:
• Oh jesus thank God you were turned into a toddler and not him!
• At first he isn’t too sure about what to do with you but quickly gets the hang of playing a bit roughly
• You know the kind of playtime moms don’t wanna see
• He spins you around, hangs you upside down, throws you into a pile of pillows, lets you sit on his neck, throws you in the air, stuff like this.
• It does good for your confidence levels regarding child development plus! you get tired super fast after spending time with him.
• You, him and Levi have a freeze dance competition every afternoon! Sometimes they won’t let you win though.
Leviathan:
• Doesn’t really know what to do with you either. In fact he is scared of you a little.
• You clinging to him, throwing kisses etc. melts him eventually, you are just so adorable he was an idiot to be scared of you.
• Definitely loves to roleplay with you. Comes up with the cutest storylines, though sometimes it gets so complicated you miss it here and there.
• He can easily keep you busy for 3 hours a day and never ever complains
Satan:
• Highkey concerned about the situation
• Never ever seen a toddler before
• His concerns leave him once he sees that you are actually a good little one.
• So now it is his duty to teach you mischief!
• He spends lots of time teaching you to speak as you haven’t said a comprehensible word yet.
• His strategy is referring to himself as „Tantan” but he calls everybody else „The Avatar of” or „The sixth born”, you know, so there is absolutely 0% chance your first word isn’t Tantan. Or maybe kitty/cat, that’s also a phrase you hear quite frequently.
Asmodeus:
• I think he is the only one who gushes over you right away.
• Doesn’t want you to turn back, look at how adorable your cheeks are!!!
• Spends most of his money on new clothes for you, you have to be the all time most fashionable toddler in the city.
• Loves to have tea parties but tbh that’s pretty much it, not sure what/how else to play but he does everything else!! Very enthusiastic and overprotective!!
• He also gets you this helmet so everytime you might fall you’re not going to hit your head. You are so spoiled my dear
Beelzebub:
• Also thinks you are super adorable. Might eat you if you are with him too much.
• Takes you out to the city with him, you must learn how to get food!
• Introduces you to ketchup
• He takes you to the playground the most.
• He is def not the most violent of the guys but trust me you are very well protected and safe!
Belphegor:
• Doesn’t really like what’s going on right now to be fair
• But at least you are nice so that makes it easier
• His preference is cuddling and having a snack with you as you watch TV
• One time he got you chicken to eat.
-Mr.Belphie I don’t like chicken...
-Ah. But it’s not chicken, actually it’s dolphin!
-Oh! Y/N loves dolphin!
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dearheart42regenerated · 10 months
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MOTORCITY SEASON 2 MASTERPOST
once upon a time, over 10 years ago, just a few months after the announcement that Motorcity was officially canceled...the creators of the show took pity on their heartbroken fandom and gave us several glimpses of what season 2 might have been like. they saw how much we loved Motorcity and gave us every scrap of info they could at the time, so that we could use those scraps to imagine our own personal "Season 2" - whether it continue on in our fics, our fanart, or simply our own heads.
I'm making this masterpost so that none of this material will be lost or forgotten, and so any fanartists/fic writers still hanging around today can use it for inspiration. if there's any related material I've missed, PLEASE feel free to add it in a reblog or let me know in my inbox! I want this list to be as complete as we can make it! :)
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The Season 2 That Never Was: A Comprehensive List
Motorcity Season 2 Rough Intro "Scratch audio by our very own Chris P." (x)
youtube
-> backup download
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Season 2 Writer's Wall posted (and later deleted) by @chrisprynoski on twitter, and shared on tumblr by @peopleofmotorcity, these pictures of the writer's wall showed us a "rough sketch" of what could have been, and gave our imaginations SO many fun theories and possibilities to play with. every blurry sticky note was a treasure to us. :')
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-> original tumblr posts: x x x x x x x x x x x x -> image masterpost -> google drive folder
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Chris Prynoski's Fan Interview + Tumblr Q&A's this whole interview on youtube is a delight to listen to, and Part 2 in particular has some interesting bits about season 2. (skip to 17:10 for some good stuff about Texas and Chuck's backgrounds!)
youtube
-> Part 1 -> Part 2
Chris P also answered several juicy season 2 questions on tumblr. sadly his blog is deactivated now, but you can still read through all of them at the links below!
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-> image masterpost -> google drive folder
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Capri Chilton - Mike Chilton's long lost big sister! I can't remember where or when it was first revealed that they were considering giving Mike a secret older sister, and I haven't been able to track down the origin. that being said, when it was revealed, the fandom loved the idea so much that they begged the creators to make it canon. Chris P busted out the "magical canon stick", gave us this delightful concept sketch, and "Capri Chilton" was born!
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The Motorcity Series Bible "To help you all understand what it is you are reading, this is the material that Titmouse used to help pitch Motorcity, and it was also a tool for writers to use when coming up with episodes to help understand who the characters were before there was any other reference. That being said, this was one of the very first documents about Motorcity, so many things have changed or evolved from these early concepts." (x)
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-> original tumblr posts: 1 2 3 4 5 6 7 8 9 10 11 12 13 -> image backups -> PDF download
EDIT: the COMPLETE series bible has now been leaked by Lost Media Busters on X (Twitter) and helpfully shared by @waksworldrebooted!!
--> here is a google drive download for the full PDF file!
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Motorcity Series Bible - Redacted Version (Pages 1, 2, 17, 19, 20) funfact: @peopleofmotorcity was the official? unofficial? tumblr blog for Motorcity, and it was run by a guy named Mac - an animator for the show who loved to tease and joke around with the fandom. before revealing the actual first 13 pages of the series bible, he posted this censored version as a prank - a mix of truth and trolling! it's up to the fandom to decide which is which. ;)
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-> original tumblr posts: 1 2 17 19 20 -> image backups -> PDF download
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MTV Era Motorcity Masterpost a fantastic collection of glimpses into the original pilot/pitch trailer that would evolve into the show we know and love today, found and compiled by @waksworldrebooted. "In 2000, Chris Prynoski pitched a cartoon called Motorcity. He made a card and a website promoting the show, which wouldn't see the light of day until the Walt Disney Company got their hands on it."
youtube
--> tumblr masterpost (including wayback links to the old website) --> twitter sources from Chris P himself :)
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Motorcity Unaired Pilot - Disney Version Originally aired during Comic Con 2012, the pilot was recorded and then posted on YouTube by Allison Simmons in July of 2012, later being privatized in 2022. The video was re uploaded onto VKVideo 22 days after its original posting to YouTube and is still currently available to watch online. (x)
--> viewable here!
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if I find more material, I will add it here! :)
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aledethanlast · 1 month
Text
Jeremy shows up to practice fifteen minutes early and finds Jean in the team lounge. "This is for you," he says.
Jean expects those words, like all the other times he's heard them, to be accompanied with a bright smile and flowers, or chocolate, or a plate of whipped cream to the face—don't worry, revenge was had—but instead finds himself staring at...a note.
White flash card, folded twice, one corner bent back down halfway for no good reason at all, and the memories hit Jean like a racquetto the head. How many of those noted had he been given? Shoved into hands without stopping to look and passed on just as quickly.
Jean is a man of instincts. Reflexes. Ingrained responses so deep the brain need not bother, for the body already knows.
And this note is a cue his body knows too well. One, take the note before anyone can think to come near it. Two, shove it into his pocket before anyone can see. Three, storm down the hall to tell Kevin that he is NOT waiting for 45 minutes again while he agonizes over a two fucking sentence response, and—
The door opens again, San Diego sunlight blinding him as two more teammates come in, and Jean remembers Kevin isn't here. Which means. Which means.
He unfolds the paper too quickly—it would've torn if it had been thinner, but the thick flash card just gets stuck. Typical. Holy shit, typical.
Thea's handwriting is the same precise script as ever (except the lowercase g's for some reason). The letters are smaller than the guidelines, like she didn't know how much space she needed to write everything she wanted to say.
Hi Jean. Kevin says you're doing well. Or rather, Kevin says that Jeremy says. Not that I think Jeremy would lie, but there's only one messenger I've every really trusted, and that's you. I'll be in SD sometime next week. Give me a call.
A phone number is scrawled beneath. No signature. Overall, it takes just over half the card; either she miscalculated or she had more to say but instead chose self censure. Both options are unlike her.
The myriad pieces of Jean's mind read the note, over and over, all slightly out of synch from one another so rather than comprehension he only gets nose.
"Jean?" Jeremy's had on his shoulder, concerned. Jeans hand jerks upwards, sharply, and then he brings it back down as he turns to face Jeremy, pretending he hadn't been this close to stuffing the note in his mouth. "You good, man?"
Good question. Great, even. Jean has a better one. "Who gave you the note?"
Jeremy frowns even harder. It doesn't suit him, brow furrowed like that when he isn't trying to run through a backliner like they're made of tissue paper. "Coach Rhemann came back from Texas this morning, told me Muldani gave it to him. With very specific instructions not to open it. I met Coach, he gave it to me."
Of course. Thea doesn't ask for things; it's the first piece of advice she ever gave him. If you want, and you can, then do it. Forget who might stand in your way; they can only try, same as you.
"Jean?" Jeremy asks again. "What did the note say?"
Thea wanted to pass a message to Jean without Jeremy in the way. Well, maybe fuck what Thea wants. Jean hands him the note. Jeremy skims it, raises a brow. "What does she mean, that she only trusts you?"
His concern, born of meeting Jean back at Abby Winfield's house and fed by the steady trickle of Jean's stories of the Nest, seems momentarily absurd. "The Ravens weren't allowed to date," Jean says simply, as he had many times before. When Jeremy seems to catch on, he nods at the note. "I was their favorite messenger. Well. I was the only one who wouldn't sell them out."
"Why didn't you?"
Because Kevin was his friend. Because Thea deserved better than anything the Nest could ope to give her, much less dare to deny. Because every breath Jean took in protest to that tar pit came filled his lungs just a little bit deeper.
"Because then I got to read Kevin's love letters."
Jeremy's eyes go wide. "Shakespeare?"
"Poe."
Some teammates turn at the sound of their captain's laughter. More turn when they hear him hit the floor. Jean gives them all a plain look.
He takes the note back from Jeremy's twitching fingers—it's best to let him wear himself out on such occasions—and stares at the phone number.
Thea does not ask, she acts. If Thea wants to come down here and see him, then nothing stands in her way.
Except Jean. If he doesn't call, if he doesn't show, he's sure she won't push. She will never call or text or write a note to him again and all he has to do is nothing.
The thought rumbles through the dark halls of his mind that still belong to the Nest, like a freight train pushing forward too much air, pushing, pushing until the wall ahead falls apart from the pressure and—
Sunlight. The lounge door is open again. More teammates, almost late, confused by their laughing captain.
Jean takes out his cell.
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valeffelees · 1 month
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Oh do tell about that snowbaz au of yours 👀
I WOULD FUCKING LOVE TO, thank you so much tumblr user pidgelikethebird (and also my most beloved and loyal companion @drowninginships) for providing me the enrichment i need to survive the winter.
ok gimme a min here to turn my thoughts into comprehensible words. i'm gonna say right now: this post is gonna be a LONG one, but 10 out of 10 scientists agree you should read to the end.
so, if you didn't know, The Beauty Inside is a Korean romcom from 2015, based off an American short film of the same name; the orig short film i linked is an extremely quick watch (only 6 episodes, each one 4-10 minutes long) and i would absolutely recommend it, but the very basics of the premise is that: a man wakes up in his bed on his 18th birthday to find he's in a completely different body than his own, and every day since then, he wakes up as somebody new.
AND OBVS I JUST HAD TO FUCKING SNOWBAZ THAT, which is how my AU, titled In the Many Ways of Loving You, was born:
Simon Snow wakes up every day as somebody new; the only person who knows the truth is Penny, his best friend and roommate, since she's been by his side since it all began ten years ago.
he works on commission as a custom bookbinder—like, he has an Etsy or some shit, i dunno, some kinda online shop where people can commission him in a variety of ways to rebind their favourite books, either by paying extra for Simon to buy the book himself and rebind it from new and send it to them, or sometimes collectors will send their personal copies to him to have him rebind them, and he's very good at it, and N E WAY the point of this is that he has a small bookshop he's been going to regularly for the last eight or so years, because it's close to his and Penny's flat, and where the story begins: Baz is a new employee that just started working there about two weeks ago and Simon has a massive crush on him.
ok, now. day one: when we meet Simon for the first time, he wakes up and he's lovely and blonde and brown-eyed and ok, yeah, i've just made him look like Agatha bc i thought it'd be kinda funny, esp since Agatha's not actually in the fic otherwise.
and Simon has to pick up a copy of some random book from the bookshop today bc someone bought a custom binding of it, so he goes down and, as usual, since it's his job, Baz has to come over to talk to him and is like, "hey, can I help you with anything?" and Simon doesn't need any help bc he's been coming to this shop for years, but every time Baz asks he says yes bc he wants the excuse to talk to him, and on this day Simon is like, wait. i'm so hot rn. so he asks Baz out—
and Baz is like [finger guns] absolutely not.
and Simon is like 👁️👄👁️ welp i'm in fucking agony.
but whatever, fine. a guy like Baz is prolly already in a proper relationship, and it's always a bad idea for Simon to get involved with someone he has to see on the reg. he had to start going to a different coffee shop that's twenty minutes out of his way bc he went out on a great date with one of the baristas at his old spot and then obvs couldn't go out again after just that one time, and it made him super emo, so really, Baz saying no was prolly for the best.
TIMESKIP, it's been a few days and Simon has to go down to the bookshop again. but this time he's a bloke. and so Baz comes up to ask if Simon needs help and he says yeah, as usual, and the two of them end up having a bantery convo about the book Simon's looking for bc they've both read it and Baz hated it, but Simon loved it, and it's just very cute and casual, and then Baz is like. so, my shift ends in liiike... four hours. are you doing anything?
and Simon is like. OH. OH!!!
that whole "it's prolly for the best" thing? yeah, fuck that, that was Simon of the past, he doesn't know what the fuck he's talking about bc cute bookshop guy wants to hang out and so they go out and have the most fucking insane romcom date ever.
'cause you gotta remember, Simon only gets one real day with people, so he doesn't do like casual coffee dates or movies or whatever. they go out and like fucking B&E a museum after hours bc Simon knows someone like the janitor or something (i dunno) leaves one of the back doors unlocked so he can step out for a cig every few hours, so they sneak in and have the time of their life running around looking at art while trying not to get caught, and we're going to use the suspended disbelief bestowed upon us by the power of romcoms to pretend security cameras aren't a thing, and it is BRILLIANT. like, Simon and Baz have so much chemistry, and when the night ends Baz is just like all smiles and creased eyes and messy black hair and, breathlessly: "I want to see you again."
and Simon's heart drops. because he wants to see Baz again, too, but he can't. no matter how much he wants to, he can't. when he wakes up tomorrow he's going to be someone new, so he can't, he can't, he can't, he—
"Yeah," he says. "Tomorrow?"
SIMON NO!!!
"It's a date."
FUCK!!!
ok, so now we have a problem. Simon can't just stand him up, i mean he could but he doesn't want to, and he really does want to see him again, so he does the only thing he can think of: he stays awake. all fucking night.
Baz, the next day: "You look exhausted."
Simon, wired asf on caffeine and trying to be smooth: "Had someone on my mind all night."
and then they go have another wicked date, but i have nothing in my notes about what it is. oh, i have them living in Canada in this fic btw bc as a rule, if a fic doesn't have to be set in England, i move them to Canada for comfort. so i might have them go cliff jumping or something? who knows. we'll go with that for now.
cue the romcom montage.
[mother tongue starts playing SO DON'T SAY YOU LOVE ME FALA AMO, JUST LET YOUR HEART SPEAK UP AND I'LL KNOW]
ok. post-date. Simon is so dumb and infatuated with Baz and does something only a boy who is dumb and infatuated and sleep-deprived would do in his situation, and he goes back to Baz's flat with him to "watch a movie", or in other words: the movie starts and then they prolly have sex, but in my notes this is written as "??? smash ???" so i guess it's kinda up in the air.
either way, Simon passes the fuck out at Baz's place bc he was properly exhausted by that point, and he wakes up to Baz screaming at him bc obvs he looks like a different person now.
Simon, half-asleep: [PANICKED FLAILING] BAZ IT'S ME!!! STOP THROWING THINGS!!! BAZ!!! IT'S ME, IT'S SIMON!!!
and Baz is like: WHAT THE FUCK
and Simon is like: I CAN EXPLAIN
and Baz is like: HOW DID YOU GET IN HERE
and Simon is like: I CAN EXPLAIN!!!
so, here's a detail from the orig film that comes into play here: in the orig movie, the MC keeps a video diary, logging every day what his face looks like, and in this, Simon does this on his phone and backs them up to his computer every hundred days, so he gives Baz his phone and tells him the whole story while Baz scrolls through these short like minute long videos of Simon on various days going, "Hey, this is me today. I have [this and such] thing to do, blah blah blah."
and the thing is, Baz recognises him in some of them. bc Simon is always coming into the bookshop. he stops watching when he gets to the day Simon looked like Agatha, and Simon has been quiet for a while at this point, just letting Baz process.
Baz: "I want you to leave."
Simon takes his phone without a word and goes. Penny picks him up on the corner a block over and drives him back to their flat. she doesn't ask what happened. she already has a pretty good idea.
when Simon's next commission comes in, he thinks about going to another bookshop, he really does. but this one is so convenient, esp since Simon can't drive bc he can't risk getting pulled over carrying a licence that doesn't have his face on it, and he's been going there for eight years and it's not like Baz will recognise him anyway.
so, to the bookshop he goes, but this time when Baz comes up to ask if he needs help, Simon is like, "haha, no that's okay," and goes back to looking for things on his own, and Baz kinda lingers awkwardly for a moment before going on his way, but then when Simon comes up to the till to pay for the book, Baz just stands there staring at him. and Simon is so uncomfortable, like, he just wants to leave—
"Simon?"
SORRY, YOU WHAT?
"What?" Simon gapes at him. "How did— how did you? But I'm—"
"Can we talk?" Baz asks.
"How did you know it was—"
Baz shouts over to the other employee on the floor that he's taking his lunch break, and Simon just slowly follows him out of the shop with the book forgotten, unpaid for, at the check-out.
and here's the deal, Baz liked Simon a stupid amount considering they'd only gone on two dates, but they were good dates, and Baz doesn't date much, so he's a bit hung up on just how much he liked Simon and the weird way shit ended, so he's basically like. i want to see it again. and Simon is like, see what? and Baz is like, you. the... whatever that you do, i want to see you change.
and that's how Simon ends up bringing Baz back to his flat, and btw: Simon has a rule about never bringing people back to his flat bc it's weird as fuck. his room is really tiny, and it's cluttered as fuck in a Howl's bedroom type way. he keeps to the same cheap, casual style for all his clothes, but he needs things in a bunch of sizes. shoes are a nightmare. he has to take care of his hair in a million different fucking ways. so he has the lives of a dozen people shoved into a room the size of a shoebox, and his mattress has no frame. that shit is just on the floor, so it takes up less space. and there's this mirror, a wide full bodied mirror, propped up against the wall facing the bed, so that the first thing Simon can do each day is roll over and look at himself.
Simon and Baz have supper together, they talk, they pretend this isn't weird as fuck and, even though it is weird as fuck, they still have so much chemistry, and this is a fanfic, so they just end up having sex again but it's supposed to be kinda emo and tender and look, it's what my heart wants, ok?
morning comes. Simon wakes to Baz's hands on his face. which is already and improvement compared to last time. Baz is looking at him very seriously, but also very like. softly. he's touching Simon's features, tracing them, and Simon is quiet for a very long time, watching him do this, until he's just like. what are you doing.
Baz: "Getting to know you." A pause. "Why does it happen?"
Simon: "I don't know."
Baz: "Are there other people like you?"
Simon: "I don't know."
Baz, sighing: "Well, what do you know?"
Simon: "That I'm still me. Inside, I mean. Like... if you had a book, and every day you gave it a new cover, the story wouldn't change."
Baz: "You must get lost on a lot of shelves."
Simon: "Yeah."
and from there, Baz is just a part of Simon's life the same way Penny is, he knows the truth, and he deals with it. for the first time in Simon's adult life, he gets to really date. he and Baz do a bunch of domestic shit together, for months, and it's so good. all of it is so good, all the time, and they fall so fucked up deep in love with each other.
(detail from this point that is relevant later: Baz and Simon make a game out of Baz recognising Simon at work on days when he hasn't seen yet what he looks like. Simon will come in and try to act like a stranger, but Baz can Where's Waldo him every time.)
but then Christmas comes. and Baz has to go home to see his family. and i don't have an exact idea of how this convo goes, only that it is not a fight of any kind, like, it is a normal convo about the holidays but Baz apologises to Simon during it for not telling his family about him, he says they'd want Baz to bring Simon home if he did (bc i just don't wanna fuck with homophobia in this so we've shot Malcolm with the ally beam) and he wouldn't know how to explain Simon's whole... thing to them, and Simon kinda realises that like. he can't ever be the type of boyfriend Baz can bring home to his family. he can't ever be the type of boyfriend Baz gets to have a normal life with.
SO SIMON GHOSTS HIM.
like, Baz comes back from his family's place, annoyed that Simon hasn't returned any of his texts or calls, only to find that Simon and Penny have literally fucking moved flats in the two weeks he's been gone. and obvs he's fucking devastated and confused by this and desperately trying to get Simon to respond to him, but he won't.
Simon goes out of his way to find a new bookshop to go to, and that's the end of things for about a week or so, and i haven't actually decided what happens here exactly, but the general idea i wanna go with is that Simon goes to the bookshop Baz works at just for the sake of seeing him, checking up on him, bc he misses him.
but remember that game they played? so yeah, Baz walks up to say his usual like, "hey, can I help you find anything?" but he fucking clocks Simon after like ten seconds.
scene change: they're in Simon's new flat, like maybe Baz demanded that if Simon is going to break up with him he owes it to him to do it goddamn properly, but i dunno. details, details. but they end up getting in a huge fucking fight and Simon reveals the reason he ghosted Baz was bc he realised Baz can't have a real life with him and Baz is like:
"You don't get to decide that for me! You're still you, you're still lovely—"
"You don't even know what I look like!"
"I don't care what you look like, you fucking moron, I care that you're Simon Snow! There's a person inside you that exists every day, even when everything else changes, and he's lovely. I love him. The rest doesn't matter, how can you not see that? Stop telling me I'm not allowed to love you however you are, I'll love you a hundred different ways, Simon. Any size, any shape. I'll love you over, and over, and over. That's a life for me. A real life for me. You!"
and then Simon throws his arms around Baz's neck and hugs him like he needs him to breathe and Baz clings to his shirt and they're both prolly crying all loud and gross, but it's fine. they're gonna be fine.
the next day: Simon wakes up to Baz's mouth on the back of his neck. "Like this one, then?" he says.
"Loveliest yet." Baz brushes his knuckles over the slope of Simon's shoulder. "Freckles, curls, broad shoulders... Mmm, maybe we should stay in bed today."
Simon laughs and rolls over to pin Baz to the mattress, grinning at him. he goes to say something, prolly rib at him the way they do, but as he does he catches his reflection in that mirror he keeps by his bed and he freezes.
"Holy shit!" he shouts, and shoves himself up onto his knees. "That's me!"
Baz rolls his eyes. "Yes, yes, I told you—"
Simon shakes his head furiously. "No, it's. Baz. I'm. Jesus fucking Christ, that's me. Baz, that's me."
Baz sits up slowly. "Do you mean—"
"Fuck, holy shit!" Simon grabs his curls with both hands. he hasn't touched these curls in ten fucking years. he looks older than he remembers himself, which is a given, but it's definitely him. his father's eyes, his mother's chin. the moles on his cheek, above his eyebrow, below his ear.
Simon freaks out in a way that kinda toes the line between being happy and being a breakdown, he throws himself at Baz, and they both fall back onto the bed and Simon is laughing and he's shaking and he doesn't understand, he doesn't get it, but holy fuck, he has his own face, he has his own body, he has his own hands. Baz pushes them apart so he can get a look at him, and Simon is actually kinda self-conscious when he does, which is a new feeling. he never has to feel self-conscious about anything, usually, since he knows every flaw or insecurity isn't really his, and will be gone the next day, but this is just... him.
Baz takes Simon's face in his hands and then, breathlessly, "Hello, Simon Snow."
AND THEN THEY KISS bc what else would they do here.
and uhh, yeah. so. Simon goes out to the kitchen where Penny is making breakfast and she loses her shit when she sees him. big hugs all around. Baz really does take the day off work to spend it with Simon, even though that just means lying around on the sofa watching movies while Simon works on his current rebinding commission. when Penny gets home that evening, they order takeaway and sit around the lounge room playing boardgames together until late, late, late into the night. Penny falls asleep in the armchair, and now it's 3-am.
Simon is tired. he's looking at the clock, sitting with his knees up and his arms around them, with Baz beside him. Baz has his forehead on his shoulder, an arm around his waist. he doesn't want to go to bed, because what if... what if it was only for today. how long will it be until the next time? what if there is no next time, what if, what if—
"We'll still be here," Baz whispers, exhausted. "And you'll still be you. No matter what, Simon."
and so they go to bed.
Simon wakes up to Baz's mouth on the back of his neck.
"Good morning, Simon Snow."
AND YEAH, that is the entire plot of my The Beauty Inside AU.
i told you this was gonna be a long one, but if you've made it all the way to the end of this mess, thank you kindly again for indulging me!
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anamericangirl · 6 months
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Since I lack reading comprehension maybe you can explain what this passage in Leviticus means:
"As for the male and female slaves whom you may have, it is from the nations around you that you may acquire male and female slaves.You may also acquire them from among the aliens residing with you, and from their families that are with you, who have been born in your land; and they may be your property. You may keep them as a possession for your children after you, for them to inherit as property. These you may treat as slaves, but as for your fellow Israelites, no one shall rule over the other with harshness."
We went over this in the 19th c. but I'd love to hear your thoughts!
Sure. So with historical texts, including the Bible, you have to read them through the context in which they were written and not through a modern 21st century lens.
When you see the word "slave" here you're obviously assuming it's referring to chattel slavery but that's actually not the case.
To understand where God stands on slavery, you have to look at more than one verse in the Bible. It's a whole entire book and you can't just pull out one verse and think that makes you a theologian. In books like Leviticus, Exodus, and Deuteronomy, God was giving an entire law code to his people and all the laws were connected to each other. They weren't given as stand alone orders, which is why context is so important here.
In Exodus, the book prior to Leviticus where you got that verse, God lays out in the Mosaic law "Now one who kidnaps someone, whether he sells him or he is found in his possession, shall certainly be put to death." - Ex 21:16
This verse clearly shows that God views "kidnapping" people and selling them or if they are even found in their "possession" to be punishable by death, which is kind of weird for Him to say since you're pretty sure he condones slavery.
There's also a verse in Deuteronomy 23 that says "You shall not hand over to his master a slave who has escaped from his master to you. He shall live with you in your midst, in the place that he chooses in one of your towns where it pleases him; you shall not mistreat him."
So if God has outlawed kidnapping people, selling people, and has deemed that if a person working for you wants to leave they are free to do so and you should not force them back or mistreat them, it certainly seems that he's outlawed all the main components of slavery.
And now we get to that verse in Leviticus.
You have to remember the Bible was not written in English and the Hebrew word used here for slave, in this context, really would mean something more like a servant or employee.
And it makes sense, as you have the word "acquire" in the verse to understand it more like hire especially since we know in Exodus God outlawed selling people so it wouldn't make any sense for him to condone it in Leviticus.
The only time the Bible is "condoning slavery" is when it's a case of voluntary servitude. Slavery, back in the time the Bible was written, was not the chattel slavery you are familiar with today. It was often used as a way to pay debts. People would agree to work for someone else for a specified period of time in order to pay off a debt and then once they had fulfilled their agreement they were free to go. It was not cases of people being enslaved and forced to work for someone else with no compensation against their will.
If you read more than that one verse whenever God is "condoning slavery" this is the kind of slavery he's talking about and he puts most of the power of the slave/master relationship with the slave as he is allowed to leave whenever he wants and if it would by chance be a lifelong arrangement that would only occur if it was by the slave's choosing.
So the verse you pulled is not an endorsement of enslaving people it's essentially God saying you can "hire" people from all those groups.
The word property sounds harsh because in English it is a harsh word but remember the Bible wasn't written in English and in Hebrew it's essentially the equivalent of a boss referring to someone as "their" employee.
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bookshelfmonkey · 2 months
Text
Thanks for the tag @storkmuffin :)
Are you named after anyone? Not my first name, which I just chose because I liked it, but one of my middle names is Bowie (as in David Bowie).
When was the last time you cried? A couple of weeks ago, when I was feeling completely overwhelmed by the state of trans rights globally and especially in the UK (where I live) and the ongoing tragedies happening as a result. (Sidenote: it's weird to me how little I've cried since starting T, I used to cry multiple times a week and now it's every few months)
Do you have kids? No.
What sports do you play/have you played? I swam for about 6-8 years as a kid but always kinda hated it, and eventually quit when the dysphoria became too much. I did football and badminton on and off too, but was never really good at anything (asthma & possible dyspraxia & hypermobility etc.). Now I'm trying to run and work out mostly just to stay healthy. I'd like to get back into swimming but can't really afford to go to a pool regularly and I'm scared to go by myself. I also go to a lgbtq+ football club weekly when I'm in my hometown (my friend started an under-18s one which I used to do too and it was pretty much my only positive experience of sports).
Do you use sarcasm? Rarely, and only with close friends where we mutually joke like that with each other.
What's the first thing you notice about people? I actually don't know. I think most of the time I'm too caught up in the anxiety of meeting someone new that I'm more focussed on myself.
What's your eye colour? Bluey grey.
Scary movies or happy endings? Happy endings. I'll watch some scary movies but sometimes they just make me too anxious to enjoy them.
Any talents? I can read pretty quickly with good comprehension (I like to take my time when reading for fun, but as an english lit student who always has a fuck ton of essays and shit to read, it's handy), I can bake really good gingerbread, and I'm weirdly good at immitating people's walks (the same way some people can do voice impressions).
Where were you born? A small city in south west england (not saying more than that for safety/privacy).
What are your hobbies? I read (a lot); I write fiction, poetry, book reviews & TV show reviews (see pinned post on where to find some of these); I embroider and sew; I enjoy baking and cooking but don't do it much atm because I don't like my flatmates so I spend as little time as possible in our kitchen where I might see them; I like going for walks but it can be difficult to get out into nature without a car (ironically) and sometimes I just solve number puzzles/do maths for fun.
Do you have any pets? Yes, this idiot (affectionate). Technically she lives with my parents, but still. Her name's Pepper and she's a generic black cat (it's hard to work out breeds of cats and she's an adopted former stray so there's no breeding history or whatever).
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How tall are you? 1.72m
Favourite subject in school? It alternated between english literature and maths.
Dream job? Author/forest wizard/please don't make me enter the workforce (I'm a uni student atm)/I don't know what I want to do with my life.
@yourlocalcorvidcryptid @autisticfordprefect @feral-enfield-with-wifi sorry if any of y'all have already done this and I missed it.
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lovelyiida · 5 months
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what if pro hero bkg is in a relationship with a reader and she later confesses to him that she is a villain and has been tasked with seducing him but she fell for him fr?? how would he react?
❥: when I go through my asks I always circle back and read this one. And whoever you are out there; I’m finally gonna do it lmao. I think I gave this ask a more poetic adaptation so it may not be the best when it comes to getting straight to the point so I apologize in advance :D
FEM READER X BAKUGO, SEMI-VULGAR LANG (mentions intimate body parts), NO PROOF READ!!
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traitor, nymphoid, huntress, cold-hearted, ruthless, calculated.
that’s who you were, and you were never told you were anything else. You had a role within society; kill or be killed. And you decided to kill.
Seven months you’ve been killing, killing ever so slowly—ever so softly.
Kill him with a dagger, kill him with a gun, kill him within an injection. No, kill him with something unexpected…something beyond his own comprehension.
Kill him with love.
You knew he’d be easy to obtain, a young pro-hero experienced within every aspect of heroism. Except for his birth-given right; love.
But where you knew he lacked, you once flourished. A villain isn’t born, a villain is created by the villainy of society.
Sweetheart, caring, selfless, sensual, beautiful, smart…
These words that he called you; foreign to your own being sent shivers down your spine. With every word uttered a piece of you is reformed.
The way his eyes sparkle when his looks into yours. The way his smile grows as he hangs on to your every word. The way the slightest touches sends a spark through your every being.
The way your souls dance within every moment you’re together.
When was the last time you actually danced?
A hidden compassion? All behind closed doors. A connection no one else can see, no one else can know, no one else can understand. A connect you’re willing to give away your life for.
What about killing him? Yearning to end him? Yearning for revenge? Yearning for victory?
Why do you feel so foreign? Why do you yearn to give the deepest parts of your soul to him?
Do you even believe if you showed the real you to him; he would give you his soul in return?
Your souls cannot dance any longer, so why do you yearn for them to merge?
Why do you yearn for him?
Tears, regret, shame, anger, heartbreak…
“So what? What we had wasn’t real?” The young hero looks at you. Eyes glossed in anger as he pried answers from you.
“It was everything I thought it would be” you said, eyes dull; emotionless. You watch as the blonde shifts back into the metal seat. A heartbroken scowl trying not to emerge in front of you, he won’t give you that satisfaction.
“But, it was nothing I could’ve prepared myself for.”
You sat before him, dirty, wounded, defeated, and uncovered. The league of villains were unsuccessful with a certain phase of the plan, and decided to throw you under the bus.
They knew you were the easiest to dispose of, the most weak-minded, the most-likely to break.
Taking a deep breath, you try to look into his eyes but you cower at the sheer thought of an attempt. “Bakugo, what we had didn’t matter to me, you were just a quota with a dick.”
Looking up at him, with a shit-eating grin you pose your best poker face. The blonde was reationless. Slowly standing up; his movements were calculated.
Turning off the camera with ease, he stands and looks into your eyes. A face of disappointment and longing.
“Dispatch—videotape 009 clear” Bakugo shouts out to the air. An “All clear,” sounded off with a loud buzz.
Looking down, you jolt as the iron cuffs slipped from your wrists. The hero then grabs you with force and leads you out the door.
Leading you underground, he then throws you into your cell with force. Huffing out a groan in pain you scurry to the bars.
Eyes filled with tears and lip quivering, you look into his eyes. “Katsuki—“
“Katsuki? You have no right” he scoffed, turning his back to you he begins to walk away.
Frantic, you yell out his name once more. “Katsuki, I love you! I mean that!” You cried. Stopping in his tracks, he turns to look at you once more.
Eyes cold, calculated, evil.
“I gave you a chance in there to prove yourself and you didn’t, y/n.”
“You’re dead to me.”
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❥: @xo-evangeline , @nar00 , @king-dynamight , @gold24fish , @lovra974 , @bakugospartner , @gaby-11 , @akqsa-xxi , @jolynegf , @goldenglow149 , @aliruuiz , @zukowantshishonourback , @ilovedenk-i , @atsushiki , @smolbeanzzz , @lem-hhn , @stevenknightmarc , @ryumiii , @idontevenknowlolls , @lyn07 , @kennshifts , @ackerman-suck-3-r , @elegantvoids , @thecurlyhairedgoddess , @sunyrose , @thisbicc , @thekookiecorner , @snxwycloud , @skylardarling
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punkpandapatrixk · 2 years
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🧸Life with Your Destined Person—Timeless Tarot Pick A Card
In the beginning, Infinite Intelligence was lonely. Being the omniscient Source Of All That Is, Infinite Intelligence was both singular and unified in itself. Having nothing else to compare Itself to, Infinite Intelligence possessed no real comprehension of what Its own essence is all about. It knows Itself to be Love; but what is Love? And so, what is not Love? What makes Love, Love?
One day, Infinite Intelligence decided to fragmentise Itself. Creating polar opposites of Itself, Infinite Intelligence came up with Yang and Yin—Masculine and Feminine—Hot and Cold—Electric and Magnetic—Structure and Space—Matter and Void. In everything that stands between the polar opposites of Yang and Yin is a comprehension of the full spectrum of Order and Chaos. Thus, began the dance between Yang and Yin, and the subsequent fragments of themselves that came after their Genesis.
In the theatre of the Universe, one cannot be without the other—one relies on the other to maintain its identity, its role. Sometimes, Yang would utilise his electric Chaos to wreck Yin’s magnetic Order. Other times, she would take the role of a chaotic avenger and lay ruins to all the orderly structure Yang had created. The Lovers continued to battle each other, tease each other, and sometimes reconcile and help one another (but never for long) for aeons.
Eventually, Yang and Yin’s story took them to Gaia—a planet of winding helter-skelter. So disorderly was the Human World that Yang and Yin almost broke apart completely. Yang and Yin’s ferocious dance on Gaia gave birth to 10,000 new shades of conflict and sorrow, but also 10,000 new shades of hope and dream.
As the Lovers continued their dance, they gasped and clasped, and pushed and pulled; and for very many times they did so, changing costumes as they go. Yang and Yin had spent so much time bathing in the many colours that helped define what Love is and isn’t. Soon enough, they began to remember, and yearned for the times they had been gently loving each other in the embrace of Eternity.
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Pile 1 – If There Could be Heaven on Earth, It Would be You to Each Other
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what unites you – King of Cups Rx
You, the person reading this, whether you are a girl or a boy (or everything else in between), you are represented by the femme in this picture. You are gentle, fragile almost, and there is so much beauty contained within. Your heart is kind, understanding, accommodating, empathetic, helpful, nurturing, and the beauty of your physical avatar truly shines by what’s on the inside.
This world is not a match to you. Your exquisite beauty causes demons to succumb to bad behaviours. You’ve been attacked so much by external forces that continually made you wonder what was inherently wrong with you. Nothing was though—this world is just not good enough for you. Took you a while to figure it out, but once your newfound sense of identity was solidified, your Soul began yearning for (and subsequently attracting) your vibrational match—the one person destined to be your beautiful Lover.
Their purpose for being born? I won’t exaggerate this but, they literally came down here just to love you. They are your mighty protector. Your literal Heaven on Earth. Your dreams come true. Of course they’ve got a big Soul Mission of their own—all Souls do when they come to Earth! But…
how they treasure you – Ace of Cups Rx
Because of the way this world has made you feel, you’ve hidden a lot of your true self. You’ve reduced a lot of your brightness and suppressed a lot of your affection for others. Like, you just want to disappear or be invisible or just drift off to Neptune and never return to Earth. Honestly, sometimes you’re just confused, afraid, and you just need someone to reassure you that you’re not losing your shit—that everything is gonna always turn out okay in the end.
Well, life with your Destined Person is an ointment for all of these wounds—emotional, psychological, spiritual, whateverical. Here’s a person who holds your hand affectionately, gives you warm teddy bear hugs, shows you off to the world for the exquisite beauty of your Soul (rather than just physical), guards you like this expensive gentleman in the picture does, glares at anybody who is stupid enough to threaten your wellbeing or dignity. And…
Yeah, they could be a little possessive but you like that anyway, so what’s the problem? LMAO Alongside the heteros, I see quite a significant number of LGBTQ+ peeps also attracted to this pile. I think, this is partly resonant with the hardships you’ve had to endure and why your Destined Person is fiercely protective of you⚔️Non-heteros usually have to fight really hard just to keep their relationships (and sanity for that matter).
how you cherish them – Knight of Pentacles Rx
You may not be the most practical or grounded person on the planet, but even that is wonderful to your Destined Person because you are balancing their earthiness. With you, they come to believe in magick and miracles. They come to understand the fluidity of reality and how we ourselves manifest three-dimensionality.
In a manner of speaking, your Destined Person could’ve been bored to death by the drabness of this world. Why is everybody so ordinary? And then, le wild you appeared and KABOOM the sky fell down. And your Destined Person rushed to rescue you from the rubble of the sky and they fell fucking in Love for the very fucking first time, at that very fucking moment.
You, my dear, literally doesn’t need to do anything else. By just breathing, by just being there, by just being your kind and caring self, you’ve literally breathed Life itself into the very being of your significant other. That’s just how magickal you are.
Soul Story of Your Dharma🔻💜
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Pile 2 – All That’s Sweet and Lovely in the World
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what unites you – King of Pentacles
Really, you must’ve performed marvellous miracles elsewhere in the Galaxy, or hey, maybe even on Earth, in some other incarnations. You and your Destined Person have been a team for a very long time. Your Souls are no strangers to each other. I think you probably even promised to meet again in this incarnation for this specific purpose: sweet indulgence🍮Allow me to elaborate.
Planet Earth is hell, yeah? It’s simmering with suffering and you’re meant to whip your magic and turn it into shimmering cotton clouds. You both have this magnificent power within you because you’ve done this for other civilisations in the history of mankind; even those beyond Earth.
Of course, you may have had the roughest Life (or not, but that isn’t part of this PAC), but the most important thing is that your Life together with your Destined Person is light, abundant, prosperous, happy, merry, and all that’s sweet and lovely. -More on this in the Soul Story of Your Dharma section.-
how they treasure you – 10 of Wands
There’s an uncanny balance in the dynamic of your relationship. Because your Souls have traversed the Universe together so often, you resemble each other so much, like twins, almost. You are both a remedy to each other’s weariness of the world. Yeah, even happy, positive people get tired of the world sometimes. Earth is just too much, innit?
To your Destined Person, you’re so precious and they think you deserve all that’s wonderful in the world. They can be a little self-sacrificing in this regard though. They’re willing to put up with a lot of hardships just to make you happy and contribute to the relationship. They’re happy to do that, because you’re worth it. This energy is best described by Bruno Mars’s That’s What I Like! They’re just like that! And I leave it at that🌞Go listen to Bruno🍾
how you cherish them – 10 of Cups
The reading ends here. Need I say more?🤭You’re such a maternal character—gender doesn’t matter. You give all of your heart. You create a beautiful, harmonious, happy family with your Destined Person. As much as they strive to provide materially for you, and make you happy with the champagne and expensive rides and everything else, as much you bring to the table the intangible qualities that make Life on Earth a fulfilling emotional paradise.
-Hope that makes sense, but I see this group as dreamy peeps, so I think that description is alright🤡-
Honestly, even if today you’re struggling and sad, please put your faith in this energy. You’ve manifested this reading, right? I see nothing else but beautiful balance and abundance in your Life. You’re blessed with a beautiful future and that only completes your story for you to become a source of inspiration, a glimmer of hope, for others🌸
Soul Story of Your Dharma🔻💗
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Pile 3 - Intense Dramatic Relationship
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what unites you – Page of Wands
To begin with, even on a Soul level, this connection is dramatic, intense, complex in a wholesome way, and if you one day looked into your synastry chart, there just might be a significant number of sextile aspects there. Your Soul and their Soul are no strangers; in fact, you may have shared some kind of rivalry in a different incarnation.
Actually, as typical of my pile 3s… This may be the group of peeps who resonate with having come from advanced (or ancient) civilisations off-planet. I’m seeing you’ve played rivalry roles in different lifeforms; you’ve challenged, hated, and even brought demise to each other. Of course, from our Souls’ perspective, this was all fun and game. At any rate, you’ve come across each other multiple times and now… something is changing.
Meeting on this Planet… You faintly remember knowing this other Soul from somewhere else, but can’t quite put a finger on it. This other person intimidates you, but you feel dearly drawn to them. It’s all thrilling and curiosity-inducing. You're learning to love an enemy. For some of you who are really, really advanced... there’s an aspect here that talks about your learning to rectify your bad karma (negatively polarised Soul bond) from those previous incarnations~
how they treasure you – 7 of Cups Rx
To them, there’s something inexplicably dreamy about you. Maybe because of your Soul’s origins being extra-terrestrial. -Obvi, you feel this way about them, too.- They’re attracted to you because you’re different from most other Humans, and that, validates them. They see a friend in you—like, whoa, there’s someone else just as strange as me! That’s the one!
To them, you’re a precious gem that must be treated with care. Obviously, it’s because the divinity within them recognises the divinity within you. The way you’re bonded on Earth is mega soul-based and it is wise and beyond the comprehension of most Humans. From within their subconscious, they madly respect you. But also, quite inexplicably, they feel a sense of competition with you…
Like mentioned in the beginning, you two might have many sextiles in your synastry chart (or composite for that matter), and this typically means your Souls are meant to excite, inspire, and motivate each other. Of course, sextiles are not without their challenges, but this also indicates a dynamic relationship blessed with little to no boringness.
And this is precisely why they respect and treasure you immensely: no one else moves them the way you do. Move as in, really, you move them towards achieving great things, honey.
how you cherish them – King of Wands Rx
First of all, you see the King—the mega successful person—they’re meant to be in this lifetime. You see all of that potential and you’re drawn to that energy, charisma, as well as enigma—because they’re like a King of the shadows. Man or woman, this is an off-beat individual that challenges conventions. Heck, your Destined Person may dwell in the darker aspects of society, ngl lol
Be that as it may, you see the good in them. Even if what they do professionally may be rather odd… even bad in the eye of society (or in the eye of you), there’s a divinity within that you recognise. You value that because that’s associated with bravery. They’re not a bad person, but they’re not afraid to do what needs to be done to stand their ground.
This, eventually enough, inspires yourself to achieve that plateau of greatness. You see their King energy because this is also YOU. Their sheer existence moves you toward your self-actualisation, too. I’m also seeing many of you feel threatened by the darkness and badness of this world, and this is a person who’s comfortable in the dark, knows how to navigate the dark, and they… make you feel SAFE. That’s so HOT!
Soul Story of Your Dharma🔻🧡
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licorice-lips · 4 days
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Hi, everyone! So, I know there's a lot of controversy about Rhys's behavior Under the Mountain (at least in Brazil fandom it's a hot topic), a discussion that is valid and definitely needs to be had, so I did a lot of research on the subject and compiled the three texts that influenced me the most into a compilation that I'll share here — along with my thoughts and additions.
These texts that serve as my supports were made here on Tumblr and can be found under the following titles, although the third one is the most comprehensive of them all:
*Rhysand's Defense Post (The author had only read A Court of Thorns and Roses when she wrote this).
*The Difference Between Tamlin and Rhysand: The Man on the Throne and the Man in the Arena — Acotar and Acomaf's Excerpt Analysis (The author was following the small teaser quotes for A Court of Mist and Fury and analyzed them).
*Understanding Tamlin and Rhysand — A Post-Acomaf Reconciliation of Rhys's Actions Under The Mountain in a Culture of Defeat.
In addition to discussing Rhys's behavior, however, I'm also going to discuss Tamlin's behavior and compare the two. It's going to be quite fun… Just a heads up that I don't want any hate messages. Do you want to share your thoughts agreeing or disagreeing? That's fine, but with respect. Any offensive comments will be deleted.
Now here's my defense post for Rhys:
Leadership is a heavy burden. When you're a leader, especially when it's not your choice but comes to you because of the family you were born into, for example, responsibility can be a burden. But when you're a leader, there's something very important to consider when making a decision: those who follow you.
All of Rhys's actions as High Lord of the Night Court must be thought of to put the well-being of those he is responsible for first. And when he, Tamlin, and the other High Lords are Under the Mountain, he decides that he will be Amarantha's whore to ensure that his Court is in the best possible condition within the situation — he lets himself be raped to ensure that his people and his family remain safe when he could have done nothing.
But from the moment Feyre strikes the deal with Amarantha, he is the only one who is truly in a position to make a difference: the other High Lords do not have enough of Amarantha's trust for her not to suspect anything if one of them tried to bargain with Feyre as Rhys did, for example. If any other High Lord — Kallias, Thesan, Helion, etc. — tried the same thing as Rhys, Amarantha would have been suspicious.
So in this case, he is the only one who can truly act.
But he doesn't have to. The point is that his Court is reasonably safe because of his role in the court Amarantha built, so Rhys doesn't really need to help Feyre win. But he does it, not because he wants his power back, but because he's the kind of leader who will do everything achievable to change — for what he believes is the best — the lives of his people.
And I'll talk about how admirable that is later on when we're talking about the culture of war and defeat, and about Tamlin's behavior. So, he decides to act, and he tells Feyre in A Court of Mist and Fury:
"I decided at that moment that I would fight. And fight dirty, and kill and torture and manipulate, but fight. If there was any chance of freeing us from Amarantha, it was you." (A Court of Mist and Fury, page 550, Brazilian edition)
He knows, then, that the fight he would have to wage was not the beautiful, heroic, noble thing we're so used to seeing: Rhys knew that his actions to ensure victory — for Feyre and Prythian as a whole — would be horrible and would probably haunt him for the rest of his life. He knows that. And he doesn't excuse himself for a moment. He doesn't invent, he doesn't embellish, he doesn't paint himself as a hero. He knows he's not and he really isn't a hero.
A hero is someone who sacrifices themselves in a grand gesture to save the entire population, a true hero doesn't really sacrifice one person to save others. And while Rhys does have his own share of sacrifices, that doesn't excuse him from the horrible actions he took Under the Mountain:
So, the first part of his questionable behavior in Under the Mountain comes to light: the moment he twists Feyre's injured arm to convince her, to scare her enough to accept his bargain. This is a minor moment and my description alone makes it understandable: he does what he does to keep her alive and charges an insignificant price (which he planned to release her from later, as he himself says) to keep up appearances.
And Rhys needs to keep up appearances because his whole game to defeat Amarantha depends on how he appears to her and to other people: no one can notice while he moves the pieces on the board to bring the advantage to them. No one, not even Feyre, who is the "lamb to the slaughter," so to speak. And she can't know for several reasons:
Feyre is not in a mental condition to act and pretend to hate him as much as he needs her to pretend. So if she knew what he was doing, she would probably let something slip, or wouldn't be convincing enough, because honestly? Who could?
Rhys spent the last 50 years fighting alone and being surrounded by people who constantly despised him for being Amarantha's whore or for those who tried to ingratiate themselves with her through him, so he doesn't trust others easily, even though he was falling in love with Feyre, as he says in ACOMAF.
He couldn't trust that Feyre wouldn't trust others — Lucien and, therefore, Tamlin — with this knowledge. With their mutual hatred, they would surely end up messing things up.
Feyre was there to protect the High Lord who killed his mother and sister — and Rhys didn't know that Feyre didn't know the history behind his and Tamlin's relationship — so, in theory, it made sense that he wouldn't want to show his "true face" to her.
That's exactly what the book is about: like a retelling of Beauty and the Beast, the book is about how appearances deceive. If Feyre found out that Rhys is a decent person right away, it would be the same as throwing the whole intention of the story out the window.
So we have the second — and most controversial of all — point: the dance and the wine. I'm not going to mince words about this: It was sexual harassment. Period. But with this, Rhys manages to:
Get Feyre out of her cell, which is driving her crazy, as she says in this part: "I was alone, locked in silence — although the screams in the dungeon continued day and night. When they became unbearable and I couldn't ignore them, I looked at the eye in my palm." (A Court of Thorns and Roses, page 356, Brazilian Edition). And let's face it, anyone would go crazy in an environment like that.
Keep an eye on Feyre so that no one else could harm her — something he disguises with a comment about not liking others to touch what's his — and that's a curious thing because Feyre never expresses concerns about being abused by others after Rhys starts taking her to these parties (it's also interesting to note that despite the various traumas of what happened Under the Mountain, Feyre never showed any signs of trauma from sexual abuse, as far as I know — and again, not that this excuses Rhys, it's just a factor to point out that maybe she understood his game better than we did).
To leave Tamlin full of anger — which he claims is the main reason for all that theater during A Court of Thorns and Roses — so that he wouldn't hesitate if he had the slightest chance to kill Amarantha in the end or between challenges, no matter as long as he didn't hesitate. Because from Rhys's perspective, Tamlin is the noble golden prince who might spare Amarantha's life to demand some kind of trial or something. Which I consider he might have been dumb enough to do too.
Divert Amarantha's attention, as, thinking that Feyre was already humiliated and abused enough during those nights, she wouldn't give Feyre those ridiculous tasks anymore (like cleaning that filthy hall or collecting lentils from Rhys's fireplace). And if you reread ACOTAR, she really never gives those small tasks to Feyre again after that.
Send a message to those who could read, as Rhys himself says: he crowns Feyre every night, and for the cruel ones, this would be a subtle kind of mockery, but for those who could see beyond the evil, Rhys was declaring Feyre the champion of them all. He declared that he believed in her and in her potential to free them all.
Convince Amarantha that he's still playing on her side — a belief that was shaken by Rhys betting on Feyre in the first task and closing that bargain to heal her arm. This might be the most fundamental of all points: the one that allows the game to continue toward victory. He needs to prove to Amarantha that he's doing it for fun, out of cruelty, considering Feyre as the whore of the whore, someone lower than the lowest of courtesans. Thus, Rhys clears the way to act when the time is right.
By taking Feyre with him to those parties, he moved not one, but six pieces of the game to be in his favor. He killed six birds with one stone. Strategically, it's an incredible tactic, by the way. But morally, this act leaves something to be desired.
So why the wine and the dance? Because Rhysand plays with appearances. Everything in his game depends on it.
Feyre wouldn't play the whore of the whore while conscious, no one with a shred of self-respect would accept that without knowing the reason behind it, and Rhysand, for the reasons I mentioned, wouldn't tell her anything. So he makes her drink the wine to keep the whole purpose of that show and keeps her close to prevent her from being touched by anyone other than him.
But besides that, the wine is a form of escape, a way to forget about the horrors, as Feyre herself says at the end of the chapter where all this happens:
"[…] and I began to long for the moment when Rhysand would hand me the goblet of faerie wine and I could let loose for a few hours." (A Court of Thorns and Roses, page 381).
In fact, Rhys sees it this way: when he is forced to kill the High Lord of the Summer Court (not Tarquin, but his cousin from whom he "inherited" the title, Nostrus), he himself drinks the wine with Feyre — it's an escape from the character he so carefully plays because not even Rhys can bear everything without letting the facade fall, even if only a little.
Note: not that I'm saying this would be a healthy way to deal with all that trauma and accumulated stress, but considering the place they were in and the situation, perhaps it was the most… effective way.
I have to say, however, that all of this doesn't justify what he did: it was still sexual abuse and it's still very bad and very serious. However, I need to point out to you: what we do to survive often does not reflect what we would be in a normal situation (normal being their everyday life without Amarantha, in this case).
When we are confronted with a situation like this, where to survive we end up needing to do something horrible, many say they would never do and would take the noble path of dying before giving up their values and principles, which is great, it proves that you have a very good character. The problem is that Rhys doesn't have the choice to think only of himself and how much this abuse will cost his dignity and principles because every decision he makes affects his people.
So here's my question for you: could you love someone who chose to preserve you instead of saving thousands of innocent — children, women, and men — who are under their responsibility?
Because I couldn't love someone who did that. And that's how I make peace with what Rhys did to Feyre Under the Mountain: I couldn't love someone who condemned the world to save me from abuse that I know I can endure — even if it causes me terrible harm.
Of course, it's entirely valid if you decide not to forgive him for what he did, because, after all, it's a morally gray action when you consider the whole situation they were in and what Rhys did. So, no one is really wrong for not forgiving Rhys for what he did, but those who forgive him aren't wrong either. It's very important that we understand that.
Now, an argument that is often used and that annoys me every time I hear it is that Sarah "changed Rhys and Tamlin's personalities because of shipping", so she ignored everything Rhys did Under the Mountain to make him the hero just because fans liked him. There are so many things wrong with that that I don't even know where to begin, but let's analyze all of Tamlin's, Feyre's, and Rhys's behavior throughout the ACOTAR and ACOMAF stories and show why I know Sarah did absolutely everything with careful consideration:
There is a trait that is very striking in Tamlin from the beginning of the ACOMAF story and is especially explicit when Alis tells the whole story about Amarantha, Tamlin, and the curse, which is the fact that Tamlin can't deal with the consequences of his actions:
The first time he does this is at the beginning of the curse when he gives up sending his soldiers to die for him, thus Tamlin simply gives up not only freeing himself but all of Prythian, all the people who live there, and still condemns the human lands in the process. He only started sending the soldiers out of desperation after 46 years, look at Alis's speech:
"For two years, he sent them, day after day, needing to choose who crossed the wall. When there were only a dozen left, Tamlin was so devastated that he stopped. He canceled everything." (A Court of Thorns and Roses, page 294, Brazilian Edition).
The second time I can point out is Feyre herself (this because I'm ignoring the events during her stay in the Spring Court, as I don't remember what happened): he takes Feyre to Prythian with the intention of making her fall in love with him, but at the first glimpse of direct danger from Amarantha — in this case, the scene where Rhys makes him kneel — he sends her away.
He gives up saving Prythian because he can't stick to the decision to put Feyre in danger so that she could break the curse, so much so that he condemns himself for it, because Feyre only doesn't say that she loves him — and breaks the curse — precisely because she's leaving:
"— I love you. — He said, and stepped back. I should say — should say those words, but they got stuck in my throat because… Because of what he needed to face, because maybe he wouldn't find me again, despite the promise…" (A Court of Thorns and Roses, page 261, Brazilian Edition)
These are the main events, and perhaps I could list more for you if I reread A Court of Thorns and Roses. But what does this show us? That every time Tamlin makes a decision, he freezes and backs down at the first sign of an obstacle. He retreats and avoids anything that shakes him.
So it makes sense that Tamlin's reaction Under the Mountain is paralysis — a common behavior among leaders in times of war and defeat, by the way, which aligns not only with Tamlin's personality but also with the reaction of a true leader in such a situation.
Alright, let's stop there and go back in time to analyze Feyre's behavior:
Right from the start, we learn that, even being the youngest of three sisters, Feyre was the one who, when they were starving, took action and sought a solution, which shows us right away the kind of person Feyre is: she's the kind of person who acts when forced to face danger, whether it's something intangible, like death by starvation, or tangible, like Amarantha.
This is proven repeatedly throughout the books: when she seeks answers with the Suriel, when she tries to fight off the bastards who tried to rape her at Calanmai (because paralysis can also be a reaction to abuse of that kind), when she goes to Under the Mountain to fight for Tamlin without even hesitating, when she heals from the traumas of Under the Mountain as soon as she has something to focus on, something to dedicate herself to.
And this is one of the fundamental differences between Tamlin and Feyre: while he paralyzes, she acts, and whether we like it or not, differences create friction. Especially with what happened Under the Mountain because she and Tamlin were separated, and neither of them experienced trauma together. Paralysis generates a different trauma from the trauma of someone who is acting, so the end of their relationship begins when she goes to save him Under the Mountain — and Tamlin freezes.
Then we have Rhysand, who is exactly like Feyre: he acts when confronted with danger or defeat and has thousands of actions of his that exemplify this:
As soon as he becomes High Lord, he bans the wing clipping of Illyrian females regardless of the reaction of the Illyrian lords or what they thought about it. It's not that he doesn't care: Rhys, unlike Tamlin, is willing to pay the price that comes when a decision is made.
He becomes Amarantha's whore to protect his people from her getting too close to them. He doesn't care about the cost to himself simply because Rhys knows he's doing some good for his own people by letting himself be raped.
When he sees in Feyre the chance to do something to free all of Prythian, he goes all in knowing that that game would be total defeat or victory. He acts.
When Hybern starts threatening Prythian, he is willing to do whatever it takes — lose a potential friend, hand over the city he loved with all his heart to horrible women, give up his own life — so that they wouldn't fall into slavery again.
When the war comes anyway, he faces it head-on and uses every card he has to stop the King of Hybern: monsters of all kinds, all his power, his own life, and the truth about himself, about who he is.
And these are just a few examples. The fundamental difference between Tamlin and Rhys, just like between Tamlin and Feyre, is how they respond to situations and traumas.
Quoting Teddy Roosevelt (btw, this is a direct translation of the Portuguese version of the quote, so it can be different from the original):
"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."
Feyre and Rhysand are the ones in the arena, they are the ones who fight to be able to act in the face of evil — Amarantha. And it's interesting to note that those who condemn Rhys for the dubious actions he took Under the Mountain never say anything about Feyre committing murder there as well, which is a crime as heinous (or at least should be when it comes to innocent people) as Rhys's.
I'll tell you why: when we're faced with a gray and complex character like Rhys — and we don't know his heart, instead we're "infected" with the main character's partial view — we tend to connect him directly with evil, instead of understanding that this character is neither wholly good nor bad. We forgive soldiers for killing people in a war — that's also a combat in Under the Mountain, so why can't we forgive both Rhys and Feyre?
We forgive Feyre because we know how sorry she is, we know her heart, and we love her. But Rhys? He's the High Lord of the Night Court — which alone triggers some unconscious alerts within us — and he's playing dirty, hiding, and being a horrible person, so why should he be forgiven?
That's what our brain unconsciously thinks sometimes, and it makes us judge some characters more severely. Understanding the duality and complexity of a character is not an easy task; it requires a lot of empathy and an open mind.
But why am I saying this? Because it's important to understand: Rhys and Feyre are extremely similar, and they understand each other at a fundamental level because of that. Tamlin, on the other hand, has a completely different personality. He's the one who freezes, who paralyzes.
Rhys and Feyre experience the trauma Under the Mountain together, so Feyre and Tamlin are separated, which, combined with the glaring difference between the two, makes it difficult — perhaps impossible — for them to heal together because, out of loyalty to the character's nature, Sarah can't make Tamlin talk about what's happening like Feyre needs.
Even after Under the Mountain, Tamlin's instinctive action is to freeze. So he doesn't talk about Feyre's nightmares, he pretends not to see her despair, he turns away from her need to talk about the subject — because looking at her trauma would be the same as acknowledging his own.
And he can't do that because it's part of his nature to freeze. But this isn't healthy, hence the explosions of anger, and hence he locks Feyre up the moment she tries to assert herself: these are the consequences of forcing someone who deals with PTSD by freezing to actually deal with their traumas (that and the fact that he's horrible).
I can understand that (not in his relationship with Feyre, I'm talking more generally here, about him as High Lord, he can rot otherwise) but I can't forgive it like I did with Rhys because, unlike the actions Rhys took, paralysis only allows evil to continue to grow and end up imprisoning us (this is, in fact, one of the reasons why Tamlin didn't try to fight like Rhys while Amarantha was killing Feyre: his lack of previous action left him unable to take action when it was time to "put up or shut up").
While Tamlin's paralysis pushes us down while doing us harm, Rhys's actions, as horrible as they may be, are done in the hope of something good, they're done to move us forward. I can forgive him because I'd rather be someone who does horrible things in the hope of creating something better than be someone who allows evil to continue to grow until it imprisons me.
It's that simple.
And Feyre is exactly that kind of person. She needs to act, she needs to talk about it to heal. She needs to have a purpose, not be coddled like Tamlin — and his trauma — wants her to be.
The relationship between her and Tamlin becomes abusive the moment he tries to stifle her feelings to maintain a state of paralysis. And that's something you'd expect from a character like Tamlin, that's how he was built. But this happens long before Under the Mountain: I remember that on the first day Feyre yields to the dresses Tamlin gave her in ACOTAR, I think it was the morning after Calanmai, she warns herself to be gentle, to be kind, when dealing with Tamlin and Lucien.
But after Under the Mountain, Feyre can no longer accept that her feelings be stifled simply because her traumas are consuming her from the inside out. So she fights back. And that's what completely ends their relationship.
But the point is: both Tamlin, Feyre, and Rhysand follow exactly the line of their personalities throughout the story. They are those kinds of people from start to finish. There's an evolution, of course, but it's an evolution of beliefs, opinions, and perceptions — their essences remain the same.
That's why Sarah is brilliant in these books: by being completely faithful to her characters' personalities, she created a story that discusses abusive relationships, the varied responses of certain types of people to trauma, and the various reactions of leaders in times of war and defeat.
But the point is: none of them were changed to fit a ship, simply because they weren't changed. All three of these characters act exactly the way they should within the limits of their own personalities.
Rhys is the High Lord who plays dirty to create a better world, and Tamlin is a leader who can't make a tough decision. And there's another fundamental difference between them:
While Rhys knows that, from time to time, he'll be forced to make decisions that will end up harming part of his people (and will choose the lesser of two evils), Tamlin still struggles with the enchanted vision of a superhero who saves everyone without exception. And when that doesn't happen — because it's never possible to save everyone no matter what you do — he prefers not to act.
I think the two things that illustrate very well the kind of person Rhys and Tamlin are is the Illyrian tradition of cutting the wings of their females and the Tribute:
Rhys risks a revolt to improve the lives of his people and sticks to that decision, willing to pay the price for it if the result is a better life for the Illyrian females, while Tamlin fails to abolish an extremely unnecessary tax because his inability to act makes him cling to archaic traditions like the Tribute.
So, yes, I forgive Rhys for what he did Under the Mountain, because I couldn't love someone who freezes and leaves me to die. I prefer to love someone who cares so deeply about something — a dream — that they're willing to fight and play dirty for it. And then go to battle to defend it.
Hope you enjoyed it! Feel free to point out points that I didn't comment on; I'll try to respond to everyone's comments!"
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neonscandal · 3 months
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some questions about jujutsu I would appreciate it if you could answer me. 1. do you think megumi and itadori are a comparison to geto and gojo? 2. What do you find most tragic about geto and gojo's relationship? 3.if geto didn't exist, who would you ship gojo with? ps; I would ship toji and gojo.
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Answering these out of order to hide spoilers!
3. If Geto didn't exist, I would ship Gojo with Nanami. Nanami would be bothered 600% of the time.
2.Most tragic is the fact that, while Gojo always looked at Geto's soul and accepted him unconditionally, Geto thought their relationship was over the moment he chose to leave Jujutsu High and they never reconciled this disparity while living. If you want an exhaustive list of the things that rot my brain and prevent me from remembering basic things like my childhood and the Pythagorean theorem, please, feel free to read this recently updated and ongoing list. 😭
Lastly, yes, I think ItaFushi are meant to be a parallel to SatoSugu. See below for why!
⚠️ Spoiler Warning through JJK chapter 247.
The comparison isn't perfect but I don't know that it's meant to be.
I feel like I reference Naruto a lot for having not seen it but I'm pretty sure it's a solid example of the generational failures of the Uchiha clans and the Hidden Leaf Village as overcome by Sasuke and Naruto, respectively.
I think that JJK could be a circular story (check out the Rick & Morty progression, in particular) and that SatoSugu and ItaFushi seem to run as parallels. To simplify, we'll break it up by the OG for parallels:
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SATORU
and Megumi (he got blue eyes when he's supposed to have green.. 💎👄💎)
Born of Jujutsu royalty with a familial technique
Familial technique damns them to a burden of responsibility. Gojo became the head of the Gojo clan, Megumi is bought and sold but effectively abdicates his place with the Zenin
When given the chance, relents to leverage the value of his cursed technique to protect others that they deem deserving. Gojo protects Megumi, Yuta and Yuji; Megumi protects Tsumiki and later, Yuji.
In spite of the above, will execute their responsibilities of a sorcerer but will also pick and choose if they will do something outside of that obligation. Think back to Megumi's moral judgement when it came to those in the detention center and Gojo's willingness to act outside of direct orders because... he could.
Just leaving the visual evidence of these little weirdos
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and Yuji
The Sun characters but not without shadow.
Blessed births, even though Yuji's was... untraditional, it forged him as a powerful vessel with inhuman strength without a heavenly restriction.
Anomalous strength. Gojo for Six Eyes and Limitless which haven't been seen together in one user in over 100 years. Yuji is able to produce Black Flashes at will and at a rate which is canonically uncommon.
Experienced death and rebirth which brought about change in them. Gojo found enlightenment; Yuji, while in hiding, experienced loss, the tragedy of which marked him noticeably.
They both know the alienation of greatness. Both undergo power ups shattering the ceiling of their previously understood power thresholds and go beyond the comprehension or without the knowledge of their counterparts. Gojo, I think, knew that it would foundationally upset something between he and Geto. Yuji probably just thinks he is getting acclimated to the new world he finds himself within and doesn't realize how insane his glow up has been.
Guilt for not being able to save someone "close to them". Gojo, obviously, with Geto and Yuji with Junpei, initially, but that list has grown. Exponentially.
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SUGURU
and Megumi
The Moon characters but they have something worth fighting for that gives them an air of light.
Both believe in and will act on behalf of the weak. Geto believes the strong should protect the weak and keep the strong in check. Megumi believes that if someone cannot observe the basic tenet of don't kill me, I won't kill you, he should exact punishment whether the person infringed on this basic law with him or not.
Despite their code, they still develop or have a discerning application of their morals.
But what happens when that morality is tested? Geto realizes the weak are capable of harm when he discovers the abuse of Nanako and Himiko. Megumi, if he hasn't already, will eventually come to understand that saving Yuji came at the cost of countless lives, including that of Tsumiki, in a way, even if she died by his own hand.
Know intimately the loss of someone they were close with only to find that person returned to them.. but different.
Feeling left behind by the power ups of their counterparts, they are left to their own devices. Notably, Geto spirals into depression and PTSD, Megumi, citing the difference, asks Gojo for additional lessons so he doesn't fall behind.
Doomed by the narrative? or at least by their power. Kenjaku covets Geto's body for the hold it has over Gojo and, possibly, the cursed technique that enabled him to espouse Mahito and Tengen's techniques. Sukuna covets Megumi for Ten Shadows.
Subsequently, both are possessed by something that easily outclasses them but they still are able to rebel when fighting against their counterparts. Geto's corpse strangles Kenjaku in Shibuya; Megumi manipulates how much cursed energy is output when Sukuna fights against Yuji.
Both of them recognize that, despite their counterpart's strength, they are still deserving of concern and worry. This is likely informed by the knowledge of their own weakness and inability to protect.
and Yuji
Outsiders to jujutsu society
Get their power/strength from ingesting something unholy; curses or cursed relics. Either way, both seem to beg the question of how long one can you these things before it poisons something within you?
Earnestly want to help people with a martyr mentality. The idea being, if I am the only one with this power then it's my responsibility to do something; Geto with his role as a sorcerer and Yuji as the only person who can consume Sukuna
Subsequently damned by this noble desire. Geto finds that the sacrifice is no longer palatable after the sacrifices of Riko and Haibara and the abuse of Nanako and Himiko. Yuji experiences survivors' guilt for every slight Sukuna is able to inflict while he continues to live.
A pattern of failure to protect (Riko and Junpei) followed by the loss of a companion (Haibara and Nanami, and what a way for their deaths to mirror one another...) as an impetus for great change in their characters.
The wealth of their goodness has the potential to cause just as big a vacuum of negativity when they break. Arguably this is what pushes the invisible hand that guides the events that radicalizes Geto and informs Mahito's insistence to break Yuji's soul.
Speaking of souls - this idea of their soul's in particularly. Gojo seeing and recognizing Geto's. Mahito feeling the edge of Yuji/Sukuna's soul. We see that Sukuna can aim attacks at Megumi's soul but... why did the goodness in Geto's persist for Gojo to love him unconditionally? How did Yuji's soul withstand external attacks from Mahito and internal attacks from Sukuna?
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Where SatoSugu's fatal flaw was hubris, we don't see that with ItaFushi and that, perhaps, is the biggest indication that they're correcting the faults of their forebears while also suffering the repercussions of their failure.
Gege Akutami could absolutely have the whole story end in flames, don't get me wrong. I would 10,000% be invested to the very last page. There's no guarantee that this is a circular story, that any of these characters find peace or that any of them even survive but I can't help but see the similarities, at least as far these four are concerned.
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chrollohearttags · 7 months
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BEYOND FACT OR FICTION: the boy who wanted to see the ocean • armin artlert
In this world, there are two types of people born into it. Those that live and those that experience it. The average and the exceptional..to say that Armin Artlert was on the latter of both sides would be an understatement. From the day of his birth to the early years of his childhood, it was blatantly obvious that he was not like the others around him. Considered a frail and sickly child, despite growing up in more modern times with access to the best healthcare, Armin found himself confined to his room most days. Fortunately, he did come from a rather affluent background so he had all sorts of materials and resources at his disposal to keep him occupied. He didn’t feel he was ever missing out on much because the rare times that he was able to even attend school, he was bullied by his peers. So he felt much more comfortable and safer in the essence of his own company. Especially since he had become rather infatuated with one topic in particular: the ocean. Next to the hospital where he often found himself a resident was a beach with the most crystalline of waters flowing over bright, beige sands. Palm trees swaying in the distance and resembling that of a screensaver, it was so perfect. It was a beautiful scene and one he had come to admire. To say the least! Some would even say that Armin was enamored..obsessed even. So much so, he dedicated his entire life to researching and learning all he could about aquatic life.
he was utterly fascinated with all things marine life and the functions of the waters. Granted, as humans, we’ve barely scraped the surface with only a 5% discovery rate of our vast waterways. The open seas were a mystery but being the inquisitive, determined mind he was, Armin wanted to unearth all of it. He would stop at nothing until he achieved his answers. Once he graduated from high school, college was next in the docket and as everyone suspected, the overachiever sought out his degrees in marine biology..he wanted nothing more than to solve the mysteries of our world’s waterfront. He took several courses in aquatic science, marine studies and by the time his academic journey came to an end, Armin Artlert had taken on the title of doctor by earning his PhD. Needless to say, he was super successful and living his dreams.
But around late 2017, things began to shift for the young scholar..friends, family and colleagues alike began to notice a change in him. As if his devotion to work wasn’t already enough, he became completely enamored with the topic of finding the ocean’s origin point!..discovering where they originated from and was there a precise point. Absolutely absurd but nothing was out of reach for Mr. Artlert. There wasn’t a thing going to stand in the way of his research. Not the government, the academic board or even money..at all costs, he had to make it happen. He was becoming erratic, spouting ramblings and nonsense about things beyond anyone’s comprehension. Staying up all hours of the night, plastered to his computer screen and reading texts from long ago.
“Please, just front me the ten grand and I’ll pay it back with interest, you know I’m good for it.”
“Just five thousand until the end of the month and I’ll get it back, I swear. Just trust me, please..”
Empty promises never fulfilled by either end because the people around felt that this was all going too far. He was doing good work and had written many theses on his findings. He had a high rise condo, nice car and even a beautiful lady..so why wasn’t it enough? Why did he have to surpass mankind and exceed his limitations? Curiosity was one thing but toying with mother nature was another level of insanity. So as you could imagine, on the night of April 11, 2017, when his girlfriend and fellow researcher, (y/n) (l/n), came home from work to find their condo completely empty. And not just silent..COMPLETELY AND UTTERLY BARE! Stripped of all furniture, decorations and most importantly, any trace of Armin! You were completely taken aback but the worst of this mystery was yet to come. Not wanting to alert anyone, you’d call around and ask if anyone had seen or heard from him, thinking that something could have happened to him. Not only that, if someone had come and cleared this apartment out in the span of a 12 hour duration, taking him along with them, who knew what..or who else they’d come after? Frightened, you rounded up all of your mutual friends and decided to assemble a search party. Because he was now 25 and very much a legal adult with the reserved right to go missing at any time, the police gave you all the typical runaround about having to wait twenty four hours to file a police report. Even so, time was of the essence and 24 hours was something you didn’t have to waste. So once everyone came over to the condo, you’d put your heads and all of the information together to hopefully reach a consensus about where he could have gone..you’d send a group out to scour the local coffee shops and libraries he frequented, even some of his favorite stores. Hoping to find a trace of him somewhere. His ‘Find my iPhone’ feature was disabled and the phone was going straight to voicemail.
“When’s the last time you saw him, (Y/N)?” his best friend and the person who knew him best, would question. If anyone had an inkling of the mental state he was in, it was most certainly the person who had known him since they were born. “This morning, in the cafeteria at the research center..he was grabbing breakfast and heading back up to his office. We were supposed to have lunch but I had few conference calls and studies so I couldn’t make it.”
You didn’t want to leave any stone unturned..and the first clue may have appeared a lot closer than anyone thought. Just down the hallway from the master bedroom was a small guest room where Armin conducted a lot of experiments. Sometimes late into the night and early mornings..and under absolutely no circumstances, was anyone allowed in. Not even you. He’d ensure so by installing a state of the art lock that was fingerprint and rigged with a series of intricate puzzles and questions that only he knew the answer. It was brilliant. A regular padlock wouldn’t suffice because what lay behind the door was something not only baffling but downright terrifying….
You worked for hours to hack the system and get it unlocked but to no avail. You even resorted to brute force by kicking and trying to hack it open with tools but no dice.
“Damn you, Armin. This is so like you…making everything difficult and mysterious. Where the hell did you go?”
It was around one in the morning and you were exhausted, from both work, the strenuous search efforts and just the long day in general. But a bit of good news would peer through this bleak situation..it was just as you were sitting on the floor, knees to your chest and your face buried in your hands, you’d hear a loud cackle.
“Ha! Finally..we got it.”
Just then, you’d hear a faint beeping noise and watch the padlock omit a green light. Signaling that it had been hacked successfully. Courtesy of one of your other scholar colleagues who worked in IT. For a mystery like this, you guys were going to need all of the man and brain power you could get. Upon unlocking it, you’d be the first to enter and once you pushed the door open, nothing could prepare you for what was inside…
“Oh my God!” a loud shriek left your mouth, only to be cupped by your hands seconds later. You were bewildered by the sight in front of you, as was everyone else…every wall, every inch of the space was littered with writing! Equations, secret codes and countless words were everywhere. Not only that, it was dimly lit with only select areas being illuminated..but perhaps the most frightening part were the makeshift pillars. Carved from marble and constructed six feet high, it was insanely creepy. How had he managed to do this? And by himself nonetheless because no one here had a clue what Armin was up to. What you thought would lead you all closer to answers had only left you even more confused. Not even the most brilliant of minds could decipher the messages or figure out what he was into. When it came to his personal research, he was very tight lipped about it.
days, weeks and eventually months went by without an answer or trace of Armin. Not a single clue, lead or anything brought you any closer to figuring out this mystery. Once the police finally got involved, they conducted routine searches, put out BOLO’s for his Mercedes and even brought the case to the news. But all of it was a waste.
it was all a waste until the day of October 11, 2017. Six months EXACTLY to the day he first went missing. You were at work, trying to power through the day as you had been doing. You were in the middle of typing up some findings from your earlier experiment when your phone rang and saw that it was the police department. Your heart and stomach sank immediately, expecting the worst. Had they found Armin? Was he okay? What was going on?! But the only instruction you received was to come down to the hospital because they needed to speak with you. Halting all else, you snatched up your car keys and coat, making a beeline for your vehicle in the parking garage. You didn’t hang up the entire time, even as you got buckled in. Because there was something else they told you, that had you racing toward him.
“He’s alive. He desperately needs medical attention but he’s alive, miss (L/N).”
so you placed it in reverse and peeled out there like a bat from hell! You refused to hang up until you laid eyes on him and knew for certain this wasn’t a prank. Fortunately, the hospital was only ten minutes away and in no time, you were pulling into the parking lot, rushing inside to see him. You’d reach the receptionist and ask if someone by the name of Armin Artlert had been brought in and at first, she was a bit hesitant, despite you showing ID, because after all, his case had gained national media attention so people were gathering to be in the know of if he was okay or not. But suddenly, a detective in a button down would come and scoop you up, giving a quick escort to the back area where he was being treated. Once you two arrived, the detective would ask you one simple question:
“Are you certain you’re ready to see him? He looks a bit different…”
but you didn’t care! You’d love him regardless and would be happy no matter the outcome. As long as he lived.
“Armie..oh my gosh..” whispering in a shrill cry because he looked really bruised and battered. His pale arms littered with red and purple bruises, head wrapped in bandages, arms stuck with needles and IV’s and an oxygen mask on his face. He was so fragile; dropping a staggering thirty pounds since his disappearance. He was severely dehydrated, flush and so weak. You couldn’t believe the condition he was in. You were even more surprised to find that he had wandered up to the police station, disoriented and talking out of character with nothing more than a thin loin cloth type thing on. He remembered his name but didn’t know what day it was, why he disappeared or where he had come from. It was as if whoever was keeping him, had put him in pretty bad shape. When asked about what happened whilst he was gone, he froze up and even began crying…that led all of you to believe that some very powerful people had gotten ahold of him. But what followed would send you into utter shock. The detective would pull you aside and ask to speak privately. It was there that he’d inform you that they suspected that Armin had not only gone missing of his own volition but that he staged the disappearance as an attempt to either evade the government for his findings or to garner more money for his research. People tended to shell out hundreds, even thousands when someone went missing so he figured he could swipe some of the funds from the GoFundMe to fuel his projects. It didn’t matter though, because your baby was back home and that was all that mattered.
to this day, no one knows what occurred on that night and what prompted Armin’s strange disappearance. Some still speculate that it was all a ruse and a ploy to get money. Others think that his research went entirely too far and landed him in hot water with the wrong people. But what do you think?
is there truth to this tale of the seas or a watered down lie?
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