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anim-ttrpgs · 2 days

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An absolutely incredible review of the beta version of Eureka: Investigative Urban Fantasy by review Willy Muffin on youtube, complete with visuals and actual analysis!

I'm going to also add to this post a comment that I left on the video, offering further insight into the design intentions of the game, though the comment might not make as much sense if you haven't watched the video yet.

Hey, lead writer of Eureka here, first of all I wanna say how good and professional this review is, it’s almost indescribable how it feels to see our project taken so seriously and given real analysis, complete with visuals and everything! We would be super impressed and happy with it even if you didn’t like the game—but luckily it sounds like you loved it hahaha

I’d also like to address a few things throughout the video, not as arguments or rebuttals, just further developer insight for everyone

Re: “Urban Fantasy.” “Urban Fantasy” is basically just another term for “modern fantasy”, just a fantasy story that takes place in the 20th or 21st century and deals with the intersection of contemporary life with the supernatural, and it might be an Americanism, or even a Southern-ism, since it has a lot of connections and origins in the living folklore of New Orleans, so I shouldn’t be surprised it isn’t a term everyone is familiar with. Just think of it as the kind of genre where instead of the vampire living in a secluded scary castle, his name is Phil and he’s your roommate haha. What We Do in the Shadows, Shadowrun, and the World of Darkness games are all some other good examples of “urban fantasy.”

Re: Scooby-Doo. Oh we would LOVE for you to run a Scooby-Doo-like wacky mystery with Eureka. Even though the main tone is dark and gritty and noir, we did intentionally build it so that it could run more lighthearted stuff as well! There’s even a few Scooby-Doo references to be found throughout the text, and if we hit a certain stretch goal on the Kickstarter, we’re going to be adding a bunch of Scooby-gang-inspired traits, including the option to play a Talking Dog!

Re: Combat being the largest section, even larger than Investigation. First of all, that’s kind of an illusion that is the result of the game being unfinished. I have a tendency when I write rules to use really long sentences, overexplain things, repeat myself, etc, and that dramatically bloats the rules text and page count, but that’s why we have an editor! She goes through after the fact and trims most of the fat off my bloated writing style to make it flow smoother and read faster, and take up less space. The PDF that was read for this review has had the Investigation chapter copy-edited (and cut down in size by about 25%!), but the editor hasn’t gotten to the combat chapters yet, so they still have a hugely inflated page count. When she’s done with them, you can expect each combat chapter to also be cut down in size by about 25%, so they won’t be nearly so large a chunk of the book.

Secondly, I’ll explain our reasoning for why the combat chapters and advanced combat rules are such a big chunk of the rules text, it’s intentional design which I will now explain. If anyone still doesn’t agree with that design, that’s fair, and that’s why we made the Basic Combat Rules an option.

The reason that the advanced combat rules are the default, and the reason they exist at all, is because it incentivizes and rewards Investigation. If combat is super deadly, it makes Investigation, snooping, and spying more appealing than kicking down the door and getting your head blown off. But of combat is super deadly, it also needs to be very deep and tactical, because if it’s deadly but shallow, then there’s no player agency. “Combat starts, roll some dice, okay your guy is dead.” That’s no fun. So by adding rules and modifiers for cover/elevation, distance, the difference between a pistol and an assault rifle, etc. we make it so that not only is combat its own high-stakes puzzle, but make it so that when the PCs HAVE to engage in combat, all their investigation can really pay off and save their lives. Spying on a building to find out the number of goons stationed there and how they are armed helps you plan and assess risk, stealing the blueprints to the building helps you know how to get the drop on the goons, and know the best places to attack from so that they are stuck out in the open and you are not, etc. and having rules for those things means that all the PCs’ snooping and planning makes a real mechanical difference in whether they live or die.

That’s just my opinion though, and one of the biggest reasons WHY we decided to write the combat with as much depth as we did.

Anyway, thank you again for this review and analysis of our project, our Kickstarter jumped up by about ten more backers in the evening when this video went up after several days of no new backers, and we have to assume we have this video, and all of you watching and reading this, to thank. You’re really making our dreams come true. :)

Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th! Back it while you still can!

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If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

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beencryingfor25years · 1 year

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Me: has the idea to write a chiropractor au

Also me: proceeds to write only scenes entirely unrelated to the chiropractor part of the au

#yes this is about my willex chiropractor au #i may have not said much about it but… it is in the works #and I may or may not be doing a slimmed down version of nanowrimo for it which I’m kind of loving tbh #i might even have a goal for when to start posting it if I get enough of it done and also don’t chicken out 🙈#in my notes pages I have ideas for scenes relating to the chiropractor #i worked out willie’s injury and had an idea for parts of the treatment to include #and yet every time I sit down to write I just make silly little tangents that could happen in almost any other non chiropractor verse #I don’t understand why I am like this #but words are better than no words and I’m making some silly cute things so I’m just going along for the ride #jatp #julie and the phantoms #fic writing #sunset curve chiropractic

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rskbunny · 7 months

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kinda depressin I'm actually yearnin to do school work again just to have some meanin to my day... I get an entire week off to do whatever I want but I'm so lost with myself that I just looked to what past me procrastinated for years to finish.... but they were all pretty small tasks.... it should feel good to not have all those back ups, but I just feel empty... maybe I wouldn't feel empty if school didn't drain me into a school drillin machine......

#text #mine #might delete later #it feels futile to try to start smth up rn when I know I'm not gonna have time for it again....#all my hobbies drain out into nothin when I have school. don't do much besides just rest in between work #I'm also just thinkin abt why do I feel like such shit all the time complainin abt how awful everything is and feelin like it's gettin worse #when I know objectively my life has been better than it ever has. and how hard I fought to get here. and how much it's changed #I have so much. I have an amount of fun money to spend on whatever I want. I'm at a place where I'm not pressured to do anythin #I have my cat indoors. I have my hubby who I was dyin to find for years.... even if it's not physically together atm...#I have a wardrobe filled with clothes I love. I have various technology and games #I think it's me that wrong with it all. I want and I want and I want and I want and it's never enough #or it's only enough temporarily. the goal post is always movin.#I guess I want to do schoolwork bc it feels like I'm actually movin forward. for whatever reason I'm not happy with my life #so I have to keep movin forward to get there.... which is not a bad thing I suppose #just wish I wasnt miserable all the time. I need to get a grip....#you know I say all the time but I'm so overdramatic with no emotional permanency #I know damn well there have been moments where I'm on top of the world. I am a borderline bitch what do u want from me #I think I'm just goin insane re: extrovert vent post #also need to get checked out for bipolar lmaoooo #I just cannot be assed to track my emotions that's soooo much work. I've tried so many times and I'm just not abt it

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phntmeii · 7 months

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🌊 OPLA Characters And Physical Touch

[SFW + No Gendered Terms]

🌊 Characters Featured: Luffy, Zoro, Nami, Sanji, Usopp, Mihawk, Shanks, Buggy, Koby

🌊 A/N: Can't believe that Zoro post kinda popped off immediately lmao. But here's a more fluffy list with a bunch of OPLA characters <3 It's an absolutely self-serving headcanon list just bc they all deserve so much love. Also, I need to hug Sanji in the above clip so bad :((

Monkey D. Luffy

🐚 Luffy is absolutely in love with physical touch no matter who it is! He's completely comfortable initiating it toward anyone, finding it the best way to show his affection.

🐚 Toward his partner, he just can't keep his hands to himself. He's hand holding with them always, planting kisses all across their face, etc.

🐚 He'll end up stretching his arms to pull his partner if they're far away and drag them toward himself to hold them close to his body in a hug.

🐚 Luffy is absolutely addicted to their touch and will whine, wrapping his arms around them to convince them to cuddle in bed if they try and refuse him.

Roronoa Zoro

🐚 Zoro is distant even with friends in terms of affection. It's just what he's been used to all his life and he can't break out of the habit easily.

🐚 With his partner, he tries to do it more often although they have to initiate it most of the time.

🐚 Zoro keeps his touches light and generally hidden. Leading his partner with his hand on their back as they walk, reassuring them by rubbing their arm, or locking his hand with theirs under the table.

🐚 When completely alone, he gets a bit softer even if he is still hesitant. His eyes will have a small shine as he caresses their cheek, memorizing their face with pure adoration.

Nami

🐚 Nami likes physical touch but only when she's known the person long enough. She welcomes hugs and other touches but if it's a stranger, she'll shrug them off and tell them not to do so again.

🐚 Her partner definitely knows how affectionate Nami can be. She can't help it since she's so in love with them!

🐚 Nami might try and complain if she's busy despite knowing how much she loves it. Trying to navigate with her map, using her finger to memorize the pathways and lands, she felt her partner's hand come around her waist and their head resting on her shoulder.

🐚 She couldn't help but smile while keeping her eyes to the map, pausing her finger in its place. "You know... I can't focus when you do that."

Vinsmoke Sanji

🐚 Sanji is sly and confident in taking his opportunities to initiate physical touch. It's not even necessarily in a perverted way, but just because he loves to show affection physically.

🐚 His partner will never know the end of his affection as he uses any excuse to touch them. His hand lingers on theirs as he passes their plate to them or he'll swear that he just needs to spoon them when he sleeps or else he'll be cranky in the morning.

🐚 Sanji is likely the least concerned about how PDA looks because he's just showing off what is his. It especially becomes apparent when he's jealous because his hand is never leaving their body.

🐚 Sanji's goal with physical touch toward his partner is to see them get flustered by it. However, turn the tables on him and he's kicking his feet in the air and giggling.

Usopp

🐚 Usopp is absolutely down for physical touch but will hesitate until he knows the other person would be okay with it. The moment he gets confirmation that it's okay or the other person initiates it, he'll happily go along with it!

🐚 Usopp is a bit nervous when it comes to relationships since he's always second-guessing himself. His starting physical touches will be his fingertips touching theirs but then quickly pulling away.

🐚 Once he knows his partner is comfortable, he’s all about it! Hugs, smooches, you name it and Usopp has it :)

🐚 Usopp will just be head over heels if his partner initiates physical touch on their own. Even if it’s in passing like a small kiss before a fight starts, he has to take a moment to process before snapping back to reality.

Mihawk

🐚 Mihawk isn't shy as much as he is reserved. He isn't a big fan of PDA although he'll indulge his partner in private.

🐚 He's very much someone who only tolerates so much from his partner over anyone else. If anyone else attempted, he's giving a warning look when they even try and reach out to him. For his partner? They could be smothering him while he's trying to focus and he's not making any effort to take them away.

🐚 He pretends to not enjoy his partner’s affections but the moment they pull away, he’s immediately trying to get them to come back and do it again.

🐚 Mihawk shows more of his affection when seeming jealous. Although, it’s not that he’s jealous of other men but more so possessive over what is his.

Shanks

🐚 Shanks is affectionate towards those he knows and doesn't hesitate to show it. He's just so loving and that doesn't go away for his partner.

🐚 Shanks is always so soft and gentle. His way of showing physical touch is always delicate.

🐚 He'll be laying down, barely awake, swearing he isn't asleep like always. When he senses his partner beside him, he'll crack a smile and pull their face closer, placing a small kiss at their cheek.

🐚 In group settings, he'll have a drink in one hand while his other hand will be firmly around the waist of his partner. He just loves having them close.

Buggy

🐚 Buggy is not capable of shame and is unapologetic, especially with his partner in terms of PDA.

🐚 Genuinely doesn't matter who is in attendance, he's holding onto them in any way he sees fit. Preferably he has his partner sit in his lap while he talks.

🐚 Buggy finds it hilarious to find any way to embarrass his partner and makes it a personal goal to see them blush or get nervous by him. So you can trust that he's always upping how intimate his touches are.

🐚 But, Buggy isn't patient either. There'll be a point where he just tosses his partner over his shoulder and walks away with them for a more private show just between them.

Koby

🐚 Poor bby boy Koby is an absolute wreck when it comes to physicality because he's nervous to go too far or initiate it. His partner will likely have to be the one to do so.

🐚 Koby's favorite is late night cuddling though. Burying his head into the chest of his partner, whether of embarrassment or comfortability or both, who knows, but it's an adorable sight to see regardless.

🐚 Any physical touch will have him doing an upside down smile in response while he looks away, even if it's hand holding.

🐚 Koby loves to receive kisses from his partner and often goes out of his way to do things that their partner would approve of to get more of them like a reward. Because that's what he sees that as. His reward from his gorgeous partner.

⤷ divider credits: @cafekitsune

#opla #one piece live action #opla x reader #opla x y/n #opla x you #luffy x reader #zoro x reader #nami x reader #usopp x reader #sanji x reader #mihawk x reader #shanks x reader #buggy x reader #koby x reader #one piece x reader

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malusokay · 6 months

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becoming a better student ₊˚⊹♡

Prepare for your classes ˚୨୧⋆｡˚ ⋆

Wake up on time. We don't want to be stressed first thing in the morning, right?

Eat breakfast. So you will be able to better focus in class.

Assigned reading and homework. Make sure you are prepared for your classes!! :)

Review your notes. Going through some of your flashcards before class is really helpful.

Check your bag and charge your devices. Ensure you have everything you need: Books, homework, chargers, pens, water...

In Class ˚୨୧⋆｡˚ ⋆

Listen and pay attention. You can save yourself a lot of trouble by simply paying attention, trust me.

Take notes. My favourite note-taking method is the Cornell method; I can make a separate post on that!! <3

"Quick notes." If you struggle with note-taking, try taking quick and messy notes. You can clean them up once you get home!!

Engage. If you have any questions or don't understand something, make sure to ask!! Most teachers really appreciate students who speak up. :)

No distractions. Turn off your phone, no chatting, you'll be glad...

After class ˚୨୧⋆｡˚ ⋆

Finish your assignments as soon as you can. Go home, put on a cosy outfit, have a snack, and get working!! <3

Prepare flash cards. A great way of reviewing your notes, too... :)

Update your Study schedule. Write down any assignment and due dates, reading you must do, upcoming tests, etc...

Clean up your notes. Review them, highlight the important parts, and maybe even make them look cute!! :)

Don't avoid topics/Subjects you dislike. I know it is tempting, but you can't avoid them forever, so you might as well get them done

Structure and routine ˚୨୧⋆｡˚ ⋆

Goals and Priorities. Keep them realistic and manageable.

Time management. Having a set schedule makes studying less overwhelming; it takes some discipline but is so worth it!! <3

Develop a routine. Figure out what works best for you; I prefer studying in the morning or at night.

No "zero days". Even if you can only do a bit, do it!! NO. ZERO. DAYS.

Remember your goals. Dreams will keep you motivated; remind yourself of what you're working for!! <3

Self-care and balance ˚୨୧⋆｡˚ ⋆

Don't forget about your hobbies. You need to do things that make you happy, so make time for those things!!

Maintain a balanced diet. I know chocolates and junk are tempting, especially when you are busy studying all day, but you're not doing yourself any favours.

Sleep. Sleep. Sleep. 8 Hours. Non-negotiable.

Exercise regularly. Even if it's just a walk, put on some headphones, listen to music, and give yourself a break. <3

Care for your social life. Reach out to your friends, make plans, and keep in touch; a good work-life balance is critical!!

Romanticising ˚୨୧⋆｡˚ ⋆

Study dates. Meet up with your friends at a cosy cafe, discuss your work, and have some fun!! Studying doesn't have to be all serious all the time ;)

Silly Pinterest boards. Visualising your goals will help you find motivation!!

Music to set the mood. I have a bunch of playlists on my Spotify that might help!! <3

Cosy sweater and candles. The cosy Rory Gilmore vibes haha...

Getting a coffee before class. A little treat before things get serious... Simple pleasures, you know? :)

Babes, The hiatus is OVER, and I'm finally back!! I got a lot of asks on studying, burnout, and school in general, so I thought, why not start off with a little student guide?? I Hope October has been kind to you, and school hasn't been too overwhelming (though I know it, unfortunately, has been for many of you), and I'm glad to finally be back!! <33

As always, Please feel free to add your own suggestions and tips in the comments!!

✩‧₊*:・love ya ･:*₊‧✩

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allisonlol · 5 months

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Bsd characters with a s/o who does only fans?

a/n: omg hello?? i’m BACK. thank y’all for all the love in my absence btw…we hit 3k awhile ago and i didn’t say anything so TYSM❗️🫶🏻 here are some little hc’s to get me back into the swing of things. i chose a bunch of randoms!

warnings: mild sexual content, implied violence

BSD Characters When You Have an Onlyfans

Dazai:

first and foremost lol

he is DEFINITELY down for this shit

you need him to take photos for you? he already has the camera open on his phone. you wanna record something with him? you blink and his clothes will already be on the FLOOR

i feel like dazai already has a thing for recording sex, so he loves it

i’m sensing a bit of voyuerism with the way he wants other people to watch y’all 🤨

also doxxes and hunts down the people who leak ur shit 🫵🏻❌

Chuuya

hmm mixed opinions on this one

like. chuuya doesn’t wanna control u or tell u what to do, but…

he is too possessive a man to be alright with u having an onlyfans

is embarrassed to admit this tho and will just be like “oh…okay” while avoiding looking you in the eye if u ever mention it

completely avoids getting involved with it…sorry but you’ll have to take ur own pictures.

don’t get me wrong, he likes to see them after and always think u look incredible!! chuuya just hates to imagine all the other men doing the same and worse to them

bro will hustle even more to provide enough money for you to get off the net 💀

Akutagawa

u had to tell him what onlyfans was and even then, he was like “erm…”

i feel like he doesn’t take it too seriously. at first almost considers it like instagram 😭

but once u ask him to help take pics for you, and he sees what ur (not) wearing, he’s suddenly like “what’s all this abt…”

let’s you continue to post but only if he can stand in the background of each picture with a knife 🔪

besides that, he doesn’t like being on camera for videos or anything. doesn’t feel comfy with u filming what he considers ur most intimate moments 👎🏻

Nikolai

don’t have to ask him twice!! this man is even more eager than dazai

becomes his goal to get you to the top 1% (and y’all get pretty damn close)

your photos and videos turn much kinkier once nikolai joins you

gets u new lingerie to wear for each photo set, buys u a bunch of toys, proposes new ideas for videos…might as well give this man 50% of profits

almost starts to take over YOUR onlyfans…makes an appearance in every post 💀

Fyodor

i’m unapologetic about this one

it’s an immediate and definite no

demands u delete the account and “respect yourself more” 🤨🤨

(covering up for his extreme possessiveness…he cannot stand any “vile men” looking at u)

u try to show him the photos on there and he shoves your phone away, talking some shit abt how it’s disgusting??

i feel like fyodor has one of those weird madonna-whore complexes…whole other thing to get into but basically he doesn’t even like to see sexual photos of u most of the time 💀

ur messing with his religious vibe!! don’t tempt him!!

taglist: @deadmitochondria @miycutie @chuuyasboots @shy-socially-awkward-intovert @beandaifuku @stygianoir @sonder-paradise @irethepotato @serenareiss @ashthemadwriter @mrsdostoevsky @creamygojo @disa-ster

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lisafication · 11 months

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For those who might happen across this, I'm an administrator for the forum 'Sufficient Velocity', a large old-school forum oriented around Creative Writing. I originally posted this on there (and any reference to 'here' will mean the forum), but I felt I might as well throw it up here, as well, even if I don't actually have any followers.

This week, I've been reading fanfiction on Archive of Our Own (AO3), a site run by the Organisation for Transformative Works (OTW), a non-profit. This isn't particularly exceptional, in and of itself — like many others on the site, I read a lot of fanfiction, both on Sufficient Velocity (SV) and elsewhere — however what was bizarre to me was encountering a new prefix on certain works, that of 'End OTW Racism'. While I'm sure a number of people were already familiar with this, I was not, so I looked into it.

What I found... wasn't great. And I don't think anyone involved realises that.

To summarise the details, the #EndOTWRacism campaign, of which you may find their manifesto here, is a campaign oriented towards seeing hateful or discriminatory works removed from AO3 — and believe me, there is a lot of it. To whit, they want the OTW to moderate them. A laudable goal, on the face of it — certainly, we do something similar on Sufficient Velocity with Rule 2 and, to be clear, nothing I say here is a critique of Rule 2 (or, indeed, Rule 6) on SV.

But it's not that simple, not when you're the size of Archive of Our Own. So, let's talk about the vagaries and little-known pitfalls of content moderation, particularly as it applies to digital fiction and at scale. Let's dig into some of the details — as far as credentials go, I have, unfortunately, been in moderation and/or administration on SV for about six years and this is something we have to grapple with regularly, so I would like to say I can speak with some degree of expertise on the subject.

So, what are the problems with moderating bad works from a site? Let's start with discovery— that is to say, how you find rule-breaching works in the first place. There are more-or-less two different ways to approach manual content moderation of open submissions on a digital platform: review-based and report-based (you could also call them curation-based and flag-based), with various combinations of the two. Automated content moderation isn't something I'm going to cover here — I feel I can safely assume I'm preaching to the choir when I say it's a bad idea, and if I'm not, I'll just note that the least absurd outcome we had when simulating AI moderation (mostly for the sake of an academic exercise) on SV was banning all the staff.

In a review-based system, you check someone's work and approve it to the site upon verifying that it doesn't breach your content rules. Generally pretty simple, we used to do something like it on request. Unfortunately, if you do that, it can void your safe harbour protections in the US per Myeress vs. Buzzfeed Inc. This case, if you weren't aware, is why we stopped offering content review on SV. Suffice to say, it's not really a realistic option for anyone large enough for the courts to notice, and extremely clunky and unpleasant for the users, to boot.

Report-based systems, on the other hand, are something we use today — users find works they think are in breach and alert the moderation team to their presence with a report. On SV, this works pretty well — a user or users flag a work as potentially troublesome, moderation investigate it and either action it or reject the report. Unfortunately, AO3 is not SV. I'll get into the details of that dreadful beast known as scaling later, but thankfully we do have a much better comparison point — fanfiction.net (FFN).

FFN has had two great purges over the years, with a... mixed amount of content moderation applied in between: one in 2002 when the NC-17 rating was removed, and one in 2012. Both, ostensibly, were targeted at adult content. In practice, many fics that wouldn't raise an eye on Spacebattles today or Sufficient Velocity prior to 2018 were also removed; a number of reports suggest that something as simple as having a swearword in your title or summary was enough to get you hit, even if you were a 'T' rated work. Most disturbingly of all, there are a number of — impossible to substantiate — accounts of groups such as the infamous Critics United 'mass reporting' works to trigger a strike to get them removed. I would suggest reading further on places like Fanlore if you are unfamiliar and want to know more.

Despite its flaws however, report-based moderation is more-or-less the only option, and this segues neatly into the next piece of the puzzle that is content moderation, that is to say, the rubric. How do you decide what is, and what isn't against the rules of your site?

Anyone who's complained to the staff about how vague the rules are on SV may have had this explained to them, but as that is likely not many of you, I'll summarise: the more precise and clear-cut your chosen rubric is, the more it will inevitably need to resemble a legal document — and the less readable it is to the layman. We'll return to SV for an example here: many newer users will not be aware of this, but SV used to have a much more 'line by line, clearly delineated' set of rules and... people kind of hated it! An infraction would reference 'Community Compact III.15.5' rather than Rule 3, because it was more or less written in the same manner as the Terms of Service (sans the legal terms of art). While it was a more legible rubric from a certain perspective, from the perspective of communicating expectations to the users it was inferior to our current set of rules — even less of them read it, and we don't have great uptake right now.

And it still wasn't really an improvement over our current set-up when it comes to 'moderation consistency'. Even without getting into the nuts and bolts of "how do you define a racist work in a way that does not, at any point, say words to the effect of 'I know it when I see it'" — which is itself very, very difficult don't get me wrong I'm not dismissing this — you are stuck with finding an appropriate footing between a spectrum of 'the US penal code' and 'don't be a dick' as your rubric. Going for the penal code side doesn't help nearly as much as you might expect with moderation consistency, either — no matter what, you will never have a 100% correct call rate. You have the impossible task of writing a rubric that is easy for users to comprehend, extremely clear for moderation and capable of cleanly defining what is and what isn't racist without relying on moderator judgement, something which you cannot trust when operating at scale.

Speaking of scale, it's time to move on to the third prong — and the last covered in this ramble, which is more of a brief overview than anything truly in-depth — which is resources. Moderation is not a magic wand, you can't conjure it out of nowhere: you need to spend an enormous amount of time, effort and money on building, training and equipping a moderation staff, even a volunteer one, and it is far, far from an instant process. Our most recent tranche of moderators spent several months in training and it will likely be some months more before they're fully comfortable in the role — and that's with a relatively robust bureaucracy and a number of highly experienced mentors supporting them, something that is not going to be available to a new moderation branch with little to no experience. Beyond that, there's the matter of sheer numbers.

Combining both moderation and arbitration — because for volunteer staff, pure moderation is in actuality less efficient in my eyes, for a variety of reasons beyond the scope of this post, but we'll treat it as if they're both just 'moderators' — SV presently has 34 dedicated moderation volunteers. SV hosts ~785 million words of creative writing.

AO3 hosts ~32 billion.

These are some very rough and simplified figures, but if you completely ignore all the usual problems of scaling manpower in a business (or pseudo-business), such as (but not limited to) geometrically increasing bureaucratic complexity and administrative burden, along with all the particular issues of volunteer moderation... AO3 would still need well over one thousand volunteer moderators to be able to match SV's moderator-to-creative-wordcount ratio.

Paid moderation, of course, you can get away with less — my estimate is that you could fully moderate SV with, at best, ~8 full-time moderators, still ignoring administrative burden above the level of team leader. This leaves AO3 only needing a much more modest ~350 moderators. At the US minimum wage of ~$15k p.a. — which is, in my eyes, deeply unethical to pay moderators as full-time moderation is an intensely gruelling role with extremely high rates of PTSD and other stress-related conditions — that is approximately ~$5.25m p.a. costs on moderator wages. Their average annual budget is a bit over $500k.

So, that's obviously not on the table, and we return to volunteer staffing. Which... let's examine that scenario and the questions it leaves us with, as our conclusion.

Let's say, through some miracle, AO3 succeeds in finding those hundreds and hundreds and hundreds of volunteer moderators. We'll even say none of them are malicious actors or sufficiently incompetent as to be indistinguishable, and that they manage to replicate something on the level of or superior to our moderation tooling near-instantly at no cost. We still have several questions to be answered:

How are you maintaining consistency? Have you managed to define racism to the point that moderator judgment no longer enters the equation? And to be clear, you cannot allow moderator judgment to be a significant decision maker at this scale, or you will end with absurd results.

How are you handling staff mental health? Some reading on the matter, to save me a lengthy and unrelated explanation of some of the steps involved in ensuring mental health for commercial-scale content moderators.

How are you handling your failures? No moderation in the world has ever succeeded in a 100% accuracy rate, what are you doing about that?

Using report-based discovery, how are you preventing 'report brigading', such as the theories surrounding Critics United mentioned above? It is a natural human response to take into account the amount and severity of feedback. While SV moderators are well trained on the matter, the rare times something is receiving enough reports to potentially be classified as a 'brigade' on that scale will nearly always be escalated to administration, something completely infeasible at (you're learning to hate this word, I'm sure) scale.

How are you communicating expectations to your user base? If you're relying on a flag-based system, your users' understanding of the rules is a critical facet of your moderation system — how have you managed to make them legible to a layman while still managing to somehow 'truly' define racism?

How are you managing over one thousand moderators? Like even beyond all the concerns with consistency, how are you keeping track of that many moving parts as a volunteer organisation without dozens or even hundreds of professional managers? I've ignored the scaling administrative burden up until now, but it has to be addressed in reality.

What are you doing to sweep through your archives? SV is more-or-less on-top of 'old' works as far as rule-breaking goes, with the occasional forgotten tidbit popping up every 18 months or so — and that's what we're extrapolating from. These thousand-plus moderators are mostly going to be addressing current or near-current content, are you going to spin up that many again to comb through the 32 billion words already posted?

I could go on for a fair bit here, but this has already stretched out to over two thousand words.

I think the people behind this movement have their hearts in the right place and the sentiment is laudable, but in practice it is simply 'won't someone think of the children' in a funny hat. It cannot be done.

Even if you could somehow meet the bare minimum thresholds, you are simply not going to manage a ruleset of sufficient clarity so as to prevent a much-worse repeat of the 2012 FF.net massacre, you are not going to be able to manage a moderation staff of that size and you are not going to be able to ensure a coherent understanding among all your users (we haven't managed that after nearly ten years and a much smaller and more engaged userbase). There's a serious number of other issues I haven't covered here as well, as this really is just an attempt at giving some insight into the sheer number of moving parts behind content moderation: the movement wants off-site content to be policed which isn't so much its own barrel of fish as it is its own barrel of Cthulhu; AO3 is far from English-only and would in actuality need moderators for almost every language it supports — and most damning of all, if Section 230 is wiped out by the Supreme Court it is not unlikely that engaging in content moderation at all could simply see AO3 shut down.

As sucky as it seems, the current status quo really is the best situation possible. Sorry about that.

#archive of our own #endotwracism #end otw racism #content moderation #sufficient velocity #i hate how much i know about this topic

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tia-222 · 6 months

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3 DAY ROUTINE BASED ON ANONS VOID SUCCESS STORY

( Requested by an anon ✧ )

Introduction to the routine :

Before I could join Tumblr, the 3 day Manifestation challenge was already published on Tumblr and it become really popular and so many Anons succeeded with it. It was STARLIET who made the post and oh my word, it was beautiful ( I miss her sm ). So, this was inspired by star and my anon <3.

The 3 day concept was based on the following points :

✩ " Three days; the duration is three days for response in this world. If I would now assume I AM what I want to be, and if I AM faithful to it and walk as though I were, the very longest stretch given for it’s realization is three days. If there is something tonight that you really want in this world, then experience in imagination what you would experience in the flesh were you to realize your goal and deafen your ears and blind your eyes to all that denies the reality of your assumption . . . If I could completely saturate my mind with one sensation and walk as though it were already a fact, I am promised (and I cannot find any denial of it in the Bible) that I do not need more than a three day diet if I remain faithful to it "

✩ " Begin now to mentally see and feel yourself as that which you want to be, and feast upon that sensation morning, noon, and night. I have scoured the Bible for a time interval that is longer than three days and I have not found it. "

✩ " The Bible gives it as three days; the duration is three days for response in this world. If I would now assume I am what I want to be, and if I am faithful to it and walk as though I were, the very longest stretch given for its realization is three days. "

( STARLIET 3 DAY MANIFESTATION CHALLENGE btw)

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Main terms to understand in this post ♡ -

State of Akin to Sleep :

State of akin to sleep is the most talked about method in Neville's Goddard books and it is one of his favourite techniques to manifest. Sats is basically falling asleep in the wishfulied state in even more simpler terms meaning imaging your desires as if it ALREADY manifested.

Neville says:

" You change your future best when you are in control of your thoughts while in a state akin to sleep, for then effort is reduced to its minimum. Your attention seems to completely relax, and then you must practice holding your attention within that feeling, without using force, and without using effort " .

Living in the end :

Living in the end means to go straight into end idea of what it feels to have your manifestation. As Star said, what thoughts will you think, if you had your desire!

" Techniques such as affirmations, visualization, feeling as if, are very important. You do them, let's say 15 minutes, multiple times a day, and then during the day, you just remind yourself "It's done." You have it. You are it. The problem is resolved. THERE IS NOTHING MORE TO DO. "

" YOU KNOW IT IS DONE "

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Routine →

Firstly, I understand that some of y'all might have problems with visualizing when it's comes to sats, but that's totally ok. Instead of imaging you can use Affirmations <3.

Your Affirmations can be :

✧ It's a fact that I always manifest within 3 days.

✧ I successfully entered the void state within 3 days

✧ I always wake up in the void state aware within 3 days.

✧ I can easily manifest whatever I want within 3 days.

Day 1 :

Step 1 : In the morning as you wake, you are naturally in Sats without having to meditate to get into it.

You start affirming any of the affirmations above or simply imagine telling someone that entering the void state is completely easy for you.

Step 2 : During the day 3x whatever time you want, you going to meditate on the feeling of the wishfulied on how entering the void state is easy for you. See, think and act it out in your imagination. For example, I want you simply feel how it would be if you entered the void state and manifested all your desires, would you feel excited, happy or fulied. This will take you out of the " TRYING " mindset and put into your desired state of being a master of the void state.

Before bed, you are also naturally in sats, use this as the perfect time to affirm any of the above affirmations. Know that you will wake up in the void state within 3 days!!

REPEAT FOR THE NEXT 2 DAYS!!

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#void state #law of assumption #void state tips #the void state #manifestion #void thoughts #neville goddard #void state challenge #loas blog #loas tumblr #spirituality #law of manifestion #affirm and persist #Subconscious #instant manifestation #manifesting challenge #manifesting instantly #self concept

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blissfullyecho · 1 year

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how to create a leveling up/dream girl/rebranding plan 🤍🍸🖤

establish your aesthetic

first thing’s first, you need to know where you want to go in life and what is your “aesthetic”? do you want to be giving “classy, businesswoman”? what about “nyc socialite”? of course these are just examples, but you should know what type of girl you want to embody. remember, you don’t have to fit a narrative, but you should have a general “aesthetic” that you want to be associated with. even if it’s 50 million different aesthetics, it’s whatever makes you, you.

visualize yourself/life

get inspired by making a vision board (physical or digital) and add to your board (if digital) daily. i find that this helps you stay in alignment with where you want to be in the future. you have to stay in that frequency and remind yourself of what’s next to come… because this new life is what’s next to come.

start with habits

please refer to my “starting your leveling up journey” post, but basically— you should create 1-3 habits for each of your goals and work on them until they become second nature. then when you’re ready, start implementing more habits that are aligned with your goals.

create routines with your habits

can you incorporate some of these new habits into a morning or evening routine? we all know that routines are important— they almost become our personalities and they set the tone for the day and night, and even the next day. for me, i know i’m only inspired to exercise in the morning around 10am, so exercise is part of my morning routine.

create daily + weekly goals

let’s say part of your journey is learning a new language. a daily goal could be learning one new vocabulary word in that language. your weekly goal could be knowing the alphabet in that language. use this method for all of your goals.

don’t overwhelm yourself with goals, routines, and habits

start slow; don’t overwhelm yourself. if you want to work on one goal at a time, then work on that one goal. burnout is real and it’s very hard to get back into the swing of things afterwards. i understand most of us are impatient when we just want to be a different version of ourselves, but it’s going to take some adjusting. i suggest not working on more than 3 things at once, but if you can work on more, go ahead

be a part of a community to keep you accountable

tumblr and facebook groups in my opinion are the best ways you can connect with other women who are working on the same thing. you can inspire one another, bounce ideas off of one another, and it’s super fun. you might want to even document your journey online.

set milestones and have a reward system

let’s say you would like to lose or gain weight, no matter the number, focus on 5-10 pound increments. when each milestone is successfully completed, reward yourself with something nice. maybe it’s getting your nails done, or splurging on a product that everyone on tiktok keeps talking about. apply this to any of your goals where there are milestones to get to.

don’t waste the day

you should not have any “zero days” meaning… you should be doing at least one thing everyday to reach a goal(s) you have. it doesn’t matter if one goal was to maintain a more organized, clean environment— do your dishes, set the trash out, clean up the hair from the bathroom sink, etc.

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rie-092 · 24 days

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FATHER, CAN I DIE?

✶﹒ platonic yandere! manhwa fathers x suicidal/overworked daughter! reader

summary : maybe they should just lock you in your room to make sure that you won't do something dangerous.

a.n : i plan to make this a series, what do you think?

abel heilon

let's start with the most chill platonic yandere! out of the guys that i will feature in this post! abel heilon, the duke of the north with a simple mindset of 'if you mess with me then i'll mess with ya' we all know how protective he is with fiona and siegren. but just imagine, what if— just what if he has an illegitimate child who's related to him by blood that he hid from the public's eyes.

anyways, the first time he met you. he became sure of one thing. damn, you were indeed his child. with that silver hair, blue eyes and personality of yours— you were indeed his child. he can't deny that because you looked like a kid version of him. well, it's not like he is denying it tho— but what the fuck is wrong with your brain anyways?!

he doesn't know if you were abused before he met you. but why in the hell are you so obsessed with suicide anyways?! why the fuck are you even throwing yourself in battles when you were a support mage?! for the fuck sake! stop! yes, you have above average amount of mana! but the hell?! you're not as strong as fiona nor siegren! stop it!

if it's not for siegren then he wouldn't know the fact that you happily greeted the assassin that was sent by the imperial family. according to him, before siegren saved you from the assassin you even have the guts to propose to that damn assassin about committing suicide together since according to you, you have fallen in love with him— hearing that story, abel couldn't help but facepalm. (first name), you're thirteen! and that assassin is already thirty-six or worse, older!

maybe because of the stress of managing the north and keeping you safe from your suicide attempts. abel finally snapped.

look, abel likes watching you enjoying your freedom. but damn, if he doesn't do anything about this— he might end up burying you before you even reach the age of 18. he won't hurt you, he swears. that was the last thing that he will do to you. but that doesn't mean that he can't take preventive measures to make sure that you were safe.

platonic yandere! abel heilon was one of the chillest platonic yandere that existed. he will let you do anything that you want, he won't take away your freedom nor hurt you. he isn't also overbearing to the point that it was suffocating. but don't make him snap, because he can be the most suffocating and controlling parent existed.

now, on your sixteenth birthday— to celebrate it. you decided to jump onto the freezing river near the manor. you expected that you'll wake up inside your room— but no. when you opened your eyes, you were inside an unfamiliar room that has no windows. seeing that you can't use your magic, you were sure that there's a magic restricting device placed around here. what the hell is happening?

the door had opened, you looked at who it was and saw abel looking at you with a smug grin. you tried to ask him what is going on but instead of replying— abel only ruffled your hair saying that it will be only him and you from now on. and that was when you realized one thing— abel had taken your freedom away from you.

but abel didn't care. cry until you have no tears left, he doesn't care. the only thing that he cared about was keeping you alive. and this is the only thing that he know to achieve his goal. but don't worry, he will visit you everyday and give you books to make sure that you won't get bored. so, can you stop being a btch and appreciate his efforts?

he doesn't care if your eyes lost its usual enthusiasm and spark. he doesn't care if you stop eating at some point— because abel can shove the food inside your mouth to make sure that you stay alive.

oh, by the way— fiona was the one who made the room where you were staying now. she just wanted to make sure that you were safe! and the only place where you can be safe is the place where you can't use magic! so, forgive them, will ya?

“should i just cut off your arms? so that you won't be able to use your magic again?”

gallahan lombardy

okay, as far as you know— you are not really a suicidal type of person. but for your father, gallahan lombardy you are. because for gallahan, overworking is another way to try to kill yourself after all.

gallahan is a sweet person, i swear. he won't hurt you at all and isolating you? no, no, no, gallahan won't do that! but he still couldn't help but become paranoid when it came to you. you were way too focused on studying— maybe because of the pressure that you were getting from the other people.

your sleep only lasted for two or four hours, you always isolate yourself inside the library. and gallahan didn't like it at all— look, you need to take it easy and rest. the only time you leave the library was when gallahan and tia drag you outside to eat in a cafe or buy new clothes.

platonic yandere! gallahan loves to spoil you. you wanted to buy books? here you go. want to try home-cooked foods? sure, he'll cook it for you. do you want to go to the festival with tia? alright! as long as he will go with you two.

but then, a certain event made gallahan snap. it was a normal day and gallahan entered the library to drag you outside so that you could socialize with the family. but then, he saw you unconscious on the floor, buried in the books and your nose was bleeding. gallahan was panicking, he didn't know what to do. what if you don't wake up? what if something bad happens to you? or worse— what if you die? if it wasn't for shananet who saw her younger brother's panicked face and her niece's condition. then gallahan won't be able to calm down and call the family doctor.

and what is the doctor's diagnosis? you were overworked. and after hearing that, rulac lombardi, your grandfather along with your auntie and uncles saw how your father's face darkened while looking at you who was peacefully sleeping on the bed.

and then, after that incident. you couldn't help but become confused when gallahan didn't scold you— instead, when you woke up. you saw him smiling softly at you. he didn't even ask you to take it easy. he just lets you do what you want.

but what you found odd was your father started giving you foods and drinks everytime and after consuming those things. you started feeling tired and before you knew it, you always ends up asleep. and once you woken up, you were already on your room. with tia cuddling with you while your father was asleep while sitting on the chair next to your bed also asleep.

knowing how innocent your father was, you never suspect a thing. you just kept on eating and drinking the things that he was giving to you. and you never questioned why you always get tired after it. your father loves you so much, so he wouldn't do anything— right?

plot twist, gallahan actually puts drug on your food and drinks to make sure that you will take a rest and never overwork yourself again. but a year later, you started losing your sense of sight because of it. but gallahan and tia don't care when you have them? oh, just thinking about their sweet (first name) being dependent on them was enough to make them very happy.

“sorry, honey! this is just a precaution, okay?”

#manhwa x reader #yandere #yandere x reader #yandere x y/n #yandere headcanons #yandere manhwa #yandere manhwa x reader #platonic yandere #platonic yandere x reader #gallahan lombardi #abel heilon #tw. yandere #tw: force feeding #tw. isolation #tw.dark content #tw: drugs #tw: obsessive behavior

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genderqueerdykes · 3 months

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is there anything that has happened since starting T that you didn't expect to happen? or that you feel you were not adequately informed about (by doctors, peers, etc), and that really should be more common knowledge?

that's such a great question, thank you for asking! that's a huge yes from me! here's what i experienced that i was definitely caught off guard by and not warned about that presented some challenges:

I was not told that because my body is changing, growing, and adjusting to a new balance in my endocrine system that i would be very exhausted for quite a while. i already have chronic fatigue but i basically struggled to get out of bed for about 2 weeks after starting T- i wasn't depressed, i was just exhausted. this is due to the fact that my muscles were becoming denser and rearranging themselves, my facial and body structure were changing, i was growing more hair, etc. that takes a lot of energy!

Similarly to the point above, no one told me that it would make you hungry as hell, and require you to eat a lot more. if you feel like you're "over eating" after just starting testosterone, you're probably not- your base caloric intake needs to increase because you are literally growing and changing, and also, high testosterone bodies tend to need more calories anyways

Body hair growth is ITCHY!!!! and sometimes even painful! growing hair in sensitive areas like your armpits, crotch and ass can be extremely uncomfortable if not painful at times. I've heard from even cis men who have told me that growing their ass hair was extremely painful and uncomfortable due to how that area is configured- if you find that hair growth is uncomfortable this is pretty normal, but always seek help if it becomes unbearable or you feel there are ingrown hairs. Also nose hair and ear hair become more of a thing, now

Testosterone will thicken your vocal cords and drop your voice, but you also have to teach yourself how to speak from your chest, or how to drop your voice to sit in a lower range naturally or else you will still sound pretty similar to your pre-transition voice, unless that is your goal. The effects are very strong, but many transmascs*, trans folk* etc. don't see as much change as they would if they also trained their voice at the same time while it's dropping

Your boobs will become flatter and sometimes smaller and a lot saggier. This is normal!

Whenever i re-start testosterone and when i started it for the first time, i had some pretty heavy menstrual periods for a while; sometimes your body reacts in the opposite way at first before totally stopping your periods altogether. it's almost like "rebound" symptom, if you know what that mean

Restless energy will very much become a thing, if you notice you're starting to get pissed off and can't place a finger on why you feel agitated and like you're going to explode, you might just need to do some physical activity for a while

that's all i could think of for now, but if i think of anything else, i'll be sure to add it to this post! thanks for asking, i hope this was informational! good luck out there in your journey!

#asks #answers #transmasculine #transmasc #ftm #trans guy #trans men #testosterone #t #testosterone hrt #hrt #hormones #hormone replacement therapy #nonbinary #enby #genderqueer #genderfluid #butch lesbian

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cy-cyborg · 2 months

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Disability Tropes: The disabling change of heart

When a character in a story becomes disabled, they'll sometimes experience a trope that I like to call "the disabling change of heart". This is when the character goes through a massive change in their outlook, their personality, their goals or even roll in the story, specifically because they became (or are about to become) physically disabled. Sometimes, this will be in relatively small ways: the happy-go-lucky comedic relief character might become bitter, angry and jaded after getting into an accident that caused a spinal injury, or the severally depressed and nihilistic character might suddenly start acting more cheerful and hopeful, stating that loosing their leg has "put things into perspective and showed them what really matters". In other cases though, the impact is much larger, the heroic character you've been hearing about looses an arm thanks to the main character's actions, causing them to become consumed with anger and self-loathing which they take out on everyone else, eventually becoming an antagonist as they seek revenge for what the main character did to them. The morally grey or even villainous character is injured by their own scheme, giving themselves a permanent disability in the process, which prompts a change of heart and leads them to turn their lives around and become better people, maybe even deciding to team up with the heroes.

Now, having a character go through a personality and goal change due to a major life event, such as becoming physically disabled, isn't inherently bad. A lot of writers are told to tie major shifts in your character's development to major life events, because realistically, something like becoming newly disabled will at least impact how you view the world around you. I very frequently talk about how if I didn't loose my legs, I would have become a vastly different person, but the issues with this trope depends on how it's used and the reasons behind these developments, and whether or not the change suits the character in question.

Before we get into things, I would like to specify that in this post, I'm only going to be talking about how this trope is used with physical disabilities and other easily visible forms of disability. It does show up with characters who develop disabilities under the mentally ill and neurodivergent umbrellas, and is actually a bit more common than what I'm talking about today, but the specific ways its utilised are so different that it's more or less a separate trope, and one that deserves much more attention than I could give it here as this is already going to be a pretty long post. So for today, I'm keeping to it's use with physical and visible disabilities, and we'll talk about how this trope is used with neurodivergence and mental illness another day.

The main thing you need to be mindful of is ensuring that you, as an author, are not including your ingrained biases about disability into the reasoning behind the change. Let's look at one of the examples from before, an evil character who, after loosing their arm (because it's almost always loosing an arm for some reason) becomes a villain and wants revenge against the main character. In a story like this example, the character who became an amputee often views this new disability as something that has ruined their life. It's something that has caused them to suffer, and they want to make the main character (or whoever has "wronged" them) suffer like they did. Stories like this example portray disability as something that is not just horrible, but life-destroying, especially with villains who become all-consumed by the misery this disability has brought them. Many stories that utilise this version of the trope also often perpetuate the idea that if you become disabled, you'll have to give up all the things you love and your goals, even when this wouldn't necessarily be true for the character in question.

Let's say your character was a knight, and the main character cut off their arm in a training accident. obviously you can't be a knight with only one arm because you can't fight anymore, so they left their order. Now this character has become a villain and has found power that "makes up" for their disability, perhaps magic or some other force that doesn't exist in the real world, and are back to get revenge on the character for ruining their lives. Here's the thing though, the loss of a limb, or at least, the loss of an arm specifically, often isn't the career ender people think it is, even back then. In fact, there are many historical records of real amputees continuing to serve as knights and other similar military roles after loosing an arm or at the very least, continuing to fight in other ways. One such example was Götz of the Iron Hand, a mercenary knight who lost his arm to a cannon. Götz had fought as part of the Roman empire's military in 1498, but shortly after left to form his own mercenary company. He lost his hand in 1504 and continued his career as a mercenary with the help of an iron prosthetic capable of holding his sword and the reigns of his horse, among many other things such as writing, for another 40 years. Götz wasn't unique in this though, several suits of armour from the same time period have been found with integrated prosthetic hands, though the names of their owners are unknown. There was also Oruç Reis (aka Aruj Barbarossa), A privateer admiral who served the Ottoman Empire in and around the Mediterranean who lost his left hand - earning him one of many nicknames: Silver-Hand, thanks to the colour of his prosthetic. Oruç, like Götz, continued his career for several more years until he was eventually killed in 1518.

My point in bringing this up, is to highlight how important it is to double check that the reason your character's whole motivation for turning to villainy, isn't just based on your ideas about what a disabled person can or can not do. Actually double check it, research it, especially if it's important for your plot.

Even in the cases where the disability in question actually would stop someone from being able to do something, the incorrect assumptions can still occur and cause issues in different ways. For example, a character in a more modern setting who looses their arm due to an accident the main character was responsible for while serving in the military would be discharged, ruining the character's plan to become a general some day. This absolutely would be devastating for a character like that, and they realistically could struggle to adjust, both in terms of getting used to their disability and finding new goals for their life. They may well feel anger at the main character, however, if you are portraying just living with a disability, in the case of this example, living with an amputation as inherently "suffering" for no other reason than they are disabled, it is still perpetuating those really negative ideas about disability. I've said this a few times in other posts, but villains who are evil or even just antagonists purely because they're disabled or are trying to avoid becoming disabled is a trope all its own and one that is best avoided if you yourself aren't disabled, as even outside of spreading these negative ideas about life with a disability, it's just an overdone and overused trope.

But what about when this trope goes in the other direction? when you have an antagonistic or even just morally grey character who becomes disabled and this is the catalyst that turns them into a good guy?

For the longest time, I knew I usually disliked this version of the trope too, but I couldn't put my finger on why. With disability being the reason someone became a villain, the underlying reason it's there is often able to be boiled down to "I, the writer, think being disabled would be terrible and life like that is inherently suffering, so this character is angry about it," which is obviously an issue (the "inherently suffering" bit, not the anger). However, when a character becomes good due to becoming disabled, the reasoning is usually more along the lines of, "this is a big change in a character's life that has caused them to reconsider and revaluate things" (or at least, that's what I thought). This isn't bad, nor is it necessarily unrealistic. Hell, as I already said, I do consider my disability to be a catalyst that made me into who I am today. I also know plenty of people who, after becoming disabled later in life, did have a big change in how they viewed themselves and the world, and who consider themselves better people since becoming disabled. It's far, far from a universal experience, mind you, but it does happen. So why did this version of the trope still not sit right with me?

Well, I think there's a few reasons for it. The first being that there's a tendency for non-disabled people to think real disabled people are just incapable of evil deeds, both in the sense that they aren't physically capable of doing them (which is bad and not even always true for the reasons we already discussed), but also in the sense that there's this idea that disabled people are, for some reason, inherently more "good" and "innocent" - As if breaking your back or loosing a limb causes all evil and impure thoughts to be purged from the body. This is a result of many folks viewing disabled people as child-like, and thus attributing child-like traits (such as innocence) to them, even subconsciously. This is an incredibly common issue and something disability rights organisations are constantly pushing back against, as this mentality can cause a lot of unnecessary barriers for us. With how often I and many other disabled people are subjected to infantilization, I would be honestly shocked if it wasn't at least partially responsible for people thinking becoming disabled is a good reason to kick off a redemption arc.

This infantilization isn't unique to physically disabled people by the way, in fact it's way, way, more commonly directed at people with intellectual and developmental disabilities - or at least, people are more open about it, but as I already mentioned, how that is reflected in tropes like The Disabling Change of Heart is vastly different and deserves a post of it's own.

That's mostly just speculation on my part though, since that infantilising mindset does show up a lot in media, but not usually as part of this trope specifically.

However, it's not the only reason I wasn't a fan of it. When the disabling change of heart is used to fuel redemption arcs, I think, once again, that the disability itself being credited with causing the change directly is another factor. When this happens, it's usually because "it put things into perspective for me and showed me what really mattered."

This sounds better than our previous example on the surface, but stories that use this logic are often still portraying disability as an inherently bad and tragic thing, something so bad, in fact, that it makes all the other (legitimate) issues they thought were massive before seem so small by comparison. This is a type of inspiration porn: content made to make non-disabled people feel inspired or just better about their own situation. It's the mentality of "well my life is bad, but it could be worse, at least I'm not disabled like that!"

In a fictional story, this might look like an athlete character who dreamed of making it big so they could be famous and get out of poverty. They were a dick to anyone who got in their way but only because they were worried about not being able to make rent if they don't constantly win. One day though, they overworked themselves and got into a car accident on the way home because they were too tired, and now they're in a wheelchair and can no longer walk, which is (supposedly) absolutely tragic and way worse than anything else they were already going through. But they end up becoming a better person because it has put things into perspective for them. Yeah they were struggling to make ends meet, but at least they weren't disabled! Now that they are, they know they shouldn't have cared so much, because money doesn't matter when compared to not being able to walk, right?

As well as portraying disability in a negative light, these kinds of stories dismiss and diminish the other struggles or challenges the character is experiencing, placing the status of "not disabled" above all else.

There's also the fact that, when a lot of real people say their disabilities had positive impacts on their lives, they don't usually mean the disability itself is directly responsible for the change. There's exceptions of course but for myself personally, and most of the people I know who say they are better people because of/since becoming disabled, the disability has been more of a neutral catalyst than the actual cause of positive change. Meaning, it opened the door to allow those changes to happen, but it wasn't the direct cause. For me personally, becoming physically disabled at a young age didn't make me a nice person like people expect, I was still a little judgemental asshole for a lot of my childhood. However, because I was disabled, I had to travel a lot, initially because I needed medical treatment that my local hospital wasn't equip to provide, and later, because I started competing in disability sports. because of both of those things, I met people I never would have otherwise who made me reconsider what I'd been taught on a wide range of subjects, and made me question where those beliefs had come from in the first place. When I say my disability played a part in who I became, it wasn't because my disability itself change me, but it helped me meet people who were positive influences on me and my life. but when creatives make characters who experience arcs like this, they ignore this, again, defaulting to the "this was a bad thing that just put all my other problems into perspective" reasoning.

Some iterations of this trope also use disability as a kind of "karmic punishment" where the disability is portrayed as a rightfully deserved punishment for an evil character's deeds - usually something relating to the disability they acquired but not always. An example might look like an evil tyrant who punishes the rebels they captured by cutting off their hands. Eventually, this catches up with him, maybe the friend or a child of one of the rebels is able to capture the tyrant and cuts his hands off as payback so that he gets a taste of his own medicine, a taste of the suffering he imposed on others. Now facing at least one of the same realities of the people he subjugated, he realises the error of his ways. With some pressure from the main characters, he has a change of heart and surrenders himself, steps down to let someone else take his place, or perhaps he decides to start changing policies to be more in-line with these new morals until some other character usurps him, becoming an even bigger threat than the previous former tyrant.

Once again, stories that use a disability like this are still portraying the disability as an overall inherently bad thing, but there's the added layer at play in this example. The thing is, there are a lot of people in real-life who actually believe disability is a punishment from God. I remember one time when I was over in the US, an older lady came and sat down on the seat beside me on the bus and started asking me about my disability and specifically, how I became disabled. This isn't an unusual interaction, it happens fairly regularly whenever I use public transport, but on this particular day, the conversation suddenly shifted when I told her I became disabled when I was very young. This woman, despite the bus-driver's best efforts to get her to stop, ended up lecturing me for an hour and a half (during which time I couldn't move due to how my wheelchair was held in place) about how my disability was punishment from God for my parent's sins. She then tried to convince me to attend her church, claiming they would be able to heal me. And the thing is, this isn't an uncommon experience.

A lot of disabled people are targeted by cults using this same method: they'll convince people their disabilities are a punishment, make them believe they deserved it, that they just weren't good enough, but don't worry, if you repent and come to our specific church we can heal you. There was even a case in Australia recently that uncovered a cult called Universal Medicine, who taught that disabled people were reincarnations of evil people, and that being disabled in this life was their punishment, as well as that parents who have disabled children were being punished for other sinful behaviours. They were found to be operating a disability care service named Fabic that was being paid for by the NDIS, a subsection of the Australian government funded healthcare system that specifically aids disabled Australians by paying for and subsidising treatments, technologies (such as mobility aids) and other services relating to their disability. Fabic was found to be stealing excessive amounts of funding from their disabled clients under the guise of therapies and carer services, but was not actually helping their clients at all. Whether it's just taking advantage of them to get their money, or actually using this logic as a justification to mistreat them, this mentality of "disability is a punishment" actually gets real disabled people hurt or worse, and so seeing it come up in media, even if there is no ill-intent, can be very distressing and uncomfortable for disabled audiences.

So with all this being said, is the disabling change of heart a trope you should avoid in all it's forms and versions? No, but it does need to be handled with extreme care. I do think it should be avoided as a reason for a character becoming evil for the most part. If that really can't be avoided in your story though, at the very least, ensure that you foreshadow the change. Your happy little ray of sunshine, embodiment of sweetness and innocence type character probably isn't going to turn murderous and want revenge for an accident for example. A character who is likely to be driven to that kind of extreme of wanting revenge for their disability, so much so that they become a villain, probably already had at least a few traits that would predispose them to that line of thinking already, before becoming disabled. As for when it goes in the other direction, and you have a character becoming a good guy, avoid using the reasoning that "the disability put things into perspective for me". Instead, if you must use this version of the trope, use the character's new disability as the reason they encountered other people and situations that challenged their views, things they wouldn't have encountered otherwise. No matter the reason though, be very careful to avoid inspiration porn, and as always, try to find a sensitivity reader to give your story a once-over, just to make sure something didn't slip under your radar.

[Thumbnail ID: An illustrated image showing the same elf character twice. The picture of her on the left shows her laughing evilly, two tiny horns protruding through her brown hair. She is wearing a black dress and red shoes. On the right shows her in a yellow dress, sitting in a bright pink wheelchair with her head held eye and her eyes closed. The horns have been replaced with a glowing halo. In the centre is text that reads: "Disability Tropes: The disabling change of heart." /End ID]

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2soulscollide · 1 year

Text

Write your book STEP BY STEP

hello hello, it's me again!

today i'm bringing you a step-by-step / checklist to finally get your book done. i know it can be a bit complicated to put everything together to make your idea come to life (you're definitely not alone!)

that's why i compiled some tips and made this post, in hopes to help some author out there :D

let's get started.

PREMISE

assuming you already have a good idea in mind, you should start by writing a premise. to help you with that, try to answer these questions:

who is the main character?

what are their goals?

which troubles will they face / what's stopping them from achieving their goals?

do they have an opponent? if so, who?

now that you know the answers to these questions, it's time to write the premise. the premise consists in a sentence that summarizes your whole idea.

PLOT OUTLINE

there are infinite ways to plot your story. you can do it by writing down ideas and linking them together, following a scheme, or any other method.

the most common plot outlines are these:

synopsis outline: one to two pages, where you hit all the major beats of the story

in-depth outline: outline each chapter/scene

snowflake method: develop the premise into a bigger paragraph, and that paragraph into a page (etc.) until you have the whole outline of your story

booken method: plot the start and end of the story, and the main characters

the novel factory created plot sheets for free, and you can choose from eight different templates. you might want to check it out!

KNOW YOUR CHARACTERS

having your outline defined, you should start developing your characters now. the main character's profile might be more detailed than the others, however, it's up to you. there are many character sheets out there on the internet that will help you create flawless characters.

i have a post with resources that might be helpful when creating a character, check it out!

and here you have some prompts and sheets to create a character:

Quick Character Creator - EA Deverell

Extremely detailed character sheet template - @hawkasss

The Best Character Template Ever - Dabble

Character Twenty Questions Worksheet - The Writers Circle

at this point, you should also define the narrator's voice, tone, etc, as well as the pace of your novel.

LOCATIONS

define the principal locations of your story, the settings, and where the story is taking place. it's important to know how the environment looks, and how your characters feel about it.

for this part, you might find it useful to do some research about some locations, if you're not familiar with them. find inspiration on Pinterest, Tumblr, or even on books, paintings, and art. everything is valid.

if your story takes place in a fantasy environment, you might need to fill out a template to create it or write down the way you imagine it to be. try to get as many details as possible, so there are no holes when developing the novel.

SUBPLOTS

you might want to give more depth to your novel by developing a subplot (or more than one). make sure it doesn't get too confusing or that doesn't take the focus away from the main action.

the subplot can be a romance, another character's relationship, a character's arc, a backstory, etc. this will make your story more real and 3D, more realistic.

develop it as a side story and mix it with the principal plot but don't make it as important as the main story, otherwise, none of the plots will make an impact.

SYNOPSIS

write a synopsis as long as you wish, covering every important part of the story. this will help you to really know your idea, and have a solid structure for it. it can range from 500 to 2,500 words, but you don't have to restrict yourself to a number.

things the synopsis should cover:

the status quo

the complication

initial challenges

midpoint

further challenges

the low point

the climax

the resolution

DRAFT

and we get to the best part which is writing! now that you know everything about your story, characters, locations, and scenes, all you have to do is to put all that together in words. don't feel pressured to make everything look perfect already, just write what comes to your mind. if you have a new idea for the plot, good, write it down! if this character doesn't make sense anymore, okay, get rid of them. just go with the flow, following the structure you've planned, and everything starts to come to life.

i know it's so tempting to go back, read what you wrote, and start editing and polishing, but trust me, don't do that! it's a waste of time, and you will take so much more time to finish your first draft. in fact, i've given up on so many stories because of that...

just when you finish the first draft, you will re-read everything and start editing, fixing plot holes, changing what doesn't fit well, etc. but for now, just write, get the first draft done. enjoy the process, don't rush.

thanks for reading!

i hope this post was helpful!

also, you might be interested in this free workbook with over 90 pages and many exercises! check it out here: THE WRITER'S WORKBOOK

resources for this post:

How to Choose a Plot Outline Method: 4 Techniques for Outlining Novels

How to Write a Novel: A Step-by-Step Guide

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ambermotta · 6 months

Text

Protection Magic: Some Important Concepts

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Long post based on my experience and research. Meant to be informative. I don't claim to know the absolute truth.

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Protection magic is any type of work meant to protect A from B, and there are many ways that this can be done: prayers, charms, talismans, tokens, casting circles, setting up wards, visualization. The list can go on and on because it can be done in many different ways and combining many different methods.

But methods are not the topic of this post today. No, today I would like to talk about some key concepts to keep in mind before getting started on making protections and keeping them effective.

The Importance of Cleansing

Before doing any protection work I like to do a cleansing. Imagine you have an open water bottle, and because it was open, a lot of dirt has found its way into it over time. You decide to seal the bottle so no dirt comes in, but you don't pour out the old water, so you end up sealing it in. Yes, you'll keep more dirt from coming in, but the muck is still there.

It is easier to see this being applied to a physical location, but I personally also apply this to personal protective tokens. I feel they work better when you are taking care of your energies by doing regular cleanses and managing internal negativity.

Important Definitions

Protection ≠ Banishing ≠ Cleansing

I feel a lot of people are under the impression that these are all the same. I think they all work together towards a similar goal, but their jobs are different.

Protection: protecting something from something

Banishing: driving out entities

Cleansing: clearing out energy

You can do cleansing, banishing, and protection at the same time, but that doesn't mean they are the same. You can do a ritual including all of them, but you can also just do a cleansing or just do warding (which is a form of protection).

Note: cleansing is not restricted to “negative energy”. You can cleanse any kind of energy. Exemple: a friend of yours decides tarot is not for them and hands down their deck to you. If you wanna work with that deck it is highly advisable that you do a thorough cleansing of it and then infuse it/consecrate it with the energies you want. It's not that your friend has “bad” energy, it's just that you might not want to work with the same energies they have, or use a tool that has someone else's energy in it.

Not Necessarily a Lazy Job

One important thing with protection magic is that no matter how strong or how successful are at doing it is that it is not failproof. I have yet to see protection work that lasts forever, and there may be a few reasons for it.

Negativity also comes from within

Imagine you have a fish inside an open fish tank. Just like the bottle example earlier, you decide to put a lid on so you prevent leaves from falling into the tank and polluting the water. However, there's a fish, a living being in there, and it produces waste. It is impossible for the fish to live without producing waste. If you don’t regularly clean the water, ammonia and fecal matter will build up.

In this analogy, you are the fish. I am the fish. Humans literally cannot live without ever having a negative thought or feeling, it is part of our existence and we have to live with it. No one lives in constant bliss.

That doesn't mean we have to live in the muck though. That's why cleansing yourself is important.

No one is immune to the environment

Here I have another analogy for you. Imagine you're facing a harsh winter, but you are safe in the security and warmth of your house. Your house is protected from the cold so you don't even mind it. However, you have to go outside. You dress up, go out and you feel very, very cold. You could perhaps wear something warmer, but it will never feel the same as home. Yet it is better than going outside naked, no?

Same thing for energies. You can have protection, but depending on how strong the energy in the environment is you are sure to feel it to at least some degree. However it's best to have some protection than no protection at all.

And there is a difference between Feeling an energy and dwelling in it vs Feeling an energy and not letting it latch onto you.

Energy can wear off, and new energy can build up

Energy is ever changing, ever moving. If you do a strong protection spell once, it can last for a long while, but if you forget about it it will likely lose a lot of its strength over time. Some of what you put out there might wear off and be substituted by something else. The energy can also grow stale, which means it becomes less effective.

But if you do a strong spell every month you will not only make your protections stronger, but also constantly renew the energies and not let them stagnate.

So keep doing cleanses and every now and then give a boost to your protections so they are refreshed and recharged.

Note on "Negative Energy"

One of the main reasons someone might choose to do a protection ritual and a cleansing is to ward off negative energy. But is that really needed? What is "negative energy"?

Negative energy might feel like a sense of heaviness, dread, pain, sadness, feeling ill, angry, sad or anxious. Emotions produce and attract what we can call "negative energy", the same way it can make us feel those things.

And while I personally think nobody wants to feel them, we must understand they are not always bad at their core.

The uncomfortable feelings they can cause may also be a gateway for healing and transformation. Pain tells us there is something that needs to be worked on, that needs change.

If you are feeling negative, ask yourself why. Why does this bother me? What makes me feel this way? What can I learn from this pain?

If you happen to feel negative energy, it is good to cleanse and protect. But I advise you to always look for the source to see what can be done about it or what you can learn from it. Don't just try to use spellcasting to run away from your shit. Own your shit. Deal with it.

Otherwise, it will keep coming back no matter how much protection you have.

Conclusion

It is impossible to always be free from “negative energy” all the time, no matter how strong your protections are. But protections can absorb some of the blows that you would otherwise take and ease the ones you were going to take no matter what.

Protection magic alone will not solve all your problems. It is a great tool to help you keep your center and remain grounded, but it is not usually something you do once and forget. It is a continuous, ever evolving work, meant to be used in conjunction with other types of spellwork.

And most importantly, it can give you some comfort through the many trials of life.

Thank you for reading, and good luck on your path! ♡

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djarin · 6 months

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hi i'm sorry to bother you but do you have any tips on giffing dark indoor scenes? yours always look so good!

hi there! not a bother at all :) i can definitely try to explain the steps i usually take under the cut!

this tutorial will assume that you already know the basic steps of gif-making — if you don't, there are lots of great tutorials floating around on this site that can help you out! :)

here's the gif i'll work with to explain my steps, the bottom being the original and the top being the coloured/brightened version.

before we start, a general tip i recommend keeping in mind: if you want to brighten a dark scene, you'll want to get your hands on the highest quality download you can find. 1080p is decent, but if your laptop can handle 2160p 4k hdr files* without sounding like it's about to explode, that'll get you even better results!

(*colouring hdr 4k files requires a different set of steps — the scene will appear washed-out on photoshop, so you need to make sure that you don't end up whitewashing anyone if you do choose to work with this type of file.)

since most of my downloads are 1080p, i'll use this type of file in this tutorial.

the first step of my gifmaking process with 1080p files is almost always the same no matter what scene i'm giffing. i make a brightness/contrast layer and set the blending mode to screen:

now my gif looks like this:

depending on the scene and how washed out it looks after this layer, i'll play around with the opacity. for this gif, i didn't touch the opacity at all. use your best judgement for this, because every scene is different!

i find that dark indoor scenes are usually tinted in yellow or green. one of my first goals is to try to fix the undertone of this scene before focusing on brightening it any further. i go to colour balance for this, and play around with the midtones, shadows, and highlights.

again, every scene is different, so the amount to which you use colour balance will differ, but for this specific scene, my goal was to neutralize the yellow. i focused particularly on the midtones and shadows of the colour balance layer, moving the scales to the opposite of the reds.

doing so will help with neutralizing the yellow. the only reason i moved the scales towards magenta and blue (therefore making it a bit more red than less) rather than green and yellow in shadows was because i wanted a darker contrast in the blacks. moving them to green and yellow made the overall scene more yellow since there were so many dark spots that shadows affected. (you'll see what i mean when you start experimenting with your own gif — this part of the process really just depends on your preferences!)

our gif might not look that much better yet, but it will soon! our best friend channel mixer is gonna help us out. for an in-depth post about how to use this adjustment layer, i recommend checking out this tutorial.

i'm someone who prefers to make more than one layer for the same adjustment layer for a reason i can't even explain (i just find that it helps me stay more organized). so don't think of this process like i can only use this layer once so i MUST fix it NOW. you can create multiple layers of the same adjustment layer, because every layer on top will affect the ones underneath it.

since my priority is getting rid of the yellow tint, i went to the Blue section of the channel mixer and increased it in all of the scales:

this step alone has helped us out so much, because look at our gif now!

not only does the background look less yellow, but so does izzy's skintone.

now i'm going to focus on trying to brighten the scene even more without destroying the quality. the levels layer can actually help out a lot with this.

the amount to which i move each toggle differs per scene, and i think experimenting depending on your gif works best for this layer.

side note: i prefer not to use the ink droppers on the side because the contrast in the result usually ends up feeling too strong for my preferences, but if you find that this works better for you, then go for it! basically, the first dropper with the black ink should be clicked before you select the darkest part of the scene that you can find, and vice versa for the third dropper with the white ink — click it, and then select the brightest part of your scene.

curves is the next layer that does fantastic work! unlike the levels layer, i do actually use the ink droppers for this. it's the same concept, with the first dropper being used on the darkest part of the scene, and the third dropper on the brightest.

try to think of curves as something that not only further brightens your scene, but also helps with the colour neutralizing process.

i grab the first dropper, then click the darkest parts of the gif that i can see. depending on the undertone of the blacks that you're clicking on, the tint of your gif might actually change significantly. this is why i prefer to click once, then undo the action if i don't like what it gives me. izzy's leather jacket was the sweet spot for this gif.

when i'm satisfied, i make another curves layer and use the third dropper to click the bright/white parts of the scene. for this gif in particular, the lights in the background were a good fit because they carried a yellow undertone — this meant that my curves layer actually helped to further neutralize the yellows in the scene as a whole!

(i manually dragged the curves graph upwards for the third dropper to make it brighter. i don't need to do this if the dropper does this for me automatically, but since the lights were pretty bright, it only changed the tone of the scene and didn't increase the brightness — hence the manual step.)

pat yourself on the back, because this is what our gif looks like now!

this is good, but it's not great — there's still just a bit too much yellow in the scene for my liking (sorry, i'm picky! :P)

i created another channel mixer layer and played with the toggles until i was satisfied:

ta-da! the gif as a whole is much less red/yellow now:

this is when i start fixing the colouring now — namely, his skin tone. selective colour will be your best friend here. i wanted to make his face just a tad brighter and less of a yellow-ish magenta shade, so i focused on the reds and yellows.

then, out of habit, i created another selective colour layer and took out more of the "yellow" in the whites to make them whiter, and increased the black (just by +1, since the contrast is pretty good enough already).

note: i switched to "absolute" for these two colours. basically, relative = less vibrant colour manipulation, and absolute = more vibrant/stronger colour manipulation. i prefer to stick to "relative" for fixing skin-tone since "absolute" can be a bit too strong for that.

our gif looks like this now!

his face looks brighter and much less yellow, so i'm satisfied!

this next step is not mandatory at all — again, i'm just picky and despise yellow-tinted scenes. i personally believe that indoor scenes that are yellow/green tinted make them look more dark than they actually are, so i do my best to get rid of these colours.

i also don't always do this, but for this gif, i just simply went to hue/saturation, selected the yellows from the drop-down menu and decreased its saturation.

be careful not to do this too much. depending on the quality of your download, this can significantly decrease your gif quality. i tend to worry less about this when i'm working with 2160p files, but again, those files require an entirely different set of steps when it comes to brightening/colouring.

since this was a 1080p file download (and one that was actually less than 1GB, oops, don't do that), i played it safe and decreased it by -39 only.

note: you also want to be cautious of colour-washing skintone when it comes to this step. i find that another selective colour layer can help perfect the skintone in case the yellow drains out of it too much, but skip the hue/saturation step if it's too difficult to work with — better to be safe than sorry.

anyway, this is the final gif!

that's usually what i do when it comes to colouring dark indoor scenes! i hope this tutorial makes sense, and if you have any further questions, don't hesitate to reach out! :)

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