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#personal writing
eccedentesiast-skies · 5 months
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You’ve grown into someone who would have protected you as a child. And that is the most powerful move you made.
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sinligh · 1 year
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In the name of healing I bite chunks of myself daily, spit them out in my hand with the intention to wash it away later
Eventually, i end up over analyzing them, like everything else in my life
grafts of all the causes I’m still here, glued together by my mother’s fears
be the Alpha female, she said. “feed on your most beloved, a cup of the moon’s blood every night before bed for you to run alone forever, run wild, never slip”
I Shower myself with self-loathing, lick my own wounds close Keep me sane, keep me safe
loneliness to me is just another insecurity that is dangling from my prefrontal cortex, dangling right in front of my eyes… for me to see the world through it.
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I spend hours looking at the bloody chunks in my hand, thinking where did i go wrong ? how much can I hold on to this heartache ?
I've been running around it all my life, running around red lines, red lines circle me, i run in circles around myself I’m all that I’ve ever knew, yet, I only know myself in fading
A distant memory, a deja vu…
All I really know, is that the only stable in my life is the fact that I exist, and that it’s a temporary state.
jamais vu.
will the lines fade if i eat what i bit off of myself again ? if i chew and chew and chew… If i teach myself to stomach it will i be whole again?
is holding on to those pieces enough to satisfy my desire to be held ?
Or does it make me a feral rogue ?
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Schizophrenic delusions ticking in my head…
Sometimes I wonder if it’s my fault that I’m this alone…
then again I wasn’t the one feeding myself all the insecurities as a young child.
I wasn’t the one playing pretend.
It was never my fault, my mother thought faking happiness is the way to protect me, it was never my fault father wasn’t interested in the details, as long as I was his perfect girl…
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Now, I can’t hold on to anything the way i hold on to the lunatic turmoil that makes me sway and laugh on my own personal misery.
Call it history.
Hide behind defensive humor, get my inner demons drunk on caffeine, mistake that high for happiness cause mama did too…
And wait for caffeine withdrawal to wake us up, both of us…
I’ve never been hangover, but I imagine this is how it’ll feel
The aura ? The migraine?
The urge to throw myself up to be reborn clean.
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•••
•Quotes: Olivia Laing/Heather Havrilesky/ Olivia Laing/ Marya Hornbacher/Anaïs Nin/Camille Norton/ Alice Oseman/ eduardo C. Corral/anne carson/ Joanne Harris/ Hannah Green/Hannah Green/Lisel Mueller
•Original context: sinligh
•Art reference:
1. Sasha Hartslief, Late Night Shower, 2021. 2. Getting Up by Vincent Giarrano. 3.illustration by Owen Gent. 4. The Lovers on the Bridge, 1991. 5. "Beverly Edmier 1967' Keith Edmier, 1998
•song recommendation:
P.s: the whole album is a masterpiece ! Give it a try, thank me later.
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serenescribe · 8 months
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thank you @oddberryshortcake for letting me write something based on this absolutely heart-wrenching post! i am in shambles from the newest update. spoilers ahead.
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“Silver,” Lilia whispers, in a voice that breaks as it spills past his cracked lips.
Lilia pays no attention to the way his knees ache, kneeling for as long as he has been, the thin fabric of his stockings rubbing raw patches into his flesh. Nor does he focus on any of the other ailments afflicting him — the blanket of fatigued exhaustion weighing down his shoulders, the throbbing agony pulsating through his head, the scratchy dryness itching up the inside of his throat. The only thing he has eyes for is his son: Silver, who lays in his arms, cradled close to Lilia’s body, his head lolling against Lilia’s chest.
Silver’s eyes remain firmly shut. He is still asleep.
Oh, Lilia’s heart crumbles with each ticking second, eyes fixated upon the slow rise and fall of Silver’s chest. He is not dead — Not yet, a terrible, pesky part of Lilia’s mind, words uttered from the lips of a disillusioned general, tells him, to which Lilia bats away, trying to ignore the thought. The sight of his breathing should fill Lilia with relief because it means Silver is still alive.
And yet, Lilia can only hang his head over Silver’s body, cradling him even closer, arms wrapped protectively around the body of his son, his child.
“Wake up, Silver,” Lilia murmurs into his ear. He blinks, eyes wet and heavy, feels something sliding down his cheek — a single solitary tear, but not alone for long. Wet droplets land on Silver’s body, sinking into the fabric of his shirt. How long has it been since Lilia cried like this? He cannot remember. Seven hundred years spent alive does that to someone — it numbs their heart, dries their tears, makes it nigh impossible to cry, especially when so much of their past is occupied by something as numbing as the wretched consequences of wars long fought.
Silver still does not stir.
Distantly, Lilia notices the faint tracks marring his cheeks, echoes of tears long since shed. He reaches for it with a thumb, swiping at the dried stains, as though wiping it away could erase all of the pain Silver must have gone through in his dream. He knows enough of what happened, knows of it from what the others has told him, and it makes his heart shatter — the thought that Silver had nearly succumbed to his own blot, all because he found out his past, a past Lilia tried to hide for fear of Silver being judged for the sins of his fathers, breaks something nestled deep inside of his chest.
Lilia closes his eyes. “I love you,” he breathes, words he has been so terrified of saying all these years. He does love Silver, truly — but to utter those three words, the words a young Silver have always said to him so freely with that beaming smile spreading across his chubby child cheeks… For years, Lilia has evaded ever speaking them into reality, to return the obvious affection of his son instead of laughing it off and saying “I know.”
And as a consequence of that, Lilia is now far too late.
He knows he is not alone in this room. He can hear things — conversations that swirl together, hushed murmurs, snatches of his name and Silver’s own, footsteps and doors creaking open and shut. He can see things — in his peripheral vision mainly, shadows that approach and depart, the occasional sight of footsteps slipping into view. He can feel things — a hand coming to rest on his shoulder, fingers reaching out to stroke Silver, all touches that Lilia shrinks away from, pulls Silver away from. Because as far as his addled mind is concerned, the only thing he can process right now is him and his son.
A memory haunts him: He is a few years younger, finding Silver for the first time. He uses his magic to explore his memories, discovers the identity of the child in the cradle, and finds out that he is the spawn of his enemies. And yet, all Lilia can focus on is the knowledge that Silver was fated to slumber until his true love woke him up, an unending rest only broken when Lilia stumbled upon him.
He is Silver’s true love, and Silver is his.
“Silver,” Lilia tries again, his voice cracking into splinters as he forces his name past his lips. “I love you. Wake up.”
Silver is his, isn’t he? Just as he is Silver’s — an absolute truth that Lilia turned a blind eye to for years, too scared to reciprocate the emotions swirling about his soul in full force, to unleash the depths of his love for his dear son. If Silver could wake from the throes of a sleep that had addled him for four hundred years all because of Lilia’s love for him, a love he had not realised the extent of when he found Silver for the first time, then surely he can do the same now, right?
Surely Lilia’s love for him, a love he knows now to show freely in the way he hugs him close, presses kisses against his forehead, will be enough to wake him… right?
So why is he not waking?
Why is he still asleep?
Is his love not enough? That cannot be the case. Lilia loves Silver — with all his heart, with all his soul; they have been bonded since the moment Silver was born, the invisible strings of fate entangling the two of them together before either of them knew it. Lilia is the key to Silver’s lock, his very presence opening the boy’s heart, dispelling the effects of a curse that has kept him in stasis for four long centuries. His only mistake was not showing his affections sooner, of keeping his heart carefully guarded until it was far too late.
So why then?
Why won’t Silver wake up?
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motherofblurbs · 2 months
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a love so pure
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zashafenn · 1 year
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he makes time for you
“You have this awfully mischievous look in your eye, General.” You remark, coming to stand next to Jing Yuan, looking out at the Luofu from where you stood at the Seat of Divine Foresight.
“Hmmm..? Whatever could you mean?” His tone is sweet as honey, and he looks at you from underneath his fringe, a secretive little smirk weaving onto his face.
The general was widely regarded as one of the Alliances best men – skilled, thorough, strong. It wasn’t that people were wrong about any one of those things, but you knew of another side of his personality. A quirk, one may say?
He was really a little lazy. Rather good at having others do the work for him, too. Delegation, is what he called it.
“Are you sure? Usually, when you have that look on your face, it means trouble for someone.” You joked, stifling your laugh into your hand and leaning into him a little, careful not to be too obvious. This was your workplace, after all.
He paused. “I’m not sure what you’re talking about.” Jing Yuan was covering his mouth now, a twinkle in his eye as he gazed at you. “I simply… redistributed some tasks, freed up a little time for myself.” When he turned away from the window, his hand snuck around your waist, and squeezed gently. “Would you like to have dinner tonight?”
...You supposed sometimes it was alright for him to cause a little trouble for others, if it meant you got to steal him away for a while.
“I’d love it.” You murmured, doing your best to resist giving his lips a quick peck. He beamed at you, thoroughly pleased with himself. “Now, go get the work you haven’t managed to shift onto someone else done, I’ll be waiting.”
At least he had the decency to look sheepish as you walked away. You weren’t complaining though – you loved it when he made time for you.
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I guess we are father's sons
After all,
But what do you think,
Who pulled the worse end
Between us two?
Is it my overflowing dark,
That continues to spill
Loneliness
And withdrawal of connections;
Or your twisted thoughts,
That bring out
Spitefulness
And addiction to silence?
You know what?
I think we're both fucked.
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I always have you in the back of my head.
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embermay2 · 8 months
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(NOT A PROMPT AND SLIGHTLY RUSHED)
Eyes
Villain's mask fell onto the ground, and behind it revealed a face that Hero had never seen before.
His eyes widened with awe.
When he first met Villain, he never knew what she looked like. He always imagined a monstrous face that lay hidden behind that mask, until now.
A delicate face with some blemishes scattered across it. Freckles and small scars from previous battles. The things that caught his attention are her eyes. Dark empty abyss with small sprinkles of light. It's almost like she held a whole galaxy within them. So pretty and so mysterious...
"Why are you looking at me like that?"
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solarianvoidthearoace · 10 months
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Being autistic is when
Either, I listen to and comprehend what you’re saying.
Or, I make eye-contact and control my facial expression.
Pick. One.
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evadneares · 10 months
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Vittorio Giardino, "La Porta D'Oriente" (1997)
I woke up later than usual today, the sun was up and shining, the house was quiet.
I walked slowly through the hallway, Sunday was quiet, and I made myself a coffee and some toast.
I wasn't in a rush, I breathed in the smell of the coffee, and I sat down and took a rest.
It rained outside without a noise, the world beyond my window was mute and pleasant.
Life didn't have to be a rush, or this push and pull to be the best, life always turned and tossed in a way to help you grow.
So I took it in stride, in my own time, without having to run for anyone.
I folded my laundry while playing my favourite playlist, I picked out a film to play in the evening and I decided I wanted to go on a walk.
I'm alive, and I'm present and I'm content.
It won't always be like this.
But I will enjoy the now.
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eccedentesiast-skies · 4 months
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Learning to grieve aspects of yourself once believed would be apart of you forever, is one of the scariest yet most enlightening experiences.
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sinligh · 15 days
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i want peace,
not the measured one that life offers me from time to time like a band-aid that will be ripped off before I heal
I want it like a graft,
patching up the exposed areas that i scraped off of my soul to feel lighter..
to move on.
I’m trying to write an independent story from all the tragedies of the women around me
digging my own plot with my nails on the exact same rocks that were used
to stone them..
carrying the guilt of that, the way they carried the shame of existence. The only difference is i refuse to ask for forgiveness.
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sometimes it feels like all my feelings are over felt, if not by me then someone else.
I've seen it over and over again I, the eye of an outsider
or that of the storm
stood still when it all spiraled around me, I held on to the rubble,
and cemented myself back together
more often than not, I did it with rage so whenever i got spilled, like blood under an old rug,
with all my particles separated into different identities, unseen, uncared for while i floated in an astral projection status
Ironically, the core was always one
rage, rage again…
aging rage!
It's all that i know, it's all the shades.
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I exist, Like an ugly bruise
Violet fading to blue, violent, contrasting the softness that i long for.
I can't seem to explain my existence to anyone, not even myself.
a bruise, self inflicted or not, I can’t stop examining it, obsessively
dissecting pieces of my soul, trying to find a marker for the malicious cells that overgrown my own.
In the daylight I get fascinated by the way it changes colors, and when sleep sits heavy on my eyelids i press on it harder,
curious to where will i draw my threshold line.. do i know how to exist without all this pain?
am i just a phantom of coping mechanisms, and survival instincts,
Shades of hysteria, along with estrogen ?
this world constantly seems bigger than me, that’s my only comfort.
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•••
• Quotes: Taylor Swift/ Charles Bukowski/ Henry Miller/ anne sexton/ Louis Tomlinson/ Anaïs Nin/ Rainer Maria Rilke.
•original context: Sinligh
•Art reference:
1. painting by marta astrain. 2. Omen, 1886, by Emile Corsi 3. Oil paintings by Jen Mazza 4. Art by Liu Yuanshou 5. Art (detail) by Arthur Gain
•••
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serenescribe · 5 months
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pénthos Twisted Wonderland | 2.2k Summary: Silver is dead, and everything is wrong. AO3 Link: https://archiveofourown.org/works/52165603 TW: Major character death, heavy angst
I wrote this a few days ago while trying to process my complex feelings about death and life continuing on, mainly due to the sudden decline in health of one of my family's dear pet cats. It is, in essence, a vent fic; it deals with a lot of grief and hurt.
Nevertheless, writing is still a form of expression, and I hope that someone can find some meaning in this, in spite of the heavy content.
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The cottage door opens with a long, drawn out creeeaaak.
He covers his nose and mouth with a hand as he steps inside, eyes squinting against the deluge of dust and musty air that permeates the inside of the house. For a moment, Lilia lingers there, standing stock-still in the doorway, his other hand still wrapped around the handle of the door. His grip tightens the slightest bit, the movement imperceptible, matching the way his heart is squeezed within his chest — a scarcely noticeable gesture to match such inner, invisible pain.
With deliberate effort, Lilia forces his hands to drop to his sides.
He takes a deep breath, closing his eyes.
And then he dives in.
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A home is a place, everyone says. That is the textbook definition of what it is — a place where one lives permanently, especially as a family member, or as a member of a household. This cottage is a home, has been a home for all these many years spent deep in the woods of the valley. It was once decrepit, abandoned, falling to pieces, but Lilia had restored it for the purpose of creating a home.
A home for two — for him, and for his son.
His steps are slow, soles practically dragging against the dirt-stained floor. Despite the way the stale air makes him cough, with barely any fresh oxygen in this musty household to revitalise his soul, Lilia leaves it as it is; it is far more fitting this way, than to push open the windows and allow sweeping gusts of forest air to burst inside, washing the living room alight with life.
The decrepit atmosphere matches his mood, the emotions clawing inside his chest, tearing into him from the inside out. There is no point bringing life into a home, when to him, it does not feel like one anymore.
And with that thought, that realisation, Lilia stills. He blinks, and for a moment, it feels as though something indescribable has overcome him — an emotion so peculiar, so powerful, eating at the hollow abyss that has festered within his chest ever since it happened. His shoulders stiffen, teeth snagging against his lower lips. He raises his head, pulling his eyes away from moth-bitten curtains and dust-smeared windows to glance around instead.
Lilia looks at the frames on the wall, housing paintings and photographs within them — an oil painting of him, hair streaked fuchsia yet still draping over his shoulder in long locks, a slumbering toddler seated on his lap; smaller colleges of him years later, laughing in black-and-green uniforms with a boy who towers over him; and scribbly doodles on yellowing paper that tears at the edges, crayon scribbles of stickmen, with wobbling words that read: “Papa and me.”
The claws of fate snatch at his chest, and strangle his heart.
Pressure builds behind his eyes, something wet pricking at the edges. Before he even knows it, Lilia is pressing a hand against the framed drawing, tracing the amateurish yet loving strokes, a lump forming in his throat to choke him until he collapses into the black.
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From the very moment he found a crying bundle in a castle of thorns, he has known one singular truth: Lilia has never intended to live longer than the son he shall raise.
Even all the way back then, as he used magic to bless the baby, watching sunlight-spun hair turn to streaks of silvery moonlight, Lilia has always known that his end was near. His only mistake was assuming he had more time than he actually did; if he were truly aware of how meagre his magic reserves were, of how he would run out before Silver even reached the threshold of adult maturity, he would have taken careful steps to preserve it longer.
But Lilia has always known he would not outlive his son. For all his human mortality, Silver was young, and Lilia was old; death has always followed him in his shadows, stalking him with each ticking year, looming like an inevitability that would one day swallow him up.
And yet, the fates had been cruel. Far, far too cruel.
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Everywhere he steps in the cottage, Lilia sees him.
He lingers in the bookshelves, from the picture books to survival guides and training manuals. He is there in the wood-carved critters, from amateurish carvings of a bird to much more detailed squirrels and bunnies, that gather dust along the shelves, keeping the neglected books company. A candle, half-burnt, the wax melted a significant amount, sits on the square table they take their meals at; it would always be lit by a smiling son, who started with matches and ended with flickers of budding fire magic.
He haunts the creaking steps and groaning floorboards, the hinges that squeal as Lilia pushes into room after room. He stiffens with each sound, whisked back to years of the past; suddenly, he is playing hide and seek again, and he expects to hear a squeal or a giggle as he calls out a playful warning; “Come out, come out, wherever you are!” When Lilia steps into the bathroom, he spots the laundry basket that the giggling boy used to sit in, when he was tiny enough to hide inside and pull the lid over his head, unable to stop his laughter from squeaking out as Lilia entered and feigned ignorance about his obvious whereabouts.
He lives on in the withering potted plants and the bird houses hanging from the outside of the windows, still visible even through dirtied glass. Signs of life taken care of, from the flora which flourished under his care, lapping up water poured from a little cup and blooming with ample sunlight, left in the view of the shining sun, to the birds and squirrels who would clamber up swinging feeders, chirping and chittering as they tucked into meals of nuts and berries, a veritable feast gathered by a young boy who simply loved the world.
The hollow ache in his chest never dissipates. It only grows and grows, consuming his heart.
Lilia feels something streak down his cheek, and absentmindedly wipes it away.
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Silver’s room is untouched by time.
Everything is just as he left it, coated with thin layers of dust. His bed is made, quilted duvet folded and spread over it neatly, his pillow fluffed up at the headrest. His tables are cluttered with a few trinkets, and his training sword, wrought from wood with some metal to emulate weight, leans against the wall. Books line his shelves, next to gifts received from his years of schooling — clocks received as gifts from hometown travels, a little jewellery case that gleams with far too many expensive jewels, and a memory album received in his final year. Lonely clothes hang within the wardrobe, limp and sad without their owner to adorn; he swallows a lump in his throat at the sight of a silly hat tucked away within an inner drawer, thinking back to the silly smile his son adorned when he wore it for the first time.
The weak rays of a setting sun streak into the room. Dust dances in the air.
Lilia stands in the middle of the room, and stares.
Slowly, he moves to the bed. The mattress dips under his weight, and he spreads a hand against the patchwork quilt beneath. Lilia can remember every little patch of fabric and their origins; against the logic that barely stands out in his tumultuous, aching mind, he summons what little bits of magic he has left, closing his eyes as he casts—
“Far Cry Cradle.”
Silver is young, and Lilia is younger than he is now, new to fatherhood with little idea of what to do. Silver outgrows his clothes at a rapid pace, faster than Lilia expects — how peculiar it is, the way the little human baby seems to grow in the blink of an eye!
The clothes pile up, again and again and again. Silver is older, tottering around on two feet. He giggles at him and claps his hands together, babbling at him over and over.
Lilia has always held a weapon in his hands. The calluses marring his flesh is proof of that. The needle he picks up feels pathetically small in comparison, thread looped through the little ring on the end. Silver slumbers in the cot nearby. A pair of scissors rest on the table to his side, along with a mountain of tiny patches of fabric.
A patchwork quilt. Baul told him about it, when Lilia visited him and his daughter and her family, and had grown interested in the colourful blanket folded across her child’s bed. “She sews one for everyone in the family,” Baul tells him, his voice gruff, though pride and affection underlines it deep within. “It’s her way of showing her love.”
So he tries. He uses Silver’s old clothes, before he moves on to his own, and then he moves on to anything else he can get. Silver grows as new squares are added, his stitching clumsy before it slowly straightens out over the slowing movement of time.
By the time he is six, Lilia wraps him in a thick, snug blanket, heart soaring at the way the young child beams at him, flashing him a toothy grin.
“I love you, Papa!”
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Silver is dead, and everything is wrong.
“The worst thing about loving humans,” Baul’s daughter said to him once, when he’d visited in a panic over Silver growing sickly and ill, “is that they don’t live long.” At the time, she had fed the baby some medicine, mixing herbal remedies with some warm milk before feeding him with a bottle, and when she and Lilia began to converse, she had been rocking the slumbering baby in her arms.
Her eyes had grown distant as she glanced down at Silver, before raising her head. Their eyes met; “The knowledge that you will outlive them won’t ever go away,” she told him, her voice tinged with a miserable acceptance. A sad smile graced her lips, scales across her face shifting with her emotions. “I will someday have to bury my own husband, and perhaps even my own children. And yet, that is the risk I have taken, to love who I love, and to raise those who are mine.”
“I do not know if I will outlive Silver,” Lilia had confessed. He drummed his fingers against the arm of his chair, eyes floating down to the slumbering baby cradled in her arms. “I’m not sure how much Baul told you about me, but I am rather old, as it stands. And it isn’t just an issue of age,” he added. “I… greatly overworked myself during the days of war. Magic is what makes us who we are, after all — and how much longer can a fae live without their magic?”
There had been a pause, a comfortable silence filling the air. And then Silver had hiccupped noisily, eyes squinting open the slightest bit. He babbled, hands raising weakly, and Baul’s daughter had smiled at Lilia, reaching forward to pass him the little bundle of life. “You never know what may happen, Lilia,” she said, as Lilia took Silver into his arms, the baby breaking into a toothless smile. “Lifespan is one thing. Have you ever considered how much more fragile humans are?”
“Of course I have,” Lilia answered as he rocked Silver back and forth, heart bursting with such melting warmth. “Who do you take me for?”
And that was precisely why he decided, there and then, that he would raise Silver to be the strongest human that ever was. To live long, to live forever, to live past Lilia, and thrive through the rest of his life.
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“I’m sorry,” he breathes, fingers clenching tight around the quilt. He hangs his head, the tears finally flooding forth, pouring down his face as he gasps for breath. “Silver, I’m sorry—”
But the only thing left for him is the ghost of a home, an empty cottage ladened with dust.
Even as Lilia wraps the patchwork quilt around him with trembling hands, burying his nose into the fabric in hopes of drinking what little snatches of Silver there still are, he knows, deep down, that Silver is gone. A horrible reality he never hoped to pass has come true — he has outlived someone he always knew he would, no matter how hard he tried to cope, lying to himself about a shortened lifespan and dwindling magic.
Fool, he thinks to himself, squeezing his eyes shut. You absolute fool, you—
A home is not a home without the son he so truly loves. As Lilia tips backwards, collapsing into the bed, he stares at the ceiling. The little mobile with the carved animals that he made when Silver was just mere months old still hangs over the bed. Even as Silver outgrew it, he still insisted on hanging it when he upgraded from a cradle to a bed of his own.
Lilia watches as the animals drift the slightest bit — barely moving, for all intents and purposes, static.
He sucks in a deep breath, and closes his eyes.
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cyancherub · 2 months
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heykickr0cks · 11 months
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"From morning to night,
And from a single day
To extended weeks,
Your fear of me leaving
Seems to be an unstoppable force.
I'll say this:
From the moment I have met you
In that secluded part of the world,
Still finding ourselves,
I think I was ready even then,
As I am now,
To completely let myself fall,
Rapidly increasing speed,
With not a one thing on my mind
Except the embrace of myself
Into your warmth.
The truth of course,
Which will never be accepted,
Is the fact
I don't feel deserving
At all
Of a person
Like you."
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